Aaron, M. (2004). New queer cinema: a critical reader. Edinburgh University Press.
Aaron, M. (2006). Spectatorship: the power of looking on: Vol. Short cuts (London, England). Wallflower.
Acland, C. R. & Ebooks Corporation Limited. (2003a). Screen traffic: movies, multiplexes, and global culture. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926
Acland, C. R. & Ebooks Corporation Limited. (2003b). Screen traffic: movies, multiplexes, and global culture. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926
Allen, R. C. (1990). From exhibition to reception: reflections on the audience in film history. Screen, 31(4), 347–356. https://doi.org/10.1093/screen/31.4.347
Ang, I. & Dawson Books. (1996a). Living room wars: rethinking media audiences for a postmodern world. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432
Ang, I. & Dawson Books. (1996b). Living room wars: rethinking media audiences for a postmodern world. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432
Ashcroft, B., Griffiths, G., & Tiffin, H. (1998). Key concepts in post-colonial studies: Vol. Key concepts series (Routledge). Routledge.
Austin, T. (2002). Hollywood, hype and audiences: selling and watching popular film in the 1990s: Vol. Inside popular film. Manchester University Press.
Barker, J. M. & American Council of Learned Societies. (2009). The tactile eye: touch and the cinematic experience. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08197
Barrett, M. & British Sociological Association. (1979). Ideology and cultural production: Vol. Explorations in sociology. Croom Helm.
Baudry, J.-L., & Williams, A. (1974). Ideological Effects of the Basic Cinematographic Apparatus. Film Quarterly, 28(2), 39–47. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1211632
BEFORE THE NICKELODEON. (28 C.E.). https://www.youtube.com/watch?v=CMKPiUj4s20
Benshoff, H. M., & Griffin, S. (2004). Queer cinema: the film reader: Vol. In focus--Routledge film readers. Routledge.
Bobo, J. (1995). Black women as cultural readers: Vol. Film and culture. Columbia University Press.
Bogle, D. (2003). Toms, coons, mulattoes, mammies, & bucks: an interpretive history of Blacks in American films (4th ed). Continuum.
Branston, G. (2000). Cinema and cultural modernity: Vol. Issues in cultural and media studies. Open University Press.
Braudy, L., & Cohen, M. (2009). Film theory and criticism: introductory readings (7th ed). Oxford University Press.
Breakwell, I., & Hammond, P. (1990). Seeing in the dark: a compendium of cinemagoing. Serpent’s Tail.
Brooker, W., & Jermyn, D. (2002a). The audience studies reader. Routledge.
Brooker, W., & Jermyn, D. (2002b). The audience studies reader. Routledge.
Buikema, R., & Smelik, A. (1995). Women’s studies and culture: a feminist introduction. Zed Books.
Carson, D., Dittmar, L., & Welsch, J. R. (1994). Multiple voices in feminist film criticism. University of Minnesota Press.
Caughie, J. (2006). Telephilia and Distraction: Terms of Engagement. Journal of British Cinema and Television, 3(1), 5–18. https://doi.org/10.3366/JBCTV.2006.3.1.5
Cohan, S., Hark, I. R., & Ebooks Corporation Limited. (1992). Screening the male: exploring masculinities in Hollywood cinema. Routledge. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_338076_0
Cook, P., Bernink, M., & British Film Institute. (1999). The cinema book (2nd ed). British Film Institute Publishing.
Creekmur, C. K., & Doty, A. (1995). Out in culture: gay, lesbian, and queer essays on popular culture. Cassell.
Dennison, S. (Ed.). (2013). Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film: Vol. Colección Támesis. Serie A: Monografias. Tamesis.
Donovan, T. (2010). Replay: the history of video games. Yellow Ant.
Duffett, M. (2013). Understanding fandom: an introduction to the study of media fan culture. Bloomsbury Academic.
Duke University Press, Project MUSE., & Thomson Gale (Firm). (n.d.). Camera obscura.
During, S. (2007). The cultural studies reader (3rd ed). Routledge. https://contentstore.cla.co.uk//secure/link?id=9535c964-cb40-e911-80cd-005056af4099
Ďurovičová, N., & Newman, K. (2010). World cinemas, transnational perspectives. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=449452
Dyer, R. (1982). Don’t Look Now. Screen, 23(3–4), 61–73. https://doi.org/10.1093/screen/23.3-4.61
Dyer, R. (1997a). White. Routledge.
