[1]
Suckfüll, Monika, ‘Films That Move Us: Moments of Narrative Impact in an Animated Short Film*’, Projections, vol. 4, pp. 41–63 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/766748263?pq-origsite=summon
[2]
C. S. Jensen, ‘Reduced Narration, Intensified Emotion: The Film Trailer’, Projections, vol. 8, no. 1, Jan. 2014, doi: 10.3167/proj.2014.080107.
[3]
W. Buckland and Ebooks Corporation Limited, Puzzle films: complex storytelling in contemporary cinema. Chichester: Wiley-Blackwell, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=437494
[4]
M. Renov, Theorizing documentary. New York: Routledge, 1993 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1039379
[5]
I. Hongisto and ProQuest (Firm), Soul of the documentary: framing, expression, ethics. Amsterdam: Amsterdam University Press, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4391575
[6]
T. J. Demos and ProQuest (Firm), The migrant image: the art and politics of documentary during global crisis. Durham, North Carolina: Duke University Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1173300
[7]
C. Elwes and ProQuest (Firm), Installation and the moving image. London: Wallflower Press, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1922326
[8]
R. Gaafar and M. Schulz, Eds., Technology and desire: the transgressive art of moving images. Bristol: Intellect, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4307301
[9]
Balsom, Erika, ‘Original Copies: How Film and Video Became Art Objects’, Cinema Journal, vol. 53, pp. 97–118 [Online]. Available: https://search-proquest-com.ezproxy.lib.gla.ac.uk/docview/1465556547?accountid=14540
[10]
T. A. Ohanian and M. E. Phillips, Digital filmmaking: the changing art and craft of making motion pictures, 2nd ed. Boston: Focal Press, 2000.
[11]
G. Millerson, Video camera techniques, 2nd ed. Oxford: Focal Press, 1994.
[12]
B. A. Block and Ebooks Corporation Limited, The visual story: creating the visual structure of film, TV, and digital media, Second edition. New York: Focal Press, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=313789
[13]
B. Brown and Dawson Books, Cinematography: theory and practice : image making for cinematographers and directors, 2nd ed. Waltham, Mass: Elsevier/Focal Press, 2012 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080958958
[14]
K. Dancyger and ProQuest (Firm), The technique of film & video editing: history, theory, and practice, Sixth edition. New York: Routledge, 2019 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5583297
[15]
The Cool Stuff in Premiere Pro. [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1007%2F978-1-4842-2890-6
