Aaron, Michele. New Queer Cinema: A Critical Reader. Edinburgh: Edinburgh University Press, 2004. Print.
---. Spectatorship: The Power of Looking On. Short cuts (London, England). London: Wallflower, 2006. Print.
Acland, Charles R. and Ebooks Corporation Limited. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham, North Carolina: Duke University Press, 2003. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926>.
---. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham, North Carolina: Duke University Press, 2003. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167926>.
Allen, R. C. ‘From Exhibition to Reception: Reflections on the Audience in Film History’. Screen 31.4 (1990): 347–356. Web.
Ang, Ien and Dawson Books. Living Room Wars: Rethinking Media Audiences for a Postmodern World. London: Routledge, 1996. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432>.
---. Living Room Wars: Rethinking Media Audiences for a Postmodern World. London: Routledge, 1996. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203129432>.
Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. Key Concepts in Post-Colonial Studies. Key concepts series (Routledge). London: Routledge, 1998. Print.
Austin, Thomas. Hollywood, Hype and Audiences: Selling and Watching Popular Film in the 1990s. Inside popular film. Manchester: Manchester University Press, 2002. Print.
Barker, Jennifer M. and American Council of Learned Societies. The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press, 2009. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08197>.
Barrett, Michèle and British Sociological Association. Ideology and Cultural Production. Explorations in sociology. London: Croom Helm, 1979. Print.
Baudry, Jean-Louis, and Alan Williams. ‘Ideological Effects of the Basic Cinematographic Apparatus’. Film Quarterly 28.2 (1974): 39–47. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/1211632>.
‘BEFORE THE NICKELODEON’. 28AD. Web. <https://www.youtube.com/watch?v=CMKPiUj4s20>.
Benshoff, Harry M., and Sean Griffin. Queer Cinema: The Film Reader. In focus--Routledge film readers. New York: Routledge, 2004. Print.
Bobo, Jacqueline. Black Women as Cultural Readers. Film and culture. New York, N.Y.: Columbia University Press, 1995. Print.
Bogle, Donald. Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films. 4th ed. New York, N.Y.: Continuum, 2003. Print.
Branston, Gill. Cinema and Cultural Modernity. Issues in cultural and media studies. Buckingham: Open University Press, 2000. Print.
Braudy, Leo, and Marshall Cohen. Film Theory and Criticism: Introductory Readings. 7th ed. New York: Oxford University Press, 2009. Print.
Breakwell, Ian, and Paul Hammond. Seeing in the Dark: A Compendium of Cinemagoing. London: Serpent’s Tail, 1990. Print.
Brooker, Will, and Deborah Jermyn. The Audience Studies Reader. London: Routledge, 2002. Print.
---. The Audience Studies Reader. London: Routledge, 2002. Print.
Buikema, Rosemarie, and Anneke Smelik. Women’s Studies and Culture: A Feminist Introduction. London: Zed Books, 1995. Print.
Carson, Diane, Linda Dittmar, and Janice R. Welsch. Multiple Voices in Feminist Film Criticism. Minneapolis, Minn: University of Minnesota Press, 1994. Print.
Caughie, John. ‘Telephilia and Distraction: Terms of Engagement’. Journal of British Cinema and Television 3.1 (2006): 5–18. Web.
Cohan, Steven, Ina Rae Hark, and Ebooks Corporation Limited. Screening the Male: Exploring Masculinities in Hollywood Cinema. London: Routledge, 1992. Web. <http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&amp;extendedid=E_338076_0>.
Cook, Pam, Mieke Bernink, and British Film Institute. The Cinema Book. 2nd ed. London: British Film Institute Publishing, 1999. Print.
Creekmur, Corey K., and Alexander Doty. Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture. London: Cassell, 1995. Print.
Dennison, Stephanie, ed. Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Colección Támesis. Serie A: Monografias. Woodbridge: Tamesis, 2013. Print.
Donovan, Tristan. Replay: The History of Video Games. Lewes, East Sussex: Yellow Ant, 2010. Print.
Duffett, Mark. Understanding Fandom: An Introduction to the Study of Media Fan Culture. New York, NY: Bloomsbury Academic, 2013. Print.
Duke University Press, Project MUSE., and Thomson Gale (Firm). ‘Camera Obscura’. n. pag. Print.
During, Simon. The Cultural Studies Reader. 3rd ed. London: Routledge, 2007. Web. <https://contentstore.cla.co.uk//secure/link?id=9535c964-cb40-e911-80cd-005056af4099>.
Ďurovičová, Nataša, and Kathleen Newman. World Cinemas, Transnational Perspectives. New York, NY: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=449452>.
