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S. M. Hart, A companion to Latin American film, vol. Colección Támesis. Rochester, N.Y.: Tamesis, 2004.
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P. A. Schroeder, Latin American cinema: a comparative history. Oakland, California: University of California Press, 2016.
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K. J. Richards, Themes in Latin American cinema: a critical survey. Jefferson, N.C.: McFarland & Company, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=771382
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Dawson Books, Contemporary Latin American cinema: breaking into the global market. Lanham, Maryland: Rowman & Littlefield Publishers, Inc, 2007 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
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A. Elena and M. Díaz López, The cinema of Latin America. London: Wallflower, 2003.
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Lorena Cuya Gavilano, ‘Ser para otro: Máscaras, Fresa y Chocolate y la retórica de la metáfora homosexual’, Bulletin of Hispanic Studies, vol. 88, no. 7, 2011 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/911180995?pq-origsite=summon
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Catherine Davies, ‘Recent Cuban Fiction Films: Identification, Interpretation, Disorder’, Bulletin of Latin American Research, vol. 15, no. 2, pp. 177–192, 1996 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3339505
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D. W. Foster, ‘Negociaciones queer en Fresa y Chocolate: Ideología y homoerotismo’, Revista Iberoamericana, vol. 69, no. 205, pp. 985–999, Dec. 2003, doi: 10.5195/REVIBEROAMER.2003.5632.
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Enrico Mario Santí, ‘“Fresa y Chocolate”: The Rhetoric of Cuban Reconciliation’, MLN, vol. 113, no. 2, pp. 407–425, 1998 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/3251482
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D. Shaw, Contemporary cinema of Latin America: ten key films. New York: Continuum, 2003.
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P. J. Smith, Vision machines: cinema, literature, and sexuality in Spain and Cuba, 1983-93, vol. Critical studies in Latin American and Iberian cultures. London: Verso, 1996.
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A. Lema-Hincapié and D. A. Castillo, Eds., Despite all adversities: Spanish-American queer cinema, vol. SUNY series, genders in the Global South. Albany: SUNY Press, 2015.
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Cine-Lit, Cine-Lit 2000: essays on Hispanic film and fiction. Corvallis, OR: Cine-Lit Publications, Department of Foreign Languages and Literatures, Oregon State University, 2000.
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S. WILKINSON, ‘Homosexuality and the Repression of Intellectuals in Fresa y chocolate and Máscaras’, Bulletin of Latin American Research, vol. 18, no. 1, pp. 17–33, Jan. 1999, doi: 10.1016/S0261-3050(97)00115-0.
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Acevedo-Muñoz, Ernesto, ‘Sex, Class, and Mexico in Alfonso Cuarón’s “Y Tu Mamá También”’, Film & History, vol. 34, no. 1, pp. 39–48, 2004 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/2149996/fulltextPDF/FBF9147B4A1E40C7PQ/1?accountid=14540
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H. Baer and R. F. Long, ‘Transnational Cinema and the Mexican State in Alfonso Cuaron’s Y tu mama tambien’, South Central Review, vol. 21, no. 3, pp. 150–168, 2004, doi: 10.1353/scr.2004.0031.
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M. Donapetry, ‘And Your Motherland Too: The Body of the Spanish Woman in Y Tu Mamá También (And Your Mother Too)’, Chasqui, vol. 35, 2006, doi: 10.2307/29742151.
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Dawson Books, Contemporary Latin American cinema: breaking into the global market. Lanham, Maryland: Rowman & Littlefield Publishers, Inc, 2007 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
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S. Igler and T. Stauder, Eds., Negociando identidades, traspasando fronteras: tendencias en la literatura y el cine mexicanos en torno al nuevo milenio, vol. Estudios latinoamericanos. Madrid: Iberoamericana, 2008.
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L. Nagib and C. Mello, Realism and the audiovisual media. Basingstoke, Hampshire: Palgrave Macmillan, 2009.
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F. Q. Quintanilla, ‘LA LLORONA COMO ESFINGE SUBVERSIVA EN Y TU MAMÁ TAMBIÉN (2002) DE ALFONSO CUARÓN’ [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.proquest.com/scholarly-journals/la-llorona-como-esfinge-subversiva-en-y-tu-mamá/docview/1553399169/se-2?accountid=14540
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María Josefina Saldaña-Portillo, ‘In the Shadow of NAFTA: “Y tu mamá también” Revisits the National Allegory of Mexican Sovereignty’, American Quarterly, vol. 57, no. 3, pp. 751–777, 2005 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40068315
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‘El espacio utópico como medio catalizador de la sexualidad masculina y la lucha de clases en Y tu mamá también’, Ciberletras. [Online]. Available: http://www.lehman.cuny.edu/ciberletras/v11/serna.html
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A. Slade, ‘Mixing Mourning and Desire: Alfonso Cuarón’s “Y Tu Mamá También”’. [Online]. Available: http://ecommons.udayton.edu/cgi/viewcontent.cgi?article=1031&context=eng_fac_pub
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A. Ribas, ‘“El pinche acentito ese”: deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio:                              ,’ Hispanic Research Journal, vol. 10, no. 5, pp. 457–481, Dec. 2009, doi: 10.1179/146827309X12541438883067.
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J. Wood, The Faber book of Mexican cinema. London: Faber, 2006.
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A. I. Kokalov, ‘La imagen artística de Gael García Bernal: Dimensiones de la masculinidad’, Hispanic Journal, vol. 29, no. 2, pp. 141–155, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/44287587
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N. Scheman, ‘Looking Back on "Queering the Center”’, TSQ: Transgender Studies Quarterly, vol. 3, no. 1–2, pp. 212–219, May 2016, doi: 10.1215/23289252-3334403.
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H. H.-S. Leung, ‘Always in Translation’, TSQ: Transgender Studies Quarterly, vol. 3, no. 3–4, pp. 433–447, Nov. 2016, doi: 10.1215/23289252-3545143.
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Toscano Alonso, María, ‘Marina Vidal a través del espejo: identidad trans en Una mujer fantástica’, 2018 [Online]. Available: https://idus.us.es/xmlui/handle/11441/79543
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Nadia Lie, ‘Violencia y transnacionalidad en el cine latinoamericano contemporáneo: sobre Carancho (P. Trapero, 2010) y Los bastardos (A. Escalante, 2008) / Violence and Transnationalism in Contemporary Latin-American Cinema: Carancho (P. Trapero, 2010) and Los bastardos (A. Escalante, 2008)’, Secuencias, no. 35, 2016 [Online]. Available: https://revistas.uam.es/secuencias/article/view/5927
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H. Hortiguera, ‘Después de la globalización, la destrucción de lo social en dos filmes argentinos: Las viudas de los jueves y Carancho’, Letras Hispanas, vol. 8, no. 1, 2012 [Online]. Available: http://www.modlang.txstate.edu/letrashispanas/previousvolumes/vol8-1.html
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N. Hodgin and A. Thakkar, Eds., Scars and wounds: film and legacies of trauma. Basingstoke: Palgrave Macmillan, 2017.
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M. M. Delgado, S. M. Hart, and R. Johnson, Eds., A companion to Latin American cinema, vol. CNCZ Wiley Blackwell companions to national cinemas. Hoboken, New Jersey: John Wiley & Sons, Inc, 2017.