Abbott, Stacey. 2007. Celluloid Vampires: Life after Death in the Modern World. Austin, Tex: University of Texas Press.
Anon. 1976. ‘Wide Angle’. 12(1).
Anon. n.d.-a. ‘Die Ehe Der Maria Braun’. Retrieved (http://www.filmzentrale.com/rezis/ehedermariabraunub.htm).
Anon. n.d.-b. ‘Die Ehe Der Maria Braun’. Retrieved (http://www.mediaculture-online.de/Die-Ehe-der-Maria-Braun.79.0.html).
Anon. n.d.-c. ‘Die Ehe Der Maria Braun – Wikipedia’. Retrieved (http://de.wikipedia.org/wiki/Die_Ehe_der_Maria_Braun).
Anon. n.d.-d. ‘Fassbinder’s Use of Brechtian Aesthetics by H-B. Moeller’. Retrieved (http://www.ejumpcut.org/archive/onlinessays/JC35folder/MariaVonBraunTrilogy.html).
Anon. n.d.-e. ‘KB4-Calvano.Pdf’.
Anon. n.d.-f. ‘Mythos? Märtyrerin? Mensch? : Sophie Scholl - Die Letzten Tage : Neu Im Kino : Fluter.De’. Retrieved (http://film.fluter.de/de/95/kino/3708/).
Anon. n.d.-g. ‘Rainer Werner Fassbinder: The Marriage of Maria Braun | Film | Guardian.Co.Uk’. Retrieved (http://www.guardian.co.uk/film/1999/jan/28/derekmalcolmscenturyoffilm.derekmalcolm).
Anon. n.d.-h. ‘Sophie Scholl - Aktuelle Themen & Nachrichten - Süddeutsche.De’. Retrieved (http://www.sueddeutsche.de/thema/Sophie_Scholl).
Anon. n.d.-i. ‘Sophie Scholl - Die Letzten Tage | Bpb’. Retrieved (http://www.bpb.de/publikationen/N20HJA,0,Sophie_Scholl_Die_letzten_Tage.html).
Anon. n.d.-j. ‘Sophie Scholl Und Die “Weiße Rose” | Bpb’. Retrieved (http://www.bpb.de/geschichte/nationalsozialismus/weisse-rose/).
Anon. n.d.-k. ‘“Sophie War Ein Ganz Normales Mädchen.” | Bpb’. Retrieved (http://www.bpb.de/themen/TUQFU4,0,0,Sophie_war_ein_ganz_normales_M%25E4dchen_.html).
Anon. n.d.-l. ‘“The Lost Honor of Katharina Blum” by Daniel Cetinich’. Retrieved (http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html).
Anon. n.d.-m. ‘“The Lost Honor of Katharina Blum” by Daniel Cetinich’. Retrieved (http://www.ejumpcut.org/archive/onlinessays/JC19folder/KathVonBlum.html).
Anon. n.d.-n. ‘The Lost Honour of Katharina Blum - Wikipedia, the Free Encyclopedia’. Retrieved (http://en.wikipedia.org/wiki/The_Lost_Honour_of_Katharina_Blum).
Anon. n.d.-o. ‘The Marriage of Maria Braun - Wikipedia, the Free Encyclopedia’. Retrieved (http://en.wikipedia.org/wiki/The_Marriage_of_Maria_Braun).
Anon. n.d.-p. ‘The Marriage Of Maria Braun (1978) Movie Review from Eye for Film’. Retrieved (http://www.eyeforfilm.co.uk/review/the-marriage-of-maria-braun-film-review-by-ben-sillis).
Anon. n.d.-q. ‘Wahrheit Und Wirklichkeit Im (West-)Deutschen Film - Kinofenster.De’. Retrieved (http://www.kinofenster.de/film-des-monats/archiv-film-des-monats/kf9908_09/wahrheit_und_wirklichkeit_im_westdeutschen_film/).
Anon. n.d.-r. ‘Warum Erneut Ein Film Über Sophie Scholl? | Bpb’. Retrieved (http://www.bpb.de/themen/18NZBK,0,0,Warum_erneut_ein_Film_%25FCber_Sophie_Scholl.html).
