Aaron, Michele. 2004. New Queer Cinema: A Critical Reader. Edinburgh: Edinburgh University Press.
———. 2006. Spectatorship: The Power of Looking On. Vol. Short cuts (London, England). London: Wallflower.
Acland, Charles R. and Ebooks Corporation Limited. 2003a. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham, North Carolina: Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926.
———. 2003b. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham, North Carolina: Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926.
Allen, R. C. 1990. ‘From Exhibition to Reception: Reflections on the Audience in Film History’. Screen 31 (4): 347–56. https://doi.org/10.1093/screen/31.4.347.
Ang, Ien and Dawson Books. 1996a. Living Room Wars: Rethinking Media Audiences for a Postmodern World. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432.
———. 1996b. Living Room Wars: Rethinking Media Audiences for a Postmodern World. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432.
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. 1998. Key Concepts in Post-Colonial Studies. Vol. Key concepts series (Routledge). London: Routledge.
Austin, Thomas. 2002. Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s. Vol. Inside popular film. Manchester: Manchester University Press.
Barker, Jennifer M. and American Council of Learned Societies. 2009. The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08197.
Barrett, Michèle and British Sociological Association. 1979. Ideology and Cultural Production. Vol. Explorations in sociology. London: Croom Helm.
Baudry, Jean-Louis, and Alan Williams. 1974. ‘Ideological Effects of the Basic Cinematographic Apparatus’. Film Quarterly 28 (2): 39–47. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1211632.
‘BEFORE THE NICKELODEON’. 28AD. https://www.youtube.com/watch?v=CMKPiUj4s20.
Benshoff, Harry M., and Sean Griffin. 2004. Queer Cinema: The Film Reader. Vol. In focus--Routledge film readers. New York: Routledge.
Bobo, Jacqueline. 1995. Black Women as Cultural Readers. Vol. Film and culture. New York, N.Y.: Columbia University Press.
Bogle, Donald. 2003. Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films. 4th ed. New York, N.Y.: Continuum.
Branston, Gill. 2000. Cinema and Cultural Modernity. Vol. Issues in cultural and media studies. Buckingham: Open University Press.
Braudy, Leo, and Marshall Cohen. 2009. Film Theory and Criticism: Introductory Readings. 7th ed. New York: Oxford University Press.
Breakwell, Ian, and Paul Hammond. 1990. Seeing in the Dark: A Compendium of Cinemagoing. London: Serpent’s Tail.
Brooker, Will, and Deborah Jermyn. 2002a. The Audience Studies Reader. London: Routledge.
———. 2002b. The Audience Studies Reader. London: Routledge.
Buikema, Rosemarie, and Anneke Smelik. 1995. Women’s Studies and Culture: A Feminist Introduction. London: Zed Books.
Carson, Diane, Linda Dittmar, and Janice R. Welsch. 1994. Multiple Voices in Feminist Film Criticism. Minneapolis, Minn: University of Minnesota Press.
Caughie, John. 2006. ‘Telephilia and Distraction: Terms of Engagement’. Journal of British Cinema and Television 3 (1): 5–18. https://doi.org/10.3366/JBCTV.2006.3.1.5.
Cohan, Steven, Ina Rae Hark, and Ebooks Corporation Limited. 1992. Screening the Male: Exploring Masculinities in Hollywood Cinema. London: Routledge. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_338076_0.
Cook, Pam, Mieke Bernink, and British Film Institute. 1999. The Cinema Book. 2nd ed. London: British Film Institute Publishing.
Creekmur, Corey K., and Alexander Doty. 1995. Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture. London: Cassell.
Dennison, Stephanie, ed. 2013. Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Vol. Colección Támesis. Serie A: Monografias. Woodbridge: Tamesis.
Donovan, Tristan. 2010. Replay: The History of Video Games. Lewes, East Sussex: Yellow Ant.
Duffett, Mark. 2013. Understanding Fandom: An Introduction to the Study of Media Fan Culture. New York, NY: Bloomsbury Academic.
Duke University Press, Project MUSE., and Thomson Gale (Firm). n.d. ‘Camera Obscura’.
During, Simon. 2007. The Cultural Studies Reader. 3rd ed. London: Routledge. https://contentstore.cla.co.uk//secure/link?id=9535c964-cb40-e911-80cd-005056af4099.
Ďurovičová, Nataša, and Kathleen Newman. 2010. World Cinemas, Transnational Perspectives. New York, NY: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=449452.
Dyer, R. 1982. ‘Don’t Look Now’. Screen 23 (3–4): 61–73. https://doi.org/10.1093/screen/23.3-4.61.
