Buchan, Suzanne H. ‘The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime’. Film Quarterly; Berkeley 51.3 16–31. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1709209?pq-origsite=summon>.
Cholodenko, Alan. The Illusion of Life II: More Essays on Animation. [Sydney] N.S.W.: Power Publications, 2007. Web. <https://contentstore.cla.co.uk//secure/link?id=06ce8673-cb40-e911-80cd-005056af4099>.
Gardiner, Judith Kegan. ‘Why Saddam Is Gay: Masculinity Politics In’. Quarterly Review of Film and Video 22.1 (2005): 51–62. Web.
Holliday, Christopher. The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press, 2018. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5400037>.
Hu, Tze-yue G. Frames of Anime: Culture and Image-Building. Hong Kong: Hong Kong University Press, 2010. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5790/hongkong/9789622090972.001.0001>.
Klein, Norman M. Seven Minutes: The Life and Death of the American Animated Cartoon. London: Verso, 1993. Web. <https://contentstore.cla.co.uk//secure/link?id=e274b26b-cb40-e911-80cd-005056af4099>.
Lustyik, Katalin, and Philippa Smith. ‘From The Simpsons to "The Simpsons of the South Pacific”: New Zealand’s First Primetime Animation, Bro’Town’. Television & New Media 11.5 (2010): 331–349. Web.
Manovich, Lev. The Language of New Media. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press, 2002. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966>.
Stabile, Carol A., and Mark Harrison. Prime Time Animation: Television Animation and American Culture. London: Routledge, 2003. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781315015545>.
Susan J. Napier. ‘Confronting Master Narratives: History as Vision in Miyazaki Hayao’s Cinema of De-Assurance’. Positions: East Asia Cultures Critique[Journal Detail] 2 (2001): 467–93. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2002421728&site=ehost-live>.
Ward, Annalee R. Mouse Morality: The Rhetoric of Disney Animated Film. 1st ed. Austin, TX: University of Texas Press, 2002. Web. <https://contentstore.cla.co.uk//secure/link?id=e174b26b-cb40-e911-80cd-005056af4099>.
Wells, Paul. The Animated Bestiary: Animals, Cartoons, and Culture. New Brunswick, New Jersey: Rutgers University Press, 2009. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=413877>.
Wilson, Ewan. ‘“Diagrams of Motion”: Stop-Motion Animation as a Form of Kinetic Sculpture in the Short Films of Jan Švankmajer and the Brothers Quay’. Animation 13.2 (2018): 148–161. Web.
