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Bredius, A. 1932. ‘An Unpublished Vermeer’. The Burlington Magazine for Connoisseurs 61 (355): 144–45. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/865079.
Bredius, Abraham. 1937. ‘A New Vermeer’. The Burlington Magazine for Connoisseurs 71 (416): 210–11. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022.
‘Canyon Suite Watercolors - Georgia O’Keefe’. n.d. http://www.thepaperfixer.com/OKeeffe.htm.
Charles Stanish. 2009. ‘Forging Ahead’. Archaeology 62 (3). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/41781288.
Craddock, P. T. 2009a. Scientific Investigation of Copies, Fakes and Forgeries. Oxford: Butterworth-Heinemann.
———. 2009b. Scientific Investigation of Copies, Fakes and Forgeries. Oxford: Butterworth-Heinemann.
———. 2009c. Scientific Investigation of Copies, Fakes and Forgeries. Oxford: Butterworth-Heinemann.
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‘Fakes, Fears, and Findings - Disputes over the Authenticity of Artworks - Journal - TDM Journal (Transnational Dispute Management) - The Network for International Arbitration, Mediation and ADR, International Investment Law and Transnational Dispute Management’. n.d. http://www.transnational-dispute-management.com.ezproxy.lib.gla.ac.uk/article.asp?key=2100.
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———. 2009b. Egyptian Fakes: Masterpieces That Duped the Art World and the Experts Who Uncovered Them. English language ed. Paris: Flammarion.
Fine, Ruth, Georgia O’Keeffe, Barbara Buhler Lynes, Elizabeth Glassman, Judith C. Walsh, National Gallery of Art (U.S.), and Georgia O’Keeffe Museum (Santa Fe). 2000. O’Keeffe on Paper. Washington, D.C.: National Gallery of Art.
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Gilles Deleuze and Rosalind Krauss. 1983. ‘Plato and the Simulacrum’. October 27: 45–56. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/778495.
Gould, Charlotte, and Sophie Mesplède. 2012. Marketing Art in the British Isles, 1700 to the Present: A Cultural History. Farnham, Surrey: Ashgate.
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Hector, L. C. and Borthwick Institute of Historical Research. 1959. Palaeography and Forgery. Vol. St. Anthony’s Hall publications. London: St. Anthony’s Press.
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Janet Ulph. 2011. ‘Markets and Responsibilities: Forgeries and the Sale of Goods Act 1979’. Journal of Business Law. http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=I915D08C0434611E0BA68A00864A02571&sp=ukuniglasg-1.
Jones, Mark and FAKE Symposium. 1992a. Why Fakes Matter: Essays on Problems of Authenticity. London: British Museum Press.
———. 1992b. Why Fakes Matter: Essays on Problems of Authenticity. London: British Museum Press.
———. 1992c. Why Fakes Matter: Essays on Problems of Authenticity. London: British Museum Press.
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———. 2013b. Forged: Why Fakes Are the Great Art of Our Age. New York, N.Y.: Oxford University Press.
———. 2013c. Forged: Why Fakes Are the Great Art of Our Age. New York, N.Y.: Oxford University Press.
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———. 1948b. Fakes: A Handbook for Collectors and Students. London: Faber.
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———. 2011b. Art Forgery: The History of a Modern Obsession. London: Reaktion Books.
———. 2011c. Art Forgery: The History of a Modern Obsession. London: Reaktion Books.
———. 2011d. Art Forgery: The History of a Modern Obsession. London: Reaktion Books.
———. 2011e. Art Forgery: The History of a Modern Obsession. London: Reaktion Books.
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———. 2008b. ‘The Underworld of Art’. Crime, Law and Social Change 50 (4–5): 263–91. https://doi.org/10.1007/s10611-008-9140-6.
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Peter Cartwright. 2010. ‘Unfair Commercial Practices and the Future of the Criminal Law.’ Journal of Business Law, 618–37. http://ezproxy.lib.gla.ac.uk/login?url=http://login.westlaw.co.uk/maf/wluk/ext/app/document?docguid=IA402CB4068EC11DDABB0CA62716D71C6&sp=ukuniglasg-1.
Reynolds, Gretchen. 7AD. ‘Arts in America -  If It’s Not an O’Keeffe, Exactly What Is It?’ New York Times. 7AD. http://www.nytimes.com/2000/03/07/arts/arts-in-america-if-it-s-not-an-o-keeffe-exactly-what-is-it.html.
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Spencer, Ronald D and Ebooks Corporation Limited. 2004. The Expert versus the Object: Judging Fakes and False Attributions in the Visual Arts. New York, NY: Oxford University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=439057.
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