Balsom, Erika. ‘Original Copies: How Film and Video Became Art Objects’. Cinema Journal 53 97–118. Web. <https://search-proquest-com.ezproxy.lib.gla.ac.uk/docview/1465556547?accountid=14540>.
Block, Bruce A. and Ebooks Corporation Limited. The Visual Story: Creating the Visual Structure of Film, TV, and Digital Media. Second edition. New York: Focal Press, 2013. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=313789>.
Brown, Blain and Dawson Books. Cinematography: Theory and Practice : Image Making for Cinematographers and Directors. 2nd ed. Waltham, Mass: Elsevier/Focal Press, 2012. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080958958>.
Buckland, Warren and Ebooks Corporation Limited. Puzzle Films: Complex Storytelling in Contemporary Cinema. Chichester: Wiley-Blackwell, 2009. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=437494>.
Dancyger, Ken and ProQuest (Firm). The Technique of Film & Video Editing: History, Theory, and Practice. Sixth edition. New York: Routledge, 2019. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5583297>.
Demos, T. J. and ProQuest (Firm). The Migrant Image: The Art and Politics of Documentary during Global Crisis. Durham, North Carolina: Duke University Press, 2013. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1173300>.
Elwes, Catherine and ProQuest (Firm). Installation and the Moving Image. London: Wallflower Press, 2015. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1922326>.
Gaafar, Rania, and Martin Schulz, eds. Technology and Desire: The Transgressive Art of Moving Images. Bristol: Intellect, 2014. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4307301>.
Hongisto, Ilona and ProQuest (Firm). Soul of the Documentary: Framing, Expression, Ethics. Amsterdam: Amsterdam University Press, 2015. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4391575>.
Jensen, Charlotte Sun. ‘Reduced Narration, Intensified Emotion: The Film Trailer’. Projections 8.1 (2014): n. pag. Web.
Millerson, Gerald. Video Camera Techniques. 2nd ed. Oxford: Focal Press, 1994. Print.
Ohanian, Thomas A., and Michael E. Phillips. Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures. 2nd ed. Boston: Focal Press, 2000. Print.
Renov, Michael. Theorizing Documentary. New York: Routledge, 1993. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1039379>.
Suckfüll, Monika. ‘Films That Move Us: Moments of Narrative Impact in an Animated Short Film*’. Projections 4 41–63. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/766748263?pq-origsite=summon>.
The Cool Stuff in Premiere Pro. N.p. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1007%2F978-1-4842-2890-6>.
