1
Baudry J-L, Williams A. Ideological Effects of the Basic Cinematographic Apparatus. Film Quarterly 1974;28:39–47.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1211632
2
Rosen PT. Narrative, apparatus, ideology: a film theory reader. New York, N.Y.: : Columbia University Press 1986.
3
Klinger B. ‘Cinema/Ideology/Crititicism’ Revisited: The Progressive Text. Screen 1984;25:30–44. doi:10.1093/screen/25.1.30
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Elsaesser T, Barker A. Early cinema: space-frame-narrative. London: : BFI Publishing 1990. https://contentstore.cla.co.uk//secure/link?id=7d69365d-cb40-e911-80cd-005056af4099
5
Allen RC. From exhibition to reception: reflections on the audience in film history. Screen 1990;31:347–56. doi:10.1093/screen/31.4.347
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Hansen M, American Council of Learned Societies. Babel and Babylon: spectatorship in American silent film. Cambridge, Mass: : Harvard University Press 1991. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219
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Hansen M. Early cinema, late cinema: permutations of the public sphere. Screen 1993;34:197–210. doi:10.1093/screen/34.3.197
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Klinger B. Film history terminable and interminable: recovering the past in reception studies. Screen 1997;38:107–28. doi:10.1093/screen/38.2.107
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Manovich L, American Council of Learned Societies. The language of new media. 1st MIT Press pbk. ed. Cambridge, Mass: : MIT Press 2002. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
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Acland CR, Ebooks Corporation Limited. Screen traffic: movies, multiplexes, and global culture. Durham, North Carolina: : Duke University Press 2003. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926
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BEFORE THE NICKELODEON. 28AD.https://www.youtube.com/watch?v=CMKPiUj4s20
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Paul RW, Christie I, Millar C, et al. R.W. Paul: the collected films, 1895-1908. 2006.
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Electric Edwardians The Films of Mitchell & Kenyon. 26AD.https://www.youtube.com/watch?v=oTf9o_mIE4I
14
During S. The cultural studies reader. 3rd ed. London: : Routledge 2007. https://contentstore.cla.co.uk//secure/link?id=9535c964-cb40-e911-80cd-005056af4099
15
Morley D. Television, audiences and cultural studies. London: : Routledge 1992. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
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Ang I, Dawson Books. Living room wars: rethinking media audiences for a postmodern world. London: : Routledge 1996. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432
17
Brooker W, Jermyn D. The audience studies reader. London: : Routledge 2002.
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Ellis J, Ebooks Corporation Limited. Visible fictions: cinema : television : video. Revised edition. London: : Routledge & Kegan Paul 1992. http://gla.eblib.com/patron/FullRecord.aspx?p=178323
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Morley D. Television, audiences and cultural studies. London: : Routledge 1992. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
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Seiter E, Universität Tübingen. Abteilung für Amerikanistik. Remote control: television, audiences, and cultural power. London: : Routledge 1989.
21
Tulloch J. Watching television audiences: cultural theories and methods. London: : Arnold 2000.
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Johnson D. INVITING AUDIENCES IN. New Review of Film and Television Studies 2007;5:61–80. doi:10.1080/17400300601140183
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Ebooks Corporation Limited. Introduction: Why still study fans? In: Gray J, Sandvoss C, Harrington CL, eds. Fandom: identities and communities in a mediated world. New York: : New York University Press 2017. http://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267
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Jenkins H. Fans, bloggers, and gamers: exploring participatory culture. New York: : New York University Press 2006. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08235
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Jenkins H. Textual poachers: television fans and participatory culture. Updated twentieh anniversary edition. London: : Routledge 2015. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1097854
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Ebooks Corporation Limited. Fandom: identities and communities in a mediated world. Second edition. New York: : New York University Press 2017. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267
27
Duffett M. Understanding fandom: an introduction to the study of media fan culture. New York, NY: : Bloomsbury Academic 2013.
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Murray S. ‘Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom. Continuum 2004;18:7–25. doi:10.1080/1030431032000180978
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Hills M, ProQuest (Firm). Fan cultures. London: : Routledge 2002. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=180483
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Ebooks Corporation Limited. Television as digital media. Durham, NC: : Duke University Press 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303
31
Mulvey L. Visual Pleasure and Narrative Cinema. Screen 1975;16:6–18. doi:10.1093/screen/16.3.6
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Nelmes J. Introduction to film studies. 5th ed. London: : Routledge 2012.
