( Jack, J.):May 19, 20041 (no date) [2004] EWHC 1101, 1.
‘28 O’Keeffe Paintings in Doubt as Experts Challenge Authenticity’ (no date).
A. Bredius (1932) ‘An Unpublished Vermeer’, The Burlington Magazine for Connoisseurs, 61(355), pp. 144–145. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/865079.
Adam, G. (2016) ‘Experts shed light on Modigliani’s murky market with new research project’, The art newspaper [Preprint]. Available at: https://www.theartnewspaper.com/2016/07/22/experts-shed-light-on-modiglianis-murky-market-with-new-research-project.
‘Affidavits concerning the Wax Bust of Flora’ (1910) The Burlington Magazine for Connoisseurs, 17(87). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/858253.
A.L. Bandle (no date) ‘Fakes, Fears, and Findings - Disputes over the Authenticity of Artworks’, Transnational Dispute Management (TDM) [Preprint]. Available at: https://www.transnational-dispute-management.com/journal-advance-publication-article.asp?key=498.
‘ARCA’s network assists in getting two fake de Hory forgeries withdrawn from sale’ (no date). Available at: https://art-crime.blogspot.co.uk/2014/10/arcas-network-assists-in-getting-two.html.
‘Art forger Wolfgang Beltracchi’s multimillion dollar scam’ (no date). Available at: http://www.cbsnews.com/news/con-artist-wolfgang-beltracchi-on-multimillion-dollar-scam/.
Association for Research into Crimes against Art (2016) Art crime: terrorists, tomb raiders, forgers and thieves. Edited by N. Charney. Basingstoke, Hampshire: Palgrave Macmillan. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781137407573.
Baker, C. et al. (2009) The discovery of Spain: British artists and collectors : Goya to Picasso. Edinburgh: National Galleries of Scotland.
Bambach, C. (1999) Drawing and painting in the Italian Renaissance workshop: theory and practice, 1300-1600. Cambridge: Cambridge University Press. Available at: http://www.loc.gov/catdir/samples/cam032/98051727.html.
Bandle, A.L. (2015) ‘Fake or Fortune? Art Authentication Rules in the Art Market and at Court’, International Journal of Cultural Property, 22(2–3), pp. 379–399. Available at: https://doi.org/10.1017/S0940739115000107.
Baudrillard, J. (1994) Simulacra and simulation. Ann Arbor: University of Michigan Press.
Beckett, A. (1995) Fakes: forgery and the art world. London: Richard Cohen Books.
‘Bella Principessa and the hazard of expert opinions’ (no date). Available at: http://www.withersworldwide.com/news-publications/bella-principessa-and-the-hazard-of-expert-opinions--2.
Benhamou, F. and Ginsburgh, V. (2002) ‘Is There a Market for Copies?’, The Journal of Arts Management, Law, and Society, 32(1), pp. 37–56. Available at: https://doi.org/10.1080/10632920209597333.
Bowden, R. (1999) ‘What Is Wrong with an Art Forgery?: An Anthropological Perspective’, The Journal of Aesthetics and Art Criticism, 57(3). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/432198.
Bredius, A. (1937) ‘A New Vermeer’, The Burlington Magazine for Connoisseurs, 71(416), pp. 210–211. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022.
Briefel, A. (2006a) The deceivers: art forgery and identity in the nineteenth century. Ithaca, N.Y.: Cornell University Press.
Briefel, A. (2006b) The deceivers: art forgery and identity in the nineteenth century. Ithaca, N.Y.: Cornell University Press.
Briefel, A. (2006c) The deceivers: art forgery and identity in the nineteenth century. Ithaca, N.Y.: Cornell University Press.
Caplan, H.H. (1982) The classified directory of artists’ signatures, symbols & monograms. Enl. and rev. ed. London, England: G. Prior.
Charles Stanish (2009) ‘Forging Ahead’, Archaeology, 62(3). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41781288.
Cochrane, P. (no date) ‘Pastoral scions Mary and Elizabeth Durack were sisters of art and mercy’. Available at: http://www.theaustralian.com.au/arts/review/pastoral-scions-mary-and-elizabeth-durack-were-sisters-of-art-and-mercy/story-fn9n8gph-1226411177765.
Cole, S. (2010) ‘Connoisseurship All the Way down: Art Authentication, Forgery, Fingerprint Identification, Expert Knowledge’, Journal of Art Crime, (4), pp. 85–88. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/jartcrim4&size=2&collection=journals&id=90.
‘Copying the Expressionists: Germany’s Mega-Forgery Scandal Gets Even Bigger’ (no date). Available at: https://www.spiegel.de/international/zeitgeist/copying-the-expressionists-germany-s-mega-forgery-scandal-gets-even-bigger-a-734798.html.
