2. Lacarra, María Eugenia. "La utilización del Cid de Menéndez Pidal en la ideología militar franquista.” Ideologies and Literature 123 (1980): 95-127. (n.d.). http://www.ideologiesandliterature.org/docs/journals/journals_v1_n12_05.pdf
Altschul, N. (2012). Geographies of philological knowledge: postcoloniality and the Transatlantic national epic. University of Chicago Press. http://ezproxy.lib.gla.ac.uk/login?url=http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226016191.001.0001/upso-9780226016214
Ana Moraña. (2008). Alfonsina Storni: la mujer y la ciudad. Letras Femeninas, 34(2). https://www.jstor.org/stable/23021926?seq=1#metadata_info_tab_contents
Ana Skledar. (2004). El motivo de la muerte en la poesía de la Alfonsina Storni. Verba Hispanica, 12(1), 33–42. https://doi.org/https://doi.org/10.4312/vh.12.1.33-42
Ariana Hernandez-Reguant. (2004). Copyrighting Che: Art and Authorship under Cuban Late Socialism. Public Culture, 16(1), 1–29. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/article/54376
Ashton, Dore. (1978). Antonio GAUDI. Craft Horizons (Archive : 1941-1978), 17(6), 1941–1978. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1493608034/20073A5A121E45D4PQ/5?accountid=14540
Barcelona: Urban Identity 1992-2002. (2002). Arizona Journal of Hispanic Cultural Studies, 6(1), 245–261. https://doi.org/10.1353/hcs.2011.0277
Bauer, R., Mazzotti, J. A., Omohundro Institute of Early American History & Culture, & Society of Early Americanists. (2009). Creole subjects in the colonial Americas: empires, texts, identities. Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press.
Bennett, A. (2002). Barcelona: Vol. Blue guide (2nd ed). A & C Black.
Byrnes, M. (2000). Unfinished business: The united states and Franco’s Spain, 1944–47. Diplomacy & Statecraft, 11(1), 129–162. https://doi.org/10.1080/09592290008406143
Campos, I. S. (2004). Fascism, fascistization and developmentalism in Franco’s dictatorship. Social History, 29(3), 342–357. https://doi.org/10.1080/0307102042000257629
Carbayo-Abengozar, M. (2001). Shaping Women: National Identity Through the Use of Language in Franco’S Spain. Nations and Nationalism, 7(1), 75–92. https://doi.org/10.1111/1469-8219.00005
Carr, R. (1977). The Spanish tragedy: the Civil War in perspective. Weidenfeld and Nicolson.
Catalina Olea. (2016). Muchachas de Buenos Aires y figurines de París: moda y modernidad en las crónicas de Alfonsina Storni. Meridional. Revista Chilena de Estudios Latinoamericanos, 7, 83–104. https://doi.org/10.5354/0719-4862.2016.43538
Clara Pascual-Argente. (2013). ‘A guisa de varón’: Masculinity and Genre in the Poema de mio Cid. Bulletin of Hispanic Studies, 90(5). https://literature-proquest-com.ezproxy.lib.gla.ac.uk/searchFulltext.do?id=R04816924&divLevel=0&queryId=3093939186485&trailId=1679413ECAA&area=criticism&forward=critref_ft
Claudia Cabello-Hutt. (2016). Las mal ubicadas: intervenciones en la modernidad en la prosa de Alfonsina Storni y Gabriela Mistral. Meridional. Revista Chilena de Estudios Latinoamericanos, 7, 105–130. https://dialnet.unirioja.es/servlet/articulo?codigo=6066737
Cohan, S., & Hark, I. R. (1997). The road movie book. Routledge.
Consecuencias ideológicas de algunas de las teorías en torno a la épica peninsular / María Eugenia Lacarra | Biblioteca Virtual Miguel de Cervantes. (n.d.). http://www.cervantesvirtual.com/obra/consecuencias-ideologicas-de-algunas-de-las-teorias-en-torno-a-la-epica-peninsular/
Copertari, G. (2005). Nine Queens : A Dark Day Of Simulation And Justice. Journal of Latin American Cultural Studies, 14(3), 279–293. https://doi.org/10.1080/13569320500382534
Cristina Venegas. (2015). The Man, the Corpse, and the Icon in Motorcycle Diaries Utopia, Pleasure, and a New Revolutionary Imagination. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 4(1). https://rebeca.emnuvens.com.br/1/article/view/342/149
Daparte Jorge, A. (2014). Reescrituras divulgativas del mito cidiano. Descripción y análisis de adaptaciones y versiones contemporáneas representativas del Cantar de Mio Cid. Alabe. Revista de Investigación Sobre Lectura y Escritura, 10. https://doi.org/10.15645/Alabe.2014.10.4
Darrigrandi, C. (2008). Ciudad, cuerpo y traje: la flâneuse en Buenos Aires. Revista Iberoamericana, 74(222), 85–99. https://doi.org/10.5195/REVIBEROAMER.2008.5295
David Kunzle. (2008). Chesucristo: Fusions, Myths, and Realities. Latin American Perspectives, 35(2), 97–115. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27648090?pq-origsite=summon&seq=1#metadata_info_tab_contents
Delfina Muschietti. (1990). LAS ESTRATEGIAS DE UN DISCURSO TRAVESTI (GENERO PERIODISTICO Y GENERO POETICO EN ALFONSINA STORNI). Dispositio, 15(39). https://www.jstor.org/stable/41491376?seq=1#metadata_info_tab_contents
Diaz, R. (2005). El viaje como desintegración y fundación ideológica en Y tu mamá también y Diarios de motocicleta. Ciberletras, 13. http://www.lehman.cuny.edu/ciberletras/v13/diaz.htm
Ellwood, S. M. (1994). Franco. Longman.