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Buikema R, Smelik A. Women’s studies and culture: a feminist introduction. London: : Zed Books 1995.
34
Dyer R. Don’t Look Now. Screen 1982;23:61–73. doi:10.1093/screen/23.3-4.61
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Neale S. Masculinity as Spectacle. Screen 1983;24:2–17. doi:10.1093/screen/24.6.2
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Stacey J. Star gazing: Hollywood cinema and female spectatorship. London: : Routledge 1994. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525
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Visual Pleasures at 40’ Dossier. Screen 2015;56:485–471. doi:10.1093/screen/hjv056
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Santaolalla I. The cinema of Iciar Bollaín. Manchester: : Manchester University Press 2012. https://contentstore.cla.co.uk//secure/link?id=7e69365d-cb40-e911-80cd-005056af4099
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Ďurovičová N, Newman K. World cinemas, transnational perspectives. New York, NY: : Routledge 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=449452
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Oria B, Oliete-Aldea E, Tarancón JA, editors. Global genres, local films: the transnational dimension of Spanish cinema. London: : Bloomsbury 2016.
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Ebooks Corporation Limited. Cinema and nation. London: : Routledge 2000. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240252
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Dennison S, editor. Contemporary Hispanic cinema: interrogating the transnational in Spanish and Latin American film. Woodbridge: : Tamesis 2013.
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Will Higbee. Concepts of transnational cinema: towards a critical transnationalism in film studies. Transnational Cinemashttp://ezproxy.lib.gla.ac.uk/login?url=http://www.tandfonline.com/doi/abs/10.1386/trac.1.1.7/1
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Ezra E, Rowden T. Transnational cinema: the film reader. London: : Routledge 2006.
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Hill Collins P, Bilge S. Intersectionality. Cambridge, UK: : Polity Press 2016. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012
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Hill Collins P, Bilge S. Intersectionality. Cambridge, UK: : Polity Press 2016. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012
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hooks bell. Reel to real: race, sex, and class at the movies. London: : Routledge 2008.
48
Sutherland J-A, Feltey KM. Here’s looking at her: an intersectional analysis of women, power and feminism in film. Journal of Gender Studies 2016;:1–14. doi:10.1080/09589236.2016.1152956
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Heffelfinger E, Wright L. Visual difference: postcolonial studies and intercultural cinema. New York, NY: : Peter Lang 2011. https://contentstore.cla.co.uk//secure/link?id=7f69365d-cb40-e911-80cd-005056af4099
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Stam R, Spence L. Colonialism, Racism and Representation. Screen 1983;24:2–20. doi:10.1093/screen/24.2.2
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Ponzanesi S, Waller MR. Postcolonial cinema studies. Abingdon, Oxon: : Routledge 2012.
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Ashcroft B, Griffiths G, Tiffin H. Key concepts in post-colonial studies. London: : Routledge 1998.
53
Hargreaves AG, McKinney M. Post-colonial cultures in France. London: : Routledge 1997.
54
Said EW. Orientalism. London: : Penguin Books 2003.
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Subeshini Moodley. Postcolonial Feminisms Speaking through an ‘Accented’ Cinema: The Construction of Indian Women in the Films of Mira Nair and Deepa Mehta. Agenda: Empowering Women for Gender Equity Published Online First: 2003.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4548098
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Sharpe J. Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge. Meridians: feminism, race, transnationalism 2005;6:58–81. doi:10.1353/mer.2005.0032
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Roy S. Beyond Crossover Films: Bride and Prejudice and the Problems of Representing Postcolonial India in a Neoliberal World. The Journal of Popular Culture 2016;49:984–1002. doi:10.1111/jpcu.12466
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Barker JM, American Council of Learned Societies. The tactile eye: touch and the cinematic experience. Berkeley: : University of California Press 2009. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08197
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Seigworth GJ. The affect theory reader. Durham, NC: : Duke University Press 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172305
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Marks LU. The skin of the film: intercultural cinema, embodiment, and the senses. Durham, NC: : Duke University Press 2000. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652
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Sobchack VC, American Council of Learned Societies. Carnal thoughts: embodiment and moving image culture. Berkeley: : University of California Press 2004. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08034
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Rodowick DN. The virtual life of film. Cambridge, Mass: : Harvard University Press 2007. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08243
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Shaviro S. Post cinematic affect. Ropley: : Zero Books 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329
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Shaviro S. Post cinematic affect. Ropley: : Zero Books 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329
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Manovich L, American Council of Learned Societies. The language of new media. 1st MIT Press pbk. ed. Cambridge, Mass: : MIT Press 2002. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966
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Wolf MJP, Perron B. The video game theory reader. New York, NY: : Routledge 2003. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1461087
67
Donovan T. Replay: the history of video games. Lewes, East Sussex: : Yellow Ant 2010.