Dyer, R. ‘Don’t Look Now’. Screen 23.3–4 (1982): 61–73. Web.
Dyer, Richard. White. London: Routledge, 1997. Print.
---. White. London: Routledge, 1997. Print.
Easthope, Antony. Contemporary Film Theory. Longman critical readers. London: Longman, 1993. Print.
Easthope, Antony and ebrary, Inc. What a Man’s Gotta Do: The Masculine Myth in Popular Culture. New York: Routledge, 1990. Print.
Ebooks Corporation Limited. Cinema and Nation. Ed. Mette Hjort and Scott MacKenzie. London: Routledge, 2000. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240252>.
---. Fandom: Identities and Communities in a Mediated World. Ed. Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington. Second edition. New York: New York University Press, 2017. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267>.
---. ‘Introduction: Why Still Study Fans?’ Fandom: Identities and Communities in a Mediated World. Ed. Jonathan Gray, Cornel Sandvoss, and C. Lee Harrington. Second edition. New York: New York University Press, 2017. Web. <http://ebookcentral.proquest.com/lib/gla/detail.action?docID=4834267>.
---. Television as Digital Media. Ed. James Bennett and Niki Strange. Console-ing Passions. Durham, NC: Duke University Press, 2011. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172303>.
‘Electric Edwardians  The Films of Mitchell & Kenyon’. 26AD. Web. <https://www.youtube.com/watch?v=oTf9o_mIE4I>.
Ellis, John and Ebooks Corporation Limited. Visible Fictions: Cinema : Television : Video. Revised edition. London: Routledge & Kegan Paul, 1992. Web. <http://gla.eblib.com/patron/FullRecord.aspx?p=178323>.
Elsaesser, Thomas, and Adam Barker. Early Cinema: Space-Frame-Narrative. London: BFI Publishing, 1990. Web. <https://contentstore.cla.co.uk//secure/link?id=7d69365d-cb40-e911-80cd-005056af4099>.
Ezra, Elizabeth, and Terry Rowden. Transnational Cinema: The Film Reader. In focus--Routledge film readers. London: Routledge, 2006. Print.
Fuller-Seeley, Kathryn H. and American Council of Learned Societies. Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing. Berkeley: University of California Press, 2008. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.08082>.
Gillespie, Marie. Television, Ethnicity and Cultural Change. Comedia (Routledge). London: Routledge, 1995. Print.
Grant, Barry Keith. Shadows of Doubt: Negotiations of Masculinity in American Genre Films. Detroit: Wayne State University Press, 2011. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416510>.
Hansen, M. ‘Early Cinema, Late Cinema: Permutations of the Public Sphere’. Screen 34.3 (1993): 197–210. Web.
Hansen, Miriam and American Council of Learned Societies. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass: Harvard University Press, 1991. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219>.
---. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, Mass: Harvard University Press, 1991. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08219>.
Hargreaves, Alec G., and Mark McKinney. Post-Colonial Cultures in France. London: Routledge, 1997. Print.
Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. 2nd ed. Chicago: University of Chicago Press, 1987. Print.
Heffelfinger, Elizabeth, and Laura Wright. Visual Difference: Postcolonial Studies and Intercultural Cinema. Framing film. New York, NY: Peter Lang, 2011. Web. <https://contentstore.cla.co.uk//secure/link?id=7f69365d-cb40-e911-80cd-005056af4099>.
Hemmings, Clare. ‘Invoking Affect’. Cultural Studies 19.5 (2005): 548–567. Web.
Hill Collins, Patricia, and Sirma Bilge. Intersectionality. Key concepts series. Cambridge, UK: Polity Press, 2016. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012>.
---. Intersectionality. Key concepts series. Cambridge, UK: Polity Press, 2016. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4698012>.
Hill, John, and Pamela Church Gibson. The Oxford Guide to Film Studies. New York, N.Y.: Oxford University Press, 1998. Print.
Hills, Matt and ProQuest (Firm). Fan Cultures. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=180483>.
Hollows, Joanne, Peter Hutchings, and Mark Jancovich. The Film Studies Reader. London: Arnold, 2000. Print.
hooks, bell. Reel to Real: Race, Sex, and Class at the Movies. London: Routledge, 2008. Print.
---. Reel to Real: Race, Sex, and Class at the Movies. London: Routledge, 2008. Print.
Jancovich, Mark, Lucy Faire, and Sarah Stubbings. The Place of the Audience: Cultural Geographies of Film Consumption. London: British Film Institute, 2003. Print.
Jeffords, Susan. Hard Bodies: Hollywood Masculinity in the Reagan Era. New Brunswick, N.J.: Rutgers University Press, 1994. Print.
