1.
Adair G. Article. Monthly film bulletin. 51(607). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540
2.
Archibald, D. ‘We’re just big bullies...’ Gregory Burke’s Black Watch. Drouth. 2008;(26):8-13. https://eprints.gla.ac.uk/3896/
3.
Guy Barefoot. Autobiography and the autobiographical in the Bill Douglas Trilogy. Biography. 2006;29(1):14-29. https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
4.
Rhodes GD, Springer JP. Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. McFarland & Co; 2005. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273
5.
Bell E. Questioning Scotland: Literature, Nationalism, Postmodernism. Palgrave Macmillan; 2004. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
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Bell E. Questioning Scotland: Literature, Nationalism, Postmodernism. Palgrave Macmillan; 2004. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
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Bell E, Miller G. Scotland in Theory: Reflections on Culture & Literature. Vol Scottish cultural review of language and literature. Rodopi; 2004.
8.
Beveridge C, Turnbull R. The Eclipse of Scottish Culture: Inferiorism and the Intellectuals. Vol Determinations. Polygon; 1989. https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099
9.
Billig M. Banal Nationalism. SAGE; 1995. https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism
10.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
11.
Dick E, British Film Institute, Scottish Film Council. From Limelight to Satellite: A Scottish Film Book. BFI Publishing/Scottish Film Council; 1990. https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099
12.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
13.
Brennan M. The Forgotten Auteur: The Films of Finlay J. MacDonald. The Drouth. 2014;48:77-83. https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099
14.
Brown I, Dawson Books. The Edinburgh History of Scottish Literature: Volume 3: Modern Transformations: New Identities (from 1918). Edinburgh University Press; 2007. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653
15.
Brown J. Land Beyond Brigadoon. Sight and Sound. 53(1). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540
16.
Lockerbie I. Image and Identity: Theatre and Cinema in Scotland and Quebec. John Grierson Archive and Department of French, University of Stirling; 1988. https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099
17.
Brown J. The Artist as disk Jockey. Cencrastus: Scottish & international literature arts & affairs. 1985;20. https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099
18.
Simon Brown. Anywhere but Scotland?” Transnationalism and New Scottish Cinema. International Journal of Scottish Theatre and Screen. 2011;4(1). https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf
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Bruce D. Scotland: The Movie. Polygon; 1996.
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Burke A. Concrete universality: Tower blocks, architectural modernism, and realism in contemporary British cinema. New Cinemas: Journal of Contemporary Film. 2007;5(3):177-188. https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099
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Carruthers G, Goldie D, Renfrew A. Beyond Scotland: New Contexts for Twentieth-Century Scottish Literature. Vol Scottish cultural review of language and literature. Rodopi; 2004.
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McArthur C. Scotch Reels: Scotland in Cinema and Television. BFI Publishing; 1982. https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099
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Chapman M. The Gaelic Vision in Scottish Culture. Croom Helm [etc.]; 1978.
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Craig C. The Scots’ Crisis of Confidence. [Rev. ed.]. Argyll Publishing; 2011.
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Craig C. The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh University Press; 1999. https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099
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Craig C. Out of History: Narrative Paradigms in Scottish and English Culture. Vol Determinations. Polygon; 1996.
28.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
29.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
30.
Cullen SM. The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940. The Scottish Historical Review. 2008;87(224):306-331. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058
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Devine TM. Scotland’s Shame?: Bigotry and Sectarianism in Modern Scotland. Mainstream; 2000.
32.
Devine TM, Logue P. Being Scottish: Personal Reflections on Scottish Identity Today. Polygon at Edinburgh; 2002.
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Devine TM, Finlay RJ. Scotland in the Twentieth Century. Edinburgh University Press; 1996.
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Dick E, British Film Institute, Scottish Film Council. From Limelight to Satellite: A Scottish Film Book. BFI Publishing/Scottish Film Council; 1990.
35.
Dunn J. Cine Caledonia – A New Dawn. The Skinny. Published online 1AD. https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn
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Fyfe NR, Dawson Books. Images of the Street: Planning, Identity, and Control in Public Space. Routledge; 1998. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496
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Gardiner M. Modern Scottish Culture. Edinburgh University Press; 2005.
38.
Gardiner M. From Trocchi to Trainspotting: Scottish Critical Theory since 1960. Edinburgh University Press; 2006. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001
39.
