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Kurz O. Fakes: a handbook for collectors and students. London: : Faber 1948.
2
Lenain T. Art forgery: the history of a modern obsession. London: : Reaktion Books 2011.
3
Jones M, FAKE Symposium. Why fakes matter: essays on problems of authenticity. London: : British Museum Press 1992.
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Hector LC, Borthwick Institute of Historical Research. Palaeography and forgery. London: : St. Anthony’s Press 1959.
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Baudrillard J. Simulacra and simulation. Ann Arbor: : University of Michigan Press 1994.
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Naylor RT. The underworld of art. Crime, Law and Social Change 2008;50:263–91. doi:10.1007/s10611-008-9140-6
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Gould C, Mesplède S. Marketing art in the British Isles, 1700 to the present: a cultural history. Farnham, Surrey: : Ashgate 2012.
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Gilles Deleuze and Rosalind Krauss. Plato and the Simulacrum. October 1983;27:45–56.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/778495
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Lenain T. Art forgery: the history of a modern obsession. London: : Reaktion Books 2011.
10
Fiechter J-J, Schneider S. Egyptian fakes: masterpieces that duped the art world and the experts who uncovered them. English language ed. Paris: : Flammarion 2009.
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Gazda EK. The ancient art of emulation: studies in artistic originality and tradition from the present to classical antiquity. Ann Arbor, Mich: : University of Michigan Press 2002.
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Jones M, FAKE Symposium. Why fakes matter: essays on problems of authenticity. London: : British Museum Press 1992.
13
Craddock PT. Scientific investigation of copies, fakes and forgeries. Oxford: : Butterworth-Heinemann 2009.
14
Muscarella OW. The lie became great: the forgery of ancient Near Eastern cultures. Groningen: : Styx 2000.
15
Oda S, Keally C. A Critical Look at the Palaeolithic and ‘Lower Palaeolithic’ Research in Miyagi Prefecture, Japan. Journal of the Anthropological Society of Nippon 1986;Vol. 94 (1986) No. 3 P 325-361:325–61.https://www.jstage.jst.go.jp/article/ase1911/94/3/94_3_325/_pdf
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CT Keally. ‘Japan Scandals - This Time It’s Archaeology: A Preliminary Report’. 17AD.http://www.t-net.ne.jp/~keally/Hoax/pal-hoax-1.html
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Dirty digger unearthed. 6AD.http://www.trussel.com/prehist/news225.htm
18
Fiechter J-J, Schneider S. Egyptian fakes: masterpieces that duped the art world and the experts who uncovered them. English language ed. Paris: : Flammarion 2009.
19
Sander J, Dürer A, Stadtische Galerie im Stadelschen Kunstinstitut Frankfurt am Main. Albrecht Durer: his art in the context of its time. Munich: : Prestel 2013.
20
Lenain T. Art forgery: the history of a modern obsession. London: : Reaktion Books 2011.
21
Kurz O. Fakes: a handbook for collectors and students. London: : Faber 1948.
22
Naylor RT. The underworld of art. Crime, Law and Social Change 2008;50:263–91. doi:10.1007/s10611-008-9140-6
23
Keats J. Forged: why fakes are the great art of our age. New York, N.Y.: : Oxford University Press 2013.
24
Dolnick E. The Forger’s Spell: A True Story of Vermeer. Harper Perennial 2009.
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Bredius A. An Unpublished Vermeer. The Burlington Magazine for Connoisseurs 1932;61:144–5.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/865079
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Bredius A. A New Vermeer. The Burlington Magazine for Connoisseurs 1937;71:210–1.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022
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Craddock PT. Scientific investigation of copies, fakes and forgeries. Oxford: : Butterworth-Heinemann 2009.
28
Lenain T. Art forgery: the history of a modern obsession. London: : Reaktion Books 2011.
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Julius A. The Lying Dutchman. 22AD.http://www.nytimes.com/2008/06/22/books/review/Julius-t.html?_r=1&
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Lisle L. Portrait of an artist: a biography of Georgia O’Keeffe. London: : Heinemann 1987.
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Robinson R. Georgia O’Keeffe: a life. London: : Bloomsbury 1990.
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Eldredge CC, Hayward Gallery, Museo del Palacio de Bellas Artes (Mexico City), et al. Georgia O’Keeffe: American and modern. New Haven, Conn: : Yale University Press 1993.
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Fine R, O’Keeffe G, Lynes BB, et al. O’Keeffe on paper. Washington, D.C.: : National Gallery of Art 2000.
34
Udall SR, Marion Koogler McNay Art Museum. O’Keeffe and Texas. San Antonio, Tex: : Marion Koogler McNay Art Museum 1998.
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Lynes BB, O’Keeffe G, National Gallery of Art (U.S.), et al. Georgia O’Keeffe: catalogue raisonné. New Haven, Mass: : Yale University Press 1999.
