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Fernando Riva. ‘"Vuestra Vertud Me Vala, Gloriosa, En Mi Exida”: Función Del Culto Mariano e Ideología de Cruzada En El Poema de Mio Cid’. Lexis, vol. 35, no. 1, 2011, pp. 119–39, http://revistas.pucp.edu.pe/index.php/lexis/article/view/1269.
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Gaskill, Howard and Dawson Books. The Reception of Ossian in Europe. Thoemmes/Continuum, 2004, https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847143013. Electronic resource.
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IGNACIO RUIZ PÉREZ. ‘Contra-Escrituras: Delmira Agustini, Alfonsina Storni y La Subversión Del Modernismo’. Revista Hispánica Moderna, no. 2, 2008, https://www.jstor.org/stable/40647488?seq=1#metadata_info_tab_contents.
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Janice Geasler Titiev. ‘Alfonsina Storni’s “Poemas de Amor”: Submissive Woman, Liberated Poet’. Journal of Spanish Studies: Twentieth Century, vol. 8, no. 3, 1980, https://www.jstor.org/stable/27740950?seq=1#metadata_info_tab_contents.
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‘Masters of Building: SAGRADA FAMILIA’. The Architects’ Journal (Archive : 1919-2005), vol. 195, no. 13, 2005, pp. 1919–2005, https://login.uofglasgow.idm.oclc.org/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon.
Méndez, Mariela. ‘De Crepusculares y Garotas Modernas: Las Columnas Travestidas de Alfonsina Storni y Clarice Lispector’. Revista Iberoamericana, 84.264, 2018, https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1159&context=lalis-faculty-publications.
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Payne, Stanley G. The Spanish Civil War. Cambridge University Press, 2012, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.1017/CBO9781139026154. Electronic resource.
Pratt, Mary Louise and Dawson Books. Imperial Eyes: Travel Writing and Transculturation. 2nd ed, Routledge, 2008, http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933. Electronic resource.
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Rebecca Earle. ‘Creole Patriotism and the Myth of the “Loyal Indian”’. Past & Present, no. 172, 2001, pp. 125–45, https://login.uofglasgow.idm.oclc.org/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents.
———. ‘'Padres de La Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America’. Journal of Latin American Studies, vol. 34, no. 4, 2002, pp. 775–805, https://login.uofglasgow.idm.oclc.org/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents.
Rêgo, Cacilda, and Carolina Rocha. New Trends in Argentine and Brazilian Cinema. Intellect, 2011.
Robinson, William H., et al. Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. Cleveland Museum of Art in association with Yale University Press, New Haven and London, 2006.
Romero Salvadó Francisco J. The Spanish Civil War: Origins, Course, and Outcomes. Palgrave Macmillan, 2005.
Ross, Christopher J., and Christopher J. Ross. Spain since 1812. Third edition, Routledge, 2014, https://login.uofglasgow.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781444117080.
Rowlandson, William. ‘Hero, Lover, Demon, Fool: Fictional Appropriations of Che Guevara’. Journal of Romance Studies, vol. 11, no. 2, June 2011, pp. 61–74, https://doi.org/10.3828/jrs.11.2.61.
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SOMARRIVA Q., MARCELO. ‘A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence’. Bulletin of Latin American Research, vol. 36, no. 2, Apr. 2017, pp. 223–36, https://doi.org/10.1111/blar.12528.
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Terradas, Jose. ‘La Acción Como Forma Religiosa En El Poema de Mio Cid’. MLN, vol. 128, no. 2, 2013, pp. 207–24, https://doi.org/10.1353/mln.2013.0035.
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