28 O’Keeffe Paintings in Doubt as Experts Challenge Authenticity. (n.d.).
[1983] 1 W.L.R. 1315, *1315 Peco Arts Inc. v Hazlitt Gallery Ltd. ___.
[1985 L. No. 2051], *564 Harlingdon and Leinster Enterprises Ltd. v Christopher Hull Fine Art Ltd. ___.
1998 WL 1044211, Mansour Ojjeh v Mark Waller, Galerie Moderne Ltd ___.
[2003] EWHC 467 (Comm), 1 ___.
[2004] EWHC 1101, 1 ___.
A. Bredius. (1932). An Unpublished Vermeer. The Burlington Magazine for Connoisseurs, 61(355), 144–145. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/865079
Adam, G. (2016). Experts shed light on Modigliani’s murky market with new research project. The Art Newspaper. https://www.theartnewspaper.com/2016/07/22/experts-shed-light-on-modiglianis-murky-market-with-new-research-project
Affidavits concerning the Wax Bust of Flora. (1910). The Burlington Magazine for Connoisseurs, 17(87). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/858253
A.L. Bandle. (n.d.). Fakes, Fears, and Findings - Disputes over the Authenticity of Artworks. Transnational Dispute Management (TDM). https://www.transnational-dispute-management.com/journal-advance-publication-article.asp?key=498
ARCA’s network assists in getting two fake de Hory forgeries withdrawn from sale. (n.d.). https://art-crime.blogspot.co.uk/2014/10/arcas-network-assists-in-getting-two.html
Art forger Wolfgang Beltracchi’s multimillion dollar scam. (n.d.). http://www.cbsnews.com/news/con-artist-wolfgang-beltracchi-on-multimillion-dollar-scam/
Association for Research into Crimes against Art. (2016). Art crime: terrorists, tomb raiders, forgers and thieves (N. Charney, Ed.). Palgrave Macmillan. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781137407573
Baker, C., Howarth, D., Stirton, P., Heide, C., & National Galleries of Scotland. (2009). The discovery of Spain: British artists and collectors : Goya to Picasso. National Galleries of Scotland.
Bambach, C. (1999). Drawing and painting in the Italian Renaissance workshop: theory and practice, 1300-1600. Cambridge University Press. http://www.loc.gov/catdir/samples/cam032/98051727.html
Bandle, A. L. (2015). Fake or Fortune? Art Authentication Rules in the Art Market and at Court. International Journal of Cultural Property, 22(2–3), 379–399. https://doi.org/10.1017/S0940739115000107
Baudrillard, J. (1994). Simulacra and simulation: Vol. The body, in theory. University of Michigan Press.
Beckett, A. (1995). Fakes: forgery and the art world. Richard Cohen Books.
Bella Principessa and the hazard of expert opinions. (n.d.). http://www.withersworldwide.com/news-publications/bella-principessa-and-the-hazard-of-expert-opinions--2
Benhamou, F., & Ginsburgh, V. (2002). Is There a Market for Copies? The Journal of Arts Management, Law, and Society, 32(1), 37–56. https://doi.org/10.1080/10632920209597333
Bowden, R. (1999). What Is Wrong with an Art Forgery?: An Anthropological Perspective. The Journal of Aesthetics and Art Criticism, 57(3). https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/432198
Bredius, A. (1937). A New Vermeer. The Burlington Magazine for Connoisseurs, 71(416), 210–211. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022
Briefel, A. (2006a). The deceivers: art forgery and identity in the nineteenth century. Cornell University Press.
Briefel, A. (2006b). The deceivers: art forgery and identity in the nineteenth century. Cornell University Press.
Briefel, A. (2006c). The deceivers: art forgery and identity in the nineteenth century. Cornell University Press.
Caplan, H. H. (1982). The classified directory of artists’ signatures, symbols & monograms (Enl. and rev. ed). G. Prior.
Charles Stanish. (2009). Forging Ahead. Archaeology, 62(3). https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41781288
Cochrane, P. (n.d.). Pastoral scions Mary and Elizabeth Durack were sisters of art and mercy. http://www.theaustralian.com.au/arts/review/pastoral-scions-mary-and-elizabeth-durack-were-sisters-of-art-and-mercy/story-fn9n8gph-1226411177765
Cole, S. (2010). Connoisseurship All the Way down: Art Authentication, Forgery, Fingerprint Identification, Expert Knowledge. Journal of Art Crime, 4, 85–88. http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/jartcrim4&size=2&collection=journals&id=90
Copying the Expressionists: Germany’s Mega-Forgery Scandal Gets Even Bigger. (n.d.). https://www.spiegel.de/international/zeitgeist/copying-the-expressionists-germany-s-mega-forgery-scandal-gets-even-bigger-a-734798.html
Copyright, Designs and Patents Act 1988.
