Bibliography for GERMAN AND SMLC HONOURS OPTION GERMAN FILM (GER 4040) BETA

Abbott, Stacey. Celluloid Vampires: Life after Death in the Modern World. Austin, Tex: University of Texas Press, 2007. Print.

Brockmann, Stephen. A Critical History of German Film. Studies in German literature, linguistics, and culture. Rochester, NY: Camden House, 2010. Print.

---. A Critical History of German Film. Studies in German literature, linguistics, and culture. Rochester, NY: Camden House, 2010. Print.

‘Die Ehe Der Maria Braun’. N.p., n.d. Web. <http://www.filmzentrale.com/rezis/ehedermariabraunub.htm>.

‘Die Ehe Der Maria Braun’. N.p., n.d. Web. <http://www.mediaculture-online.de/Die-Ehe-der-Maria-Braun.79.0.html>.

‘Die Ehe Der Maria Braun – Wikipedia’. N.p., n.d. Web. <http://de.wikipedia.org/wiki/Die_Ehe_der_Maria_Braun>.

Eisner, Lotte H. and Greaves, Roger. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. London: Thames & Hudson, 1969. Print.

---. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. London: Thames & Hudson, 1969. Print.

Eisner, Lotte H., Murnau, F. W., and Galeen, Henrik. Murnau. Cinema two. London: Secker and Warburg, 1973. Print.

Elsaesser, Thomas. Weimar Cinema and after: Germany’s Historical Imaginary. London: Routledge, 2000. Print.

---. Weimar Cinema and after: Germany’s Historical Imaginary. London: Routledge, 2000. Print.

---. Weimar Cinema and after: Germany’s Historical Imaginary. London: Routledge, 2000. Print.

‘Fassbinder’s Use of Brechtian Aesthetics by H-B. Moeller’. N.p., n.d. Web. <http://www.ejumpcut.org/archive/onlinessays/JC35folder/MariaVonBraunTrilogy.html>.

Guerin, Frances. A Culture of Light: Cinema and Technology in 1920s Germany. Minneapolis, Minn: University of Minnesota Press, 2005. Print.

Kaes, Anton. From Hitler to Heimat: The Return of History as Film. Cambridge, Mass: Harvard University Press, 1989. Print.

‘KB4-Calvano.Pdf’. Web. <http://www.filmmusik.uni-kiel.de/kielerbeitraege4/KB4-Calvano.pdf>.

Kilborn, R. W. Whose Lost Honour?: A Study of the Film Adaptation of Bèoll’s ‘The Lost Honour of Katharina Blum’. Scottish papers in Germanic studies. Glasgow: Scottish Papers in Germanic Studies, 1984. Print.

Knight, Julia. New German Cinema: Images of a Generation. Short cuts (London, England). London: Wallflower, 2004. Print.

Kracauer, Siegfried and Quaresima, Leonardo. From Caligari to Hitler: A Psychological History of the German Film. Rev. and expanded ed. Princeton, N. J.: Princeton University Press, 2004. Print.

‘Mythos? Märtyrerin? Mensch? : Sophie Scholl - Die Letzten Tage : Neu Im Kino : Fluter.De’. N.p., n.d. Web. <http://film.fluter.de/de/95/kino/3708/>.

Phillips, Klaus. New German Filmmakers: From Oberhausen through the 1970s. New York: Ungar Pub. Co, 1984. Print.

‘Rainer Werner Fassbinder: The Marriage of Maria Braun | Film | Guardian.Co.Uk’. N.p., n.d. Web. <http://www.guardian.co.uk/film/1999/jan/28/derekmalcolmscenturyoffilm.derekmalcolm>.

Reimer, Robert C., Reimer, Robert C., and Zachau, Reinhard K. German Culture through Film: An Introduction to German Cinema. Newburyport, MA: Focus Publishing, 2005. Print.

Reimer, Robert C. and Zachau, Reinhard K. German Culture through Film: An Introduction to German Cinema. Newburyport, MA: Focus Publishing, 2005. Print.

---. German Culture through Film: An Introduction to German Cinema. Newburyport, MA: Focus Publishing, 2005. Print.

