1
Eisner, Lotte H., Greaves, Roger. The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. London: : Thames & Hudson 1969.
2
Elsaesser, Thomas. Weimar cinema and after: Germany’s historical imaginary. London: : Routledge 2000.
3
Guerin, Frances. A culture of light: cinema and technology in 1920s Germany. Minneapolis, Minn: : University of Minnesota Press 2005.
4
Kracauer, Siegfried, Quaresima, Leonardo. From Caligari to Hitler: a psychological history of the German film. Rev. and expanded ed. Princeton, N. J.: : Princeton University Press 2004.
5
Roberts, Ian. German expressionist cinema: the world of light and shadow. London: : Wallflower 2008.
6
Scheunemann, Dietrich. Expressionist film: new perspectives. Rochester, N.Y.: : Camden House 2003.
7
Scheunemann, Dietrich. Expressionist film: new perspectives. Rochester, N.Y.: : Camden House 2003.
8
Elsaesser, Thomas. Weimar cinema and after: Germany’s historical imaginary. London: : Routledge 2000.
9
Roberts, Ian. German expressionist cinema: the world of light and shadow. London: : Wallflower 2008.
10
Abbott, Stacey. Celluloid vampires: life after death in the modern world. Austin, Tex: : University of Texas Press 2007.
11
Eisner, Lotte H., Murnau, F. W., Galeen, Henrik. Murnau. London: : Secker and Warburg 1973.
12
Eisner, Lotte H., Greaves, Roger. The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. London: : Thames & Hudson 1969.
13
Elsaesser, Thomas. Weimar cinema and after: Germany’s historical imaginary. London: : Routledge 2000.
14
Rentschler, Eric. German film & literature: adaptations and transformations. New York: : Routledge 2001.
15
Roberts, Ian. German expressionist cinema: the world of light and shadow. London: : Wallflower 2008.
16
Brockmann, Stephen. A critical history of German film. Rochester, NY: : Camden House 2010.
17
Reimer, Robert C., Reimer, Robert C., Zachau, Reinhard K. German culture through film: an introduction to German cinema. Newburyport, MA: : Focus Publishing 2005.
18
Zarend, Christian. Die Be- und Aufarbeitung der Nazizeit im Nachkriegsdeutschland am Beispiel des Films: ‘Die Morder sind unter uns’. Norderstedt: : GRIN Verlag 2003.
19
Brockmann, Stephen. A critical history of German film. Rochester, NY: : Camden House 2010.
21
Rentschler, Eric. German film & literature: adaptations and transformations. New York: : Routledge 2001.
22
Kaes, Anton. From Hitler to Heimat: the return of history as film. Cambridge, Mass: : Harvard University Press 1989.
23
Phillips, Klaus. New German filmmakers: from Oberhausen through the 1970s. New York: : Ungar Pub. Co 1984.
24
Reimer, Robert C., Zachau, Reinhard K. German culture through film: an introduction to German cinema. Newburyport, MA: : Focus Publishing 2005.
25
Fassbinder’s use of Brechtian aesthetics by H-B. Moeller. http://www.ejumpcut.org/archive/onlinessays/JC35folder/MariaVonBraunTrilogy.html
26
The Marriage Of Maria Braun (1978) Movie Review from Eye for Film. http://www.eyeforfilm.co.uk/review/the-marriage-of-maria-braun-film-review-by-ben-sillis
27
Xiibaro Reviews: Tape, Every Man for Himself and God Against All, M, The Marriage of Maria Braun, Metropolis, and Wings of Desire. http://www.cinema-scene.com/archive/03/49.html#Marriage
28
Rainer Werner Fassbinder: The Marriage of Maria Braun | Film | guardian.co.uk. http://www.guardian.co.uk/film/1999/jan/28/derekmalcolmscenturyoffilm.derekmalcolm
29
The Marriage of Maria Braun - Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/The_Marriage_of_Maria_Braun
30
Die Ehe der Maria Braun. http://www.filmzentrale.com/rezis/ehedermariabraunub.htm
31
Die Ehe der Maria Braun – Wikipedia. http://de.wikipedia.org/wiki/Die_Ehe_der_Maria_Braun
32
Die Ehe Der Maria Braun. http://www.mediaculture-online.de/Die-Ehe-der-Maria-Braun.79.0.html
33
KB4-Calvano.pdf. http://www.filmmusik.uni-kiel.de/kielerbeitraege4/KB4-Calvano.pdf
34
Wahrheit und Wirklichkeit im (west-)deutschen Film - kinofenster.de. http://www.kinofenster.de/film-des-monats/archiv-film-des-monats/kf9908_09/wahrheit_und_wirklichkeit_im_westdeutschen_film/
35
Kilborn, R. W. Whose lost honour?: a study of the film adaptation of Bèoll’s ‘The lost honour of Katharina Blum’. Glasgow: : Scottish Papers in Germanic Studies 1984.
36
Knight, Julia. New German cinema: images of a generation. London: : Wallflower 2004.
37
Reimer, Robert C., Zachau, Reinhard K. German culture through film: an introduction to German cinema. Newburyport, MA: : Focus Publishing 2005.
38
The Lost Honour of Katharina Blum - Wikipedia, the free encyclopedia. http://en.wikipedia.org/wiki/The_Lost_Honour_of_Katharina_Blum
39
‘The Lost Honor of Katharina Blum’ by Daniel Cetinich. http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html
40
‘The Lost Honor of Katharina Blum’ by Daniel Cetinich. http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html
41
Sophie Scholl - Die letzten Tage | bpb. http://www.bpb.de/publikationen/N20HJA,0,Sophie_Scholl_Die_letzten_Tage.html
42
Sophie Scholl und die ‘Weiße Rose’ | bpb. http://www.bpb.de/geschichte/nationalsozialismus/weisse-rose/
43
Warum erneut ein Film über Sophie Scholl? | bpb. http://www.bpb.de/themen/18NZBK,0,0,Warum_erneut_ein_Film_%25FCber_Sophie_Scholl.html
44
‘Sophie war ein ganz normales Mädchen.’ | bpb. http://www.bpb.de/themen/TUQFU4,0,0,Sophie_war_ein_ganz_normales_M%25E4dchen_.html
45
Widerstand und Zivilcourage im deutschen Film | bpb. http://www.bpb.de/themen/DPYELE,0,0,Widerstand_und_Zivilcourage_im_deutschen_Film.html
46
Mythos? Märtyrerin? Mensch? : Sophie Scholl - Die letzten Tage : Neu im Kino : fluter.de. http://film.fluter.de/de/95/kino/3708/
47
Sophie Scholl - aktuelle Themen & Nachrichten - Süddeutsche.de. http://www.sueddeutsche.de/thema/Sophie_Scholl