[1]
N. M. Klein, Seven minutes: the life and death of the American animated cartoon. London: Verso, 1993 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=e274b26b-cb40-e911-80cd-005056af4099
[2]
L. Manovich, The language of new media, 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press, 2002 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
[3]
E. Wilson, ‘“Diagrams of Motion”: Stop-Motion Animation as a Form of Kinetic Sculpture in the Short Films of Jan Švankmajer and the Brothers Quay’, Animation, vol. 13, no. 2, pp. 148–161, Jul. 2018, doi: 10.1177/1746847718782890.
[4]
Buchan, Suzanne H, ‘The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime’, Film Quarterly; Berkeley, vol. 51, no. 3, pp. 16–31 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1709209?pq-origsite=summon
[5]
C. Holliday, The computer-animated film: industry, style and genre. Edinburgh: Edinburgh University Press, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5400037
[6]
Susan J. Napier, ‘Confronting Master Narratives: History as Vision in Miyazaki Hayao’s Cinema of De-Assurance’, Positions: East Asia Cultures Critique[Journal Detail], no. 2, pp. 467–93, 2001 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2002421728&site=ehost-live
[7]
T. G. Hu, Frames of anime: culture and image-building. Hong Kong: Hong Kong University Press, 2010 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5790/hongkong/9789622090972.001.0001
[8]
A. R. Ward, Mouse morality: the rhetoric of Disney animated film, 1st ed. Austin, TX: University of Texas Press, 2002 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=e174b26b-cb40-e911-80cd-005056af4099
[9]
A. Cholodenko, The illusion of life II: more essays on animation. [Sydney] N.S.W.: Power Publications, 2007 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=06ce8673-cb40-e911-80cd-005056af4099
[10]
K. Lustyik and P. Smith, ‘From The Simpsons to "The Simpsons of the South Pacific”: New Zealand’s First Primetime Animation, bro’Town’, Television & New Media, vol. 11, no. 5, pp. 331–349, Sep. 2010, doi: 10.1177/1527476409351288.
[11]
C. A. Stabile and M. Harrison, Prime time animation: television animation and American culture. London: Routledge, 2003 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781315015545
[12]
J. K. Gardiner, ‘Why Saddam Is Gay: Masculinity Politics in’, Quarterly Review of Film and Video, vol. 22, no. 1, pp. 51–62, Jan. 2005, doi: 10.1080/10509200590449958.
[13]
P. Wells, The animated bestiary: animals, cartoons, and culture. New Brunswick, New Jersey: Rutgers University Press, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=413877