Dyer, Richard. 1997a. White. London: Routledge.
———. 1997b. White. London: Routledge.
Easthope, Antony. 1993. Contemporary Film Theory. Vol. Longman critical readers. London: Longman.
Easthope, Antony and ebrary, Inc. 1990. What a Man’s Gotta Do: The Masculine Myth in Popular Culture. New York: Routledge.
Ebooks Corporation Limited. 2000. Cinema and Nation. Edited by Mette Hjort and Scott MacKenzie. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240252.
———. 2011. Television as Digital Media. Edited by James Bennett and Niki Strange. Vol. Console-ing Passions. Durham, NC: Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303.
———. 2017a. Fandom: Identities and Communities in a Mediated World. Edited by Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington. Second edition. New York: New York University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267.
———. 2017b. ‘Introduction: Why Still Study Fans?’ In Fandom: Identities and Communities in a Mediated World, edited by Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington, Second edition. New York: New York University Press. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267.
‘Electric Edwardians The Films of Mitchell & Kenyon’. 26AD. https://www.youtube.com/watch?v=oTf9o_mIE4I.
Ellis, John and Ebooks Corporation Limited. 1992. Visible Fictions: Cinema : Television : Video. Revised edition. London: Routledge & Kegan Paul. http://gla.eblib.com/patron/FullRecord.aspx?p=178323.
Elsaesser, Thomas, and Adam Barker. 1990. Early Cinema: Space-Frame-Narrative. London: BFI Publishing. https://contentstore.cla.co.uk//secure/link?id=7d69365d-cb40-e911-80cd-005056af4099.
Ezra, Elizabeth, and Terry Rowden. 2006. Transnational Cinema: The Film Reader. Vol. In focus--Routledge film readers. London: Routledge.
Fuller-Seeley, Kathryn H. and American Council of Learned Societies. 2008. Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing. Berkeley: University of California Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082.
Gillespie, Marie. 1995. Television, Ethnicity and Cultural Change. Vol. Comedia (Routledge). London: Routledge.
Grant, Barry Keith. 2011. Shadows of Doubt: Negotiations of Masculinity in American Genre Films. Detroit: Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416510.
Hansen, M. 1993. ‘Early Cinema, Late Cinema: Permutations of the Public Sphere’. Screen 34 (3): 197–210. https://doi.org/10.1093/screen/34.3.197.
Hansen, Miriam and American Council of Learned Societies. 1991a. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass: Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219.
———. 1991b. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass: Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219.
Hargreaves, Alec G., and Mark McKinney. 1997. Post-Colonial Cultures in France. London: Routledge.
Haskell, Molly. 1987. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. Chicago: University of Chicago Press.
Heffelfinger, Elizabeth, and Laura Wright. 2011. Visual Difference: Postcolonial Studies and Intercultural Cinema. Vol. Framing film. New York, NY: Peter Lang. https://contentstore.cla.co.uk//secure/link?id=7f69365d-cb40-e911-80cd-005056af4099.
Hemmings, Clare. 2005. ‘Invoking Affect’. Cultural Studies 19 (5): 548–67. https://doi.org/10.1080/09502380500365473.
Hill Collins, Patricia, and Sirma Bilge. 2016a. Intersectionality. Vol. Key concepts series. Cambridge, UK: Polity Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012.
———. 2016b. Intersectionality. Vol. Key concepts series. Cambridge, UK: Polity Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012.
Hill, John, and Pamela Church Gibson. 1998. The Oxford Guide to Film Studies. New York, N.Y.: Oxford University Press.
Hills, Matt and ProQuest (Firm). 2002. Fan Cultures. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=180483.
Hollows, Joanne, Peter Hutchings, and Mark Jancovich. 2000. The Film Studies Reader. London: Arnold.
hooks, bell. 2008a. Reel to Real: Race, Sex, and Class at the Movies. London: Routledge.
———. 2008b. Reel to Real: Race, Sex, and Class at the Movies. London: Routledge.
Jancovich, Mark, Lucy Faire, and Sarah Stubbings. 2003. The Place of the Audience: Cultural Geographies of Film Consumption. London: British Film Institute.
Jeffords, Susan. 1994. Hard Bodies: Hollywood Masculinity in the Reagan Era. New Brunswick, N.J.: Rutgers University Press.
Jenkins, Henry. 2006. Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York: New York University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08235.
———. 2015. Textual Poachers: Television Fans and Participatory Culture. Updated twentieh anniversary edition. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1097854.
Johnson, Derek. 2007. ‘INVITING AUDIENCES IN’. New Review of Film and Television Studies 5 (1): 61–80. https://doi.org/10.1080/17400300601140183.