Cornelius Holtorf. (n.d.). On pastness: a reconsideration of materiality in archaeological object authenticity. Anthropological Quarterly. https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A330678660&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
Cotte, P., & Kemp, M. (n.d.). La Bella Principessa and the Warsaw Sforziad. https://www.lumiere-technology.com/news/Study_Bella_Principessa_and_Warsaw_Sforziad.pdf
Craddock, P. T. & Dawson Books. (2009a). Scientific investigation of copies, fakes and forgeries. Butterworth-Heinemann. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080939001
Craddock, P. T. & Dawson Books. (2009b). Scientific investigation of copies, fakes and forgeries. Butterworth-Heinemann. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080939001
Craddock, P. T. & Dawson Books. (2009c). Scientific investigation of copies, fakes and forgeries. Butterworth-Heinemann. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080939001
Craddock, P. T. & Dawson Books. (2009d). Scientific investigation of copies, fakes and forgeries. Butterworth-Heinemann. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080939001
David Grann. (n.d.). The mark of a masterpiece. The New Yorker. http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T003&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=5&docId=GALE%7CA232009193&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA232009193&searchId=R2&userGroupName=glasuni&inPS=true
De Balkany v Christie Manson and Woods Ltd.
Deleuze, G., & Krauss, R. (1983). Plato and the Simulacrum. October, 27, 45–56. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/778495
Desperately seeking Rubens. (n.d.). https://www.theguardian.com/artanddesign/2002/sep/02/art.artsfeatures
Did Da Vinci or R.C. Lucas Create ‘Flora?’: The Question as to Who Made the Bust Agitates England and Germany. (n.d.). New York Times  (1857-1922). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/hnpnewyorktimes/docview/96903472/D5801C5851994BC0PQ/1?accountid=14540
Directive 2004/48/EC of the European Parliament and of the Council of 29 April 2004 on the Enforcement of Intellectual Property Rights.
Dirty digger unearthed. (n.d.). http://www.trussel.com/prehist/news225.htm
Discovery of Crosby Garrett Helmet in 2010. (n.d.). http://www.bbc.co.uk/news/uk-england-cumbria-11287093
Dolnick, E. (2008). The forger’s spell: a true story of Vermeer, Nazis, and the greatest art hoax of the twentieth century. Harper Perennial.
Dutton, D. (Ed.). (1983a). The forger’s art: forgery and the philosophy of art. University of California Press.
Dutton, D. (Ed.). (1983b). The forger’s art: forgery and the philosophy of art. University of California Press.
Dutton, D. (Ed.). (1983c). The forger’s art: forgery and the philosophy of art. University of California Press.
Dutton, D. (Ed.). (1983d). The forger’s art: forgery and the philosophy of art. University of California Press.
Ebitz, D. (1988). Connoisseurship as Practice. Artibus et Historiae, 9(18). https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1483344
Ebooks Corporation Limited. (2015a). Cultural property crime: an overview and analysis on contemporary perspectives and trends: Vol. Heritage and identity : issues in cultural heritage protection (J. Kila & M. Balcells, Eds). Brill. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1823638
Ebooks Corporation Limited. (2015b). Cultural property crime: an overview and analysis on contemporary perspectives and trends: Vol. Heritage and identity : issues in cultural heritage protection (J. Kila & M. Balcells, Eds). Brill. http://GLA.eblib.com/patron/FullRecord.aspx?p=1823638
Eldredge, C. C., O’Keeffe, G., Hayward Gallery, Museo del Palacio de Bellas Artes (Mexico City), & Yokohama Museum of Art. (1993). Georgia O’Keeffe: American and modern. Yale University Press.
Elia, R. J. (1994). The world cannot afford many more collectors with a passion for antiquitie. The Art Newspaper, 41.
Eliav-Feldon, M. (2012). Renaissance Impostors and Proofs of Identity. Palgrave Macmillan.