Feierstein, L. R. (2015). Graphic and political humour in Argentina: from Quino to Página 12. European Journal of Humour Research, 3(2/3), 119–128. https://doi.org/10.7592/EJHR2015.3.2.3.feierstein
Fernanda Bueno. (2007). ‘Motorcycle Diaries’: the myth of Che Guevara in the twenty-first century. Confluencia, 23(1), 107–114. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27923257?seq=1#metadata_info_tab_contents
Fernando Riva. (2011). "Vuestra vertud me vala, Gloriosa, en mi exida”: función del culto mariano e ideología de cruzada en el Poema de Mio Cid. Lexis, 35(1), 119–139. http://revistas.pucp.edu.pe/index.php/lexis/article/view/1269
Foster, D. W. (1980). MAFALDA: An Argentina Comic Strip. The Journal of Popular Culture, 14(3), 497–508. https://doi.org/10.1111/j.0022-3840.1980.1403_497.x
Foster, D. W. (1989). From Mafalda to Los Supermachos: Latin American graphic humor as popular culture. Lynn Reinner. https://contentstore.cla.co.uk//secure/link?id=1b941f92-ce40-e911-80cd-005056af4099
Frans Weiser. (2013). Writing ‘Che’ Writing: Apocryphal Diaries and the Deconstruction of Guevara’s Myth. Hispania, 96(4), 700–711. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23608520?seq=1#metadata_info_tab_contents
Gaskill, H. & Dawson Books. (2004). The reception of Ossian in Europe: Vol. v. 5. Thoemmes/Continuum. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847143013
Geary, P. J. (2002). The myth of nations: the Medieval origins of Europe. Princeton University Press.
Gerli, E. M. (2001). Inventing the Spanish Middle Ages: Ramón Menéndez Pidal, Spanish Cultural History, and Ideology in Philology. La Corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures, 30(1), 111–126. https://doi.org/10.1353/cor.2001.0022
Granado, A. (2003). Travelling with Che Guevara: the making of a revolutionary. Pimlico.
Guevara, C., Guevara March, A., Vitier, C., Keeble, A., & Wark, J. (2004). The motorcycle diaries: notes on a Latin American journey.
Harbison, Robert. (1992). GAUDI. C (Archive : 1987-1992), 1987–1992. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon
Harney, M. (2013). The Cantar del mio Cid as Pre-War Propaganda. Romance Quarterly, 60(2), 74–88. https://doi.org/10.1080/08831157.2013.762257
Hedges, J. (2011). Argentina: a modern history. I.B. Tauris.
Heinowitz, R. C. (2010). Spanish America and British Romanticism, 1777-1826: rewriting conquest: Vol. Edinburgh studies in transatlantic literatures. Edinburgh University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748638680.001.0001
Hughes, R. (1992). Barcelona. Harvill.
IGNACIO RUIZ PÉREZ. (2008). Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversión del modernismo. Revista Hispánica Moderna, 2. https://www.jstor.org/stable/40647488?seq=1#metadata_info_tab_contents
James Petras. (1998). Che Guevara and Contemporary Revolutionary Movements. Latin American Perspectives, 25(4), 9–18. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/2633995?pq-origsite=summon&seq=1#metadata_info_tab_contents
Janice Geasler Titiev. (1980). Alfonsina Storni’s ‘Poemas de amor’: Submissive Woman, Liberated Poet. Journal of Spanish Studies: Twentieth Century, 8(3). https://www.jstor.org/stable/27740950?seq=1#metadata_info_tab_contents
Joep Leerssen. (n.d.). Literary historicism: Romanticism, philologists, and the presence of the past. Modern Language Quarterly. http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=11&docId=GALE%7CA124078751&docType=Article&sort=Relevance&contentSegment=ZEAI-MOD1&prodId=EAIM&contentSet=GALE%7CA124078751&searchId=R1&userGroupName=glasuni&inPS=true
Juan J. Linz. (1991). Church and State in Spain from the Civil War to the Return of Democracy. Daedalus, 120(3). https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/20025392?pq-origsite=summon&seq=1#metadata_info_tab_contents
Klein, S. (1993). Breaking the Mold with Humor: Images of Women in the Visual Media. Art Education, 46(5). https://doi.org/10.2307/3193387
Lahuerta, J. J., & Gaudí, A. (2003). Antoni Gaudi, 1852-1926: architecture, ideology, and politics. Electa Architecture.