Rentschler, Eric. German Film & Literature: Adaptations and Transformations. New York: Routledge, 2001. Print.

---. German Film & Literature: Adaptations and Transformations. New York: Routledge, 2001. Print.

Roberts, Ian. German Expressionist Cinema: The World of Light and Shadow. Short cuts (London, England). London: Wallflower, 2008. Print.

---. German Expressionist Cinema: The World of Light and Shadow. Short cuts (London, England). London: Wallflower, 2008. Print.

---. German Expressionist Cinema: The World of Light and Shadow. Short cuts (London, England). London: Wallflower, 2008. Print.

Scheunemann, Dietrich. Expressionist Film: New Perspectives. Studies in German literature, linguistics, and culture. Rochester, N.Y.: Camden House, 2003. Print.

---. Expressionist Film: New Perspectives. Studies in German literature, linguistics, and culture. Rochester, N.Y.: Camden House, 2003. Print.

‘Sophie Scholl - Aktuelle Themen & Nachrichten - Süddeutsche.De’. N.p., n.d. Web. <http://www.sueddeutsche.de/thema/Sophie_Scholl>.

‘Sophie Scholl - Die Letzten Tage | Bpb’. N.p., n.d. Web. <http://www.bpb.de/publikationen/N20HJA,0,Sophie_Scholl_Die_letzten_Tage.html>.

‘Sophie Scholl Und Die “Weiße Rose” | Bpb’. N.p., n.d. Web. <http://www.bpb.de/geschichte/nationalsozialismus/weisse-rose/>.

‘“Sophie War Ein Ganz Normales Mädchen.” | Bpb’. N.p., n.d. Web. <http://www.bpb.de/themen/TUQFU4,0,0,Sophie_war_ein_ganz_normales_M%25E4dchen_.html>.

‘“The Lost Honor of Katharina Blum” by Daniel Cetinich’. N.p., n.d. Web. <http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html>.

‘---’. N.p., n.d. Web. <http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html>.

‘The Lost Honour of Katharina Blum - Wikipedia, the Free Encyclopedia’. N.p., n.d. Web. <http://en.wikipedia.org/wiki/The_Lost_Honour_of_Katharina_Blum>.

‘The Marriage of Maria Braun - Wikipedia, the Free Encyclopedia’. N.p., n.d. Web. <http://en.wikipedia.org/wiki/The_Marriage_of_Maria_Braun>.

‘The Marriage Of Maria Braun (1978) Movie Review from Eye for Film’. N.p., n.d. Web. <http://www.eyeforfilm.co.uk/review/the-marriage-of-maria-braun-film-review-by-ben-sillis>.

‘Wahrheit Und Wirklichkeit Im (West-)Deutschen Film - Kinofenster.De’. N.p., n.d. Web. <http://www.kinofenster.de/film-des-monats/archiv-film-des-monats/kf9908_09/wahrheit_und_wirklichkeit_im_westdeutschen_film/>.

‘Warum Erneut Ein Film Über Sophie Scholl? | Bpb’. N.p., n.d. Web. <http://www.bpb.de/themen/18NZBK,0,0,Warum_erneut_ein_Film_%25FCber_Sophie_Scholl.html>.

‘Wide Angle’. 12.1 (1976): n. pag. Print.

‘Widerstand Und Zivilcourage Im Deutschen Film | Bpb’. N.p., n.d. Web. <http://www.bpb.de/themen/DPYELE,0,0,Widerstand_und_Zivilcourage_im_deutschen_Film.html>.

‘Xiibaro Reviews: Tape, Every Man for Himself and God Against All, M, The Marriage of Maria Braun, Metropolis, and Wings of Desire’. N.p., n.d. Web. <http://www.cinema-scene.com/archive/03/49.html#Marriage>.

Zarend, Christian. Die Be- Und Aufarbeitung Der Nazizeit Im Nachkriegsdeutschland Am Beispiel Des Films: ‘Die Morder Sind Unter Uns’. Norderstedt: GRIN Verlag, 2003. Print.