Anon. n.d.-s. ‘Widerstand Und Zivilcourage Im Deutschen Film | Bpb’. Retrieved (http://www.bpb.de/themen/DPYELE,0,0,Widerstand_und_Zivilcourage_im_deutschen_Film.html).
Anon. n.d.-t. ‘Xiibaro Reviews: Tape, Every Man for Himself and God Against All, M, The Marriage of Maria Braun, Metropolis, and Wings of Desire’. Retrieved (http://www.cinema-scene.com/archive/03/49.html#Marriage).
Brockmann, Stephen. 2010a. A Critical History of German Film. Vol. Studies in German literature, linguistics, and culture. Rochester, NY: Camden House.
Brockmann, Stephen. 2010b. A Critical History of German Film. Vol. Studies in German literature, linguistics, and culture. Rochester, NY: Camden House.
Eisner, Lotte H. and Greaves, Roger. 1969a. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. London: Thames & Hudson.
Eisner, Lotte H. and Greaves, Roger. 1969b. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. London: Thames & Hudson.
Eisner, Lotte H., Murnau, F. W., and Galeen, Henrik. 1973. Murnau. Vol. Cinema two. London: Secker and Warburg.
Elsaesser, Thomas. 2000a. Weimar Cinema and after: Germany’s Historical Imaginary. London: Routledge.
Elsaesser, Thomas. 2000b. Weimar Cinema and after: Germany’s Historical Imaginary. London: Routledge.
Elsaesser, Thomas. 2000c. Weimar Cinema and after: Germany’s Historical Imaginary. London: Routledge.
Guerin, Frances. 2005. A Culture of Light: Cinema and Technology in 1920s Germany. Minneapolis, Minn: University of Minnesota Press.
Kaes, Anton. 1989. From Hitler to Heimat: The Return of History as Film. Cambridge, Mass: Harvard University Press.
Kilborn, R. W. 1984. Whose Lost Honour?: A Study of the Film Adaptation of Bèoll’s ‘The Lost Honour of Katharina Blum’. Vol. Scottish papers in Germanic studies. Glasgow: Scottish Papers in Germanic Studies.
Knight, Julia. 2004. New German Cinema: Images of a Generation. Vol. Short cuts (London, England). London: Wallflower.
Kracauer, Siegfried and Quaresima, Leonardo. 2004. From Caligari to Hitler: A Psychological History of the German Film. Rev. and expanded ed. Princeton, N. J.: Princeton University Press.
Phillips, Klaus. 1984. New German Filmmakers: From Oberhausen through the 1970s. New York: Ungar Pub. Co.
Reimer, Robert C., Reimer, Robert C., and Zachau, Reinhard K. 2005. German Culture through Film: An Introduction to German Cinema. Newburyport, MA: Focus Publishing.
Reimer, Robert C. and Zachau, Reinhard K. 2005a. German Culture through Film: An Introduction to German Cinema. Newburyport, MA: Focus Publishing.
Reimer, Robert C. and Zachau, Reinhard K. 2005b. German Culture through Film: An Introduction to German Cinema. Newburyport, MA: Focus Publishing.
Rentschler, Eric. 2001a. German Film & Literature: Adaptations and Transformations. New York: Routledge.
Rentschler, Eric. 2001b. German Film & Literature: Adaptations and Transformations. New York: Routledge.
Roberts, Ian. 2008a. German Expressionist Cinema: The World of Light and Shadow. Vol. Short cuts (London, England). London: Wallflower.
Roberts, Ian. 2008b. German Expressionist Cinema: The World of Light and Shadow. Vol. Short cuts (London, England). London: Wallflower.
Roberts, Ian. 2008c. German Expressionist Cinema: The World of Light and Shadow. Vol. Short cuts (London, England). London: Wallflower.
Scheunemann, Dietrich. 2003a. Expressionist Film: New Perspectives. Vol. Studies in German literature, linguistics, and culture. Rochester, N.Y.: Camden House.
Scheunemann, Dietrich. 2003b. Expressionist Film: New Perspectives. Vol. Studies in German literature, linguistics, and culture. Rochester, N.Y.: Camden House.
Zarend, Christian. 2003. Die Be- Und Aufarbeitung Der Nazizeit Im Nachkriegsdeutschland Am Beispiel Des Films: ‘Die Morder Sind Unter Uns’. Norderstedt: GRIN Verlag.