Copyright, Designs and Patents Act 1988 (no date). Statute Law Database.
Cornelius Holtorf (no date) ‘On pastness: a reconsideration of materiality in archaeological object authenticity’, Anthropological Quarterly [Preprint]. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A330678660&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1.
Cotte, P. and Kemp, M. (no date) ‘La Bella Principessa and the Warsaw Sforziad’. Available at: https://www.lumiere-technology.com/news/Study_Bella_Principessa_and_Warsaw_Sforziad.pdf.
Craddock, P.T. and Dawson Books (2009a) Scientific investigation of copies, fakes and forgeries. Oxford: Butterworth-Heinemann. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080939001.
Craddock, P.T. and Dawson Books (2009b) Scientific investigation of copies, fakes and forgeries. Oxford: Butterworth-Heinemann. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080939001.
Craddock, P.T. and Dawson Books (2009c) Scientific investigation of copies, fakes and forgeries. Oxford: Butterworth-Heinemann. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080939001.
Craddock, P.T. and Dawson Books (2009d) Scientific investigation of copies, fakes and forgeries. Oxford: Butterworth-Heinemann. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780080939001.
David Grann (no date) ‘The mark of a masterpiece’, The New Yorker [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T003&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=5&docId=GALE%7CA232009193&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA232009193&searchId=R2&userGroupName=glasuni&inPS=true.
De Balkany v Christie Manson and Woods Ltd (no date).
Deleuze, G. and Krauss, R. (1983) ‘Plato and the Simulacrum’, October, 27, pp. 45–56. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/778495.
‘Desperately seeking Rubens’ (no date). Available at: https://www.theguardian.com/artanddesign/2002/sep/02/art.artsfeatures.
‘Did Da Vinci or R.C. Lucas Create “Flora?”: The Question as to Who Made the Bust Agitates England and Germany.’ (no date) New York Times  (1857-1922) [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/hnpnewyorktimes/docview/96903472/D5801C5851994BC0PQ/1?accountid=14540.
Directive 2004/48/EC of the European Parliament and of the Council of 29 April 2004 on the enforcement of intellectual property rights (no date).
‘Dirty digger unearthed’ (no date). Available at: http://www.trussel.com/prehist/news225.htm.
‘Discovery of Crosby Garrett Helmet in 2010’ (no date). Available at: http://www.bbc.co.uk/news/uk-england-cumbria-11287093.
Dolnick, E. (2008) The forger’s spell: a true story of Vermeer, Nazis, and the greatest art hoax of the twentieth century. New York: Harper Perennial.
Dutton, D. (ed.) (1983a) The forger’s art: forgery and the philosophy of art. Berkeley, California: University of California Press.
Dutton, D. (ed.) (1983b) The forger’s art: forgery and the philosophy of art. Berkeley, California: University of California Press.
Dutton, D. (ed.) (1983c) The forger’s art: forgery and the philosophy of art. Berkeley, California: University of California Press.
Dutton, D. (ed.) (1983d) The forger’s art: forgery and the philosophy of art. Berkeley, California: University of California Press.
Ebitz, D. (1988) ‘Connoisseurship as Practice’, Artibus et Historiae, 9(18). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1483344.
Ebooks Corporation Limited (2015a) Cultural property crime: an overview and analysis on contemporary perspectives and trends. Edited by J. Kila and M. Balcells. Leiden: Brill. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1823638.
Ebooks Corporation Limited (2015b) Cultural property crime: an overview and analysis on contemporary perspectives and trends. Edited by J. Kila and M. Balcells. Leiden: Brill. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1823638.
Eldredge, C.C. et al. (1993) Georgia O’Keeffe: American and modern. New Haven, Conn: Yale University Press.
Elia, R.J. (1994) ‘The world cannot afford many more collectors with a passion for antiquitie’, The Art Newspaper [Preprint], (41).
Eliav-Feldon, M. (2012) Renaissance Impostors and Proofs of Identity. Basingstoke: Palgrave Macmillan.
Elmyr de Hory, Artist and Faker by Don Myers (no date). Available at: https://issuu.com/donmyers/docs/final_dehory/1.
‘End of exhibition of Crosby Garrett Helmet in 2014’ (no date). Available at: http://www.itv.com/news/border/topic/crosby-garrett-helmet/.
Eve M. Kahn (no date) ‘Gleaning the true identity of an enigmatic forger’, The New York Times [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T004&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=BasicSearchForm&currentPosition=1&docId=GALE%7CA253476490&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA253476490&searchId=R4&userGroupName=glasuni&inPS=true.
