Aaron, Michele. 2004. New Queer Cinema: A Critical Reader. Edinburgh University Press.
Aaron, Michele. 2006. Spectatorship: The Power of Looking On. Short cuts (London, England). Wallflower.
Acland, Charles R. and Ebooks Corporation Limited. 2003a. Screen Traffic: Movies, Multiplexes, and Global Culture. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926.
Acland, Charles R. and Ebooks Corporation Limited. 2003b. Screen Traffic: Movies, Multiplexes, and Global Culture. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926.
Allen, R. C. 1990. ‘From Exhibition to Reception: Reflections on the Audience in Film History’. Screen 31 (4): 347–56. https://doi.org/10.1093/screen/31.4.347.
Ang, Ien and Dawson Books. 1996a. Living Room Wars: Rethinking Media Audiences for a Postmodern World. Routledge. Electronic resource. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432.
Ang, Ien and Dawson Books. 1996b. Living Room Wars: Rethinking Media Audiences for a Postmodern World. Routledge. Electronic resource. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432.
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. 1998. Key Concepts in Post-Colonial Studies. Key concepts series (Routledge). Routledge.
Austin, Thomas. 2002. Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s. Inside popular film. Manchester University Press.
Barker, Jennifer M. and American Council of Learned Societies. 2009. The Tactile Eye: Touch and the Cinematic Experience. University of California Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08197.
Barrett, Michèle and British Sociological Association. 1979. Ideology and Cultural Production. Explorations in sociology. Croom Helm.
Baudry, Jean-Louis, and Alan Williams. 1974. ‘Ideological Effects of the Basic Cinematographic Apparatus’. Film Quarterly 28 (2): 39–47. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1211632.
BEFORE THE NICKELODEON. 28 AD. https://www.youtube.com/watch?v=CMKPiUj4s20.
Benshoff, Harry M., and Sean Griffin. 2004. Queer Cinema: The Film Reader. In focus--Routledge film readers. Routledge.
Bobo, Jacqueline. 1995. Black Women as Cultural Readers. Film and Culture. Columbia University Press.
Bogle, Donald. 2003. Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films. 4th ed. Continuum.
Branston, Gill. 2000. Cinema and Cultural Modernity. Issues in cultural and Media studies. Open University Press.
Braudy, Leo, and Marshall Cohen. 2009. Film Theory and Criticism: Introductory Readings. 7th ed. Oxford University Press.
Breakwell, Ian, and Paul Hammond. 1990. Seeing in the Dark: A Compendium of Cinemagoing. Serpent’s Tail.
Brooker, Will, and Deborah Jermyn. 2002a. The Audience Studies Reader. Routledge.
Brooker, Will, and Deborah Jermyn. 2002b. The Audience Studies Reader. Routledge.
Buikema, Rosemarie, and Anneke Smelik. 1995. Women’s Studies and Culture: A Feminist Introduction. Zed Books.
Carson, Diane, Linda Dittmar, and Janice R. Welsch. 1994. Multiple Voices in Feminist Film Criticism. University of Minnesota Press.
Caughie, John. 2006. ‘Telephilia and Distraction: Terms of Engagement’. Journal of British Cinema and Television 3 (1): 5–18. https://doi.org/10.3366/JBCTV.2006.3.1.5.
Cohan, Steven, Ina Rae Hark, and Ebooks Corporation Limited. 1992. Screening the Male: Exploring Masculinities in Hollywood Cinema. Routledge. Electronic resource. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_338076_0.
Cook, Pam, Mieke Bernink, and British Film Institute. 1999. The Cinema Book. 2nd ed. British Film Institute Publishing.
Creekmur, Corey K., and Alexander Doty. 1995. Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture. Cassell.
Dennison, Stephanie, ed. 2013. Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Colección Támesis. Serie A: Monografias. Tamesis.
Donovan, Tristan. 2010. Replay: The History of Video Games. Yellow Ant.
Duffett, Mark. 2013. Understanding Fandom: An Introduction to the Study of Media Fan Culture. Bloomsbury Academic.
Duke University Press, Project MUSE., and Thomson Gale (Firm). n.d. Camera Obscura. (Durham, NC). Electronic resource.
During, Simon. 2007. The Cultural Studies Reader. 3rd ed. Routledge. https://contentstore.cla.co.uk//secure/link?id=9535c964-cb40-e911-80cd-005056af4099.
Ďurovičová, Nataša, and Kathleen Newman. 2010. World Cinemas, Transnational Perspectives. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=449452.
Dyer, R. 1982. ‘Don’t Look Now’. Screen 23 (3–4): 61–73. https://doi.org/10.1093/screen/23.3-4.61.
Dyer, Richard. 1997a. White. Routledge.
