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Bredius, Abraham. 1937. ‘A New Vermeer’. The Burlington Magazine for Connoisseurs 71(416):210–11. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022.
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Copying the Expressionists: Germany’s Mega-Forgery Scandal Gets Even Bigger. n.d. https://www.spiegel.de/international/zeitgeist/copying-the-expressionists-germany-s-mega-forgery-scandal-gets-even-bigger-a-734798.html.
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Did Da Vinci or R.C. Lucas Create ‘Flora?’: The Question as to Who Made the Bust Agitates England and Germany. n.d. New York Times  (1857-1922). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/hnpnewyorktimes/docview/96903472/D5801C5851994BC0PQ/1?accountid=14540.
Directive 2004/48/EC of the European Parliament and of the Council of 29 April 2004 on the enforcement of intellectual property rights. n.d.
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Ebooks Corporation Limited. 2015a. Cultural Property Crime: An Overview and Analysis on Contemporary Perspectives and Trends. Vol. Heritage and identity : issues in cultural heritage protection. edited by J. Kila and M. Balcells. Leiden: Brill.
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Eldredge, Charles C., Georgia O’Keeffe, Hayward Gallery, Museo del Palacio de Bellas Artes (Mexico City), and Yokohama Museum of Art. 1993. Georgia O’Keeffe: American and Modern. New Haven, Conn: Yale University Press.
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Eve M. Kahn. n.d. ‘Gleaning the True Identity of an Enigmatic Forger’. The New York Times. http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T004&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=BasicSearchForm&currentPosition=1&docId=GALE%7CA253476490&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA253476490&searchId=R4&userGroupName=glasuni&inPS=true.
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