Ashton, Dore. (1978). Antonio GAUDI. Craft Horizons (Archive : 1941-1978), 17(6), 1941–1978. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1493608034/20073A5A121E45D4PQ/5?accountid=14540
Barcelona: Urban Identity 1992-2002. (2002). Arizona Journal of Hispanic Cultural Studies, 6(1), 245–261. https://doi.org/10.1353/hcs.2011.0277
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Bell, L. (2012). The Death of the Storyteller and the Poetics of (Un)Containment: Juan Rulfo’s <em>El llano en llamas</em>. The Modern Language Review, 107(3). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/10.5699/modelangrevi.107.3.0815
Bennett, A. (2002). Barcelona: Vol. Blue guide (2nd ed). A & C Black.
Burton, J. (1973). A Drop of Rain in the Desert: Something and Nothingness in Juan Rulfo’s ‘Nos Han Dado La Tierra’ (‘They’ve Given Us the Land’). Latin American Literary Review, 2(3), 55–62. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/20118895
Bustamante Ramírez, E. (2013). Historia de la radio y televisión en España: una asignatura pendiente de la democracia: Vol. Comunicación (Primera edición). Gedisa Editorial.
Columbus, C., Ife, B. W., & Penny, R. J. (1990). Journal of the first voyage =: (Diario del primer viaje): Vol. Hispanic classics. Aris & Phillips.
Copertari, G. (2005). Nine Queens : A Dark Day Of Simulation And Justice. Journal of Latin American Cultural Studies, 14(3), 279–293. https://doi.org/10.1080/13569320500382534
Delaney, C. (2006). Columbus’s Ultimate Goal: Jerusalem. Comparative Studies in Society and History, 48(02). https://doi.org/10.1017/S0010417506000119
Deyermond, A. D. (1993). Lazarillo de Tormes: a critical guide: Vol. Critical guides to Spanish texts (2nd ed). Grant & Cutler in association with Tamesis.
EDMOND CROS. (1998). Desde la epopeya villista al sinarquismo: análisis sociocrítico de ‘El llano en llamas’. Revista Canadiense de Estudios Hispánicos, 22(2), 215–224. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27763459
Edward H. Friedman. (n.d.). From the inside out: the poetics of Lazarillo de Tormes. Philological Quarterly. http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com.ezproxy.lib.gla.ac.uk/ps/i.do?p=EAIM&u=glasuni&id=GALE|A252446762&v=2.1&it=r&sid=summon&authCount=1
Feierstein, L. R. (2015). Graphic and political humour in Argentina: from Quino to Página 12. European Journal of Humour Research, 3(2/3), 119–128. https://doi.org/10.7592/EJHR2015.3.2.3.feierstein
Foster, D. W. (1980). MAFALDA: An Argentina Comic Strip. The Journal of Popular Culture, 14(3), 497–508. https://doi.org/10.1111/j.0022-3840.1980.1403_497.x
Foster, D. W. (1989). From Mafalda to Los Supermachos: Latin American graphic humor as popular culture. Lynn Reinner.
Fraser, H. M. (1988). ‘Inframundo’: Juan Rulfo’s Photographic Companion to ‘El llano en llamas’. Chasqui, 17(2). https://doi.org/10.2307/29740086
GASTÓN LILLO and JOSÉ LEANDRO URBINA
ANTONIO ALATORRE
FELIPE GARRIDO
JULIO ESTRADA
JAIME CONCHA
EDMOND CROS
MARIO J. VALDÉS
ANTONIO GÓMEZ-MORIANA
AMARYLL CHANADY
NEIL LARSEN
JEAN FRANCO
FERNANDO DE DIEGO
CARMEN BOULLOSA
DANIEL CASTILLO DURANTE
JORGE ETCHEVERRY
FRANÇOISE PÉRUS
JOSÉ ANTONIO GIMÉNEZ MICÓ
KEITH ELLIS
RODNEY WILLIAMSON
MONIQUE SARFATI-ARNAUD
ROMÁN DE LA CAMPA. (1998). Vol. 22, No. 2, Invierno 1998 of Revista Canadiense de Estudios Hispánicos on JSTOR. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i27763451
Gitlitz, D. (2000). Inquisition Confessions and Lazarillo de Tormes. Hispanic Review, 68(1). https://doi.org/10.2307/474356
Harbison, Robert. (1992). GAUDI. C (Archive : 1987-1992), 1987–1992. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon
Hedges, J. (2011). Argentina: a modern history. I.B. Tauris.
