Ashton, Dore (1978) ‘Antonio GAUDI’, Craft Horizons (Archive : 1941-1978), 17(6), pp. 1941–1978. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1493608034/20073A5A121E45D4PQ/5?accountid=14540.
‘Barcelona: Urban Identity 1992-2002’ (2002) Arizona Journal of Hispanic Cultural Studies, 6(1), pp. 245–261. Available at: https://doi.org/10.1353/hcs.2011.0277.
Barton, S. (2009) A history of Spain. Second edition. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Bell, L. (2012) ‘The Death of the Storyteller and the Poetics of (Un)Containment: Juan Rulfo’s <em>El llano en llamas</em>’, The Modern Language Review, 107(3). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/10.5699/modelangrevi.107.3.0815.
Bennett, A. (2002) Barcelona. 2nd ed. London: A & C Black.
Burton, J. (1973) ‘A Drop of Rain in the Desert: Something and Nothingness in Juan Rulfo’s “Nos Han Dado La Tierra” (“They’ve Given Us the Land”)’, Latin American Literary Review, 2(3), pp. 55–62. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/20118895.
Bustamante Ramírez, E. (2013) Historia de la radio y televisión en España: una asignatura pendiente de la democracia. Primera edición. Barcelona: Gedisa Editorial.
Carr, R. (1977) The Spanish tragedy: the Civil War in perspective. London: Weidenfeld and Nicolson.
Columbus, C., Ife, B.W. and Penny, R.J. (1990) Journal of the first voyage =: (Diario del primer viaje). Warminster: Aris & Phillips.
Copertari, G. (2005) ‘Nine Queens : A Dark Day Of Simulation And Justice’, Journal of Latin American Cultural Studies, 14(3), pp. 279–293. Available at: https://doi.org/10.1080/13569320500382534.
Delaney, C. (2006) ‘Columbus’s Ultimate Goal: Jerusalem’, Comparative Studies in Society and History, 48(02). Available at: https://doi.org/10.1017/S0010417506000119.
EDMOND CROS (1998) ‘Desde la epopeya villista al sinarquismo: análisis sociocrítico de “El llano en llamas”’, Revista Canadiense de Estudios Hispánicos, 22(2), pp. 215–224. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27763459.
Edwards, G. (1980) Lorca: the theatre beneath the sand. London: Boyars.
Ellwood, S.M. (1994) Franco. London: Longman.
Feierstein, L.R. (2015) ‘Graphic and political humour in Argentina: from Quino to Página 12’, European Journal of Humour Research, 3(2/3), pp. 119–128. Available at: https://doi.org/10.7592/EJHR2015.3.2.3.feierstein.
Foster, D.W. (1980) ‘MAFALDA: An Argentina Comic Strip’, The Journal of Popular Culture, 14(3), pp. 497–508. Available at: https://doi.org/10.1111/j.0022-3840.1980.1403_497.x.
Foster, D.W. (1989) From Mafalda to Los Supermachos: Latin American graphic humor as popular culture. London: Lynn Reinner.
Fraser, H.M. (1988) ‘“Inframundo”: Juan Rulfo’s Photographic Companion to “El llano en llamas”’, Chasqui, 17(2). Available at: https://doi.org/10.2307/29740086.
García Lorca, F. and Hughes, T. (1996) Blood wedding. London: Faber.
García Lorca, F. and Johnston, D. (1989) Blood wedding. London: Hodder and Stoughton.
García Lorca, F. and Ramsden, H. (1980) Bodas de sangre. Manchester: Manchester University Press.
García Lorca, F. and Ronder, T. (2005) Blood wedding. London: Nick Hern Books.
GASTÓN LILLO and JOSÉ LEANDRO URBINA
ANTONIO ALATORRE
FELIPE GARRIDO
JULIO ESTRADA
JAIME CONCHA
EDMOND CROS
MARIO J. VALDÉS
ANTONIO GÓMEZ-MORIANA
AMARYLL CHANADY
NEIL LARSEN
JEAN FRANCO
FERNANDO DE DIEGO
CARMEN BOULLOSA
DANIEL CASTILLO DURANTE
JORGE ETCHEVERRY
FRANÇOISE PÉRUS
JOSÉ ANTONIO GIMÉNEZ MICÓ
KEITH ELLIS
RODNEY WILLIAMSON
MONIQUE SARFATI-ARNAUD
ROMÁN DE LA CAMPA (1998) ‘Vol. 22, No. 2, Invierno 1998 of Revista Canadiense de Estudios Hispánicos on JSTOR’. Available at: http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/i27763451.
Harbison, Robert (1992) ‘GAUDI’, C (Archive : 1987-1992), pp. 1987–1992. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon.
Hedges, J. (2011) Argentina: a modern history. London: I.B. Tauris.
Henige, D. and Zamora, M. (1989) ‘Text, Context, Intertext: Columbus’ diario de a bordo as Palimpsest’, The Americas, 46(01), pp. 17–40. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1007392.
Hughes, R. (1992) Barcelona. London: Harvill.