Elmyr de Hory, Artist and Faker by Don Myers. (n.d.). https://issuu.com/donmyers/docs/final_dehory/1
End of exhibition of Crosby Garrett Helmet in 2014. (n.d.). http://www.itv.com/news/border/topic/crosby-garrett-helmet/
Eve M. Kahn. (n.d.). Gleaning the true identity of an enigmatic forger. The New York Times. http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T004&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=BasicSearchForm&currentPosition=1&docId=GALE%7CA253476490&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA253476490&searchId=R4&userGroupName=glasuni&inPS=true
Exhibition and summary of sale of Crosby Garrett Helmet. (5 C.E.). https://www.youtube.com/watch?v=2M8tOM1IlV8
Factum Arte :: A facsimile of the Wedding at Cana by Paolo Veronese. (n.d.). http://www.factum-arte.com/pag/38/A-facsimile-of-the-Wedding-at-Cana-by-Paolo-Veronese
Fay, E. (2011). Virtual Artifacts: eBay, Antiquities, and Authenticity. Journal of Contemporary Criminal Justice, 27(4), 449–464. https://doi.org/10.1177/1043986211418887
Fiechter, J.-J., & Schneider, S. (2009). Egyptian fakes: masterpieces that duped the art world and the experts who uncovered them (English language ed). Flammarion.
Fine, R., O’Keeffe, G., Lynes, B. B., Glassman, E., Walsh, J. C., National Gallery of Art (U.S.), & Georgia O’Keeffe Museum (Santa Fe). (2000). O’Keeffe on paper. National Gallery of Art.
Fleming, S. J. (1975). Authenticity in art: the scientific detection of forgery. Institute of Physics.
Forger’s Forgeries Attributed To Elmyr de Hory Withdrawn From Auction. (n.d.). http://www.artlyst.com/articles/forgers-forgeries-attributed-to-elmyr-de-hory-withdrawn-from-auction
forgery | The Chicago School of Media Theory. (n.d.). https://lucian.uchicago.edu/blogs/mediatheory/keywords/forgery/
Foster, S. M., & Curtis, N. G. W. (2016). The Thing about Replicas—Why Historic Replicas Matter. European Journal of Archaeology, 19(1), 122–148. https://doi.org/10.1179/1461957115Y.0000000011
Fraud Act 2006.
Frey, B. S. (2003). Arts & economics: analysis & cultural policy (2nd ed). Springer.
Gould, C., & Mesplède, S. (2012a). Marketing art in the British Isles, 1700 to the present: a cultural history. Ashgate.
Gould, C., & Mesplède, S. (2012b). Marketing art in the British Isles, 1700 to the present: a cultural history. Ashgate. http://content.talisaspire.com/glasgow/bundles/57fe03994469eedd088b4590
HAHN v. DUVEEN, 133 Misc. 871 (N.Y. Misc. 1929).
Harris, E., Glendinning, N., & Macartney, H. (2010). Spanish art in Britain and Ireland, 1750-1920: studies in reception in memory of Enriqueta Harris Frankfort: Vol. Colección Támesis. Tamesis.
Harris, G. (2013). Modigliani Institute president arrested. The Art Newspaper. https://web.archive.org/web/20150404042512/http://www.theartnewspaper.com/articles/Modigliani-Institute-president-arrested/28490
Hebborn, E. (1993). Drawn to trouble: confessions of a master forger : a memoir (1st U.S. ed). Random House.
Hoving, T. (1997). False impressions: the hunt for big-time art fakes (1st Touchstone ed). Touchstone/Simon & Schuster.
If It’s Not an O’Keeffe, Exactly What Is It? (n.d.). https://www.nytimes.com/2000/03/07/arts/arts-in-america-if-it-s-not-an-o-keeffe-exactly-what-is-it.html
Irvin, S. (2005). Appropriation and Authorship in Contemporary Art. The British Journal of Aesthetics, 45(2), 123–137. https://doi.org/10.1093/aesthj/ayi015
‘It’s not a da Vinci, it’s Sally from the Co-op’. (n.d.). Sunday Times (London, England). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T004&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=317&docId=GALE%7CA435850050&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA435850050&searchId=R1&userGroupName=glasuni&inPS=true
Janet Ulph. (n.d.). Markets and responsibilities: forgeries and the Sale of Goods Act 1979. Journal of Business Law. https://signon.thomsonreuters.com/federation/UKF?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&returnto=https%3A%2F%2Fuk.practicallaw.thomsonreuters.com%2FDocument%2FI915D08C0434611E0BA68A00864A02571%2FView%2FFullText.html%3FskipAnonymous%3Dtrue
‘Japan Scandals - This Time It’s Archaeology: A Preliminary Report’ 17 November 2000. (n.d.). http://www.t-net.ne.jp/~keally/Hoax/pal-hoax-1.html
Johnson, H. (2015). Is It Authentic - Who May Say - A Fresh Look at Connoisseurship and Its Role in Art Attribution. Journal of Art Crime, 14, 47–54. http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/jartcrim14&size=2&collection=journals&id=52
Johnson, K. C. (1973). Fakes and forgeries. [s.n.].