Dyer, Richard. 1997b. White. Routledge.
Easthope, Antony. 1993. Contemporary Film Theory. Longman critical readers. Longman.
Easthope, Antony and ebrary, Inc. 1990. What a Man’s Gotta Do: The Masculine Myth in Popular Culture. Routledge. Electronic resource.
Ebooks Corporation Limited. 2000. Cinema and Nation. Edited by Mette Hjort and Scott MacKenzie. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240252.
Ebooks Corporation Limited. 2011. Television as Digital Media. Edited by James Bennett and Niki Strange. Console-ing Passions. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303.
Ebooks Corporation Limited. 2017a. Fandom: Identities and Communities in a Mediated World. Second edition. Edited by Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington. New York University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267.
Ebooks Corporation Limited. 2017b. ‘Introduction: Why Still Study Fans?’ In Fandom: Identities and Communities in a Mediated World, Second edition, edited by Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington. New York University Press. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267.
Electric Edwardians The Films of Mitchell & Kenyon. 26 AD. https://www.youtube.com/watch?v=oTf9o_mIE4I.
Ellis, John and Ebooks Corporation Limited. 1992. Visible Fictions: Cinema : Television : Video. Revised edition. Routledge & Kegan Paul. http://gla.eblib.com/patron/FullRecord.aspx?p=178323.
Elsaesser, Thomas, and Adam Barker. 1990. Early Cinema: Space-Frame-Narrative. BFI Publishing. https://contentstore.cla.co.uk//secure/link?id=7d69365d-cb40-e911-80cd-005056af4099.
Ezra, Elizabeth, and Terry Rowden. 2006. Transnational Cinema: The Film Reader. In focus--Routledge film readers. Routledge.
Fuller-Seeley, Kathryn H. and American Council of Learned Societies. 2008. Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing. University of California Press. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082.
Gillespie, Marie. 1995. Television, Ethnicity and Cultural Change. Comedia (Routledge). Routledge.
Grant, Barry Keith. 2011. Shadows of Doubt: Negotiations of Masculinity in American Genre Films. Wayne State University Press. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416510.
Hansen, M. 1993. ‘Early Cinema, Late Cinema: Permutations of the Public Sphere’. Screen 34 (3): 197–210. https://doi.org/10.1093/screen/34.3.197.
Hansen, Miriam and American Council of Learned Societies. 1991a. Babel and Babylon: Spectatorship in American Silent Film. Harvard University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219.
Hansen, Miriam and American Council of Learned Societies. 1991b. Babel and Babylon: Spectatorship in American Silent Film. Harvard University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219.
Hargreaves, Alec G., and Mark McKinney. 1997. Post-Colonial Cultures in France. Routledge.
Haskell, Molly. 1987. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. University of Chicago Press.
Heffelfinger, Elizabeth, and Laura Wright. 2011. Visual Difference: Postcolonial Studies and Intercultural Cinema. Framing film. Peter Lang. https://contentstore.cla.co.uk//secure/link?id=7f69365d-cb40-e911-80cd-005056af4099.
Hemmings, Clare. 2005. ‘Invoking Affect’. Cultural Studies 19 (5): 548–67. https://doi.org/10.1080/09502380500365473.
Hill Collins, Patricia, and Sirma Bilge. 2016a. Intersectionality. Key concepts series. Polity Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012.
Hill Collins, Patricia, and Sirma Bilge. 2016b. Intersectionality. Key concepts series. Polity Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012.
Hill, John, and Pamela Church Gibson. 1998. The Oxford Guide to Film Studies. Oxford University Press.
Hills, Matt and ProQuest (Firm). 2002. Fan Cultures. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=180483.
Hollows, Joanne, Peter Hutchings, and Mark Jancovich. 2000. The Film Studies Reader. Arnold.
hooks, bell. 2008a. Reel to Real: Race, Sex, and Class at the Movies. Routledge.
hooks, bell. 2008b. Reel to Real: Race, Sex, and Class at the Movies. Routledge.
Jancovich, Mark, Lucy Faire, and Sarah Stubbings. 2003. The Place of the Audience: Cultural Geographies of Film Consumption. British Film Institute.
Jeffords, Susan. 1994. Hard Bodies: Hollywood Masculinity in the Reagan Era. Rutgers University Press.
Jenkins, Henry. 2006. Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08235.
Jenkins, Henry. 2015. Textual Poachers: Television Fans and Participatory Culture. Updated twentieh anniversary edition. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1097854.
Johnson, Derek. 2007. ‘INVITING AUDIENCES IN’. New Review of Film and Television Studies 5 (1): 61–80. https://doi.org/10.1080/17400300601140183.