Heinowitz, R. C. (2010). Spanish America and British Romanticism, 1777-1826: rewriting conquest: Vol. Edinburgh studies in transatlantic literatures. Edinburgh University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748638680.001.0001
Henige, D., & Zamora, M. (1989). Text, Context, Intertext: Columbus’ diario de a bordo as Palimpsest. The Americas, 46(01), 17–40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1007392
Hughes, R. (1992). Barcelona. Harvill.
Kamen, H. (2008). Imagining Spain: historical myth & national identity. Yale University Press.
Klein, S. (1993). Breaking the Mold with Humor: Images of Women in the Visual Media. Art Education, 46(5). https://doi.org/10.2307/3193387
Lahuerta, J. J., & Gaudí, A. (2003). Antoni Gaudi, 1852-1926: architecture, ideology, and politics. Electa Architecture.
Lyon, T. C. (1992). Juan Rulfo, o no hay salvación ni en la vida ni en la muerte. Revista Chilena de Literatura, 39, 97–118. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40356643
Martignone, H., & Prunes, M. (2008). Historietas a diario: las tiras cómicas argentinas de Mafalda a nuestros días. Libraria.
Masters of Building: SAGRADA FAMILIA. (2005). The Architects’ Journal (Archive : 1919-2005), 195(13), 1919–2005. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon
Maximilian C Maier. (2012). Maier, Maximilian C: Comic Confluence in Lazarillo de Tormes. Bulletin of Hispanic Studies, 89(7). http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com.ezproxy.lib.gla.ac.uk/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R04725791:0&rft.accountid=14540
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Mendíbil, Á. (2013). España en serie: cada serie cuenta una historia, todas juntas cuentan nuestra historia (Primera edición). Aguilar.
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Rebecca Earle. (2001). Creole Patriotism and the Myth of the ‘Loyal Indian’. Past & Present, 172, 125–145. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents
Rebecca Earle. (2002). 'Padres de la Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America. Journal of Latin American Studies, 34(4), 775–805. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents
Rêgo, C., & Rocha, C. (2011). New trends in Argentine and Brazilian cinema. Intellect.
Robinson, W. H., Falgàs, J., Lord, C. B., Alix Trueba, J., Cleveland Museum of Art, & Metropolitan Museum of Art (New York, N.Y.). (2006). Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. Cleveland Museum of Art in association with Yale University Press, New Haven and London.
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Shaw, D. (2007). Playing Hollywood at Its Own Game? Bielenski’s Nueve reinas. In D. Shaw (Ed.), Contemporary Latin American cinema: breaking into the global market (pp. 67–85). Rowman & Littlefield. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
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Smith, P. J. (2009). Spanish screen fiction: between cinema and television: Vol. Contemporary Hispanic and Lusophone cultures. Liverpool University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5949/UPO9781846315732
Smith, P. J. (2012). Spanish practices: literature, cinema, television: Vol. Moving image (Legenda). Legenda.
SOMARRIVA Q., M. (2017). A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence. Bulletin of Latin American Research, 36(2), 223–236. https://doi.org/10.1111/blar.12528
Ted Lyon. (1973). Ontological Motifs in the Short Stories of Juan Rulfo. Journal of Spanish Studies: Twentieth Century, 1(3), 161–168. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27740626
Todorov, T. (1992). The conquest of America: the question of the other. HarperPerennial.
Van Zandt, E. (1995). The life and works of Gaudí. Siena.