Geraghty C. The study of soap opera. In: A Companion to Television. Blackwell Pub.; 2005:308-323. https://eprints.gla.ac.uk/3371/
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Schoene-Harwood B. The Edinburgh Companion to Contemporary Scottish Literature. Edinburgh University Press; 2007. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288
41.
Gillett P. Comfort and Joy: the anatomy of melancholy. Off Screen. 2005;9(7):1-10. https://offscreen.com/view/comfort_and_joy
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Goldie D. ‘Will ye stop yer tickling, Jock?’: Modern and postmodern Scottish comedy. Critical Quarterly. 2000;42(4):7-18. doi:10.1111/1467-8705.00315
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Gray A. Lanark: A Life in Four Books. [New ed.]. Canongate; 2007.
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Tange H. Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland. Studies in Scottish Literature. 2004;33(1). https://scholarcommons.sc.edu/ssl/vol33/iss1/20/
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Hardy F. Scotland in Film. Edinburgh University Press; 1990.
46.
Harvie C. Travelling Scot: Scotus Viator : Essays on the History, Politics and Future of the Scots. Argyll Publishing; 1999.
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Hassan G, Warhurst C. Anatomy of the New Scotland: Power, Influence and Change. Mainstream; 2002.
48.
Hassan, Mamoun. His ain man. Sight and Sound. 1(7). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540
49.
Dick E, Noble A, Petrie DJ. Bill Douglas: A Lanternist’s Account. BFI Publishing in association with the Scottish Film Couuncil; 1993.
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Hibberd L. River City: Invisible Soap. Critical Studies in Television: The International Journal of Television Studies. 2010;5(1):46-56. doi:10.7227/CST.5.1.6
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Hibberd L. Devolution in Policy and Practice: A Study of River City and BBC Scotland. Westminster Papers in Communication and Culture. 4(3). doi:10.16997/wpcc.101
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Higson A. The Concept of National Cinema. Screen. 1989;30(4):36-47. doi:10.1093/screen/30.4.36
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Hill A, Dawson Books. Reality TV: Audiences and Popular Factual Television. Routledge; 2005. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158
54.
Iordanova D, Martin-Jones D, Vidal B. Cinema at the Periphery. Vol Contemporary approaches to film and television series. Wayne State University Press; 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
55.
Hjort M, Petrie DJ. The Cinema of Small Nations. Indiana University Press; 2007.
56.
Hunter A. Bill Forsyth. Films and filming.:11-13.
57.
Iordanova D, Martin-Jones D, Vidal B. Cinema at the Periphery. Vol Contemporary approaches to film and television series. Wayne State University Press; 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
58.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Jensen T, Ringrose J. Sluts that Choose Vs Doormat Gypsies. Feminist Media Studies. 2014;14(3):369-387. doi:10.1080/14680777.2012.756820
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Jones C. White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares. International Journal of Scottish Literature. 2006;1:1-16. https://www.ijsl.stir.ac.uk/issue1/jones.htm
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Keyser B. The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie. Studies in Scottish Literature. 1975;12(3). https://scholarcommons.sc.edu/ssl/vol12/iss3/3/
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Law A. Near and far: banal national identity and the press in Scotland. Media, Culture & Society. 2001;23(3):299-317. doi:10.1177/016344301023003002
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Logan B. Scottish sitcoms: should national jokes be shared with the entire UK? The Guardian. Published online 31AD. https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc
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Bell D, Haddour A. City Visions. Pearson Education Ltd; 2000. https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099
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Martin-Jones D. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh University Press; 2009. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
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Iordanova D, Martin-Jones D, Vidal B. Cinema at the Periphery. Vol Contemporary approaches to film and television series. Wayne State University Press; 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
68.
Martin-Jones D. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh University Press; 2009. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
69.
Mathieson K. The darker side of Bill Forsyth. The Times higher education supplement.
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Mathiseon K. Bill Fosyth. Innocent or Eccentric? Cencrastus: Scottish & international literature arts & affairs. 1988;Spring:12-14. https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099
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Clarke DB. The Cinematic City. Routledge; 1997. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185
72.
McArthur C. Scotch Reels: Scotland in Cinema and Television. BFI Publishing; 1982.
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McArthur C. Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. Vol Cinema and society. I.B. Tauris; 2003.