Juul, Jesper. 2013. The Art of Failure: An Essay on the Pain of Playing Video Games. Playful thinking. MIT Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780262313124.
Kaplan, E. Ann. 2000. Feminism and Film. Oxford readings in feminism. Oxford University Press.
Klinger, B. 1984. ‘“Cinema/Ideology/Crititicism” Revisited: The Progressive Text’. Screen 25 (1): 30–44. https://doi.org/10.1093/screen/25.1.30.
Klinger, B. 1997. ‘Film History Terminable and Interminable: Recovering the Past in Reception Studies’. Screen 38 (2): 107–28. https://doi.org/10.1093/screen/38.2.107.
Manovich, Lev and American Council of Learned Societies. 2002a. The Language of New Media. 1st MIT Press pbk. ed. Leonardo. MIT Press. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.
Manovich, Lev and American Council of Learned Societies. 2002b. The Language of New Media. 1st MIT Press pbk. ed. Leonardo. MIT Press. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966.
Marks, Laura U. 2000a. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Duke University Press. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652.
Marks, Laura U. 2000b. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Duke University Press. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652.
Mäyrä, Frans. 2008. An Introduction to Game Studies: Games in Culture. SAGE.
Morley, David. 1986. Family Television: Cultural Power and Domestic Leisure. Comedia.
Morley, David. 1992a. Television, Audiences and Cultural Studies. Routledge. Electronic resource. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.
Morley, David. 1992b. Television, Audiences and Cultural Studies. Routledge. Electronic resource. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.
Morley, David. 1992c. Television, Audiences and Cultural Studies. Routledge. Electronic resource. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357.
Mulvey, L. 1975. ‘Visual Pleasure and Narrative Cinema’. Screen 16 (3): 6–18. https://doi.org/10.1093/screen/16.3.6.
Murray, Simone. 2004. ‘“Celebrating the Story the Way It Is”: Cultural Studies, Corporate Media and the Contested Utility of Fandom’. Continuum 18 (1): 7–25. https://doi.org/10.1080/1030431032000180978.
Musser, Charles. 1990. The Emergence of Cinema: The American Screen to 1907. V. 1. Charles Scribner’s Sons. Electronic resource. https://link.gale.com/apps/pub/5FED/GVRL?sid=gale_marc&u=glasuni.
Neale, S. 1983. ‘Masculinity as Spectacle’. Screen 24 (6): 2–17. https://doi.org/10.1093/screen/24.6.2.
Nelmes, Jill. 2012a. Introduction to Film Studies. 5th ed. Routledge.
Nelmes, Jill. 2012b. Introduction to Film Studies. 5th ed. Routledge.
Nightingale, Virginia, and Karen Ross. 2003. Critical Readings: Media and Audiences. Issues in cultural and Media studies. Open University Press.
Norden, Martin F. 1994. The Cinema of Isolation: A History of Physical Disability in the Movies. Rutgers University Press.
Oria, Beatriz, Elena Oliete-Aldea, and Juan A. Tarancón, eds. 2016. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema. Bloomsbury.
Paul, R. W., Ian Christie, Caroline Millar, Stephen Horne, and British Film Institute. 2006. R.W. Paul: The Collected Films, 1895-1908. British Film Institute.
Peberdy, Donna. 2011. Masculinity and Film Performance: Male Angst in Contemporary American Cinema. Palgrave Macmillan. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230308701.
Penley, Constance and British Film Institute. 1988. Feminism and Film Theory. Methuen in association with the British Film Institute.
Ponzanesi, Sandra, and Marguerite R. Waller. 2012. Postcolonial Cinema Studies. Routledge.
Powrie, Phil, Ann Davies, and Bruce Babington. 2004. The Trouble with Men: Masculinities in European and Hollywood Cinema. Wallflower.
Radner, Hilary, and Rebecca Stringer. 2011. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. Routledge.
Rehling, Nicola. 2009. Extra-Ordinary Men: White Heterosexual Masculinity in Contemporary Popular Cinema. Lexington Books.
Rodowick, David Norman. 2007. The Virtual Life of Film. Harvard University Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08243.
Rosen, Philip T. 1986a. Narrative, Apparatus, Ideology: A Film Theory Reader. Columbia University Press.
Rosen, Philip T. 1986b. Narrative, Apparatus, Ideology: A Film Theory Reader. Columbia University Press.
Ross, Karen, and Virginia Nightingale. 2003. Media and Audiences: New Perspectives. Issues in cultural and Media studies. Open University Press.
Roy, Sohinee. 2016. ‘Beyond Crossover Films: Bride and Prejudice and the Problems of Representing Postcolonial India in a Neoliberal World’. The Journal of Popular Culture 49 (5): 984–1002. https://doi.org/10.1111/jpcu.12466.