Julian Palley (1967) ‘Archetypal Symbols in “Bodas de Sangre”’, Hispania, 50(1), pp. 74–79. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/336250?origin=JSTOR-pdf.
Kamen, H. (2008) Imagining Spain: historical myth & national identity. New Haven, Conn: Yale University Press.
Klein, S. (1993) ‘Breaking the Mold with Humor: Images of Women in the Visual Media’, Art Education, 46(5). Available at: https://doi.org/10.2307/3193387.
Lahuerta, J.J. and Gaudí, A. (2003) Antoni Gaudi, 1852-1926: architecture, ideology, and politics. Milano: Electa Architecture.
Leitz, C. and Dunthorn, D.J. (1999) Spain in an international context, 1936-1959. New York: Berghahn Books.
Lima, R. (1963) The theatre of Garcia Lorca. [1st ed.]. New York: Las Americas Pub. Co.
Lyon, T.C. (1992) ‘Juan Rulfo, o no hay salvación ni en la vida ni en la muerte’, Revista Chilena de Literatura, (39), pp. 97–118. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40356643.
Martignone, H. and Prunes, M. (2008) Historietas a diario: las tiras cómicas argentinas de Mafalda a nuestros días. Buenos Aires: Libraria.
‘Masters of Building: SAGRADA FAMILIA’ (2005) The Architects’ Journal (Archive : 1919-2005), 195(13), pp. 1919–2005. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon.
McDonagh, K. (2007) ‘Estrategias discursivas de la Reconquista y la Conquista: La construcción del “otro” en los romances y en las escrituras de Cristóbal Colón’, Confluencia, 23(1), pp. 10–28. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27923250.
McMullan, T. (1993) ‘Federico Garcia Lorca’s critique of marriage inBodas de sangre’, Neophilologus, 77(1), pp. 61–73. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1301907832?pq-origsite=summon.
Mendíbil, Á. (2013) España en serie: cada serie cuenta una historia, todas juntas cuentan nuestra historia. Primera edición. Madrid: Aguilar.
Morris, C.B. (1996) García Lorca: Bodas de sangre. London: Grant & Cutler in association with Tamesis Books.
Mower, D. (1977) Gaudí. London: Oresko Books.
Navitski, R. (2012) ‘The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film’, Screen, 53(4), pp. 359–380. Available at: https://doi.org/10.1093/screen/hjs033.
Preston, P. (1995) Franco: a biography. London: Fontana Press.
Quino (2005) 10 años con Mafalda. México: Tusquetes Editores.
Quino (2009) 10 años con Mafalda. 2a ed. México: Tusquets Editor.
Reed Anderson (1975) ‘The Idea of Tragedy in García Lorca’s “Bodas de sangre”’, Revista Hispánica Moderna, (4), pp. 174–188. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30203167.
Rêgo, C. and Rocha, C. (2011) New trends in Argentine and Brazilian cinema. Bristol: Intellect.
Robinson, W.H. et al. (2006) Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: Cleveland Museum of Art in association with Yale University Press, New Haven and London.
Romero Salvadó Francisco J. (2005) The Spanish Civil War: origins, course, and outcomes. Basingstoke: Palgrave Macmillan.
Rosa Franquet (2014) ‘Transmedia Critical| Cross-Media Production in Spain’s Public Broadcast RTVE: Innovation, Promotion and Audience Loyalty Strategies’, International Journal of Communication, 8. Available at: http://ijoc.org/index.php/ijoc/article/view/2621/1203.
Ross, C.J. (2000) Spain, 1812-1996: modern history for modern languages. London: Arnold.
Rowe, W. (1987) Rulfo, El llano en llamas. London: Grant & Cutler Ltd. in association with Tamesis Books.
Shaw, D. (2007) ‘Playing Hollywood at Its Own Game? Bielenski’s Nueve reinas’, in D. Shaw (ed.) Contemporary Latin American cinema: breaking into the global market. Lanham, MD: Rowman & Littlefield, pp. 67–85. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.
Skidmore, T.E. and Smith, P.H. (2001) Modern Latin America. 5th ed. New York, N.Y.: Oxford University Press.
Smith, P.J. (1998) The theatre of García Lorca: text, performance, psychoanalysis. Cambridge: Cambridge University Press.
Smith, P.J. (2009) Spanish screen fiction: between cinema and television [electronic resource]. Liverpool: Liverpool University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.5949/UPO9781846315732.
Smith, P.J. (2012) Spanish practices: literature, cinema, television. London: Legenda.
Ted Lyon (1973) ‘Ontological Motifs in the Short Stories of Juan Rulfo’, Journal of Spanish Studies: Twentieth Century, 1(3), pp. 161–168. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27740626.
Timm, John T H (no date) ‘Some critical observations on García Lorca’s “Bodas de sangre”’, Revista de Estudios HispánicosRevista de Estudios Hispánicos, 7(2). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1300113504/32BD9AA38D764E00PQ/8?accountid=14540.
Todorov, T. (1992) The conquest of America: the question of the other. New York: HarperPerennial.
Van Zandt, E. (1995) The life and works of Gaudí. [S.l.]: Siena.
