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Bennett, A. (2002). Barcelona: Vol. Blue guide (2nd ed). A & C Black.
Burton, J. (1973). A Drop of Rain in the Desert: Something and Nothingness in Juan Rulfo’s ‘Nos Han Dado La Tierra’ (‘They’ve Given Us the Land’). Latin American Literary Review, 2(3), 55–62. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/20118895
Bustamante Ramírez, E. (2013). Historia de la radio y televisión en España: una asignatura pendiente de la democracia: Vol. Comunicación (Primera edición). Gedisa Editorial.
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EDMOND CROS. (1998). Desde la epopeya villista al sinarquismo: análisis sociocrítico de ‘El llano en llamas’. Revista Canadiense de Estudios Hispánicos, 22(2), 215–224. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27763459
Edwards, G. (1980). Lorca: the theatre beneath the sand: Vol. Critical appraisals series. Boyars.
Ellwood, S. M. (1994). Franco: Vol. Profiles in power (London, England). Longman.
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Foster, D. W. (1980). MAFALDA: An Argentina Comic Strip. The Journal of Popular Culture, 14(3), 497–508. https://doi.org/10.1111/j.0022-3840.1980.1403_497.x
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GASTÓN LILLO and JOSÉ LEANDRO URBINA
ANTONIO ALATORRE
FELIPE GARRIDO
JULIO ESTRADA
JAIME CONCHA
EDMOND CROS
MARIO J. VALDÉS
ANTONIO GÓMEZ-MORIANA
AMARYLL CHANADY
NEIL LARSEN
JEAN FRANCO
FERNANDO DE DIEGO
CARMEN BOULLOSA
DANIEL CASTILLO DURANTE
JORGE ETCHEVERRY
FRANÇOISE PÉRUS
JOSÉ ANTONIO GIMÉNEZ MICÓ
KEITH ELLIS
RODNEY WILLIAMSON
MONIQUE SARFATI-ARNAUD
ROMÁN DE LA CAMPA. (1998). Vol. 22, No. 2, Invierno 1998 of Revista Canadiense de Estudios Hispánicos on JSTOR. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i27763451
Harbison, Robert. (1992). GAUDI. C (Archive : 1987-1992), 1987–1992. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon
Hedges, J. (2011). Argentina: a modern history. I.B. Tauris.
Henige, D., & Zamora, M. (1989). Text, Context, Intertext: Columbus’ diario de a bordo as Palimpsest. The Americas, 46(01), 17–40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1007392
Hughes, R. (1992). Barcelona. Harvill.
Julian Palley. (1967). Archetypal Symbols in ‘Bodas de Sangre’. Hispania, 50(1), 74–79. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/336250?origin=JSTOR-pdf
Kamen, H. (2008). Imagining Spain: historical myth & national identity. Yale University Press.
Klein, S. (1993). Breaking the Mold with Humor: Images of Women in the Visual Media. Art Education, 46(5). https://doi.org/10.2307/3193387
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Lyon, T. C. (1992). Juan Rulfo, o no hay salvación ni en la vida ni en la muerte. Revista Chilena de Literatura, 39, 97–118. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40356643
Martignone, H., & Prunes, M. (2008). Historietas a diario: las tiras cómicas argentinas de Mafalda a nuestros días. Libraria.
Masters of Building: SAGRADA FAMILIA. (2005). The Architects’ Journal (Archive : 1919-2005), 195(13), 1919–2005. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon
McDonagh, K. (2007). Estrategias discursivas de la Reconquista y la Conquista: La construcción del ‘otro’ en los romances y en las escrituras de Cristóbal Colón. Confluencia, 23(1), 10–28. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27923250
McMullan, T. (1993). Federico Garcia Lorca’s critique of marriage inBodas de sangre. Neophilologus, 77(1), 61–73. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1301907832?pq-origsite=summon
Mendíbil, Á. (2013). España en serie: cada serie cuenta una historia, todas juntas cuentan nuestra historia (Primera edición). Aguilar.
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Reed Anderson. (1975). The Idea of Tragedy in García Lorca’s ‘Bodas de sangre’. Revista Hispánica Moderna, 4, 174–188. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30203167
Rêgo, C., & Rocha, C. (2011). New trends in Argentine and Brazilian cinema. Intellect.
Robinson, W. H., Falgàs, J., Lord, C. B., Alix Trueba, J., Cleveland Museum of Art, & Metropolitan Museum of Art (New York, N.Y.). (2006). Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. Cleveland Museum of Art in association with Yale University Press, New Haven and London.
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Smith, P. J. (2009). Spanish screen fiction: between cinema and television: Vol. Contemporary Hispanic and Lusophone cultures [Electronic resource]. Liverpool University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5949/UPO9781846315732
Smith, P. J. (2012). Spanish practices: literature, cinema, television: Vol. Moving image (Legenda). Legenda.
Ted Lyon. (1973). Ontological Motifs in the Short Stories of Juan Rulfo. Journal of Spanish Studies: Twentieth Century, 1(3), 161–168. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27740626
Timm, John T H. (n.d.). Some critical observations on García Lorca’s ‘Bodas de sangre’. Revista de Estudios HispánicosRevista de Estudios Hispánicos, 7(2). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1300113504/32BD9AA38D764E00PQ/8?accountid=14540
Todorov, T. (1992). The conquest of America: the question of the other. HarperPerennial.
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