Leitz, C., & Dunthorn, D. J. (1999). Spain in an international context, 1936-1959. Berghahn Books.
Lie, N. (2017). Traveling Across Latin America. In The Latin American (Counter-) Road Movie and Ambivalent Modernity (pp. 31–61). Springer International Publishing. https://doi.org/10.1007/978-3-319-45138-1_2
López, D. A. (2014). Imagined continuities: The story of El Cid as a post-9/11 War on Terror narrative in Filmax/José Pozo’s animated feature film El Cid. La Leyenda. Studies in Spanish & Latin-American Cinemas, 11(1), 43–59. https://doi.org/10.1386/slac.11.1.43_1
Magnotta, M. (1976). Historia y bibliografía de la crítica sobre el Poema de mío Cid (1750-1971): Vol. no. 145. U.N.C., Dept. of Romance Languages.
Mark Jancovich. (2000). ‘The Purest Knight of All’: Nation, History, and Representation in ‘El Cid’ (1960). Cinema Journal, 40(1). https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/1225818?seq=1#metadata_info_tab_contents
Martignone, H., & Prunes, M. (2008). Historietas a diario: las tiras cómicas argentinas de Mafalda a nuestros días. Libraria.
Masters of Building: SAGRADA FAMILIA. (2005). The Architects’ Journal (Archive : 1919-2005), 195(13), 1919–2005. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon
Méndez, M. (2018). De crepusculares y garotas modernas: las columnas travestidas de Alfonsina Storni y Clarice Lispector. Revista Iberoamericana, 84.264. https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1159&context=lalis-faculty-publications
Mower, D. (1977). Gaudí. Oresko Books.
Murray, P. S. (2007). Of Love and Politics: Reassessing Manuela Sáenz and Simón Bolívar, 1822-1830. History Compass, 5(1), 227–250. https://doi.org/10.1111/j.1478-0542.2006.00374.x
Navitski, R. (2012). The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film. Screen, 53(4), 359–380. https://doi.org/10.1093/screen/hjs033
Payne, S. G. (2012). The Spanish Civil War. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CBO9781139026154
Pratt, M. L. & Dawson Books. (2008). Imperial eyes: travel writing and transculturation (2nd ed). Routledge. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933
Preston, P. (2012). The Spanish holocaust: inquisition and extermination in twentieth-century Spain. W.W. Norton & Co.
Quino. (2005). 10 años con Mafalda. Tusquetes Editores.
Quino. (2009). 10 años con Mafalda (2a ed). Tusquets Editor.
Rebecca Earle. (2001). Creole Patriotism and the Myth of the ‘Loyal Indian’. Past & Present, 172, 125–145. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents
Rebecca Earle. (2002). 'Padres de la Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America. Journal of Latin American Studies, 34(4), 775–805. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents
Rêgo, C., & Rocha, C. (2011). New trends in Argentine and Brazilian cinema. Intellect.
Robinson, W. H., Falgàs, J., Lord, C. B., Alix Trueba, J., Cleveland Museum of Art, & Metropolitan Museum of Art (New York, N.Y.). (2006). Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. Cleveland Museum of Art in association with Yale University Press, New Haven and London.
Romero Salvadó Francisco J. (2005). The Spanish Civil War: origins, course, and outcomes. Palgrave Macmillan.
Ross, C. J., & Ross, C. J. (2014). Spain since 1812 (Third edition). Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781444117080
Rowlandson, W. (2011). Hero, lover, demon, fool: fictional appropriations of Che Guevara. Journal of Romance Studies, 11(2), 61–74. https://doi.org/10.3828/jrs.11.2.61
Shaw, D. (2007). Playing Hollywood at Its Own Game? Bielenski’s Nueve reinas. In D. Shaw (Ed.), Contemporary Latin American cinema: breaking into the global market (pp. 67–85). Rowman & Littlefield. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
Skidmore, T. E., & Smith, P. H. (2001). Modern Latin America (5th ed). Oxford University Press.
SOMARRIVA Q., M. (2017). A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence. Bulletin of Latin American Research, 36(2), 223–236. https://doi.org/10.1111/blar.12528
Teitler, N. (2002). Redefining the Female Body: Alfonsina Storni and the Modernista Tradition. Bulletin of Spanish Studies, 79(2–3), 171–192. https://doi.org/10.1080/147538202317344970
Terradas, J. (2013). La acción como forma religiosa en el Poema de Mio Cid. MLN, 128(2), 207–224. https://doi.org/10.1353/mln.2013.0035
Van Zandt, E. (1995). The life and works of Gaudí. Siena.
Vaquero, M. (2005). The Poema de mio Cid and the Canon of the Spanish Epic. La Corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures, 33(2), 209–230. https://doi.org/10.1353/cor.2005.0010