68
Wolf MJP. The medium of the video game. 1st ed. Austin, TX: : University of Texas Press 2001.
69
Mäyrä F. An introduction to game studies: games in culture. London: : SAGE 2008.
70
Juul J. The art of failure: an essay on the pain of playing video games. Cambridge, Massachusetts: : MIT Press 2013. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780262313124
71
Aaron M. Spectatorship: the power of looking on. London: : Wallflower 2006.
72
Easthope A. Contemporary film theory. London: : Longman 1993.
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Rosen PT. Narrative, apparatus, ideology: a film theory reader. New York, N.Y.: : Columbia University Press 1986.
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Stam R. Film theory: an introduction. Malden, Mass: : Blackwell 2000.
75
Stam R, Miller T. Film and theory: an anthology. Malden, Mass: : Blackwell 2000.
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Braudy L, Cohen M. Film theory and criticism: introductory readings. 7th ed. New York: : Oxford University Press 2009.
77
Cook P, Bernink M, British Film Institute. The cinema book. 2nd ed. London: : British Film Institute Publishing 1999.
78
Hill J, Gibson PC. The Oxford guide to film studies. New York, N.Y.: : Oxford University Press 1998.
79
Nelmes J. Introduction to film studies. 5th ed. London: : Routledge 2012.
80
Hollows J, Hutchings P, Jancovich M. The film studies reader. London: : Arnold 2000.
81
Bogle D. Toms, coons, mulattoes, mammies, & bucks: an interpretive history of Blacks in American films. 4th ed. New York, N.Y.: : Continuum 2003.
82
Haskell M. From reverence to rape: the treatment of women in the movies. 2nd ed. Chicago: : University of Chicago Press 1987.
83
Norden MF. The cinema of isolation: a history of physical disability in the movies. New Brunswick, N.J.: : Rutgers University Press 1994.
84
Barrett M, British Sociological Association. Ideology and cultural production. London: : Croom Helm 1979.
85
Russo V. The celluloid closet: homosexuality in the movies. Rev. ed. New York: : Perennial Library 1987.
86
Carson D, Dittmar L, Welsch JR. Multiple voices in feminist film criticism. Minneapolis, Minn: : University of Minnesota Press 1994.
87
Kaplan EA. Feminism and film. Oxford: : Oxford University Press 2000.
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Penley C, British Film Institute. Feminism and film theory. London: : Methuen in association with the British Film Institute 1988.
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Radner H, Stringer R. Feminism at the movies: understanding gender in contemporary popular cinema. New York, NY: : Routledge 2011.
90
Thornham S. Passionate detachments: an introduction to feminist film theory. London: : Arnold 1997.
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Thornham S. Feminist film theory: a reader. Edinburgh: : Edinburgh University Press 1999.
92
Duke University Press, Project MUSE., Thomson Gale (Firm). Camera obscura.
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Cohan S, Hark IR, Ebooks Corporation Limited. Screening the male: exploring masculinities in Hollywood cinema. London: : Routledge 1992. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_338076_0
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Dyer R. White. London: : Routledge 1997.
95
Easthope A, ebrary, Inc. What a man’s gotta do: the masculine myth in popular culture. New York: : Routledge 1990.
96
Grant BK. Shadows of doubt: negotiations of masculinity in American genre films. Detroit: : Wayne State University Press 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416510
97
Jeffords S. Hard bodies: Hollywood masculinity in the Reagan era. New Brunswick, N.J.: : Rutgers University Press 1994.
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Peberdy D. Masculinity and film performance: Male angst in contemporary American cinema. Basingstoke: : Palgrave Macmillan 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230308701
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Powrie P, Davies A, Babington B. The trouble with men: masculinities in European and Hollywood cinema. London: : Wallflower 2004.
