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Kurz O. Fakes: a handbook for collectors and students. London: Faber; 1948.
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Lenain T. Art forgery: the history of a modern obsession [Internet]. London: Reaktion Books; 2011. Available from: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
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Jones M, FAKE Symposium. Why fakes matter: essays on problems of authenticity. London: British Museum Press; 1992.
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Baudrillard J. Simulacra and simulation. Ann Arbor: University of Michigan Press; 1994.
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Gould C, Mesplède S. Marketing art in the British Isles, 1700 to the present: a cultural history. Farnham, Surrey: Ashgate; 2012.
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Deleuze G, Krauss R. Plato and the Simulacrum. October [Internet]. The MIT Press; 1983;27:45–56. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/778495
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Lenain T. Art forgery: the history of a modern obsession [Internet]. London: Reaktion Books; 2011. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
8.
Lessing A. What Is Wrong with a Forgery? The Journal of Aesthetics and Art Criticism [Internet]. 1965 Summer;23(4). Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/427668
9.
Fiechter JJ, Schneider S. Egyptian fakes: masterpieces that duped the art world and the experts who uncovered them. English language ed. Paris: Flammarion; 2009.
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Kurz O. Fakes: a handbook for collectors and students. London: Faber; 1948.
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Ulmer A. Quirky Matisse exhibit rekindles art mystery in Venezuela. Available from: http://www.reuters.com/article/us-venezuela-art-idUSKBN0IH1W820141028
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Irvin S. Appropriation and Authorship in Contemporary Art. The British Journal of Aesthetics. 2005 Apr 1;45(2):123–137.
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Lenain T. Art forgery: the history of a modern obsession [Internet]. London: Reaktion Books; 2011. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
14.
Factum Arte :: A facsimile of the Wedding at Cana by Paolo Veronese [Internet]. Available from: http://www.factum-arte.com/pag/38/A-facsimile-of-the-Wedding-at-Cana-by-Paolo-Veronese
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Keats J. Forged: why fakes are the great art of our age [Internet]. New York: Oxford University Press; 2013. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378
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Niall B. True north: the story of Mary and Elizabeth Durack. Melbourne, Victoria: Text; 2013.
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Cochrane P. Pastoral scions Mary and Elizabeth Durack were sisters of art and mercy. Available from: http://www.theaustralian.com.au/arts/review/pastoral-scions-mary-and-elizabeth-durack-were-sisters-of-art-and-mercy/story-fn9n8gph-1226411177765
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Parke E, Jones N. Outrage as judge refuses to award Indigenous artists. Available from: http://www.abc.net.au/news/2014-09-09/outrage-as-judge-refuses-to-award-indigenous-artists/5730274
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Beckett A. Fakes: forgery and the art world. London: Richard Cohen Books; 1995.
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Bambach C. Drawing and painting in the Italian Renaissance workshop: theory and practice, 1300-1600 [Internet]. Cambridge: Cambridge University Press; 1999. Available from: http://www.loc.gov/catdir/samples/cam032/98051727.html
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Benhamou F, Ginsburgh V. Is There a Market for Copies? The Journal of Arts Management, Law, and Society. 2002 Jan;32(1):37–56.
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Bowden R. What Is Wrong with an Art Forgery?: An Anthropological Perspective. The Journal of Aesthetics and Art Criticism [Internet]. 1999 Summer;57(3). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/432198
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Caplan HH. The classified directory of artists’ signatures, symbols & monograms. Enl. and rev. ed. London, England: G. Prior; 1982.
27.
Cole, S. Connoisseurship All the Way down: Art Authentication, Forgery, Fingerprint Identification, Expert Knowledge. Journal of Art Crime [Internet]. 2010;(4):85–88. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/jartcrim4&size=2&collection=journals&id=90
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Dutton D, editor. The forger’s art: forgery and the philosophy of art. Berkeley, California: University of California Press; 1983.
29.
Levinson J. The Oxford handbook of aesthetics [Internet]. Oxford: Oxford University Press; 2005. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199279456.001.0001
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Dutton D, editor. The forger’s art: forgery and the philosophy of art. Berkeley, California: University of California Press; 1983.
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Eliav-Feldon M. Renaissance Impostors and Proofs of Identity. Basingstoke: Palgrave Macmillan; 2012.
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Frey BS. Arts & economics: analysis & cultural policy. 2nd ed. Berlin: Springer; 2003.
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Hebborn E. Drawn to trouble: confessions of a master forger : a memoir. 1st U.S. ed. New York: Random House; 1993.
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Association for Research into Crimes against Art. Art crime: terrorists, tomb raiders, forgers and thieves [Internet]. Charney N, editor. Basingstoke, Hampshire: Palgrave Macmillan; 2016. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781137407573
36.
