1
Harbison, Robert. GAUDI. C (Archive : 1987-1992) 1992;:1987–92.http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon
2
Masters of Building: SAGRADA FAMILIA. The Architects’ Journal (Archive : 1919-2005) 2005;195:1919–2005.http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon
3
Ashton, Dore. Antonio GAUDI. Craft Horizons (Archive : 1941-1978) 1978;17:1941–78.http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1493608034/20073A5A121E45D4PQ/5?accountid=14540
4
Barcelona: Urban Identity 1992-2002. Arizona Journal of Hispanic Cultural Studies 2002;6:245–61. doi:10.1353/hcs.2011.0277
5
Mower D. Gaudí. London: : Oresko Books 1977.
6
Lahuerta JJ, Gaudí A. Antoni Gaudi, 1852-1926: architecture, ideology, and politics. Milano: : Electa Architecture 2003.
7
Van Zandt E. The life and works of Gaudí. [S.l.]: : Siena 1995.
8
Robinson WH, Falgàs J, Lord CB, et al. Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: : Cleveland Museum of Art in association with Yale University Press, New Haven and London 2006.
9
Bennett A. Barcelona. 2nd ed. London: : A & C Black 2002.
10
Hughes R. Barcelona. London: : Harvill 1992.
11
Copertari G. Nine Queens : A Dark Day Of Simulation And Justice. Journal of Latin American Cultural Studies 2005;14:279–93. doi:10.1080/13569320500382534
12
Shaw D. Playing Hollywood at Its Own Game? Bielenski’s Nueve reinas. In: Shaw D, ed. Contemporary Latin American cinema: breaking into the global market. Lanham, MD: : Rowman & Littlefield 2007. 67–85.https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
13
Navitski R. The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film. Screen 2012;53:359–80. doi:10.1093/screen/hjs033
14
Rêgo C, Rocha C. New trends in Argentine and Brazilian cinema. Bristol: : Intellect 2011.
15
Hedges J. Argentina: a modern history. London: : I.B. Tauris 2011.
16
Skidmore TE, Smith PH. Modern Latin America. 5th ed. New York, N.Y.: : Oxford University Press 2001.
17
Carbayo-Abengozar M. Shaping Women: National Identity Through the Use of Language in Franco’S Spain. Nations and Nationalism 2001;7:75–92. doi:10.1111/1469-8219.00005
18
Byrnes M. Unfinished business: The united states and Franco’s Spain, 1944–47. Diplomacy & Statecraft 2000;11:129–62. doi:10.1080/09592290008406143
19
Juan J. Linz. Church and State in Spain from the Civil War to the Return of Democracy. Daedalus 1991;120.https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/20025392?pq-origsite=summon&seq=1#metadata_info_tab_contents
20
Campos IS. Fascism, fascistization and developmentalism in Franco’s dictatorship. Social History 2004;29:342–57. doi:10.1080/0307102042000257629
21
Carr R. The Spanish tragedy: the Civil War in perspective. London: : Weidenfeld and Nicolson 1977.
22
Leitz C, Dunthorn DJ. Spain in an international context, 1936-1959. New York: : Berghahn Books 1999.
23
Romero Salvadó Francisco J. The Spanish Civil War: origins, course, and outcomes. Basingstoke: : Palgrave Macmillan 2005.
24
Ross CJ, Ross CJ. Spain since 1812. Third edition. London: : Routledge 2014. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781444117080
25
Ellwood SM. Franco. London: : Longman 1994.
26
Payne SG. The Spanish Civil War. Cambridge: : Cambridge University Press 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CBO9781139026154
27
Preston P. The Spanish holocaust: inquisition and extermination in twentieth-century Spain. New York, N.Y.: : W.W. Norton & Co 2012.
28
Pratt ML, Dawson Books. Imperial eyes: travel writing and transculturation. 2nd ed. London : New York, NY: : Routledge 2008. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933
29
Rebecca Earle. Creole Patriotism and the Myth of the ‘Loyal Indian’. Past & Present 2001;:125–45.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents
30
Rebecca Earle. 'Padres de la Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America. Journal of Latin American Studies 2002;34:775–805.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents
31
Bauer R, Mazzotti JA, Omohundro Institute of Early American History & Culture, et al. Creole subjects in the colonial Americas: empires, texts, identities. Chapel Hill, N.C.: : Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press 2009.