‘Exhibition and summary of sale of Crosby Garrett Helmet’ (5 AD). Available at: https://www.youtube.com/watch?v=2M8tOM1IlV8.
‘Factum Arte :: A facsimile of the Wedding at Cana by Paolo Veronese’ (no date). Available at: http://www.factum-arte.com/pag/38/A-facsimile-of-the-Wedding-at-Cana-by-Paolo-Veronese.
Fay, E. (2011) ‘Virtual Artifacts: eBay, Antiquities, and Authenticity’, Journal of Contemporary Criminal Justice, 27(4), pp. 449–464. Available at: https://doi.org/10.1177/1043986211418887.
Fiechter, J.-J. and Schneider, S. (2009) Egyptian fakes: masterpieces that duped the art world and the experts who uncovered them. English language ed. Paris: Flammarion.
Fine, R. et al. (2000) O’Keeffe on paper. Washington, D.C.: National Gallery of Art.
Fleming, S.J. (1975) Authenticity in art: the scientific detection of forgery. London: Institute of Physics.
‘Forger’s Forgeries Attributed To Elmyr de Hory Withdrawn From Auction’ (no date). Available at: http://www.artlyst.com/articles/forgers-forgeries-attributed-to-elmyr-de-hory-withdrawn-from-auction.
‘forgery | The Chicago School of Media Theory’ (no date). Available at: https://lucian.uchicago.edu/blogs/mediatheory/keywords/forgery/.
Foster, S.M. and Curtis, N.G.W. (2016) ‘The Thing about Replicas—Why Historic Replicas Matter’, European Journal of Archaeology, 19(1), pp. 122–148. Available at: https://doi.org/10.1179/1461957115Y.0000000011.
Fraud Act 2006 (no date). Statute Law Database.
Frey, B.S. (2003) Arts & economics: analysis & cultural policy. 2nd ed. Berlin: Springer.
Gould, C. and Mesplède, S. (2012a) Marketing art in the British Isles, 1700 to the present: a cultural history. Farnham, Surrey: Ashgate.
Gould, C. and Mesplède, S. (2012b) Marketing art in the British Isles, 1700 to the present: a cultural history. Farnham, Surrey: Ashgate. Available at: http://content.talisaspire.com/glasgow/bundles/57fe03994469eedd088b4590.
HAHN v. DUVEEN, 133 Misc. 871 (N.Y. Misc. 1929) (no date).
Harris, E., Glendinning, N. and Macartney, H. (2010) Spanish art in Britain and Ireland, 1750-1920: studies in reception in memory of Enriqueta Harris Frankfort. Woodbridge, Suffolk: Tamesis.
Harris, G. (2013) ‘Modigliani Institute president arrested’, The art newspaper [Preprint]. Available at: https://web.archive.org/web/20150404042512/http://www.theartnewspaper.com/articles/Modigliani-Institute-president-arrested/28490.
Hebborn, E. (1993) Drawn to trouble: confessions of a master forger : a memoir. 1st U.S. ed. New York: Random House.
High Court of Justice (Queen (no date) 1998 WL 1044211, Mansour Ojjeh v Mark Waller, Galerie Moderne Ltd.
High Court of Justice Queens Bench Division8  March  2002Before: The Honourable  Mr Justice Buckley Friday 8th March, 2002, Hearing dates : 30, and 31 January, 1, 4, 5, 6, 7, 8, 11 and 14 February 2002.Crown copyright (no date) Neutral Citation No. [2002] EWHC 294 (QB), Richard Drake v Thos. Agnew & Sons Limited.
Hoving, T. (1997) False impressions: the hunt for big-time art fakes. 1st Touchstone ed. New York: Touchstone/Simon & Schuster.
‘If It’s Not an O’Keeffe, Exactly What Is It?’ (no date). Available at: https://www.nytimes.com/2000/03/07/arts/arts-in-america-if-it-s-not-an-o-keeffe-exactly-what-is-it.html.
Irvin, S. (2005) ‘Appropriation and Authorship in Contemporary Art’, The British Journal of Aesthetics, 45(2), pp. 123–137. Available at: https://doi.org/10.1093/aesthj/ayi015.
‘“It’s not a da Vinci, it’s Sally from the Co-op”’ (no date) Sunday Times (London, England) [Preprint]. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T004&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=317&docId=GALE%7CA435850050&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA435850050&searchId=R1&userGroupName=glasuni&inPS=true.