Johnson H. Is It Authentic - Who May Say - A Fresh Look at Connoisseurship and Its Role in Art Attribution. Journal of Art Crime [Internet]. 2015;(14):47–54. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://heinonline.org/HOL/Page?handle=hein.journals/jartcrim14&size=2&collection=journals&id=52
37.
Johnson KC. Fakes and forgeries. Minneapolis: [s.n.]; 1973.
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39.
Kurz O. Fakes: a handbook for collectors and students. London: Faber; 1948.
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Lenain T. Art forgery: the history of a modern obsession [Internet]. London: Reaktion Books; 2011. Available from: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
41.
Marchi ND, Van Miegroet HJ. Art, Value, and Market Practices in the Netherlands in the Seventeenth Century. The Art Bulletin [Internet]. 76(3). Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1296205593?pq-origsite=summon
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Marshall KP, Forrest PJ. A Framework for Identifying Factors that Influence Fine Art Valuations from Artist to Consumers. Marketing Management Journal [Internet]. 2011;21(Issue 1):111–123. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=buh&AN=63616419&site=ehost-live
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Sander J, Dyballa K, Dürer A, Stadtische Galerie im Stadelschen Kunstinstitut Frankfurt am Main. Albrecht Dürer: his art in the context of its time. Munich: Prestel; 2013.
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45.
Kurz O. Fakes: a handbook for collectors and students. London: Faber; 1948.
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Portrait of the artist as an entrepreneur. The Economist [Internet]. 2011;401(8764). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A274966562&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
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Litchfield DRL. Thyssen-Bornemisza Dürer A Fake. Available from: https://www.davidrllitchfield.com/2009/09/thyssen-bornemisza-durer-a-fake/
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Maxwell SWS. Annals of the Artists of Spain. Available from: https://archive.org/stream/annalsartistssp02maxwgoog#page/n100/mode/2up
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Harris E, Glendinning N, Macartney H. Spanish art in Britain and Ireland, 1750-1920: studies in reception in memory of Enriqueta Harris Frankfort. Woodbridge, Suffolk: Tamesis; 2010.
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Naylor RT. The underworld of art. Crime, Law and Social Change. 2008 Dec;50(4–5):263–291.
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Dolnick E. The forger’s spell: a true story of Vermeer, Nazis, and the greatest art hoax of the twentieth century. New York: Harper Perennial; 2008.
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A. Bredius. An Unpublished Vermeer. The Burlington Magazine for Connoisseurs [Internet]. Burlington Magazine Publications Ltd.Burlington Magazine Publications Ltd.; 1932;61(355):144–145. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/865079
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Bredius A. A New Vermeer. The Burlington Magazine for Connoisseurs [Internet]. The Burlington Magazine Publications Ltd.; 1937;71(416):210–211. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/867022
57.
Craddock PT, Dawson Books. Scientific investigation of copies, fakes and forgeries [Internet]. Oxford: Butterworth-Heinemann; 2009. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080939001
58.
Ebooks Corporation Limited. Cultural property crime: an overview and analysis on contemporary perspectives and trends [Internet]. Kila J, Balcells M, editors. Leiden: Brill; 2015. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1823638
59.
Lenain T. Art forgery: the history of a modern obsession [Internet]. London: Reaktion Books; 2011. Available from: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
60.
Dutton D, editor. The forger’s art: forgery and the philosophy of art. Berkeley, California: University of California Press; 1983.
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Julius A. The Lying Dutchman [Internet]. NYTimes; 22 AD. Available from: http://www.nytimes.com/2008/06/22/books/review/Julius-t.html?_r=1&
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Forger’s Forgeries Attributed To Elmyr de Hory Withdrawn From Auction. Available from: http://www.artlyst.com/articles/forgers-forgeries-attributed-to-elmyr-de-hory-withdrawn-from-auction
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Elmyr de Hory, Artist and Faker by Don Myers [Internet]. Available from: https://issuu.com/donmyers/docs/final_dehory/1
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Eve M. Kahn. Gleaning the true identity of an enigmatic forger. The New York Times [Internet]. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T004&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=BasicSearchForm&currentPosition=1&docId=GALE%7CA253476490&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA253476490&searchId=R4&userGroupName=glasuni&inPS=true
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Briefel A. The deceivers: art forgery and identity in the nineteenth century. Ithaca, N.Y.: Cornell University Press; 2006.
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Ebitz D. Connoisseurship as Practice. Artibus et Historiae [Internet]. 1988;9(18). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1483344
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Three Students and a Dockworker Put Their Heads Together and Confound the Art World. Available from: https://people.com/archive/three-students-and-a-dockworker-put-their-heads-together-and-confound-the-art-world-vol-22-no-15/
71.
Paul Z. Rotterdam. Myth and Art. Social Research [Internet]. The New SchoolThe New School; 1985;52(2):423–439. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40970379
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Schwartz G. Connoisseurship: The Penalty of Ahistoricism. Artibus et Historiae [Internet]. 1988;9(18). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1483343
73.