Dyer, R. (1997b). White. Routledge.
Easthope, A. (1993). Contemporary film theory: Vol. Longman critical readers. Longman.
Easthope, A. & ebrary, Inc. (1990). What a man’s gotta do: the masculine myth in popular culture. Routledge.
Ebooks Corporation Limited. (2000). Cinema and nation (M. Hjort & S. MacKenzie, Eds.). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240252
Ebooks Corporation Limited. (2011). Television as digital media: Vol. Console-ing Passions (J. Bennett & N. Strange, Eds.). Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
Ebooks Corporation Limited. (2017a). Fandom: identities and communities in a mediated world (J. Gray, C. Sandvoss, & C. L. Harrington, Eds.; Second edition). New York University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267
Ebooks Corporation Limited. (2017b). Introduction: Why still study fans? In J. Gray, C. Sandvoss, & C. L. Harrington (Eds.), Fandom: identities and communities in a mediated world (Second edition). New York University Press. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267
Electric Edwardians The Films of Mitchell & Kenyon. (26 C.E.). https://www.youtube.com/watch?v=oTf9o_mIE4I
Ellis, J. & Ebooks Corporation Limited. (1992). Visible fictions: cinema : television : video (Revised edition). Routledge & Kegan Paul. http://gla.eblib.com/patron/FullRecord.aspx?p=178323
Elsaesser, T., & Barker, A. (1990). Early cinema: space-frame-narrative. BFI Publishing. https://contentstore.cla.co.uk//secure/link?id=7d69365d-cb40-e911-80cd-005056af4099
Ezra, E., & Rowden, T. (2006). Transnational cinema: the film reader: Vol. In focus--Routledge film readers. Routledge.
Fuller-Seeley, K. H. & American Council of Learned Societies. (2008). Hollywood in the neighborhood: historical case studies of local moviegoing. University of California Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082
Gillespie, M. (1995). Television, ethnicity and cultural change: Vol. Comedia (Routledge). Routledge.
Grant, B. K. (2011). Shadows of doubt: negotiations of masculinity in American genre films. Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416510
Hansen, M. (1993). Early cinema, late cinema: permutations of the public sphere. Screen, 34(3), 197–210. https://doi.org/10.1093/screen/34.3.197
Hansen, M. & American Council of Learned Societies. (1991a). Babel and Babylon: spectatorship in American silent film. Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219
Hansen, M. & American Council of Learned Societies. (1991b). Babel and Babylon: spectatorship in American silent film. Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219
Hargreaves, A. G., & McKinney, M. (1997). Post-colonial cultures in France. Routledge.
Haskell, M. (1987). From reverence to rape: the treatment of women in the movies (2nd ed). University of Chicago Press.
Heffelfinger, E., & Wright, L. (2011). Visual difference: postcolonial studies and intercultural cinema: Vol. Framing film. Peter Lang. https://contentstore.cla.co.uk//secure/link?id=7f69365d-cb40-e911-80cd-005056af4099
Hemmings, C. (2005). Invoking Affect. Cultural Studies, 19(5), 548–567. https://doi.org/10.1080/09502380500365473
Hill Collins, P., & Bilge, S. (2016a). Intersectionality: Vol. Key concepts series. Polity Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012
Hill Collins, P., & Bilge, S. (2016b). Intersectionality: Vol. Key concepts series. Polity Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012
Hill, J., & Gibson, P. C. (1998). The Oxford guide to film studies. Oxford University Press.
Hills, M. & ProQuest (Firm). (2002). Fan cultures. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=180483
Hollows, J., Hutchings, P., & Jancovich, M. (2000). The film studies reader. Arnold.
hooks, bell. (2008a). Reel to real: race, sex, and class at the movies. Routledge.
hooks, bell. (2008b). Reel to real: race, sex, and class at the movies. Routledge.
Jancovich, M., Faire, L., & Stubbings, S. (2003). The place of the audience: cultural geographies of film consumption. British Film Institute.
Jeffords, S. (1994). Hard bodies: Hollywood masculinity in the Reagan era. Rutgers University Press.