Janet Ulph (no date) ‘Markets and responsibilities: forgeries and the Sale of Goods Act 1979’, Journal of Business Law [Preprint]. Available at: https://signon.thomsonreuters.com/federation/UKF?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&returnto=https%3A%2F%2Fuk.practicallaw.thomsonreuters.com%2FDocument%2FI915D08C0434611E0BA68A00864A02571%2FView%2FFullText.html%3FskipAnonymous%3Dtrue.
‘“Japan Scandals - This Time It’s Archaeology: A Preliminary Report” 17 November 2000’ (no date). Available at: http://www.t-net.ne.jp/~keally/Hoax/pal-hoax-1.html.
Johnson, H. (2015) ‘Is It Authentic - Who May Say - A Fresh Look at Connoisseurship and Its Role in Art Attribution’, Journal of Art Crime, (14), pp. 47–54. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/jartcrim14&size=2&collection=journals&id=52.
Johnson, K.C. (1973) Fakes and forgeries. Minneapolis: [s.n.].
Jonathan Hirst Q.C.March 18, 2003 1 (no date) [2003] EWHC 467 (Comm), 1.
Jones, M. and FAKE Symposium (1992a) Why fakes matter: essays on problems of authenticity. London: British Museum Press.
Jones, M. and FAKE Symposium (1992b) Why fakes matter: essays on problems of authenticity. London: British Museum Press.
Jones, M. and FAKE Symposium (1992c) Why fakes matter: essays on problems of authenticity. London: British Museum Press.
Jones, S. (2009) ‘Experiencing Authenticity at Heritage Sites: Some Implications for Heritage Management and Conservation’, Conservation and Management of Archaeological Sites, 11(2), pp. 133–147. Available at: https://doi.org/10.1179/175355210X12670102063661.
Jones, S. (2010) ‘Negotiating Authentic Objects and Authentic Selves: Beyond the Deconstruction of Authenticity’, Journal of Material Culture, 15(2), pp. 181–203. Available at: https://doi.org/10.1177/1359183510364074.
Julius, A. (22 AD) The Lying Dutchman. NYTimes. Available at: http://www.nytimes.com/2008/06/22/books/review/Julius-t.html?_r=1&.
Keats, J. (2013a) Forged: why fakes are the great art of our age. New York: Oxford University Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378.
Keats, J. (2013b) Forged: why fakes are the great art of our age. New York: Oxford University Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378.
Keats, J. (2013c) Forged: why fakes are the great art of our age. New York, N.Y.: Oxford University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378.
Keats, J. (2013d) Forged: why fakes are the great art of our age. New York: Oxford University Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378.
Kemp, M. and Cotte, P. (2012) La bella principessa di Leonardo da Vinci: ritratto di Bianca Sforza. Edizione aggiornata e riveduta in lingua italiana. Firenze: Mandragora.
Kleiner, E. (no date) ‘Infamous Piracy: How the Lucrative Market for Forgeries is Transforming the World of Fine Art’. Available at: https://itsartlaw.com/2014/07/30/infamous-piracy-how-the-lucrative-market-for-forgeries-is-transforming-the-world-of-fine-art/.
Kurz, O. (1948a) Fakes: a handbook for collectors and students. London: Faber.
Kurz, O. (1948b) Fakes: a handbook for collectors and students. London: Faber.
Kurz, O. (1948c) Fakes: a handbook for collectors and students. London: Faber.
Kurz, O. (1948d) Fakes: a handbook for collectors and students. London: Faber.
Kurz, O. (1948e) Fakes: a handbook for collectors and students. London: Faber.
Lane, J. (no date) ‘Artyfact’. Available at: http://www.jimlaneart.com/Artyfacts/5-11-00.html.
Lenain, T. (2011a) Art forgery: the history of a modern obsession. London: Reaktion Books. Available at: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621.
Lenain, T. (2011b) Art forgery: the history of a modern obsession. London: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621.
Lenain, T. (2011c) Art forgery: the history of a modern obsession. London: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621.
Lenain, T. (2011d) Art forgery: the history of a modern obsession. London: Reaktion Books. Available at: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621.
Lenain, T. (2011e) Art forgery: the history of a modern obsession. London: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621.
Lenain, T. (2011f) Art forgery: the history of a modern obsession. London: Reaktion Books. Available at: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621.
Lenain, T. (2011g) Art forgery: the history of a modern obsession. London: Reaktion Books. Available at: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621.
Lessing, A. (1965) ‘What Is Wrong with a Forgery?’, The Journal of Aesthetics and Art Criticism, 23(4). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/427668.
Levinson, J. (2005) The Oxford handbook of aesthetics [electronic resource]. Oxford: Oxford University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199279456.001.0001.
Limitation Act 1980 (no date). Statute Law Database.
