28 O’Keeffe Paintings in Doubt as Experts Challenge Authenticity (12AD). Los Angeles Times. Available at: http://articles.latimes.com/2000/mar/12/news/mn-8041.
Baudrillard, J. (1994) Simulacra and simulation. Ann Arbor: University of Michigan Press.
Bredius, A. (1932) ‘An Unpublished Vermeer’, The Burlington Magazine for Connoisseurs, 61(355), pp. 144–145. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/865079.
Bredius, A. (1937) ‘A New Vermeer’, The Burlington Magazine for Connoisseurs, 71(416), pp. 210–211. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022.
Canyon Suite Watercolors - Georgia O’Keefe (no date). Available at: http://www.thepaperfixer.com/OKeeffe.htm.
Charles Stanish (2009) ‘Forging Ahead’, Archaeology, 62(3). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/41781288.
Craddock, P.T. (2009a) Scientific investigation of copies, fakes and forgeries. Oxford: Butterworth-Heinemann.
Craddock, P.T. (2009b) Scientific investigation of copies, fakes and forgeries. Oxford: Butterworth-Heinemann.
Craddock, P.T. (2009c) Scientific investigation of copies, fakes and forgeries. Oxford: Butterworth-Heinemann.
CT Keally (17AD) ‘Japan Scandals - This Time It’s Archaeology: A Preliminary Report’. Available at: http://www.t-net.ne.jp/~keally/Hoax/pal-hoax-1.html.
Dirty digger unearthed (6AD). Available at: http://www.trussel.com/prehist/news225.htm.
Dolnick, E. (2009) The Forger’s Spell: A True Story of Vermeer. Harper Perennial.
Eldredge, C.C. et al. (1993) Georgia O’Keeffe: American and modern. New Haven, Conn: Yale University Press.
‘Exercising Due Diligence in Art transactions’ (no date).
‘Fakes, Fears, and Findings - Disputes over the Authenticity of Artworks - Journal - TDM Journal (Transnational Dispute Management) - The Network for International Arbitration, Mediation and ADR, International Investment Law and Transnational Dispute Management’ (no date). Available at: http://www.transnational-dispute-management.com.ezproxy.lib.gla.ac.uk/article.asp?key=2100.
Fay, E. (2011) ‘Virtual Artifacts: eBay, Antiquities, and Authenticity’, Journal of Contemporary Criminal Justice, 27(4), pp. 449–464. Available at: https://doi.org/10.1177/1043986211418887.
Fiechter, J.-J. and Schneider, S. (2009a) Egyptian fakes: masterpieces that duped the art world and the experts who uncovered them. English language ed. Paris: Flammarion.
Fiechter, J.-J. and Schneider, S. (2009b) Egyptian fakes: masterpieces that duped the art world and the experts who uncovered them. English language ed. Paris: Flammarion.
Fine, R. et al. (2000) O’Keeffe on paper. Washington, D.C.: National Gallery of Art.
Gazda, E.K. (2002) The ancient art of emulation: studies in artistic originality and tradition from the present to classical antiquity. Ann Arbor, Mich: University of Michigan Press.
Geraint Howells (2009) ‘The end of an era - implementing the Unfair Commercial Practices Directive in the United Kingdom: punctual criminal law gives way to a general criminal/civil law standard’, Journal of Business Law [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=IA9EF13B1EF5111DDAC89E019443F967C&sp=ukuniglasg-1.
Gilles Deleuze and Rosalind Krauss (1983) ‘Plato and the Simulacrum’, October, 27, pp. 45–56. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/778495.
Gould, C. and Mesplède, S. (2012) Marketing art in the British Isles, 1700 to the present: a cultural history. Farnham, Surrey: Ashgate.
Great Britain (1950a) ‘The Statutes’. London: HMSO.
Great Britain (1950b) ‘The Statutes’. London: HMSO.
Great Britain (1950c) ‘The Statutes’. London: HMSO.
Hague Academy of International Law (1923) ‘Recueil des cours: Vol. 1-’.
Hammer, J. (no date) The Greatest Fake-Art Scam in History? Available at: http://www.vanityfair.com/culture/2012/10/wolfgang-beltracchi-helene-art-scam.
Hector, L.C. and Borthwick Institute of Historical Research (1959) Palaeography and forgery. London: St. Anthony’s Press.
Institute of Art and Law (Great Britain) (no date a) ‘Art, antiquity and law’.
Institute of Art and Law (Great Britain) (no date b) ‘Art, antiquity and law’.
Irvin, S. (2005) ‘Appropriation and Authorship in Contemporary Art’, The British Journal of Aesthetics, 45(2), pp. 123–137. Available at: https://doi.org/10.1093/aesthj/ayi015.
Janet Ulph (2011) ‘Markets and responsibilities: forgeries and the Sale of Goods Act 1979’, Journal of Business Law [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=I915D08C0434611E0BA68A00864A02571&sp=ukuniglasg-1.
Jones, M. and FAKE Symposium (1992a) Why fakes matter: essays on problems of authenticity. London: British Museum Press.
Jones, M. and FAKE Symposium (1992b) Why fakes matter: essays on problems of authenticity. London: British Museum Press.
Jones, M. and FAKE Symposium (1992c) Why fakes matter: essays on problems of authenticity. London: British Museum Press.
Julius, A. (22AD) The Lying Dutchman. NYTimes. Available at: http://www.nytimes.com/2008/06/22/books/review/Julius-t.html?_r=1&.
Keats, J. (2013a) Forged: why fakes are the great art of our age. New York, N.Y.: Oxford University Press.
Keats, J. (2013b) Forged: why fakes are the great art of our age. New York, N.Y.: Oxford University Press.
Keats, J. (2013c) Forged: why fakes are the great art of our age. New York, N.Y.: Oxford University Press.
