1.
Kurz O. Fakes: A Handbook for Collectors and Students. Faber; 1948.
2.
Lenain T. Art Forgery: The History of a Modern Obsession. Reaktion Books; 2011.
3.
Jones M, FAKE Symposium. Why Fakes Matter: Essays on Problems of Authenticity. British Museum Press; 1992.
4.
Hector LC, Borthwick Institute of Historical Research. Palaeography and Forgery. Vol St. Anthony’s Hall publications. St. Anthony’s Press; 1959.
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Baudrillard J. Simulacra and Simulation. Vol The body, in theory. University of Michigan Press; 1994.
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Naylor RT. The underworld of art. Crime, Law and Social Change. 2008;50(4-5):263-291. doi:10.1007/s10611-008-9140-6
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Gilles Deleuze and Rosalind Krauss. Plato and the Simulacrum. October. 1983;27:45-56. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/778495
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Lenain T. Art Forgery: The History of a Modern Obsession. Reaktion Books; 2011.
10.
Fiechter JJ, Schneider S. Egyptian Fakes: Masterpieces That Duped the Art World and the Experts Who Uncovered Them. English language ed. Flammarion; 2009.
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Gazda EK. The Ancient Art of Emulation: Studies in Artistic Originality and Tradition from the Present to Classical Antiquity. Vol Supplements to the monographs of the American Academy in Rome. University of Michigan Press; 2002.
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Craddock PT. Scientific Investigation of Copies, Fakes and Forgeries. Butterworth-Heinemann; 2009.
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Muscarella OW. The Lie Became Great: The Forgery of Ancient Near Eastern Cultures. Vol Studies in the art and archaeology of antiquity. Styx; 2000.
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Oda S, Keally C. A Critical Look at the Palaeolithic and ‘Lower Palaeolithic’ Research in Miyagi Prefecture, Japan. Journal of the Anthropological Society of Nippon. 1986;Vol. 94 (1986) No. 3 P 325-361(No. 3):325-361. https://www.jstage.jst.go.jp/article/ase1911/94/3/94_3_325/_pdf
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CT Keally. ‘Japan Scandals - This Time It’s Archaeology: A Preliminary Report’. Published 17AD. http://www.t-net.ne.jp/~keally/Hoax/pal-hoax-1.html
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Keats J. Forged: Why Fakes Are the Great Art of Our Age. Oxford University Press; 2013.
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Dolnick E. The Forger’s Spell: A True Story of Vermeer. Vol P.S. Harper Perennial; 2009.
25.
Bredius A. An Unpublished Vermeer. The Burlington Magazine for Connoisseurs. 1932;61(355):144-145. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/865079
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Bredius A. A New Vermeer. The Burlington Magazine for Connoisseurs. 1937;71(416):210-211. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022
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Craddock PT. Scientific Investigation of Copies, Fakes and Forgeries. Butterworth-Heinemann; 2009.
28.
Lenain T. Art Forgery: The History of a Modern Obsession. Reaktion Books; 2011.
29.
Julius A. The Lying Dutchman. Published 22AD. http://www.nytimes.com/2008/06/22/books/review/Julius-t.html?_r=1&
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Lisle L. Portrait of an Artist: A Biography of Georgia O’Keeffe. Heinemann; 1987.
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Robinson R. Georgia O’Keeffe: A Life. Bloomsbury; 1990.
32.
Eldredge CC, Hayward Gallery, Museo del Palacio de Bellas Artes (Mexico City), Yokohama Museum of Art. Georgia O’Keeffe: American and Modern. Yale University Press; 1993.
33.
Fine R, O’Keeffe G, Lynes BB, et al. O’Keeffe on Paper. National Gallery of Art; 2000.
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Udall SR, Marion Koogler McNay Art Museum. O’Keeffe and Texas. Marion Koogler McNay Art Museum; 1998.
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Paul S, McGraw M. Kansas City’s dubious O’Keeffes - the sale that turned to scandal a year ago was built on sand. http://kcsweb.kcstar.com/projects/canyonsuite/content/file/sellingof.html
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Marnham P. Showdown in Santa Fe. Published 8AD. http://www.telegraph.co.uk/culture/4721533/Showdown-in-Santa-Fe.html
38.
Canyon Suite Watercolors - Georgia O’Keefe. http://www.thepaperfixer.com/OKeeffe.htm
39.
28 O’Keeffe Paintings in Doubt as Experts Challenge Authenticity. Published 12AD. http://articles.latimes.com/2000/mar/12/news/mn-8041
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Lewis JA. The Art That Went From Boon to Bust. Published 3AD. http://www.washingtonpost.com/wp-srv/style/feed/a11324-1999dec3.htm
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Reynolds G. Arts in America - If It’s Not an O’Keeffe, Exactly What Is It? Published 7AD. http://www.nytimes.com/2000/03/07/arts/arts-in-america-if-it-s-not-an-o-keeffe-exactly-what-is-it.html
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Lane J. Georgia O’Keeffe’s Canyon Suites. http://www.jimlaneart.com/Artyfacts/5-11-00.html
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Hammer J. The Greatest Fake-Art Scam in History? http://www.vanityfair.com/culture/2012/10/wolfgang-beltracchi-helene-art-scam
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The Hippy and the Expressionists: Investigators Zero in on Massive Art Forgery Scandal - SPIEGEL ONLINE. http://www.spiegel.de/international/zeitgeist/the-hippy-and-the-expressionists-investigators-zero-in-on-massive-art-forgery-scandal-a-726982.html
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Weber M. ‘Liability for the Acquisition of Faked or Wrongly Attributed Works of Art in US Law’. http://www.wipo.int/export/sites/www/amc/en/docs/theurichbeitrag.pdf
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Geraint Howells. The end of an era - implementing the Unfair Commercial Practices Directive in the United Kingdom: punctual criminal law gives way to a general criminal/civil law standard. Journal of Business Law. Published online 2009. http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=IA9EF13B1EF5111DDAC89E019443F967C&sp=ukuniglasg-1
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Janet Ulph. Markets and responsibilities: forgeries and the Sale of Goods Act 1979. Journal of Business Law. Published online 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=I915D08C0434611E0BA68A00864A02571&sp=ukuniglasg-1
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Charles Stanish. Forging Ahead. Archaeology. 2009;62(3). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/41781288
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Fay E. Virtual Artifacts: eBay, Antiquities, and Authenticity. Journal of Contemporary Criminal Justice. 2011;27(4):449-464. doi:10.1177/1043986211418887
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