32
Heinowitz RC. Spanish America and British Romanticism, 1777-1826: rewriting conquest. Edinburgh: : Edinburgh University Press 2010. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748638680.001.0001
33
Murray PS. Of Love and Politics: Reassessing Manuela Sáenz and Simón Bolívar, 1822-1830. History Compass 2007;5:227–50. doi:10.1111/j.1478-0542.2006.00374.x
34
SOMARRIVA Q. M. A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence. Bulletin of Latin American Research 2017;36:223–36. doi:10.1111/blar.12528
35
2. Lacarra, María Eugenia. "La utilización del Cid de Menéndez Pidal en la ideología militar franquista.” Ideologies and Literature 123 (1980): 95-127. http://www.ideologiesandliterature.org/docs/journals/journals_v1_n12_05.pdf
36
Consecuencias ideológicas de algunas de las teorías en torno a la épica peninsular / María Eugenia Lacarra | Biblioteca Virtual Miguel de Cervantes. http://www.cervantesvirtual.com/obra/consecuencias-ideologicas-de-algunas-de-las-teorias-en-torno-a-la-epica-peninsular/
37
Gerli EM. Inventing the Spanish Middle Ages: Ramón Menéndez Pidal, Spanish Cultural History, and Ideology in Philology. La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 2001;30:111–26. doi:10.1353/cor.2001.0022
38
Geary PJ. The myth of nations: the Medieval origins of Europe. Princeton, N.J.: : Princeton University Press 2002.
39
Joep Leerssen. Literary historicism: Romanticism, philologists, and the presence of the past. Modern Language Quarterlyhttp://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=11&docId=GALE%7CA124078751&docType=Article&sort=Relevance&contentSegment=ZEAI-MOD1&prodId=EAIM&contentSet=GALE%7CA124078751&searchId=R1&userGroupName=glasuni&inPS=true
40
Gaskill H, Dawson Books. The reception of Ossian in Europe. London: : Thoemmes/Continuum 2004. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847143013
41
Magnotta M. Historia y bibliografía de la crítica sobre el Poema de mío Cid (1750-1971). Chapel Hill: : U.N.C., Dept. of Romance Languages 1976.
42
Altschul N. Geographies of philological knowledge: postcoloniality and the Transatlantic national epic. Chicago: : University of Chicago Press 2012. http://ezproxy.lib.gla.ac.uk/login?url=http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226016191.001.0001/upso-9780226016214
43
Harney M. The Cantar del mio Cid as Pre-War Propaganda. Romance Quarterly 2013;60:74–88. doi:10.1080/08831157.2013.762257
44
Vaquero M. The Poema de mio Cid and the Canon of the Spanish Epic. La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 2005;33:209–30. doi:10.1353/cor.2005.0010
45
Clara Pascual-Argente. ‘A guisa de varón’: Masculinity and Genre in the Poema de mio Cid. Bulletin of Hispanic Studies 2013;90.https://literature-proquest-com.ezproxy.lib.gla.ac.uk/searchFulltext.do?id=R04816924&divLevel=0&queryId=3093939186485&trailId=1679413ECAA&area=criticism&forward=critref_ft
46
Terradas J. La acción como forma religiosa en el Poema de Mio Cid. MLN 2013;128:207–24. doi:10.1353/mln.2013.0035
47
Fernando Riva. "Vuestra vertud me vala, Gloriosa, en mi exida”: función del culto mariano e ideología de cruzada en el Poema de Mio Cid. Lexis 2011;35:119–39.http://revistas.pucp.edu.pe/index.php/lexis/article/view/1269
48
López DA. Imagined continuities: The story of El Cid as a post-9/11 War on Terror narrative in Filmax/José Pozo’s animated feature film El Cid. La Leyenda. Studies in Spanish & Latin-American Cinemas 2014;11:43–59. doi:10.1386/slac.11.1.43_1
49
Mark Jancovich. ‘The Purest Knight of All’: Nation, History, and Representation in ‘El Cid’ (1960). Cinema Journal 2000;40.https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/1225818?seq=1#metadata_info_tab_contents
50
Daparte Jorge A. Reescrituras divulgativas del mito cidiano. Descripción y análisis de adaptaciones y versiones contemporáneas representativas del Cantar de Mio Cid. Alabe Revista de Investigación sobre Lectura y Escritura Published Online First: 1 December 2014. doi:10.15645/Alabe.2014.10.4
51
Catalina Olea. Muchachas de Buenos Aires y figurines de París: moda y modernidad en las crónicas de Alfonsina Storni. Meridional Revista Chilena de Estudios Latinoamericanos 2016;:83–104. doi:10.5354/0719-4862.2016.43538
52
Méndez M. De crepusculares y garotas modernas: las columnas travestidas de Alfonsina Storni y Clarice Lispector. Revista Iberoamericana 2018;84.264.https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1159&context=lalis-faculty-publications
53