Kurz, O. (1948a) Fakes: a handbook for collectors and students. London: Faber.
Kurz, O. (1948b) Fakes: a handbook for collectors and students. London: Faber.
Lane, J. (no date) Georgia O’Keeffe’s Canyon Suites. Available at: http://www.jimlaneart.com/Artyfacts/5-11-00.html.
Lenain, T. (2011a) Art forgery: the history of a modern obsession. London: Reaktion Books.
Lenain, T. (2011b) Art forgery: the history of a modern obsession. London: Reaktion Books.
Lenain, T. (2011c) Art forgery: the history of a modern obsession. London: Reaktion Books.
Lenain, T. (2011d) Art forgery: the history of a modern obsession. London: Reaktion Books.
Lenain, T. (2011e) Art forgery: the history of a modern obsession. London: Reaktion Books.
Lewis, J.A. (3AD) The Art That Went From Boon to Bust. Washington Post. Available at: http://www.washingtonpost.com/wp-srv/style/feed/a11324-1999dec3.htm.
Lisle, L. (1987) Portrait of an artist: a biography of Georgia O’Keeffe. London: Heinemann.
Lowenthal, D. (1992) ‘Counterfeit Art: Authentic Fakes?’, International Journal of Cultural Property, 1(01). Available at: https://doi.org/10.1017/S0940739192000067.
Lynes, B.B. et al. (1999) Georgia O’Keeffe: catalogue raisonné. New Haven, Mass: Yale University Press.
Marnham, P. (8AD) Showdown in Santa Fe. The Telegraph. Available at: http://www.telegraph.co.uk/culture/4721533/Showdown-in-Santa-Fe.html.
Meisel, F. (2010) ‘Auctioneers and Misdescription: Between Scylla and Charybdis’, The Modern Law Review, 73(6), pp. 1036–1047. Available at: https://doi.org/10.1111/j.1468-2230.2010.00830.x.
Muscarella, O.W. (2000) The lie became great: the forgery of ancient Near Eastern cultures. Groningen: Styx.
Naylor, R.T. (2008a) ‘The underworld of art’, Crime, Law and Social Change, 50(4–5), pp. 263–291. Available at: https://doi.org/10.1007/s10611-008-9140-6.
Naylor, R.T. (2008b) ‘The underworld of art’, Crime, Law and Social Change, 50(4–5), pp. 263–291. Available at: https://doi.org/10.1007/s10611-008-9140-6.
Oda, S. and Keally, C. (1986) ‘A Critical Look at the Palaeolithic and “Lower Palaeolithic” Research in Miyagi Prefecture, Japan’, Journal of the Anthropological Society of Nippon, Vol. 94 (1986) No. 3 P 325-361(No. 3), pp. 325–361. Available at: https://www.jstage.jst.go.jp/article/ase1911/94/3/94_3_325/_pdf.
Olsburgh, C. and Institute of Art and Law (Great Britain) (2005) Authenticity in the art market: a comparative study of Swiss, French and English contract Law. Leicester: Institute of Art and Law.
Paul, S. and McGraw, M. (no date) Kansas City’s dubious O’Keeffes - the sale that turned to scandal a year ago was built on sand. Available at: http://kcsweb.kcstar.com/projects/canyonsuite/content/file/sellingof.html.
Peter Cartwright. (2010) ‘Unfair commercial practices and the future of the criminal law.’, Journal of Business Law, pp. 618–637. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=IA402CB4068EC11DDABB0CA62716D71C6&sp=ukuniglasg-1.
Reynolds, G. (7AD) Arts in America -  If It’s Not an O’Keeffe, Exactly What Is It? New York Times. Available at: http://www.nytimes.com/2000/03/07/arts/arts-in-america-if-it-s-not-an-o-keeffe-exactly-what-is-it.html.
Röbel, S. and Sontheimer, M. (no date) ‘The $7 Million Fake: Forgery Scandal Embarrasses International Art World - SPIEGEL ONLINE’. Available at: http://www.spiegel.de/international/zeitgeist/the-7-million-fake-forgery-scandal-embarrasses-international-art-world-a-768195.html.
Robinson, R. (1990) Georgia O’Keeffe: a life. London: Bloomsbury.
Sander, J., Dürer, A., and Stadtische Galerie im Stadelschen Kunstinstitut Frankfurt am Main (2013) Albrecht Durer: his art in the context of its time. Munich: Prestel.
Singer, K.B. (1999) ‘Sotheby’s Sold Me a Fake - Holding Auction Houses Accountable for Authenticating and Attributing Works of Fine Art’, Columbia-VLA Journal of Law & the Arts, 23. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/cjla23&id=447&collection=journals&index=journals/cjla#447.
Spencer, R.D. and Ebooks Corporation Limited (2004) The expert versus the object: judging fakes and false attributions in the visual arts. New York, NY: Oxford University Press. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=439057.
‘The Hippy and the Expressionists: Investigators Zero in on Massive Art Forgery Scandal - SPIEGEL ONLINE’ (no date). Available at: http://www.spiegel.de/international/zeitgeist/the-hippy-and-the-expressionists-investigators-zero-in-on-massive-art-forgery-scandal-a-726982.html.
Udall, S.R. and Marion Koogler McNay Art Museum (1998) O’Keeffe and Texas. San Antonio, Tex: Marion Koogler McNay Art Museum.
Weber, M. (no date) ‘“Liability for the Acquisition of Faked or Wrongly Attributed Works of Art in US Law”’. Available at: http://www.wipo.int/export/sites/www/amc/en/docs/theurichbeitrag.pdf.
Wieseman, M.E. and National Gallery (Great Britain) (2010) A closer look: deceptions and discoveries. London: National Gallery Company.