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Bennett, Annie. 2002. Barcelona. Vol. Blue guide. 2nd ed. London: A & C Black.
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Bustamante Ramírez, Enrique. 2013. Historia de La Radio y Televisión En España: Una Asignatura Pendiente de La Democracia. Vol. Comunicación. Primera edición. Barcelona: Gedisa Editorial.
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EDMOND CROS. 1998. ‘Desde La Epopeya Villista al Sinarquismo: Análisis Sociocrítico de “El Llano En Llamas”’. Revista Canadiense de Estudios Hispánicos 22(2):215–24. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27763459.
Edwards, Gwynne. 1980. Lorca: The Theatre beneath the Sand. Vol. Critical appraisals series. London: Boyars.
Ellwood, Sheelagh M. 1994. Franco. Vol. Profiles in power (London, England). London: Longman.
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Foster, David William. 1989. From Mafalda to Los Supermachos: Latin American Graphic Humor as Popular Culture. London: Lynn Reinner.
Fraser, Howard M. 1988. ‘“Inframundo”: Juan Rulfo’s Photographic Companion to “El Llano En Llamas”’. Chasqui 17(2). doi:10.2307/29740086.
García Lorca, Federico, and Ted Hughes. 1996. Blood Wedding. London: Faber.
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García Lorca, Federico, and Tanya Ronder. 2005. Blood Wedding. London: Nick Hern Books.
GASTÓN LILLO and JOSÉ LEANDRO URBINA
ANTONIO ALATORRE
FELIPE GARRIDO
JULIO ESTRADA
JAIME CONCHA
EDMOND CROS
MARIO J. VALDÉS
ANTONIO GÓMEZ-MORIANA
AMARYLL CHANADY
NEIL LARSEN
JEAN FRANCO
FERNANDO DE DIEGO
CARMEN BOULLOSA
DANIEL CASTILLO DURANTE
JORGE ETCHEVERRY
FRANÇOISE PÉRUS
JOSÉ ANTONIO GIMÉNEZ MICÓ
KEITH ELLIS
RODNEY WILLIAMSON
MONIQUE SARFATI-ARNAUD
ROMÁN DE LA CAMPA. 1998. ‘Vol. 22, No. 2, Invierno 1998 of Revista Canadiense de Estudios Hispánicos on JSTOR’. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i27763451.
Harbison, Robert. 1992. ‘GAUDI’. C (Archive : 1987-1992) 1987–92. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon.
Hedges, Jill. 2011. Argentina: A Modern History. London: I.B. Tauris.
Henige, David, and Margarita Zamora. 1989. ‘Text, Context, Intertext: Columbus’ Diario de a Bordo as Palimpsest’. The Americas 46(01):17–40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1007392.
Hughes, Robert. 1992. Barcelona. London: Harvill.
Julian Palley. 1967. ‘Archetypal Symbols in “Bodas de Sangre”’. Hispania 50(1):74–79. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/336250?origin=JSTOR-pdf.
Kamen, Henry. 2008. Imagining Spain: Historical Myth & National Identity. New Haven, Conn: Yale University Press.
Klein, Sheri. 1993. ‘Breaking the Mold with Humor: Images of Women in the Visual Media’. Art Education 46(5). doi:10.2307/3193387.
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Lyon, Thomas C. 1992. ‘Juan Rulfo, o No Hay Salvación Ni En La Vida Ni En La Muerte’. Revista Chilena de Literatura (39):97–118. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40356643.
Martignone, Hernán, and Mariano Prunes. 2008. Historietas a Diario: Las Tiras Cómicas Argentinas de Mafalda a Nuestros Días. Buenos Aires: Libraria.
Masters of Building: SAGRADA FAMILIA. 2005. The Architects’ Journal (Archive : 1919-2005) 195(13):1919–2005. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon.
McDonagh, Kelly. 2007. ‘Estrategias Discursivas de La Reconquista y La Conquista: La Construcción Del “Otro” En Los Romances y En Las Escrituras de Cristóbal Colón’. Confluencia 23(1):10–28. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27923250.
McMullan, Terence. 1993. ‘Federico Garcia Lorca’s Critique of Marriage inBodas de Sangre’. Neophilologus 77(1):61–73. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1301907832?pq-origsite=summon.
Mendíbil, Álex. 2013. España En Serie: Cada Serie Cuenta Una Historia, Todas Juntas Cuentan Nuestra Historia. Primera edición. Madrid: Aguilar.
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Quino. 2005. 10 Años Con Mafalda. México: Tusquetes Editores.
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Reed Anderson. 1975. ‘The Idea of Tragedy in García Lorca’s “Bodas de Sangre”’. Revista Hispánica Moderna (4):174–88. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30203167.
Rêgo, Cacilda, and Carolina Rocha. 2011. New Trends in Argentine and Brazilian Cinema. Bristol: Intellect.
Robinson, William H., Jordi Falgàs, Carmen Belen Lord, Josefina Alix Trueba, Cleveland Museum of Art, and Metropolitan Museum of Art (New York, N.Y.). 2006. Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: Cleveland Museum of Art in association with Yale University Press, New Haven and London.
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Ted Lyon. 1973. ‘Ontological Motifs in the Short Stories of Juan Rulfo’. Journal of Spanish Studies: Twentieth Century 1(3):161–68. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27740626.
Timm, John T H. n.d. ‘Some Critical Observations on García Lorca’s “Bodas de Sangre”’. Revista de Estudios HispánicosRevista de Estudios Hispánicos 7(2). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1300113504/32BD9AA38D764E00PQ/8?accountid=14540.
Todorov, Tzvetan. 1992. The Conquest of America: The Question of the Other. New York: HarperPerennial.
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