Jones, M. & FAKE Symposium. (1992a). Why fakes matter: essays on problems of authenticity. British Museum Press.
Jones, M. & FAKE Symposium. (1992b). Why fakes matter: essays on problems of authenticity. British Museum Press.
Jones, M. & FAKE Symposium. (1992c). Why fakes matter: essays on problems of authenticity. British Museum Press.
Jones, S. (2009). Experiencing Authenticity at Heritage Sites: Some Implications for Heritage Management and Conservation. Conservation and Management of Archaeological Sites, 11(2), 133–147. https://doi.org/10.1179/175355210X12670102063661
Jones, S. (2010). Negotiating Authentic Objects and Authentic Selves: Beyond the Deconstruction of Authenticity. Journal of Material Culture, 15(2), 181–203. https://doi.org/10.1177/1359183510364074
Julius, A. (22 C.E.). The Lying Dutchman. NYTimes. http://www.nytimes.com/2008/06/22/books/review/Julius-t.html?_r=1&
Keats, J. (2013a). Forged: why fakes are the great art of our age. Oxford University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378
Keats, J. (2013b). Forged: why fakes are the great art of our age. Oxford University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378
Keats, J. (2013c). Forged: why fakes are the great art of our age. Oxford University Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378
Keats, J. (2013d). Forged: why fakes are the great art of our age. Oxford University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378
Kemp, M., & Cotte, P. (2012). La bella principessa di Leonardo da Vinci: ritratto di Bianca Sforza (Edizione aggiornata e riveduta in lingua italiana). Mandragora.
Kleiner, E. (n.d.). Infamous Piracy: How the Lucrative Market for Forgeries is Transforming the World of Fine Art. https://itsartlaw.com/2014/07/30/infamous-piracy-how-the-lucrative-market-for-forgeries-is-transforming-the-world-of-fine-art/
Kurz, O. (1948a). Fakes: a handbook for collectors and students. Faber.
Kurz, O. (1948b). Fakes: a handbook for collectors and students. Faber.
Kurz, O. (1948c). Fakes: a handbook for collectors and students. Faber.
Kurz, O. (1948d). Fakes: a handbook for collectors and students. Faber.
Kurz, O. (1948e). Fakes: a handbook for collectors and students. Faber.
Lane, J. (n.d.). Artyfact. http://www.jimlaneart.com/Artyfacts/5-11-00.html
Lenain, T. (2011a). Art forgery: the history of a modern obsession. Reaktion Books. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
Lenain, T. (2011b). Art forgery: the history of a modern obsession. Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
Lenain, T. (2011c). Art forgery: the history of a modern obsession. Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
Lenain, T. (2011d). Art forgery: the history of a modern obsession. Reaktion Books. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
Lenain, T. (2011e). Art forgery: the history of a modern obsession. Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
Lenain, T. (2011f). Art forgery: the history of a modern obsession. Reaktion Books. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
Lenain, T. (2011g). Art forgery: the history of a modern obsession. Reaktion Books. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
Lessing, A. (1965). What Is Wrong with a Forgery? The Journal of Aesthetics and Art Criticism, 23(4). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/427668
Levinson, J. (2005). The Oxford handbook of aesthetics [Electronic resource]. Oxford University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199279456.001.0001
Limitation Act 1980.
Lisle, L. (1986). Portrait of an artist: a biography of Georgia O’Keeffe (Rev. ed). Washington Square Press.
Litchfield, D. R. L. (n.d.). Thyssen-Bornemisza Dürer A Fake. https://www.davidrllitchfield.com/2009/09/thyssen-bornemisza-durer-a-fake/
Livorno plans to show fake Modigliani heads. (n.d.). https://www.thelocal.it/20140520/livorno-plans-to-show-fake-modigliani-heads
Lynes, B. B., O’Keeffe, G., National Gallery of Art (U.S.), & Georgia O’Keeffe Foundation. (1999). Georgia O’Keeffe: catalogue raisonné. Yale University Press.