Jenkins, H. (2006). Fans, bloggers, and gamers: exploring participatory culture. New York University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08235
Jenkins, H. (2015). Textual poachers: television fans and participatory culture (Updated twentieh anniversary edition). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1097854
Johnson, D. (2007). INVITING AUDIENCES IN. New Review of Film and Television Studies, 5(1), 61–80. https://doi.org/10.1080/17400300601140183
Juul, J. (2013). The art of failure: an essay on the pain of playing video games: Vol. Playful thinking. MIT Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780262313124
Kaplan, E. A. (2000). Feminism and film: Vol. Oxford readings in feminism. Oxford University Press.
Klinger, B. (1984). ‘Cinema/Ideology/Crititicism’ Revisited: The Progressive Text. Screen, 25(1), 30–44. https://doi.org/10.1093/screen/25.1.30
Klinger, B. (1997). Film history terminable and interminable: recovering the past in reception studies. Screen, 38(2), 107–128. https://doi.org/10.1093/screen/38.2.107
Manovich, L. & American Council of Learned Societies. (2002a). The language of new media: Vol. Leonardo (1st MIT Press pbk. ed). MIT Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
Manovich, L. & American Council of Learned Societies. (2002b). The language of new media: Vol. Leonardo (1st MIT Press pbk. ed). MIT Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
Marks, L. U. (2000a). The skin of the film: intercultural cinema, embodiment, and the senses. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652
Marks, L. U. (2000b). The skin of the film: intercultural cinema, embodiment, and the senses. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652
Mäyrä, F. (2008). An introduction to game studies: games in culture. SAGE.
Morley, D. (1986). Family television: cultural power and domestic leisure. Comedia.
Morley, D. (1992a). Television, audiences and cultural studies. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
Morley, D. (1992b). Television, audiences and cultural studies. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
Morley, D. (1992c). Television, audiences and cultural studies. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
Mulvey, L. (1975). Visual Pleasure and Narrative Cinema. Screen, 16(3), 6–18. https://doi.org/10.1093/screen/16.3.6
Murray, S. (2004). ‘Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom. Continuum, 18(1), 7–25. https://doi.org/10.1080/1030431032000180978
Musser, C. (1990). The emergence of cinema: the American screen to 1907: Vol. v. 1. Charles Scribner’s Sons. https://link.gale.com/apps/pub/5FED/GVRL?sid=gale_marc&u=glasuni
Neale, S. (1983). Masculinity as Spectacle. Screen, 24(6), 2–17. https://doi.org/10.1093/screen/24.6.2
Nelmes, J. (2012a). Introduction to film studies (5th ed). Routledge.
Nelmes, J. (2012b). Introduction to film studies (5th ed). Routledge.
Nightingale, V., & Ross, K. (2003). Critical readings: media and audiences: Vol. Issues in cultural and media studies. Open University Press.
Norden, M. F. (1994). The cinema of isolation: a history of physical disability in the movies. Rutgers University Press.
Oria, B., Oliete-Aldea, E., & Tarancón, J. A. (Eds.). (2016). Global genres, local films: the transnational dimension of Spanish cinema. Bloomsbury.
Paul, R. W., Christie, I., Millar, C., Horne, S., & British Film Institute. (2006). R.W. Paul: the collected films, 1895-1908. British Film Institute.
Peberdy, D. (2011). Masculinity and film performance: Male angst in contemporary American cinema. Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230308701
Penley, C. & British Film Institute. (1988). Feminism and film theory. Methuen in association with the British Film Institute.
Ponzanesi, S., & Waller, M. R. (2012). Postcolonial cinema studies. Routledge.
Powrie, P., Davies, A., & Babington, B. (2004). The trouble with men: masculinities in European and Hollywood cinema. Wallflower.
Radner, H., & Stringer, R. (2011). Feminism at the movies: understanding gender in contemporary popular cinema. Routledge.
Rehling, N. (2009). Extra-ordinary men: white heterosexual masculinity in contemporary popular cinema. Lexington Books.
Rodowick, D. N. (2007). The virtual life of film. Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08243
Rosen, P. T. (1986a). Narrative, apparatus, ideology: a film theory reader. Columbia University Press.
Rosen, P. T. (1986b). Narrative, apparatus, ideology: a film theory reader. Columbia University Press.
Ross, K., & Nightingale, V. (2003). Media and audiences: new perspectives: Vol. Issues in cultural and media studies. Open University Press.
