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Dawson Books. Contemporary Latin American cinema: breaking into the global market [Internet]. Shaw D, editor. Lanham, Maryland: Rowman & Littlefield Publishers, Inc; 2007. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
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Catherine Davies. Recent Cuban Fiction Films: Identification, Interpretation, Disorder. Bulletin of Latin American Research [Internet]. Wiley; 1996;15(2):177–192. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3339505
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Foster DW. Negociaciones queer en Fresa y Chocolate: Ideología y homoerotismo. Revista Iberoamericana. 2003 Dec 1;69(205):985–999.
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Enrico Mario Santí. ‘Fresa y Chocolate’: The Rhetoric of Cuban Reconciliation. MLN [Internet]. The Johns Hopkins University Press; 1998;113(2):407–425. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3251482
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Shaw D. Contemporary cinema of Latin America: ten key films. New York: Continuum; 2003.
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Smith PJ. Vision machines: cinema, literature, and sexuality in Spain and Cuba, 1983-93. London: Verso; 1996.
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Acevedo-Muñoz, Ernesto. Sex, Class, and Mexico in Alfonso Cuarón’s ‘Y Tu Mamá También’. Film & History [Internet]. 2004;34(1):39–48. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/2149996/fulltextPDF/FBF9147B4A1E40C7PQ/1?accountid=14540
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Baer H, Long RF. Transnational Cinema and the Mexican State in Alfonso Cuaron’s Y tu mama tambien. South Central Review. 2004;21(3):150–168.
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Igler S, Stauder T, editors. Negociando identidades, traspasando fronteras: tendencias en la literatura y el cine mexicanos en torno al nuevo milenio. Madrid: Iberoamericana; 2008.
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Quintanilla FQ. LA LLORONA COMO ESFINGE SUBVERSIVA EN Y TU MAMÁ TAMBIÉN (2002) DE ALFONSO CUARÓN. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/scholarly-journals/la-llorona-como-esfinge-subversiva-en-y-tu-mamá/docview/1553399169/se-2?accountid=14540
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María Josefina Saldaña-Portillo. In the Shadow of NAFTA: ‘Y tu mamá también’ Revisits the National Allegory of Mexican Sovereignty. American Quarterly [Internet]. The Johns Hopkins University Press; 2005;57(3):751–777. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40068315
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El espacio utópico como medio catalizador de la sexualidad masculina y la lucha de clases en Y tu mamá también [Internet]. Ciberletras. Available from: http://www.lehman.cuny.edu/ciberletras/v11/serna.html
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Slade A. Mixing Mourning and Desire: Alfonso Cuarón’s ‘Y Tu Mamá También’ [Internet]. Available from: http://ecommons.udayton.edu/cgi/viewcontent.cgi?article=1031&context=eng_fac_pub
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Ribas A. ‘El pinche acentito ese’: deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio:                              ,. Hispanic Research Journal. 2009 Dec;10(5):457–481.
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Kokalov AI. La imagen artística de Gael García Bernal: Dimensiones de la masculinidad. Hispanic Journal [Internet]. Indiana University of Pennsylvania; 2008;29(2):141–155. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/44287587
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Scheman N. Looking Back on "Queering the Center”. TSQ: Transgender Studies Quarterly. 2016 May;3(1–2):212–219.
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Leung HHS. Always in Translation. TSQ: Transgender Studies Quarterly. 2016 Nov;3(3–4):433–447.
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Toscano Alonso, María. Marina Vidal a través del espejo: identidad trans en Una mujer fantástica. 2018; Available from: https://idus.us.es/xmlui/handle/11441/79543
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Nadia Lie. Violencia y transnacionalidad en el cine latinoamericano contemporáneo: sobre Carancho (P. Trapero, 2010) y Los bastardos (A. Escalante, 2008) / Violence and Transnationalism in Contemporary Latin-American Cinema: Carancho (P. Trapero, 2010) and Los bastardos (A. Escalante, 2008). Secuencias [Internet]. 2016;(35). Available from: https://revistas.uam.es/secuencias/article/view/5927
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Hortiguera H. Después de la globalización, la destrucción de lo social en dos filmes argentinos: Las viudas de los jueves y Carancho. Letras Hispanas [Internet]. 2012;8(1). Available from: http://www.modlang.txstate.edu/letrashispanas/previousvolumes/vol8-1.html
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Hodgin N, Thakkar A, editors. Scars and wounds: film and legacies of trauma. Basingstoke: Palgrave Macmillan; 2017.
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Delgado MM, Hart SM, Johnson R, editors. A companion to Latin American cinema. Hoboken, New Jersey: John Wiley & Sons, Inc; 2017.