Maloney, J. (n.d.). The Deep Freeze in Art Authentication. https://www.wsj.com/articles/SB10001424052702304279904579518093886991908
Marchi, N. D., & Van Miegroet, H. J. (n.d.). Art, Value, and Market Practices in the Netherlands in the Seventeenth Century. The Art Bulletin, 76(3). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1296205593?pq-origsite=summon
Mark Stevenson Paper Conservation - Authentification - Canyon Suite Watercolors - Georgia O’Keefe. (n.d.). http://www.thepaperfixer.com/OKeeffe.htm
Marnham, P. (8 C.E.). Showdown in Santa Fe. The Telegraph. https://www.telegraph.co.uk/culture/4721533/Showdown-in-Santa-Fe.html
Marshall, K. P., & Forrest, P. J. (2011). A Framework for Identifying Factors that Influence Fine Art Valuations from Artist to Consumers. Marketing Management Journal, 21(Issue 1), 111–123. http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=63616419&site=ehost-live
Martin Kemp’s This and That: Attribution. Science and Judgement by eye. (n.d.). http://martinkempsthisandthat.blogspot.co.uk/2015/04/attribution-science-and-judgement-by-eye.html
Maxwell, S. W. S. (n.d.). Annals of the Artists of Spain. https://archive.org/stream/annalsartistssp02maxwgoog#page/n100/mode/2up
Misrepresentation Act 1967.
Misrepresentation Act 1967.
Modigliani Expert Promises New Catalogue Raisonné. (n.d.). https://news.artnet.com/market/death-threats-modigliani-expert-catalogue-raisonne-572093
Modigliani nude fetches $68.9M at auction. (n.d.). http://www.cbc.ca/beta/news/entertainment/modigliani-nude-fetches-68-9m-at-auction-1.893291
Modigliani nude sells for a record $68.9m. (n.d.). http://www.bbc.co.uk/news/entertainment-arts-11682850
Modigliani’s Genuine Fake Heads. (n.d.). https://vimeo.com/ondemand/fakemodigliani
Muscarella, O. W. (2000). The lie became great: the forgery of ancient Near Eastern cultures: Vol. Studies in the art and archaeology of antiquity. Styx.
Naylor, R. T. (2008). The underworld of art. Crime, Law and Social Change, 50(4–5), 263–291. https://doi.org/10.1007/s10611-008-9140-6
Neutral Citation No. [2002] EWHC 294 (QB), Richard Drake v Thos. Agnew & Sons Limited ___.
Niall, B. (2013). True north: the story of Mary and Elizabeth Durack. Text.
Olsburgh, C. & Institute of Art and Law (Great Britain). (2005). Authenticity in the art market: a comparative study of Swiss, French and English contract Law. Institute of Art and Law.
Parke, E., & Jones, N. (n.d.). Outrage as judge refuses to award Indigenous artists. http://www.abc.net.au/news/2014-09-09/outrage-as-judge-refuses-to-award-indigenous-artists/5730274
Patricia Cohen. (2014). A Modigliani? Who Says So? The New York Times. https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/hnpnewyorktimes/docview/1942681439/6D217BCA2414E9DPQ/1?accountid=14540
Paul Z. Rotterdam. (1985). Myth and Art. Social Research, 52(2), 423–439. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40970379
Portrait of the artist as an entrepreneur. (2011). The Economist, 401(8764). https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A274966562&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
Prescription and Limitation (Scotland) Act 1973.
Robinson, R. (1989). Georgia O’Keeffe: a life. Bloomsbury.
Rogers v. Koons, 751 F. Supp. 474 (S.D.N.Y. 1990) :: Justia.
Roodt, Christa. (n.d.). Forgers, Connoisseurs, and the Nazi Past. Journal of Information Ethics, 24(2). https://www.questia.com/library/journal/1P3-4014579461/forgers-connoisseurs-and-the-nazi-past
Sagoff, M. (1978). On Restoring and Reproducing Art. The Journal of Philosophy, 75(9). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2025386
Sale of Goods Act 1979.
Sander, J., Dyballa, K., Dürer, A., & Stadtische Galerie im Stadelschen Kunstinstitut Frankfurt am Main. (2013). Albrecht Dürer: his art in the context of its time. Prestel.
Schwartz, G. (1988). Connoisseurship: The Penalty of Ahistoricism. Artibus et Historiae, 9(18). https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1483343
SELTZER v. MORTON LLP.
The $7 Million Fake: Forgery Scandal Embarrasses International Art World. (n.d.). https://www.spiegel.de/international/zeitgeist/the-7-million-fake-forgery-scandal-embarrasses-international-art-world-a-768195.html
The Consumer Protection from Unfair Trading Regulations 2008.
Three Students and a Dockworker Put Their Heads Together and Confound the Art World. (n.d.). https://people.com/archive/three-students-and-a-dockworker-put-their-heads-together-and-confound-the-art-world-vol-22-no-15/
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