Adair, G. ‘Article’. Monthly Film Bulletin [[London]], vol. 51, no. 607, https://login.uofglasgow.idm.oclc.org/login?url=https://search.proquest.com/docview/1305839358?accountid=14540.
Archibald, D. ‘“We’re Just Big Bullies...” Gregory Burke’s Black Watch’. Drouth, no. 26, 2008, pp. 8–13, https://eprints.gla.ac.uk/3896/.
Bell, David, and Azzedine Haddour. City Visions. Pearson Education Ltd, 2000, https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099.
Bell, Eleanor. Questioning Scotland: Literature, Nationalism, Postmodernism. Palgrave Macmillan, 2004, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248. Electronic resource.
———. Questioning Scotland: Literature, Nationalism, Postmodernism. Palgrave Macmillan, 2004, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248. Electronic resource.
Bell, Eleanor, and Gavin Miller. Scotland in Theory: Reflections on Culture & Literature. Rodopi, 2004.
Beveridge, Craig, and Ronald Turnbull. The Eclipse of Scottish Culture: Inferiorism and the Intellectuals. Polygon, 1989, https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099.
BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography. http://www.screenonline.org.uk/people/id/447947/.
Billig, Michael. Banal Nationalism. SAGE, 1995, https://login.uofglasgow.idm.oclc.org/login?url=https://sk.sagepub.com/books/banal-nationalism. Electronic resource.
Blain, Neil, and David Hutchison. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
———. The Media in Scotland. Edinburgh University Press, 2008, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001. Electronic resource.
Brennan, M. ‘The Forgotten Auteur: The Films of Finlay J. MacDonald’. The Drouth [Glasgow], vol. 48, 2014, pp. 77–83, https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099.
Brown, Ian and Dawson Books. The Edinburgh History of Scottish Literature: Volume 3: Modern Transformations: New Identities (from 1918). Edinburgh University Press, 2007, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653. Electronic resource.
Brown, J. ‘The Artist as Disk Jockey’. Cencrastus: Scottish & International Literature Arts & Affairs [Edinburgh], vol. 20, 1985, https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099.
Brown, John. ‘Land Beyond Brigadoon’. Sight and Sound, vol. 53, no. 1, https://login.uofglasgow.idm.oclc.org/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540.
Bruce, David. Scotland: The Movie. Polygon, 1996.
Bryce, T. G. K., et al. Scottish Education: Post-Devolution. 2nd ed, Edinburgh University Press, 2003.
Burke, Andrew. ‘Concrete Universality: Tower Blocks, Architectural Modernism, and Realism in Contemporary British Cinema’. New Cinemas: Journal of Contemporary Film, vol. 5, no. 3, Nov. 2007, pp. 177–88, https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099.
Carruthers, Gerard, et al. Beyond Scotland: New Contexts for Twentieth-Century Scottish Literature. Rodopi, 2004.
Chapman, Malcolm. The Gaelic Vision in Scottish Culture. Croom Helm [etc.], 1978.
Clarke, David B. The Cinematic City. Routledge, 1997, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185.
Craig, Cairns. Out of History: Narrative Paradigms in Scottish and English Culture. Polygon, 1996.
———. The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh University Press, 1999, https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099.
Craig, Carol. The Scots’ Crisis of Confidence. [Rev. ed.], Argyll Publishing, 2011.
Craven, Ian. Movies on Home Ground: Explorations in Amateur Cinema. Cambridge Scholars, 2009, https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099.
Cullen, Stephen M. ‘The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940’. The Scottish Historical Review, vol. 87, no. 224, 2008, pp. 306–31, https://login.uofglasgow.idm.oclc.org/login?url=https://www.jstor.org/stable/23074058.
Devine, T. M. Scotland’s Shame?: Bigotry and Sectarianism in Modern Scotland. Mainstream, 2000.
Devine, T. M., and Richard J. Finlay. Scotland in the Twentieth Century. Edinburgh University Press, 1996.
Devine, T. M., and Paddy Logue. Being Scottish: Personal Reflections on Scottish Identity Today. Polygon at Edinburgh, 2002.
Dick, Eddie, Andrew Noble, et al. Bill Douglas: A Lanternist’s Account. BFI Publishing in association with the Scottish Film Couuncil, 1993.
Dick, Eddie, British Film Institute, et al. From Limelight to Satellite: A Scottish Film Book. BFI Publishing/Scottish Film Council, 1990.
———. From Limelight to Satellite: A Scottish Film Book. BFI Publishing/Scottish Film Council, 1990, https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099.
Dunn, J. ‘Cine Caledonia – A New Dawn’. The Skinny, 1 AD, https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn.
Fyfe, Nicholas R. and Dawson Books. Images of the Street: Planning, Identity, and Control in Public Space. Routledge, 1998, http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496. Electronic resource.
Gardiner, Michael. From Trocchi to Trainspotting: Scottish Critical Theory since 1960. Edinburgh University Press, 2006, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001. Electronic resource.
———. Modern Scottish Culture. Edinburgh University Press, 2005.
Geraghty, C. ‘The Study of Soap Opera’. A Companion to Television, Blackwell Pub., 2005, pp. 308–23, https://eprints.gla.ac.uk/3371/.