Russo, Vito. 1987. The Celluloid Closet: Homosexuality in the Movies. Rev. ed. Perennial Library.
Said, Edward W. 2003. Orientalism. Penguin Books.
Santaolalla, Isabel. 2012. The Cinema of Iciar Bollaín. Spanish and Latin American filmmakers. Manchester University Press. https://contentstore.cla.co.uk//secure/link?id=7e69365d-cb40-e911-80cd-005056af4099.
Seigworth, Gregory J. 2010. The Affect Theory Reader. Edited by Melissa Gregg. Duke University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172305.
Seiter, Ellen and Universität Tübingen. Abteilung für Amerikanistik. 1989a. Remote Control: Television, Audiences, and Cultural Power. Routledge.
Seiter, Ellen and Universität Tübingen. Abteilung für Amerikanistik. 1989b. Remote Control: Television, Audiences, and Cultural Power. Routledge.
Sharpe, Jenny. 2005. ‘Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge’. Meridians: Feminism, Race, Transnationalism 6 (1): 58–81. https://doi.org/10.1353/mer.2005.0032.
Shaviro, Steven. 2010a. Post Cinematic Affect. Zero Books. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329.
Shaviro, Steven. 2010b. Post Cinematic Affect. Zero Books. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329.
Shohat, Ella, and Robert Stam. 2014. Unthinking Eurocentrism: Multiculturalism and the Media. Second edition. Sightlines. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455.
Smit, Alexia. 2010. Broadcasting the Body: Affect, Embodiment and Bodily Excess on Contemporary Television. Electronic resource. https://theses.gla.ac.uk/2278/.
Sobchack, Vivian Carol and American Council of Learned Societies. 2004. Carnal Thoughts: Embodiment and Moving Image Culture. University of California Press. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08034.
Stacey, Jackie. 1994a. Star Gazing: Hollywood Cinema and Female Spectatorship. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525.
Stacey, Jackie. 1994b. Star Gazing: Hollywood Cinema and Female Spectatorship. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525.
Stam, R., and L. Spence. 1983a. ‘Colonialism, Racism and Representation’. Screen 24 (2): 2–20. https://doi.org/10.1093/screen/24.2.2.
Stam, R., and L. Spence. 1983b. ‘Colonialism, Racism and Representation’. Screen 24 (2): 2–20. https://doi.org/10.1093/screen/24.2.2.
Stam, Robert. 2000. Film Theory: An Introduction. Blackwell.
Stam, Robert, and Toby Miller. 2000. Film and Theory: An Anthology. Blackwell.
Subeshini Moodley. 2003. ‘Postcolonial Feminisms Speaking through an “Accented” Cinema: The Construction of Indian Women in the Films of Mira Nair and Deepa Mehta’. Agenda: Empowering Women for Gender Equity, no. 58. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4548098.
Sutherland, Jean-Anne, and Kathryn M. Feltey. 2016. ‘Here’s Looking at Her: An Intersectional Analysis of Women, Power and Feminism in Film’. Journal of Gender Studies, March 4, 1–14. https://doi.org/10.1080/09589236.2016.1152956.
Tasker, Yvonne. 1993. Spectacular Bodies: Gender, Genre, and the Action Cinema. A Comedia book. Routledge.
Thornham, Sue. 1997. Passionate Detachments: An Introduction to Feminist Film Theory. Arnold.
Thornham, Sue. 1999. Feminist Film Theory: A Reader. Edinburgh University Press.
Tulloch, John. 2000a. Watching Television Audiences: Cultural Theories and Methods. Arnold.
Tulloch, John. 2000b. Watching Television Audiences: Cultural Theories and Methods. Arnold.
Tyler, Imogen, Rebecca Coleman, and Debra Ferreday. 2008. ‘Commentary And Criticism’. Feminist Media Studies 8 (1): 85–99. https://doi.org/10.1080/14680770801899226.
‘Visual Pleasures at 40’ Dossier’. 2015. Screen 56 (4): 485–471. https://doi.org/10.1093/screen/hjv056.
Waugh, Thomas. 2000. The Fruit Machine: Twenty Years of Writings on Queer Cinema. Duke University Press.
Will Higbee. n.d. ‘Concepts of Transnational Cinema: Towards a Critical Transnationalism in Film Studies’. Transnational Cinemas. http://ezproxy.lib.gla.ac.uk/login?url=http://www.tandfonline.com/doi/abs/10.1386/trac.1.1.7/1.
Wolf, Mark J. P. 2001. The Medium of the Video Game. 1st ed. University of Texas Press.
Wolf, Mark J. P., and Bernard Perron. 2003. The Video Game Theory Reader. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1461087.