Juul, Jesper. 2013. The Art of Failure: An Essay on the Pain of Playing Video Games. Vol. Playful thinking. Cambridge, Massachusetts: MIT Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780262313124.
Kaplan, E. Ann. 2000. Feminism and Film. Vol. Oxford readings in feminism. Oxford: Oxford University Press.
Klinger, B. 1984. ‘“Cinema/Ideology/Crititicism” Revisited: The Progressive Text’. Screen 25 (1): 30–44. https://doi.org/10.1093/screen/25.1.30.
———. 1997. ‘Film History Terminable and Interminable: Recovering the Past in Reception Studies’. Screen 38 (2): 107–28. https://doi.org/10.1093/screen/38.2.107.
Manovich, Lev and American Council of Learned Societies. 2002a. The Language of New Media. 1st MIT Press pbk. ed. Vol. Leonardo. Cambridge, Mass: MIT Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.
———. 2002b. The Language of New Media. 1st MIT Press pbk. ed. Vol. Leonardo. Cambridge, Mass: MIT Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.
Marks, Laura U. 2000a. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652.
———. 2000b. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652.
Mäyrä, Frans. 2008. An Introduction to Game Studies: Games in Culture. London: SAGE.
Morley, David. 1986. Family Television: Cultural Power and Domestic Leisure. London: Comedia.
———. 1992a. Television, Audiences and Cultural Studies. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.
———. 1992b. Television, Audiences and Cultural Studies. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.
———. 1992c. Television, Audiences and Cultural Studies. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.
Mulvey, L. 1975. ‘Visual Pleasure and Narrative Cinema’. Screen 16 (3): 6–18. https://doi.org/10.1093/screen/16.3.6.
Murray, Simone. 2004. ‘“Celebrating the Story the Way It Is”: Cultural Studies, Corporate Media and the Contested Utility of Fandom’. Continuum 18 (1): 7–25. https://doi.org/10.1080/1030431032000180978.
Musser, Charles. 1990. The Emergence of Cinema: The American Screen to 1907. Vol. v. 1. New York, N.Y.: Charles Scribner’s Sons. https://link.gale.com/apps/pub/5FED/GVRL?sid=gale_marc&u=glasuni.
Neale, S. 1983. ‘Masculinity as Spectacle’. Screen 24 (6): 2–17. https://doi.org/10.1093/screen/24.6.2.
Nelmes, Jill. 2012a. Introduction to Film Studies. 5th ed. London: Routledge.
———. 2012b. Introduction to Film Studies. 5th ed. London: Routledge.
Nightingale, Virginia, and Karen Ross. 2003. Critical Readings: Media and Audiences. Vol. Issues in cultural and media studies. Maidenhead: Open University Press.
Norden, Martin F. 1994. The Cinema of Isolation: A History of Physical Disability in the Movies. New Brunswick, N.J.: Rutgers University Press.
Oria, Beatriz, Elena Oliete-Aldea, and Juan A. Tarancón, eds. 2016. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema. London: Bloomsbury.
Paul, R. W., Ian Christie, Caroline Millar, Stephen Horne, and British Film Institute. 2006. ‘R.W. Paul: The Collected Films, 1895-1908’. London: British Film Institute.
Peberdy, Donna. 2011. Masculinity and Film Performance: Male Angst in Contemporary American Cinema. Basingstoke: Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230308701.
Penley, Constance and British Film Institute. 1988. Feminism and Film Theory. London: Methuen in association with the British Film Institute.
Ponzanesi, Sandra, and Marguerite R. Waller. 2012. Postcolonial Cinema Studies. Abingdon, Oxon: Routledge.
Powrie, Phil, Ann Davies, and Bruce Babington. 2004. The Trouble with Men: Masculinities in European and Hollywood Cinema. London: Wallflower.
Radner, Hilary, and Rebecca Stringer. 2011. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. New York, NY: Routledge.
Rehling, Nicola. 2009. Extra-Ordinary Men: White Heterosexual Masculinity in Contemporary Popular Cinema. Lanham, MD: Lexington Books.
Rodowick, David Norman. 2007. The Virtual Life of Film. Cambridge, Mass: Harvard University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08243.
Rosen, Philip T. 1986a. Narrative, Apparatus, Ideology: A Film Theory Reader. New York, N.Y.: Columbia University Press.
———. 1986b. Narrative, Apparatus, Ideology: A Film Theory Reader. New York, N.Y.: Columbia University Press.
Ross, Karen, and Virginia Nightingale. 2003. Media and Audiences: New Perspectives. Vol. Issues in cultural and media studies. Buckingham: Open University Press.