100
Rehling N. Extra-ordinary men: white heterosexual masculinity in contemporary popular cinema. Lanham, MD: : Lexington Books 2009.
101
Tasker Y. Spectacular bodies: gender, genre, and the action cinema. London: : Routledge 1993.
102
Dyer R. White. London: : Routledge 1997.
103
hooks bell. Reel to real: race, sex, and class at the movies. London: : Routledge 2008.
104
Shohat E, Stam R. Unthinking Eurocentrism: multiculturalism and the media. Second edition. London: : Routledge 2014. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455
105
Stam R, Spence L. Colonialism, Racism and Representation. Screen 1983;24:2–20. doi:10.1093/screen/24.2.2
106
Aaron M. New queer cinema: a critical reader. Edinburgh: : Edinburgh University Press 2004.
107
Benshoff HM, Griffin S. Queer cinema: the film reader. New York: : Routledge 2004.
108
Creekmur CK, Doty A. Out in culture: gay, lesbian, and queer essays on popular culture. London: : Cassell 1995.
109
Waugh T. The fruit machine: twenty years of writings on queer cinema. Durham: : Duke University Press 2000.
110
Acland CR, Ebooks Corporation Limited. Screen traffic: movies, multiplexes, and global culture. Durham, North Carolina: : Duke University Press 2003. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926
111
Ang I, Dawson Books. Living room wars: rethinking media audiences for a postmodern world. London: : Routledge 1996. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432
112
Austin T. Hollywood, hype and audiences: selling and watching popular film in the 1990s. Manchester: : Manchester University Press 2002.
113
Bobo J. Black women as cultural readers. New York, N.Y.: : Columbia University Press 1995.
114
Branston G. Cinema and cultural modernity. Buckingham: : Open University Press 2000.
115
Breakwell I, Hammond P. Seeing in the dark: a compendium of cinemagoing. London: : Serpent’s Tail 1990.
116
Brooker W, Jermyn D. The audience studies reader. London: : Routledge 2002.
117
Fuller-Seeley KH, American Council of Learned Societies. Hollywood in the neighborhood: historical case studies of local moviegoing. Berkeley: : University of California Press 2008. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082
118
Gillespie M. Television, ethnicity and cultural change. London: : Routledge 1995.
119
Hansen M, American Council of Learned Societies. Babel and Babylon: spectatorship in American silent film. Cambridge, Mass: : Harvard University Press 1991. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219
120
Jancovich M, Faire L, Stubbings S. The place of the audience: cultural geographies of film consumption. London: : British Film Institute 2003.
121
Morley D. Television, audiences and cultural studies. London: : Routledge 1992. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357
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Morley D. Family television: cultural power and domestic leisure. London: : Comedia 1986.
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Musser C. The emergence of cinema: the American screen to 1907. New York, N.Y.: : Charles Scribner’s Sons 1990. https://link.gale.com/apps/pub/5FED/GVRL?sid=gale_marc&u=glasuni
124
Nightingale V, Ross K. Critical readings: media and audiences. Maidenhead: : Open University Press 2003.
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Ross K, Nightingale V. Media and audiences: new perspectives. Buckingham: : Open University Press 2003.
126
Seiter E, Universität Tübingen. Abteilung für Amerikanistik. Remote control: television, audiences, and cultural power. London: : Routledge 1989.
127
Stacey J. Star gazing: Hollywood cinema and female spectatorship. London: : Routledge 1994. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525
128
Tulloch J. Watching television audiences: cultural theories and methods. London: : Arnold 2000.
129
Caughie J. Telephilia and Distraction: Terms of Engagement. Journal of British Cinema and Television 2006;3:5–18. doi:10.3366/JBCTV.2006.3.1.5
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Hemmings C. Invoking Affect. Cultural Studies 2005;19:548–67. doi:10.1080/09502380500365473
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Marks LU. The skin of the film: intercultural cinema, embodiment, and the senses. Durham, NC: : Duke University Press 2000. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652
132
Smit A. Broadcasting the body: affect, embodiment and bodily excess on contemporary television. 2010. https://theses.gla.ac.uk/2278/
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Tyler I, Coleman R, Ferreday D. Commentary And Criticism. Feminist Media Studies 2008;8:85–99. doi:10.1080/14680770801899226