Lisle, L. (1986) Portrait of an artist: a biography of Georgia O’Keeffe. Rev. ed. New York, N.Y.: Washington Square Press.
Litchfield, D.R.L. (no date) ‘Thyssen-Bornemisza Dürer A Fake’. Available at: https://www.davidrllitchfield.com/2009/09/thyssen-bornemisza-durer-a-fake/.
‘Livorno plans to show fake Modigliani heads’ (no date). Available at: https://www.thelocal.it/20140520/livorno-plans-to-show-fake-modigliani-heads.
Lynes, B.B. et al. (1999) Georgia O’Keeffe: catalogue raisonné. New Haven, Mass: Yale University Press.
Maloney, J. (no date) ‘The Deep Freeze in Art Authentication’. Available at: https://www.wsj.com/articles/SB10001424052702304279904579518093886991908.
Marchi, N.D. and Van Miegroet, H.J. (no date) ‘Art, Value, and Market Practices in the Netherlands in the Seventeenth Century’, The Art Bulletin, 76(3). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1296205593?pq-origsite=summon.
‘Mark Stevenson Paper Conservation - Authentification - Canyon Suite Watercolors - Georgia O’Keefe’ (no date). Available at: http://www.thepaperfixer.com/OKeeffe.htm.
Marnham, P. (8 AD) ‘Showdown in Santa Fe’, The telegraph [Preprint]. Available at: https://www.telegraph.co.uk/culture/4721533/Showdown-in-Santa-Fe.html.
Marshall, K.P. and Forrest, P.J. (2011) ‘A Framework for Identifying Factors that Influence Fine Art Valuations from Artist to Consumers’, Marketing Management Journal, 21(Issue 1), pp. 111–123. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=63616419&site=ehost-live.
‘Martin Kemp’s This and That: Attribution. Science and Judgement by eye’ (no date). Available at: http://martinkempsthisandthat.blogspot.co.uk/2015/04/attribution-science-and-judgement-by-eye.html.
Maxwell, S.W.S. (no date) ‘Annals of the Artists of Spain’, in. Available at: https://archive.org/stream/annalsartistssp02maxwgoog#page/n100/mode/2up.
Misrepresentation Act 1967 (no date a). Statute Law Database.
Misrepresentation Act 1967 (no date b). Statute Law Database.
‘Modigliani Expert Promises New Catalogue Raisonné’ (no date). Available at: https://news.artnet.com/market/death-threats-modigliani-expert-catalogue-raisonne-572093.
‘Modigliani nude fetches $68.9M at auction’ (no date). Available at: http://www.cbc.ca/beta/news/entertainment/modigliani-nude-fetches-68-9m-at-auction-1.893291.
‘Modigliani nude sells for a record $68.9m’ (no date). Available at: http://www.bbc.co.uk/news/entertainment-arts-11682850.
‘Modigliani’s Genuine Fake Heads’ (no date). Available at: https://vimeo.com/ondemand/fakemodigliani.
Muscarella, O.W. (2000) The lie became great: the forgery of ancient Near Eastern cultures. Groningen: Styx.
Naylor, R.T. (2008) ‘The underworld of art’, Crime, Law and Social Change, 50(4–5), pp. 263–291. Available at: https://doi.org/10.1007/s10611-008-9140-6.
Niall, B. (2013) True north: the story of Mary and Elizabeth Durack. Melbourne, Victoria: Text.
Olsburgh, C. and Institute of Art and Law (Great Britain) (2005) Authenticity in the art market: a comparative study of Swiss, French and English contract Law. Leicester: Institute of Art and Law.
P. No. 1223Queen (no date) [1983] 1 W.L.R. 1315, *1315 Peco Arts Inc. v Hazlitt Gallery Ltd.
Parke, E. and Jones, N. (no date) ‘Outrage as judge refuses to award Indigenous artists’. Available at: http://www.abc.net.au/news/2014-09-09/outrage-as-judge-refuses-to-award-indigenous-artists/5730274.
Patricia Cohen (2014) ‘A Modigliani? Who Says So?’, The New York Times [Preprint]. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/hnpnewyorktimes/docview/1942681439/6D217BCA2414E9DPQ/1?accountid=14540.
Paul Z. Rotterdam (1985) ‘Myth and Art’, Social Research, 52(2), pp. 423–439. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40970379.
‘Portrait of the artist as an entrepreneur’ (2011) The Economist, 401(8764). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A274966562&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1.
Prescription and Limitation (Scotland) Act 1973 (no date). Statute Law Database.
Robinson, R. (1989) Georgia O’Keeffe: a life. London: Bloomsbury.
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