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GASTÓN LILLO and JOSÉ LEANDRO URBINA
ANTONIO ALATORRE
FELIPE GARRIDO
JULIO ESTRADA
JAIME CONCHA
EDMOND CROS
MARIO J. VALDÉS
ANTONIO GÓMEZ-MORIANA
AMARYLL CHANADY
NEIL LARSEN
JEAN FRANCO
FERNANDO DE DIEGO
CARMEN BOULLOSA
DANIEL CASTILLO DURANTE
JORGE ETCHEVERRY
FRANÇOISE PÉRUS
JOSÉ ANTONIO GIMÉNEZ MICÓ
KEITH ELLIS
RODNEY WILLIAMSON
MONIQUE SARFATI-ARNAUD
ROMÁN DE LA CAMPA. ‘Vol. 22, No. 2, Invierno 1998 of Revista Canadiense de Estudios Hispánicos on JSTOR’. (1998): n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i27763451>.
Harbison, Robert. ‘GAUDI’. C (Archive : 1987-1992) (1992): 1987–1992. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon>.
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Julian Palley. ‘Archetypal Symbols in “Bodas de Sangre”’. Hispania 50.1 (1967): 74–79. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/336250?origin=JSTOR-pdf>.
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Martignone, Hernán, and Mariano Prunes. Historietas a Diario: Las Tiras Cómicas Argentinas de Mafalda a Nuestros Días. Buenos Aires: Libraria, 2008. Print.
‘Masters of Building: SAGRADA FAMILIA’. The Architects’ Journal (Archive : 1919-2005) 195.13 (2005): 1919–2005. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon>.
McDonagh, Kelly. ‘Estrategias Discursivas de La Reconquista y La Conquista: La Construcción Del “Otro” En Los Romances y En Las Escrituras de Cristóbal Colón’. Confluencia 23.1 (2007): 10–28. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27923250>.
McMullan, Terence. ‘Federico Garcia Lorca’s Critique of Marriage inBodas de Sangre’. Neophilologus 77.1 (1993): 61–73. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1301907832?pq-origsite=summon>.
Mendíbil, Álex. España En Serie: Cada Serie Cuenta Una Historia, Todas Juntas Cuentan Nuestra Historia. Primera edición. Madrid: Aguilar, 2013. Print.
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---. Spanish Screen Fiction: Between Cinema and Television. Contemporary Hispanic and Lusophone cultures. Liverpool: Liverpool University Press, 2009. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5949/UPO9781846315732>.
---. The Theatre of García Lorca: Text, Performance, Psychoanalysis. Cambridge studies in Latin American and Iberian literature. Cambridge: Cambridge University Press, 1998. Print.
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Timm, John T H. ‘Some Critical Observations on García Lorca’s “Bodas de Sangre”’. Revista de Estudios HispánicosRevista de Estudios Hispánicos 7.2 n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1300113504/32BD9AA38D764E00PQ/8?accountid=14540>.
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