36
Paul S, McGraw M. Kansas City’s dubious O’Keeffes - the sale that turned to scandal a year ago was built on sand. http://kcsweb.kcstar.com/projects/canyonsuite/content/file/sellingof.html
37
Marnham P. Showdown in Santa Fe. 8AD.http://www.telegraph.co.uk/culture/4721533/Showdown-in-Santa-Fe.html
38
Canyon Suite Watercolors - Georgia O’Keefe. http://www.thepaperfixer.com/OKeeffe.htm
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28 O’Keeffe Paintings in Doubt as Experts Challenge Authenticity. 12AD.http://articles.latimes.com/2000/mar/12/news/mn-8041
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Lewis JA. The Art That Went From Boon to Bust. 3AD.http://www.washingtonpost.com/wp-srv/style/feed/a11324-1999dec3.htm
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Reynolds G. Arts in America - If It’s Not an O’Keeffe, Exactly What Is It? 7AD.http://www.nytimes.com/2000/03/07/arts/arts-in-america-if-it-s-not-an-o-keeffe-exactly-what-is-it.html
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Lane J. Georgia O’Keeffe’s Canyon Suites. http://www.jimlaneart.com/Artyfacts/5-11-00.html
43
Hammer J. The Greatest Fake-Art Scam in History? http://www.vanityfair.com/culture/2012/10/wolfgang-beltracchi-helene-art-scam
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The Hippy and the Expressionists: Investigators Zero in on Massive Art Forgery Scandal - SPIEGEL ONLINE. http://www.spiegel.de/international/zeitgeist/the-hippy-and-the-expressionists-investigators-zero-in-on-massive-art-forgery-scandal-a-726982.html
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Röbel S, Sontheimer M. The $7 Million Fake: Forgery Scandal Embarrasses International Art World - SPIEGEL ONLINE. http://www.spiegel.de/international/zeitgeist/the-7-million-fake-forgery-scandal-embarrasses-international-art-world-a-768195.html
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Irvin S. Appropriation and Authorship in Contemporary Art. The British Journal of Aesthetics 2005;45:123–37. doi:10.1093/aesthj/ayi015
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Keats J. Forged: why fakes are the great art of our age. New York, N.Y.: : Oxford University Press 2013.
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Wieseman ME, National Gallery (Great Britain). A closer look: deceptions and discoveries. London: : National Gallery Company 2010.
49
Spencer RD, Ebooks Corporation Limited. The expert versus the object: judging fakes and false attributions in the visual arts. New York, NY: : Oxford University Press 2004. http://GLA.eblib.com/patron/FullRecord.aspx?p=439057
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Craddock PT. Scientific investigation of copies, fakes and forgeries. Oxford: : Butterworth-Heinemann 2009.
51
Keats J. Forged: why fakes are the great art of our age. New York, N.Y.: : Oxford University Press 2013.
52
Lenain T. Art forgery: the history of a modern obsession. London: : Reaktion Books 2011.
53
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Meisel F. Auctioneers and Misdescription: Between Scylla and Charybdis. The Modern Law Review 2010;73:1036–47. doi:10.1111/j.1468-2230.2010.00830.x
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Singer KB. Sotheby’s Sold Me a Fake - Holding Auction Houses Accountable for Authenticating and Attributing Works of Fine Art. Columbia-VLA Journal of Law & the Arts 1999;23.http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/cjla23&id=447&collection=journals&index=journals/cjla#447
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Weber M. ‘Liability for the Acquisition of Faked or Wrongly Attributed Works of Art in US Law’. http://www.wipo.int/export/sites/www/amc/en/docs/theurichbeitrag.pdf
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Olsburgh C, Institute of Art and Law (Great Britain). Authenticity in the art market: a comparative study of Swiss, French and English contract Law. Leicester: : Institute of Art and Law 2005.
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Institute of Art and Law (Great Britain). Art, antiquity and law.
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Peter Cartwright. Unfair commercial practices and the future of the criminal law. Journal of Business Law 2010;:618–37.http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=IA402CB4068EC11DDABB0CA62716D71C6&sp=ukuniglasg-1
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Geraint Howells. The end of an era - implementing the Unfair Commercial Practices Directive in the United Kingdom: punctual criminal law gives way to a general criminal/civil law standard. Journal of Business Law Published Online First: 2009.http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=IA9EF13B1EF5111DDAC89E019443F967C&sp=ukuniglasg-1
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Janet Ulph. Markets and responsibilities: forgeries and the Sale of Goods Act 1979. Journal of Business Law Published Online First: 2011.http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=I915D08C0434611E0BA68A00864A02571&sp=ukuniglasg-1
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Exercising Due Diligence in Art transactions.
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Charles Stanish. Forging Ahead. Archaeology 2009;62.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/41781288
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Fay E. Virtual Artifacts: eBay, Antiquities, and Authenticity. Journal of Contemporary Criminal Justice 2011;27:449–64. doi:10.1177/1043986211418887
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Lowenthal D. Counterfeit Art: Authentic Fakes? International Journal of Cultural Property 1992;1. doi:10.1017/S0940739192000067