Roy, S. (2016). Beyond Crossover Films: Bride and Prejudice and the Problems of Representing Postcolonial India in a Neoliberal World. The Journal of Popular Culture, 49(5), 984–1002. https://doi.org/10.1111/jpcu.12466
Russo, V. (1987). The celluloid closet: homosexuality in the movies (Rev. ed). Perennial Library.
Said, E. W. (2003). Orientalism. Penguin Books.
Santaolalla, I. (2012). The cinema of Iciar Bollaín: Vol. Spanish and Latin American filmmakers. Manchester University Press. https://contentstore.cla.co.uk//secure/link?id=7e69365d-cb40-e911-80cd-005056af4099
Seigworth, G. J. (2010). The affect theory reader (M. Gregg, Ed.). Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172305
Seiter, E. & Universität Tübingen. Abteilung für Amerikanistik. (1989a). Remote control: television, audiences, and cultural power. Routledge.
Seiter, E. & Universität Tübingen. Abteilung für Amerikanistik. (1989b). Remote control: television, audiences, and cultural power. Routledge.
Sharpe, J. (2005). Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge. Meridians: Feminism, Race, Transnationalism, 6(1), 58–81. https://doi.org/10.1353/mer.2005.0032
Shaviro, S. (2010a). Post cinematic affect. Zero Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329
Shaviro, S. (2010b). Post cinematic affect. Zero Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329
Shohat, E., & Stam, R. (2014). Unthinking Eurocentrism: multiculturalism and the media: Vol. Sightlines (Second edition). Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455
Smit, A. (2010). Broadcasting the body: affect, embodiment and bodily excess on contemporary television. https://theses.gla.ac.uk/2278/
Sobchack, V. C. & American Council of Learned Societies. (2004). Carnal thoughts: embodiment and moving image culture. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08034
Stacey, J. (1994a). Star gazing: Hollywood cinema and female spectatorship. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525
Stacey, J. (1994b). Star gazing: Hollywood cinema and female spectatorship. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525
Stam, R. (2000). Film theory: an introduction. Blackwell.
Stam, R., & Miller, T. (2000). Film and theory: an anthology. Blackwell.
Stam, R., & Spence, L. (1983a). Colonialism, Racism and Representation. Screen, 24(2), 2–20. https://doi.org/10.1093/screen/24.2.2
Stam, R., & Spence, L. (1983b). Colonialism, Racism and Representation. Screen, 24(2), 2–20. https://doi.org/10.1093/screen/24.2.2
Subeshini Moodley. (2003). Postcolonial Feminisms Speaking through an ‘Accented’ Cinema: The Construction of Indian Women in the Films of Mira Nair and Deepa Mehta. Agenda: Empowering Women for Gender Equity, 58. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4548098
Sutherland, J.-A., & Feltey, K. M. (2016). Here’s looking at her: an intersectional analysis of women, power and feminism in film. Journal of Gender Studies, 1–14. https://doi.org/10.1080/09589236.2016.1152956
Tasker, Y. (1993). Spectacular bodies: gender, genre, and the action cinema: Vol. A Comedia book. Routledge.
Thornham, S. (1997). Passionate detachments: an introduction to feminist film theory. Arnold.
Thornham, S. (1999). Feminist film theory: a reader. Edinburgh University Press.
Tulloch, J. (2000a). Watching television audiences: cultural theories and methods. Arnold.
Tulloch, J. (2000b). Watching television audiences: cultural theories and methods. Arnold.
Tyler, I., Coleman, R., & Ferreday, D. (2008). Commentary And Criticism. Feminist Media Studies, 8(1), 85–99. https://doi.org/10.1080/14680770801899226
Visual Pleasures at 40’ Dossier. (2015). Screen, 56(4), 485–471. https://doi.org/10.1093/screen/hjv056
Waugh, T. (2000). The fruit machine: twenty years of writings on queer cinema. Duke University Press.
Will Higbee. (n.d.). Concepts of transnational cinema: towards a critical transnationalism in film studies. Transnational Cinemas. http://ezproxy.lib.gla.ac.uk/login?url=http://www.tandfonline.com/doi/abs/10.1386/trac.1.1.7/1
Wolf, M. J. P. (2001). The medium of the video game (1st ed). University of Texas Press.
Wolf, M. J. P., & Perron, B. (2003). The video game theory reader. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1461087