Jenkins, Henry. Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York: New York University Press, 2006. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08235>.
---. Textual Poachers: Television Fans and Participatory Culture. Updated twentieh anniversary edition. London: Routledge, 2015. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1097854>.
Johnson, Derek. ‘INVITING AUDIENCES IN’. New Review of Film and Television Studies 5.1 (2007): 61–80. Web.
Juul, Jesper. The Art of Failure: An Essay on the Pain of Playing Video Games. Playful thinking. Cambridge, Massachusetts: MIT Press, 2013. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780262313124>.
Kaplan, E. Ann. Feminism and Film. Oxford readings in feminism. Oxford: Oxford University Press, 2000. Print.
Klinger, B. ‘“Cinema/Ideology/Crititicism” Revisited: The Progressive Text’. Screen 25.1 (1984): 30–44. Web.
---. ‘Film History Terminable and Interminable: Recovering the Past in Reception Studies’. Screen 38.2 (1997): 107–128. Web.
Manovich, Lev and American Council of Learned Societies. The Language of New Media. 1st MIT Press pbk. ed. Leonardo. Cambridge, Mass: MIT Press, 2002. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966>.
---. The Language of New Media. 1st MIT Press pbk. ed. Leonardo. Cambridge, Mass: MIT Press, 2002. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.31966>.
Marks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press, 2000. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652>.
---. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press, 2000. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1167652>.
Mäyrä, Frans. An Introduction to Game Studies: Games in Culture. London: SAGE, 2008. Print.
Morley, David. Family Television: Cultural Power and Domestic Leisure. London: Comedia, 1986. Print.
---. Television, Audiences and Cultural Studies. London: Routledge, 1992. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357>.
---. Television, Audiences and Cultural Studies. London: Routledge, 1992. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357>.
---. Television, Audiences and Cultural Studies. London: Routledge, 1992. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203398357>.
Mulvey, L. ‘Visual Pleasure and Narrative Cinema’. Screen 16.3 (1975): 6–18. Web.
Murray, Simone. ‘“Celebrating the Story the Way It Is”: Cultural Studies, Corporate Media and the Contested Utility of Fandom’. Continuum 18.1 (2004): 7–25. Web.
Musser, Charles. The Emergence of Cinema: The American Screen to 1907. v. 1. New York, N.Y.: Charles Scribner’s Sons, 1990. Web. <https://link.gale.com/apps/pub/5FED/GVRL?sid=gale_marc&amp;u=glasuni>.
Neale, S. ‘Masculinity as Spectacle’. Screen 24.6 (1983): 2–17. Web.
Nelmes, Jill. Introduction to Film Studies. 5th ed. London: Routledge, 2012. Print.
---. Introduction to Film Studies. 5th ed. London: Routledge, 2012. Print.
Nightingale, Virginia, and Karen Ross. Critical Readings: Media and Audiences. Issues in cultural and media studies. Maidenhead: Open University Press, 2003. Print.
Norden, Martin F. The Cinema of Isolation: A History of Physical Disability in the Movies. New Brunswick, N.J.: Rutgers University Press, 1994. Print.
Oria, Beatriz, Elena Oliete-Aldea, and Juan A. Tarancón, eds. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema. London: Bloomsbury, 2016. Print.
Paul, R. W. et al. ‘R.W. Paul: The Collected Films, 1895-1908’. 2006 : n. pag. Print.
Peberdy, Donna. Masculinity and Film Performance: Male Angst in Contemporary American Cinema. Basingstoke: Palgrave Macmillan, 2011. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230308701>.
Penley, Constance and British Film Institute. Feminism and Film Theory. London: Methuen in association with the British Film Institute, 1988. Print.
Ponzanesi, Sandra, and Marguerite R. Waller. Postcolonial Cinema Studies. Abingdon, Oxon: Routledge, 2012. Print.
Powrie, Phil, Ann Davies, and Bruce Babington. The Trouble with Men: Masculinities in European and Hollywood Cinema. London: Wallflower, 2004. Print.
Radner, Hilary, and Rebecca Stringer. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema. New York, NY: Routledge, 2011. Print.
Rehling, Nicola. Extra-Ordinary Men: White Heterosexual Masculinity in Contemporary Popular Cinema. Lanham, MD: Lexington Books, 2009. Print.
Rodowick, David Norman. The Virtual Life of Film. Cambridge, Mass: Harvard University Press, 2007. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08243>.
Rosen, Philip T. Narrative, Apparatus, Ideology: A Film Theory Reader. New York, N.Y.: Columbia University Press, 1986. Print.
---. Narrative, Apparatus, Ideology: A Film Theory Reader. New York, N.Y.: Columbia University Press, 1986. Print.