Claudia Cabello-Hutt. Las mal ubicadas: intervenciones en la modernidad en la prosa de Alfonsina Storni y Gabriela Mistral. Meridional Revista Chilena de Estudios Latinoamericanos 2016;:105–30.https://dialnet.unirioja.es/servlet/articulo?codigo=6066737
54
Ana Moraña. Alfonsina Storni: la mujer y la ciudad. Letras Femeninas 2008;34.https://www.jstor.org/stable/23021926?seq=1#metadata_info_tab_contents
55
Delfina Muschietti. LAS ESTRATEGIAS DE UN DISCURSO TRAVESTI (GENERO PERIODISTICO Y GENERO POETICO EN ALFONSINA STORNI). Dispositio 1990;15.https://www.jstor.org/stable/41491376?seq=1#metadata_info_tab_contents
56
Teitler N. Redefining the Female Body: Alfonsina Storni and the Modernista Tradition. Bulletin of Spanish Studies 2002;79:171–92. doi:10.1080/147538202317344970
57
IGNACIO RUIZ PÉREZ. Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversión del modernismo. Revista Hispánica Moderna Published Online First: 2008.https://www.jstor.org/stable/40647488?seq=1#metadata_info_tab_contents
58
Darrigrandi C. Ciudad, cuerpo y traje: la flâneuse en Buenos Aires. Revista Iberoamericana 2008;74:85–99. doi:10.5195/REVIBEROAMER.2008.5295
59
Janice Geasler Titiev. Alfonsina Storni’s ‘Poemas de amor’: Submissive Woman, Liberated Poet. Journal of Spanish Studies: Twentieth Century 1980;8.https://www.jstor.org/stable/27740950?seq=1#metadata_info_tab_contents
60
Ana Skledar. El motivo de la muerte en la poesía de la Alfonsina Storni. Verba Hispanica 2004;12:33–42. doi:https://doi.org/10.4312/vh.12.1.33-42
61
Lie N. Traveling Across Latin America. In: The Latin American (Counter-) Road Movie and Ambivalent Modernity. Cham: : Springer International Publishing 2017. 31–61. doi:10.1007/978-3-319-45138-1_2
62
Fernanda Bueno. ‘Motorcycle Diaries’: the myth of Che Guevara in the twenty-first century. Confluencia 2007;23:107–14.http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27923257?seq=1#metadata_info_tab_contents
63
Cristina Venegas. The Man, the Corpse, and the Icon in Motorcycle Diaries Utopia, Pleasure, and a New Revolutionary Imagination. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 2015;4.https://rebeca.emnuvens.com.br/1/article/view/342/149
64
Rowlandson W. Hero, lover, demon, fool: fictional appropriations of Che Guevara. Journal of Romance Studies 2011;11:61–74. doi:10.3828/jrs.11.2.61
65
David Kunzle. Chesucristo: Fusions, Myths, and Realities. Latin American Perspectives 2008;35:97–115.http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27648090?pq-origsite=summon&seq=1#metadata_info_tab_contents
66
Ariana Hernandez-Reguant. Copyrighting Che: Art and Authorship under Cuban Late Socialism. Public Culture 2004;16:1–29.http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/article/54376
67
Frans Weiser. Writing ‘Che’ Writing: Apocryphal Diaries and the Deconstruction of Guevara’s Myth. Hispania 2013;96:700–11.http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23608520?seq=1#metadata_info_tab_contents
68
Diaz R. El viaje como desintegración y fundación ideológica en Y tu mamá también y Diarios de motocicleta. Ciberletras 2005;13.http://www.lehman.cuny.edu/ciberletras/v13/diaz.htm
69
James Petras. Che Guevara and Contemporary Revolutionary Movements. Latin American Perspectives 1998;25:9–18.http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/2633995?pq-origsite=summon&seq=1#metadata_info_tab_contents
70
Guevara C, Guevara March A, Vitier C, et al. The motorcycle diaries: notes on a Latin American journey. London: 2004.
71
Granado A. Travelling with Che Guevara: the making of a revolutionary. London: : Pimlico 2003.
72
Cohan S, Hark IR. The road movie book. London: : Routledge 1997.
73
Quino. 10 años con Mafalda. 2a ed. México: : Tusquets Editor 2009.
74
Quino. 10 años con Mafalda. México: : Tusquetes Editores 2005.
75
Foster DW. From Mafalda to Los Supermachos: Latin American graphic humor as popular culture. London: : Lynn Reinner 1989. https://contentstore.cla.co.uk//secure/link?id=1b941f92-ce40-e911-80cd-005056af4099
76
Martignone H, Prunes M. Historietas a diario: las tiras cómicas argentinas de Mafalda a nuestros días. Buenos Aires: : Libraria 2008.
77
Foster DW. MAFALDA: An Argentina Comic Strip. The Journal of Popular Culture 1980;14:497–508. doi:10.1111/j.0022-3840.1980.1403_497.x
78
Feierstein LR. Graphic and political humour in Argentina: from Quino to Página 12. European Journal of Humour Research 2015;3:119–28. doi:10.7592/EJHR2015.3.2.3.feierstein
79
Klein S. Breaking the Mold with Humor: Images of Women in the Visual Media. Art Education 1993;46. doi:10.2307/3193387
