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Ariana Hernandez-Reguant. 2004. ‘Copyrighting Che: Art and Authorship under Cuban Late Socialism’. Public Culture 16 (1): 1–29. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/article/54376.
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‘Barcelona: Urban Identity 1992-2002’. 2002. Arizona Journal of Hispanic Cultural Studies 6 (1): 245–61. https://doi.org/10.1353/hcs.2011.0277.
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Claudia Cabello-Hutt. 2016. ‘Las Mal Ubicadas: Intervenciones En La Modernidad En La Prosa de Alfonsina Storni y Gabriela Mistral’. Meridional. Revista Chilena de Estudios Latinoamericanos, no. 7: 105–30. https://dialnet.unirioja.es/servlet/articulo?codigo=6066737.
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Daparte Jorge, Aldo. 2014. ‘Reescrituras Divulgativas Del Mito Cidiano. Descripción y Análisis de Adaptaciones y Versiones Contemporáneas Representativas Del Cantar de Mio Cid.’ Alabe. Revista de Investigación Sobre Lectura y Escritura, no. 10 (December). https://doi.org/10.15645/Alabe.2014.10.4.
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David Kunzle. 2008. ‘Chesucristo: Fusions, Myths, and Realities’. Latin American Perspectives 35 (2): 97–115. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27648090?pq-origsite=summon&seq=1#metadata_info_tab_contents.
Delfina Muschietti. 1990. ‘LAS ESTRATEGIAS DE UN DISCURSO TRAVESTI (GENERO PERIODISTICO Y GENERO POETICO EN ALFONSINA STORNI)’. Dispositio 15 (39). https://www.jstor.org/stable/41491376?seq=1#metadata_info_tab_contents.
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Fernanda Bueno. 2007. ‘“Motorcycle Diaries”: The Myth of Che Guevara in the Twenty-First Century’. Confluencia 23 (1): 107–14. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27923257?seq=1#metadata_info_tab_contents.
Fernando Riva. 2011. ‘"Vuestra Vertud Me Vala, Gloriosa, En Mi Exida”: Función Del Culto Mariano e Ideología de Cruzada En El Poema de Mio Cid’. Lexis 35 (1): 119–39. http://revistas.pucp.edu.pe/index.php/lexis/article/view/1269.
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———. 1989. From Mafalda to Los Supermachos: Latin American Graphic Humor as Popular Culture. London: Lynn Reinner. https://contentstore.cla.co.uk//secure/link?id=1b941f92-ce40-e911-80cd-005056af4099.
Frans Weiser. 2013. ‘Writing “Che” Writing: Apocryphal Diaries and the Deconstruction of Guevara’s Myth’. Hispania 96 (4): 700–711. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23608520?seq=1#metadata_info_tab_contents.
Gaskill, Howard and Dawson Books. 2004. The Reception of Ossian in Europe. Vol. v. 5. London: Thoemmes/Continuum. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847143013.
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Harbison, Robert. 1992. ‘GAUDI’. C (Archive : 1987-1992), 1987–92. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon.
Harney, Michael. 2013. ‘The Cantar Del Mio Cid as Pre-War Propaganda’. Romance Quarterly 60 (2): 74–88. https://doi.org/10.1080/08831157.2013.762257.
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Heinowitz, R. Cole. 2010. Spanish America and British Romanticism, 1777-1826: Rewriting Conquest. Vol. Edinburgh studies in transatlantic literatures. Edinburgh: Edinburgh University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748638680.001.0001.
Hughes, Robert. 1992. Barcelona. London: Harvill.
IGNACIO RUIZ PÉREZ. 2008. ‘Contra-Escrituras: Delmira Agustini, Alfonsina Storni y La Subversión Del Modernismo’. Revista Hispánica Moderna, no. 2. https://www.jstor.org/stable/40647488?seq=1#metadata_info_tab_contents.
James Petras. 1998. ‘Che Guevara and Contemporary Revolutionary Movements’. Latin American Perspectives 25 (4): 9–18. http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/2633995?pq-origsite=summon&seq=1#metadata_info_tab_contents.
Janice Geasler Titiev. 1980. ‘Alfonsina Storni’s “Poemas de Amor”: Submissive Woman, Liberated Poet’. Journal of Spanish Studies: Twentieth Century 8 (3). https://www.jstor.org/stable/27740950?seq=1#metadata_info_tab_contents.
Joep Leerssen. n.d. ‘Literary Historicism: Romanticism, Philologists, and the Presence of the Past’. Modern Language Quarterly. http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=11&docId=GALE%7CA124078751&docType=Article&sort=Relevance&contentSegment=ZEAI-MOD1&prodId=EAIM&contentSet=GALE%7CA124078751&searchId=R1&userGroupName=glasuni&inPS=true.
Juan J. Linz. 1991. ‘Church and State in Spain from the Civil War to the Return of Democracy’. Daedalus 120 (3). https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/20025392?pq-origsite=summon&seq=1#metadata_info_tab_contents.
Klein, Sheri. 1993. ‘Breaking the Mold with Humor: Images of Women in the Visual Media’. Art Education 46 (5). https://doi.org/10.2307/3193387.
Lahuerta, Juan José, and Antoni Gaudí. 2003. Antoni Gaudi, 1852-1926: Architecture, Ideology, and Politics. Milano: Electa Architecture.