Ross, Karen, and Virginia Nightingale. Media and Audiences: New Perspectives. Issues in cultural and media studies. Buckingham: Open University Press, 2003. Print.
Roy, Sohinee. ‘Beyond Crossover Films: Bride and Prejudice and the Problems of Representing Postcolonial India in a Neoliberal World’. The Journal of Popular Culture 49.5 (2016): 984–1002. Web.
Russo, Vito. The Celluloid Closet: Homosexuality in the Movies. Rev. ed. New York: Perennial Library, 1987. Print.
Said, Edward W. Orientalism. London: Penguin Books, 2003. Print.
Santaolalla, Isabel. The Cinema of Iciar Bollaín. Spanish and Latin American filmmakers. Manchester: Manchester University Press, 2012. Web. <https://contentstore.cla.co.uk//secure/link?id=7e69365d-cb40-e911-80cd-005056af4099>.
Seigworth, Gregory J. The Affect Theory Reader. Ed. Melissa Gregg. Durham, NC: Duke University Press, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1172305>.
Seiter, Ellen and Universität Tübingen. Abteilung für Amerikanistik. Remote Control: Television, Audiences, and Cultural Power. London: Routledge, 1989. Print.
---. Remote Control: Television, Audiences, and Cultural Power. London: Routledge, 1989. Print.
Sharpe, Jenny. ‘Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge’. Meridians: feminism, race, transnationalism 6.1 (2005): 58–81. Web.
Shaviro, Steven. Post Cinematic Affect. Ropley: Zero Books, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329>.
---. Post Cinematic Affect. Ropley: Zero Books, 2010. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=664329>.
Shohat, Ella, and Robert Stam. Unthinking Eurocentrism: Multiculturalism and the Media. Second edition. Sightlines. London: Routledge, 2014. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1707455>.
Smit, Alexia. Broadcasting the Body: Affect, Embodiment and Bodily Excess on Contemporary Television. N.p., 2010. Web. <https://theses.gla.ac.uk/2278/>.
Sobchack, Vivian Carol and American Council of Learned Societies. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.08034>.
Stacey, Jackie. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge, 1994. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525>.
---. Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge, 1994. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1539525>.
Stam, R., and L. Spence. ‘Colonialism, Racism and Representation’. Screen 24.2 (1983): 2–20. Web.
---. ‘Colonialism, Racism and Representation’. Screen 24.2 (1983): 2–20. Web.
Stam, Robert. Film Theory: An Introduction. Malden, Mass: Blackwell, 2000. Print.
Stam, Robert, and Toby Miller. Film and Theory: An Anthology. Malden, Mass: Blackwell, 2000. Print.
Subeshini Moodley. ‘Postcolonial Feminisms Speaking through an “Accented” Cinema: The Construction of Indian Women in the Films of Mira Nair and Deepa Mehta’. Agenda: Empowering Women for Gender Equity 58 (2003): n. pag. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4548098>.
Sutherland, Jean-Anne, and Kathryn M. Feltey. ‘Here’s Looking at Her: An Intersectional Analysis of Women, Power and Feminism in Film’. Journal of Gender Studies (2016): 1–14. Web.
Tasker, Yvonne. Spectacular Bodies: Gender, Genre, and the Action Cinema. A Comedia book. London: Routledge, 1993. Print.
Thornham, Sue. Feminist Film Theory: A Reader. Edinburgh: Edinburgh University Press, 1999. Print.
---. Passionate Detachments: An Introduction to Feminist Film Theory. London: Arnold, 1997. Print.
Tulloch, John. Watching Television Audiences: Cultural Theories and Methods. London: Arnold, 2000. Print.
---. Watching Television Audiences: Cultural Theories and Methods. London: Arnold, 2000. Print.
Tyler, Imogen, Rebecca Coleman, and Debra Ferreday. ‘Commentary And Criticism’. Feminist Media Studies 8.1 (2008): 85–99. Web.
‘Visual Pleasures at 40’ Dossier’. Screen 56.4 (2015): 485–471. Web.
Waugh, Thomas. The Fruit Machine: Twenty Years of Writings on Queer Cinema. Durham: Duke University Press, 2000. Print.
Will Higbee. ‘Concepts of Transnational Cinema: Towards a Critical Transnationalism in Film Studies’. Transnational Cinemas n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.tandfonline.com/doi/abs/10.1386/trac.1.1.7/1>.
Wolf, Mark J. P. The Medium of the Video Game. 1st ed. Austin, TX: University of Texas Press, 2001. Print.
Wolf, Mark J. P., and Bernard Perron. The Video Game Theory Reader. New York, NY: Routledge, 2003. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1461087>.