Wieseman ME, National Gallery (Great Britain). A closer look: deceptions and discoveries. London: National Gallery Company; 2010.
74.
Adam G. Experts shed light on Modigliani’s murky market with new research project. The art newspaper [Internet]. 2016 July 22; Available from: https://www.theartnewspaper.com/2016/07/22/experts-shed-light-on-modiglianis-murky-market-with-new-research-project
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Harris G. Modigliani Institute president arrested. The art newspaper [Internet]. 2013 Jan 24; Available from: https://web.archive.org/web/20150404042512/http://www.theartnewspaper.com/articles/Modigliani-Institute-president-arrested/28490
76.
Modigliani nude sells for a record $68.9m. Available from: http://www.bbc.co.uk/news/entertainment-arts-11682850
77.
Modigliani Expert Promises New Catalogue Raisonné. Available from: https://news.artnet.com/market/death-threats-modigliani-expert-catalogue-raisonne-572093
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Modigliani nude fetches $68.9M at auction. Available from: http://www.cbc.ca/beta/news/entertainment/modigliani-nude-fetches-68-9m-at-auction-1.893291
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Patricia Cohen. A Modigliani? Who Says So? The New York Times [Internet]. 2014 Feb 2; Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/hnpnewyorktimes/docview/1942681439/6D217BCA2414E9DPQ/1?accountid=14540
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Lisle L. Portrait of an artist: a biography of Georgia O’Keeffe. Rev. ed. New York, N.Y.: Washington Square Press; 1986.
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Robinson R. Georgia O’Keeffe: a life. London: Bloomsbury; 1989.
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Eldredge CC, O’Keeffe G, Hayward Gallery, Museo del Palacio de Bellas Artes (Mexico City), Yokohama Museum of Art. Georgia O’Keeffe: American and modern. New Haven, Conn: Yale University Press; 1993.
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Fine R, O’Keeffe G, Lynes BB, Glassman E, Walsh JC, National Gallery of Art (U.S.), Georgia O’Keeffe Museum (Santa Fe). O’Keeffe on paper. Washington, D.C.: National Gallery of Art; 2000.
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Udall SR, Marion Koogler McNay Art Museum. O’Keeffe and Texas. San Antonio, Tex: Marion Koogler McNay Art Museum; 1998.
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Marnham P. Showdown in Santa Fe. The telegraph [Internet]. 8 AD; Available from: https://www.telegraph.co.uk/culture/4721533/Showdown-in-Santa-Fe.html
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Mark Stevenson Paper Conservation - Authentification - Canyon Suite Watercolors - Georgia O’Keefe. Available from: http://www.thepaperfixer.com/OKeeffe.htm
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28 O’Keeffe Paintings in Doubt as Experts Challenge Authenticity.
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If It’s Not an O’Keeffe, Exactly What Is It? Available from: https://www.nytimes.com/2000/03/07/arts/arts-in-america-if-it-s-not-an-o-keeffe-exactly-what-is-it.html
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Lane J. Artyfact. Available from: http://www.jimlaneart.com/Artyfacts/5-11-00.html
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Maloney J. The Deep Freeze in Art Authentication. Available from: https://www.wsj.com/articles/SB10001424052702304279904579518093886991908
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Muscarella OW. The lie became great: the forgery of ancient Near Eastern cultures. Groningen: Styx; 2000.
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Elia RJ. The world cannot afford many more collectors with a passion for antiquitie. The Art Newspaper. 1994 Oct 1;(41).
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Discovery of Crosby Garrett Helmet in 2010. Available from: http://www.bbc.co.uk/news/uk-england-cumbria-11287093
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Exhibition and summary of sale of Crosby Garrett Helmet [Internet]. 5 AD. Available from: https://www.youtube.com/watch?v=2M8tOM1IlV8
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End of exhibition of Crosby Garrett Helmet in 2014. Available from: http://www.itv.com/news/border/topic/crosby-garrett-helmet/
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‘Japan Scandals - This Time It’s Archaeology: A Preliminary Report’ 17 November 2000. Available from: http://www.t-net.ne.jp/~keally/Hoax/pal-hoax-1.html
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Jones M, FAKE Symposium. Why fakes matter: essays on problems of authenticity. London: British Museum Press; 1992.
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Sagoff M. On Restoring and Reproducing Art. The Journal of Philosophy [Internet]. 1978 Sept;75(9). Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2025386
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forgery | The Chicago School of Media Theory [Internet]. Available from: https://lucian.uchicago.edu/blogs/mediatheory/keywords/forgery/
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Desperately seeking Rubens. Available from: https://www.theguardian.com/artanddesign/2002/sep/02/art.artsfeatures
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Kleiner E. Infamous Piracy: How the Lucrative Market for Forgeries is Transforming the World of Fine Art. Available from: https://itsartlaw.com/2014/07/30/infamous-piracy-how-the-lucrative-market-for-forgeries-is-transforming-the-world-of-fine-art/
108.