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McCrone D. Understanding Scotland: The Sociology of a Nation. Vol International library of sociology. 2nd ed. Routledge; 2001. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0
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McCrone D, Morris A, Kiely R. Scotland - the Brand: The Making of Scottish Heritage. Polygon; 1999.
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Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Miller M, Rodger J, Edwards OD. Tartan Pimps: Gordon Brown, Margaret Thatcher, and the New Scotland. Argyll Publishing; 2010.
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Mills B. Television Sitcom. BFI; 2005. https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099
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The Thrifty Pop Man. Sight and Sound. 53(4). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540
80.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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The Criterion Collection: Tunes of Glory. https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1
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Murray J. Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen. 2005;46(2):217-226. doi:10.1093/screen/46.2.217
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Murray J. The New Scottish Cinema. Vol Cinema and society series. I.B.Tauris & Co. Ltd; 2015. https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099
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Hjort M, Petrie DJ, MyiLibrary. The Cinema of Small Nations. Indiana University Press; 2007. http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth
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Murray J. Discomfort and Joy: The Cinema of Bill Forsyth. Vol Studies in the history and culture of Scotland. Peter Lang; 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969
86.
Murray J. Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen. 2005;46(2):217-226. doi:10.1093/screen/46.2.217
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Murray J. The New Scottish Cinema. Vol Cinema and society series. I.B.Tauris & Co. Ltd; 2015.
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Nash A. Kailyard and Scottish Literature. Rodopi; 2007.
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To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900). http://scottishlit.com/?page_id=171
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J. James Naughtie: the lost Scotland of Sunset Song. The Guardian. Published online 24AD. https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song
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Mackendrick A, Cronin P. On Film-Making: An Introduction to the Craft of the Director Alexander Mackendrick. Faber; 2005.
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Craven I. Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars; 2009. https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099
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Murray J, Farley F, Stoneman R. Scottish Cinema Now. Cambridge Scholars; 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
94.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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O’Hagan A. Fight and argue and improve. The Drouth. 2005;15. https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099
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Petrie DJ, British Film Institute. Screening Scotland. British Film Institute; 2000. https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099
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Petrie DJ. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh University Press; 2004. https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099
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Petrie DJ, British Film Institute. Screening Scotland. British Film Institute; 2000.
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Petrie DJ. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh University Press; 2004.
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Murray J, Farley F, Stoneman R. Scottish Cinema Now. Cambridge Scholars; 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
102.
Ray PE. Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie. Studies in Scottish Literature. 1978;13(1). https://scholarcommons.sc.edu/ssl/vol13/iss1/5/
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Riach A. Representing Scotland in Literature, Popular Culture and Iconography: The Masks of the Modern Nation. Palgrave Macmillan; 2005. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0
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Rosie M. The Sectarian Myth in Scotland: Of Bitter Memory and Bigotry. Palgrave Macmillan; 2004.
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Joseph Rowntree Foundation, ESRC Centre on Dynamics of Ethnicity. How has ethnic diversity changed in Scotland? http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf
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Semotam J. Public Perception of A8 migrants: The discourse of the media and its impacts. Published online 2012. http://bemis.org.uk/PDF/Jan%20Semotam%20MSc%20Dissertation.pdf
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Sherington J, Scottish Film Council. ‘To Speak Its Pride’: The Work of the Films of Scotland Committee 1938-1982 : A Scottish Film Monograph. Vol A Scottish film monograph. Scottish Film Council; 1996.
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Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
109.
Spiers EM. The Scottish Soldier and Empire, 1854-1902. Edinburgh University Press; 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210
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Spring I. Phantom Village: The Myth of the New Glasgow. Vol Determinations. Polygon; 1990. https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099
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Stein E. The Forsyth Saga. Films and filming. 1983;341:54-56.
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Toyeux D. Tidings of Comfort and Joy. Film Directions. 1984;7(26).
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Stewart M. Falling, Looking, Caring: as Melodrama. Journal of British Cinema and Television. 2012;9(4):548-568. doi:10.3366/jbctv.2012.0105
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Murray J, Farley F, Stoneman R. Scottish Cinema Now. Cambridge Scholars; 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
115.
Suh J. The familiar attractions of fascism in Muriel Spark’s The Prime of Miss Jean Brodie. Journal of Modern Literature. 2007;30(2):86-102. https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84
116.
Blain N, Hutchison D. The Media in Scotland. Edinburgh University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Walsh D. History, politics and vulnerability: explaining excess mortality. http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality