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Lie, Nadia. 2017. ‘Traveling Across Latin America’. In The Latin American (Counter-) Road Movie and Ambivalent Modernity, 31–61. Cham: Springer International Publishing. https://doi.org/10.1007/978-3-319-45138-1_2.
López, Daniel Ares. 2014. ‘Imagined Continuities: The Story of El Cid as a Post-9/11 War on Terror Narrative in Filmax/José Pozo’s Animated Feature Film El Cid. La Leyenda’. Studies in Spanish & Latin-American Cinemas 11 (1): 43–59. https://doi.org/10.1386/slac.11.1.43_1.
Magnotta, Miguel. 1976. Historia y Bibliografía de La Crítica Sobre El Poema de Mío Cid (1750-1971). Vol. no. 145. Chapel Hill: U.N.C., Dept. of Romance Languages.
Mark Jancovich. 2000. ‘“The Purest Knight of All”: Nation, History, and Representation in “El Cid” (1960)’. Cinema Journal 40 (1). https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/1225818?seq=1#metadata_info_tab_contents.
Martignone, Hernán, and Mariano Prunes. 2008. Historietas a Diario: Las Tiras Cómicas Argentinas de Mafalda a Nuestros Días. Buenos Aires: Libraria.
‘Masters of Building: SAGRADA FAMILIA’. 2005. The Architects’ Journal (Archive : 1919-2005) 195 (13): 1919–2005. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon.
Méndez, Mariela. 2018. ‘De Crepusculares y Garotas Modernas: Las Columnas Travestidas de Alfonsina Storni y Clarice Lispector’. Revista Iberoamericana 84.264. https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1159&context=lalis-faculty-publications.
Mower, David. 1977. Gaudí. London: Oresko Books.
Murray, Pamela S. 2007. ‘Of Love and Politics: Reassessing Manuela Sáenz and Simón Bolívar, 1822-1830’. History Compass 5 (1): 227–50. https://doi.org/10.1111/j.1478-0542.2006.00374.x.
Navitski, R. 2012. ‘The Last Heist Revisited: Reimagining Hollywood Genre in Contemporary Argentine Crime Film’. Screen 53 (4): 359–80. https://doi.org/10.1093/screen/hjs033.
Payne, Stanley G. 2012. The Spanish Civil War. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CBO9781139026154.
Pratt, Mary Louise and Dawson Books. 2008. Imperial Eyes: Travel Writing and Transculturation. 2nd ed. London : New York, NY: Routledge. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933.
Preston, Paul. 2012. The Spanish Holocaust: Inquisition and Extermination in Twentieth-Century Spain. New York, N.Y.: W.W. Norton & Co.
Quino. 2005. 10 Años Con Mafalda. México: Tusquetes Editores.
———. 2009. 10 Años Con Mafalda. 2a ed. México: Tusquets Editor.
Rebecca Earle. 2001. ‘Creole Patriotism and the Myth of the “Loyal Indian”’. Past & Present, no. 172: 125–45. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents.
———. 2002. ‘'Padres de La Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America’. Journal of Latin American Studies 34 (4): 775–805. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents.
Rêgo, Cacilda, and Carolina Rocha. 2011. New Trends in Argentine and Brazilian Cinema. Bristol: Intellect.
Robinson, William H., Jordi Falgàs, Carmen Belen Lord, Josefina Alix Trueba, Cleveland Museum of Art, and Metropolitan Museum of Art (New York, N.Y.). 2006. Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: Cleveland Museum of Art in association with Yale University Press, New Haven and London.
Romero Salvadó Francisco J. 2005. The Spanish Civil War: Origins, Course, and Outcomes. Basingstoke: Palgrave Macmillan.
Ross, Christopher J., and Christopher J. Ross. 2014. Spain since 1812. Third edition. London: Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781444117080.
Rowlandson, William. 2011. ‘Hero, Lover, Demon, Fool: Fictional Appropriations of Che Guevara’. Journal of Romance Studies 11 (2): 61–74. https://doi.org/10.3828/jrs.11.2.61.
Shaw, Deborah. 2007. ‘Playing Hollywood at Its Own Game? Bielenski’s Nueve Reinas’. In Contemporary Latin American Cinema: Breaking into the Global Market, edited by Deborah Shaw, 67–85. Lanham, MD: Rowman & Littlefield. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097.
Skidmore, Thomas E., and Peter H. Smith. 2001. Modern Latin America. 5th ed. New York, N.Y.: Oxford University Press.
SOMARRIVA Q., MARCELO. 2017. ‘A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence’. Bulletin of Latin American Research 36 (2): 223–36. https://doi.org/10.1111/blar.12528.
Teitler, Nathalie. 2002. ‘Redefining the Female Body: Alfonsina Storni and the Modernista Tradition’. Bulletin of Spanish Studies 79 (2–3): 171–92. https://doi.org/10.1080/147538202317344970.
Terradas, Jose. 2013. ‘La Acción Como Forma Religiosa En El Poema de Mio Cid’. MLN 128 (2): 207–24. https://doi.org/10.1353/mln.2013.0035.
Van Zandt, Eleanor. 1995. The Life and Works of Gaudí. [S.l.]: Siena.
Vaquero, Mercedes. 2005. ‘The Poema de Mio Cid and the Canon of the Spanish Epic’. La Corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 33 (2): 209–30. https://doi.org/10.1353/cor.2005.0010.
