1.
Eisner, Lotte H., Greaves, Roger: The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Thames & Hudson, London (1969).
2.
Elsaesser, Thomas: Weimar cinema and after: Germany’s historical imaginary. Routledge, London (2000).
3.
Guerin, Frances: A culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, Minn (2005).
4.
Kracauer, Siegfried, Quaresima, Leonardo: From Caligari to Hitler: a psychological history of the German film. Princeton University Press, Princeton, N. J. (2004).
5.
Roberts, Ian: German expressionist cinema: the world of light and shadow. Wallflower, London (2008).
6.
Scheunemann, Dietrich: Expressionist film: new perspectives. Camden House, Rochester, N.Y. (2003).
7.
Scheunemann, Dietrich: Expressionist film: new perspectives. Camden House, Rochester, N.Y. (2003).
8.
Elsaesser, Thomas: Weimar cinema and after: Germany’s historical imaginary. Routledge, London (2000).
9.
Roberts, Ian: German expressionist cinema: the world of light and shadow. Wallflower, London (2008).
10.
Abbott, Stacey: Celluloid vampires: life after death in the modern world. University of Texas Press, Austin, Tex (2007).
11.
Eisner, Lotte H., Murnau, F. W., Galeen, Henrik: Murnau. Secker and Warburg, London (1973).
12.
Eisner, Lotte H., Greaves, Roger: The haunted screen: expressionism in the German cinema and the influence of Max Reinhardt. Thames & Hudson, London (1969).
13.
Elsaesser, Thomas: Weimar cinema and after: Germany’s historical imaginary. Routledge, London (2000).
14.
Rentschler, Eric: German film & literature: adaptations and transformations. Routledge, New York (2001).
15.
Roberts, Ian: German expressionist cinema: the world of light and shadow. Wallflower, London (2008).
16.
Brockmann, Stephen: A critical history of German film. Camden House, Rochester, NY (2010).
17.
Reimer, Robert C., Reimer, Robert C., Zachau, Reinhard K.: German culture through film: an introduction to German cinema. Focus Publishing, Newburyport, MA (2005).
18.
Zarend, Christian: Die Be- und Aufarbeitung der Nazizeit im Nachkriegsdeutschland am Beispiel des Films: ‘Die Morder sind unter uns’. GRIN Verlag, Norderstedt (2003).
19.
Brockmann, Stephen: A critical history of German film. Camden House, Rochester, NY (2010).
20.
Wide angle. 12, (1976).
21.
Rentschler, Eric: German film & literature: adaptations and transformations. Routledge, New York (2001).
22.
Kaes, Anton: From Hitler to Heimat: the return of history as film. Harvard University Press, Cambridge, Mass (1989).
23.
Phillips, Klaus: New German filmmakers: from Oberhausen through the 1970s. Ungar Pub. Co, New York (1984).
24.
Reimer, Robert C., Zachau, Reinhard K.: German culture through film: an introduction to German cinema. Focus Publishing, Newburyport, MA (2005).
25.
Fassbinder’s use of Brechtian aesthetics by H-B. Moeller, http://www.ejumpcut.org/archive/onlinessays/JC35folder/MariaVonBraunTrilogy.html.
26.
The Marriage Of Maria Braun (1978) Movie Review from Eye for Film, http://www.eyeforfilm.co.uk/review/the-marriage-of-maria-braun-film-review-by-ben-sillis.
27.
Xiibaro Reviews: Tape, Every Man for Himself and God Against All, M, The Marriage of Maria Braun, Metropolis, and Wings of Desire, http://www.cinema-scene.com/archive/03/49.html#Marriage.
28.
Rainer Werner Fassbinder: The Marriage of Maria Braun | Film | guardian.co.uk, http://www.guardian.co.uk/film/1999/jan/28/derekmalcolmscenturyoffilm.derekmalcolm.
29.
The Marriage of Maria Braun - Wikipedia, the free encyclopedia, http://en.wikipedia.org/wiki/The_Marriage_of_Maria_Braun.
30.
Die Ehe der Maria Braun, http://www.filmzentrale.com/rezis/ehedermariabraunub.htm.
31.
Die Ehe der Maria Braun – Wikipedia, http://de.wikipedia.org/wiki/Die_Ehe_der_Maria_Braun.
32.
Die Ehe Der Maria Braun, http://www.mediaculture-online.de/Die-Ehe-der-Maria-Braun.79.0.html.
33.
KB4-Calvano.pdf, http://www.filmmusik.uni-kiel.de/kielerbeitraege4/KB4-Calvano.pdf.
34.
Wahrheit und Wirklichkeit im (west-)deutschen Film - kinofenster.de, http://www.kinofenster.de/film-des-monats/archiv-film-des-monats/kf9908_09/wahrheit_und_wirklichkeit_im_westdeutschen_film/.
35.
Kilborn, R. W.: Whose lost honour?: a study of the film adaptation of Bèoll’s ‘The lost honour of Katharina Blum’. Scottish Papers in Germanic Studies, Glasgow (1984).
36.
Knight, Julia: New German cinema: images of a generation. Wallflower, London (2004).
37.
Reimer, Robert C., Zachau, Reinhard K.: German culture through film: an introduction to German cinema. Focus Publishing, Newburyport, MA (2005).
38.
The Lost Honour of Katharina Blum - Wikipedia, the free encyclopedia, http://en.wikipedia.org/wiki/The_Lost_Honour_of_Katharina_Blum.
39.
‘The Lost Honor of Katharina Blum’ by Daniel Cetinich, http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html.
40.
‘The Lost Honor of Katharina Blum’ by Daniel Cetinich, http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html.
41.
Sophie Scholl - Die letzten Tage | bpb, http://www.bpb.de/publikationen/N20HJA,0,Sophie_Scholl_Die_letzten_Tage.html.
42.
Sophie Scholl und die ‘Weiße Rose’ | bpb, http://www.bpb.de/geschichte/nationalsozialismus/weisse-rose/.
43.
Warum erneut ein Film über Sophie Scholl? | bpb, http://www.bpb.de/themen/18NZBK,0,0,Warum_erneut_ein_Film_%25FCber_Sophie_Scholl.html.
44.
‘Sophie war ein ganz normales Mädchen.’ | bpb, http://www.bpb.de/themen/TUQFU4,0,0,Sophie_war_ein_ganz_normales_M%25E4dchen_.html.
45.
Widerstand und Zivilcourage im deutschen Film | bpb, http://www.bpb.de/themen/DPYELE,0,0,Widerstand_und_Zivilcourage_im_deutschen_Film.html.
46.
Mythos? Märtyrerin? Mensch? : Sophie Scholl - Die letzten Tage : Neu im Kino : fluter.de, http://film.fluter.de/de/95/kino/3708/.
47.
Sophie Scholl - aktuelle Themen & Nachrichten - Süddeutsche.de, http://www.sueddeutsche.de/thema/Sophie_Scholl.