Roy, Sohinee. 2016. ‘Beyond Crossover Films: Bride and Prejudice and the Problems of Representing Postcolonial India in a Neoliberal World’. The Journal of Popular Culture 49 (5): 984–1002. https://doi.org/10.1111/jpcu.12466.
Russo, Vito. 1987. The Celluloid Closet: Homosexuality in the Movies. Rev. ed. New York: Perennial Library.
Said, Edward W. 2003. Orientalism. London: Penguin Books.
Santaolalla, Isabel. 2012. The Cinema of Iciar Bollaín. Vol. Spanish and Latin American filmmakers. Manchester: Manchester University Press. https://contentstore.cla.co.uk//secure/link?id=7e69365d-cb40-e911-80cd-005056af4099.
Seigworth, Gregory J. 2010. The Affect Theory Reader. Edited by Melissa Gregg. Durham, NC: Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172305.
Seiter, Ellen and Universität Tübingen. Abteilung für Amerikanistik. 1989a. Remote Control: Television, Audiences, and Cultural Power. London: Routledge.
———. 1989b. Remote Control: Television, Audiences, and Cultural Power. London: Routledge.
Sharpe, Jenny. 2005. ‘Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge’. Meridians: Feminism, Race, Transnationalism 6 (1): 58–81. https://doi.org/10.1353/mer.2005.0032.
Shaviro, Steven. 2010a. Post Cinematic Affect. Ropley: Zero Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329.
———. 2010b. Post Cinematic Affect. Ropley: Zero Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329.
Shohat, Ella, and Robert Stam. 2014. Unthinking Eurocentrism: Multiculturalism and the Media. Second edition. Vol. Sightlines. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455.
Smit, Alexia. 2010. Broadcasting the Body: Affect, Embodiment and Bodily Excess on Contemporary Television. https://theses.gla.ac.uk/2278/.
Sobchack, Vivian Carol and American Council of Learned Societies. 2004. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08034.
Stacey, Jackie. 1994a. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525.
———. 1994b. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525.
Stam, R., and L. Spence. 1983a. ‘Colonialism, Racism and Representation’. Screen 24 (2): 2–20. https://doi.org/10.1093/screen/24.2.2.
———. 1983b. ‘Colonialism, Racism and Representation’. Screen 24 (2): 2–20. https://doi.org/10.1093/screen/24.2.2.
Stam, Robert. 2000. Film Theory: An Introduction. Malden, Mass: Blackwell.
Stam, Robert, and Toby Miller. 2000. Film and Theory: An Anthology. Malden, Mass: Blackwell.
Subeshini Moodley. 2003. ‘Postcolonial Feminisms Speaking through an “Accented” Cinema: The Construction of Indian Women in the Films of Mira Nair and Deepa Mehta’. Agenda: Empowering Women for Gender Equity, no. 58. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4548098.
Sutherland, Jean-Anne, and Kathryn M. Feltey. 2016. ‘Here’s Looking at Her: An Intersectional Analysis of Women, Power and Feminism in Film’. Journal of Gender Studies, March, 1–14. https://doi.org/10.1080/09589236.2016.1152956.
Tasker, Yvonne. 1993. Spectacular Bodies: Gender, Genre, and the Action Cinema. Vol. A Comedia book. London: Routledge.
Thornham, Sue. 1997. Passionate Detachments: An Introduction to Feminist Film Theory. London: Arnold.
———. 1999. Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press.
Tulloch, John. 2000a. Watching Television Audiences: Cultural Theories and Methods. London: Arnold.
———. 2000b. Watching Television Audiences: Cultural Theories and Methods. London: Arnold.
Tyler, Imogen, Rebecca Coleman, and Debra Ferreday. 2008. ‘Commentary And Criticism’. Feminist Media Studies 8 (1): 85–99. https://doi.org/10.1080/14680770801899226.
‘Visual Pleasures at 40’ Dossier’. 2015. Screen 56 (4): 485–471. https://doi.org/10.1093/screen/hjv056.
Waugh, Thomas. 2000. The Fruit Machine: Twenty Years of Writings on Queer Cinema. Durham: Duke University Press.
Will Higbee. n.d. ‘Concepts of Transnational Cinema: Towards a Critical Transnationalism in Film Studies’. Transnational Cinemas. http://ezproxy.lib.gla.ac.uk/login?url=http://www.tandfonline.com/doi/abs/10.1386/trac.1.1.7/1.
Wolf, Mark J. P. 2001. The Medium of the Video Game. 1st ed. Austin, TX: University of Texas Press.
Wolf, Mark J. P., and Bernard Perron. 2003. The Video Game Theory Reader. New York, NY: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1461087.