ARCA’s network assists in getting two fake de Hory forgeries withdrawn from sale. Available from: https://art-crime.blogspot.co.uk/2014/10/arcas-network-assists-in-getting-two.html
109.
Ebooks Corporation Limited. Cultural property crime: an overview and analysis on contemporary perspectives and trends [Internet]. Kila J, Balcells M, editors. Leiden: Brill; 2015. Available from: http://GLA.eblib.com/patron/FullRecord.aspx?p=1823638
110.
Roodt, Christa. Forgers, Connoisseurs, and the Nazi Past. Journal of Information Ethics [Internet]. 24(2). Available from: https://www.questia.com/library/journal/1P3-4014579461/forgers-connoisseurs-and-the-nazi-past
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Copying the Expressionists: Germany’s Mega-Forgery Scandal Gets Even Bigger. Available from: https://www.spiegel.de/international/zeitgeist/copying-the-expressionists-germany-s-mega-forgery-scandal-gets-even-bigger-a-734798.html
112.
The $7 Million Fake: Forgery Scandal Embarrasses International Art World. Available from: https://www.spiegel.de/international/zeitgeist/the-7-million-fake-forgery-scandal-embarrasses-international-art-world-a-768195.html
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Art forger Wolfgang Beltracchi’s multimillion dollar scam. Available from: http://www.cbsnews.com/news/con-artist-wolfgang-beltracchi-on-multimillion-dollar-scam/
114.
Lenain T. Art forgery: the history of a modern obsession [Internet]. London: Reaktion Books; 2011. Available from: http://ebookcentral.proquest.com/lib/gla/detail.action?docID=1127621
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Keats J. Forged: why fakes are the great art of our age [Internet]. New York: Oxford University Press; 2013. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780199311378
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Foster SM, Curtis NGW. The Thing about Replicas—Why Historic Replicas Matter. European Journal of Archaeology. 2016 Jan 2;19(1):122–148.
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Jones S. Experiencing Authenticity at Heritage Sites: Some Implications for Heritage Management and Conservation. Conservation and Management of Archaeological Sites. 2009 May;11(2):133–147.
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Jones S. Negotiating Authentic Objects and Authentic Selves: Beyond the Deconstruction of Authenticity. Journal of Material Culture. 2010 June 1;15(2):181–203.
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Cornelius Holtorf. On pastness: a reconsideration of materiality in archaeological object authenticity. Anthropological Quarterly [Internet]. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A330678660&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
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Charles Stanish. Forging Ahead. Archaeology [Internet]. Archaeological Institute of AmericaArchaeological Institute of America; 2009;62(3). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41781288
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Fay E. Virtual Artifacts: eBay, Antiquities, and Authenticity. Journal of Contemporary Criminal Justice. 2011 Nov 1;27(4):449–464.
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A.L. Bandle. Fakes, Fears, and Findings - Disputes over the Authenticity of Artworks. Transnational Dispute Management (TDM) [Internet]. Available from: https://www.transnational-dispute-management.com/journal-advance-publication-article.asp?key=498
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Bandle AL. Fake or Fortune? Art Authentication Rules in the Art Market and at Court. International Journal of Cultural Property. 2015 Aug;22(2–3):379–399.
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Olsburgh C, Institute of Art and Law (Great Britain). Authenticity in the art market: a comparative study of Swiss, French and English contract Law. Leicester: Institute of Art and Law; 2005.
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Janet Ulph. Markets and responsibilities: forgeries and the Sale of Goods Act 1979. Journal of Business Law [Internet]. Available from: https://signon.thomsonreuters.com/federation/UKF?entityID=https%3A%2F%2Fidp.gla.ac.uk%2Fshibboleth&returnto=https%3A%2F%2Fuk.practicallaw.thomsonreuters.com%2FDocument%2FI915D08C0434611E0BA68A00864A02571%2FView%2FFullText.html%3FskipAnonymous%3Dtrue
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P. No. 1223Queen. [1983] 1 W.L.R. 1315. *1315 Peco Arts Inc. v Hazlitt Gallery Ltd.
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High Court of Justice Queens Bench Division8  March  2002Before: The Honourable  Mr Justice Buckley Friday 8th March, 2002, Hearing dates : 30, and 31 January, 1, 4, 5, 6, 7, 8, 11 and 14 February 2002.Crown copyright. Neutral Citation No. [2002] EWHC 294 (QB). Richard Drake v Thos. Agnew & Sons Limited.
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Briefel A. The deceivers: art forgery and identity in the nineteenth century. Ithaca, N.Y.: Cornell University Press; 2006.
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