Balsom, Erika (no date) ‘Original Copies: How Film and Video Became Art Objects’, Cinema Journal, 53, pp. 97–118. Available at: https://search-proquest-com.ezproxy.lib.gla.ac.uk/docview/1465556547?accountid=14540.
Block, B.A. and Ebooks Corporation Limited (2013) The visual story: creating the visual structure of film, TV, and digital media. Second edition. New York: Focal Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=313789.
Brown, B. and Dawson Books (2012) Cinematography: theory and practice : image making for cinematographers and directors. 2nd ed. Waltham, Mass: Elsevier/Focal Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780080958958.
Buckland, W. and Ebooks Corporation Limited (2009) Puzzle films: complex storytelling in contemporary cinema. Chichester: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=437494.
Dancyger, K. and ProQuest (Firm) (2019) The technique of film & video editing: history, theory, and practice. Sixth edition. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5583297.
Demos, T.J. and ProQuest (Firm) (2013) The migrant image: the art and politics of documentary during global crisis. Durham, North Carolina: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1173300.
Elwes, C. and ProQuest (Firm) (2015) Installation and the moving image. London: Wallflower Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1922326.
Gaafar, R. and Schulz, M. (eds) (2014) Technology and desire: the transgressive art of moving images. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4307301.
Hongisto, I. and ProQuest (Firm) (2015) Soul of the documentary: framing, expression, ethics. Amsterdam: Amsterdam University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=4391575.
Jensen, C.S. (2014) ‘Reduced Narration, Intensified Emotion: The Film Trailer’, Projections, 8(1). Available at: https://doi.org/10.3167/proj.2014.080107.
Millerson, G. (1994) Video camera techniques. 2nd ed. Oxford: Focal Press.
Ohanian, T.A. and Phillips, M.E. (2000) Digital filmmaking: the changing art and craft of making motion pictures. 2nd ed. Boston: Focal Press.
Renov, M. (1993) Theorizing documentary. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1039379.
Suckfüll, Monika (no date) ‘Films That Move Us: Moments of Narrative Impact in an Animated Short Film*’, Projections, 4, pp. 41–63. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/766748263?pq-origsite=summon.
The Cool Stuff in Premiere Pro (no date). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1007%2F978-1-4842-2890-6.