Gillett, P. ‘Comfort and Joy: The Anatomy of Melancholy’. Off Screen, vol. 9, no. 7, 2005, pp. 1–10, https://offscreen.com/view/comfort_and_joy.
Goldie, David. ‘“Will Ye Stop Yer Tickling, Jock?”: Modern and Postmodern Scottish Comedy’. Critical Quarterly, vol. 42, no. 4, Dec. 2000, pp. 7–18, https://doi.org/10.1111/1467-8705.00315.
Gray, Alasdair. Lanark: A Life in Four Books. [New ed.], Canongate, 2007.
Guy Barefoot. ‘Autobiography and the Autobiographical in the Bill Douglas Trilogy’. Biography, vol. 29, no. 1, 2006, pp. 14–29, https://login.uofglasgow.idm.oclc.org/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1.
Hardy, Forsyth. Scotland in Film. Edinburgh University Press, 1990.
Harvie, Christopher. Travelling Scot: Scotus Viator : Essays on the History, Politics and Future of the Scots. Argyll Publishing, 1999.
Hassan, Gerry, and Christopher Warhurst. Anatomy of the New Scotland: Power, Influence and Change. Mainstream, 2002.
Hassan, Mamoun. ‘His Ain Man’. Sight and Sound, vol. 1, no. 7, https://login.uofglasgow.idm.oclc.org/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540.
Hibberd, Lynne. ‘Devolution in Policy and Practice: A Study of River City and BBC Scotland’. Westminster Papers in Communication and Culture, vol. 4, no. 3, https://doi.org/10.16997/wpcc.101.
———. ‘River City: Invisible Soap’. Critical Studies in Television: The International Journal of Television Studies, vol. 5, no. 1, Mar. 2010, pp. 46–56, https://doi.org/10.7227/CST.5.1.6.
Higson, A. ‘The Concept of National Cinema’. Screen, vol. 30, no. 4, Dec. 1989, pp. 36–47, https://doi.org/10.1093/screen/30.4.36.
Hill, Annette and Dawson Books. Reality TV: Audiences and Popular Factual Television. Routledge, 2005, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158.
Hjort, Mette, et al. The Cinema of Small Nations. Indiana University Press, 2007, http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth. Electronic resource.
Hjort, Mette, and Duncan J. Petrie. The Cinema of Small Nations. Indiana University Press, 2007.
Hunter, A. ‘Bill Forsyth’. Films and Filming [London], pp. 11–13.
Iordanova, Dina, et al. Cinema at the Periphery. Wayne State University Press, 2010, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
———. Cinema at the Periphery. Wayne State University Press, 2010, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
———. Cinema at the Periphery. Wayne State University Press, 2010, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
J. ‘James Naughtie: The Lost Scotland of Sunset Song’. The Guardian, 24 AD, https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song.
Jensen, Tracey, and Jessica Ringrose. ‘Sluts That Choose Vs Doormat Gypsies’. Feminist Media Studies, vol. 14, no. 3, May 2014, pp. 369–87, https://doi.org/10.1080/14680777.2012.756820.
Jones, C. ‘White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares’. International Journal of Scottish Literature, vol. 1, 2006, pp. 1–16, https://www.ijsl.stir.ac.uk/issue1/jones.htm.
Joseph Rowntree Foundation, and ESRC Centre on Dynamics of Ethnicity. How Has Ethnic Diversity Changed in Scotland? http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf.
Keyser, Barbara. ‘The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie’. Studies in Scottish Literature, vol. 12, no. 3, 1975, https://scholarcommons.sc.edu/ssl/vol12/iss3/3/.
Law, A. ‘Near and Far: Banal National Identity and the Press in Scotland’. Media, Culture & Society, vol. 23, no. 3, May 2001, pp. 299–317, https://doi.org/10.1177/016344301023003002.
Lockerbie, Ian. Image and Identity: Theatre and Cinema in Scotland and Quebec. John Grierson Archive and Department of French, University of Stirling, 1988, https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099.
Logan, B. ‘Scottish Sitcoms: Should National Jokes Be Shared with the Entire UK?’ The Guardian, 31 AD, https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc.
Mackendrick, Alexander, and Paul Cronin. On Film-Making: An Introduction to the Craft of the Director Alexander Mackendrick. Faber, 2005.
Martin-Jones, David. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh University Press, 2009, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001. Electronic resource.
———. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh University Press, 2009, https://login.uofglasgow.idm.oclc.org/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001. Electronic resource.
Mathieson, K. ‘The Darker Side of Bill Forsyth’. The Times Higher Education Supplement [[London]].
Mathiseon, K. ‘Bill Fosyth. Innocent or Eccentric?’ Cencrastus: Scottish & International Literature Arts & Affairs [Edinburgh], Spring, 1988, pp. 12–14, https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099.
McArthur, Colin. Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. I.B. Tauris, 2003.
———. Scotch Reels: Scotland in Cinema and Television. BFI Publishing, 1982.
———. Scotch Reels: Scotland in Cinema and Television. BFI Publishing, 1982, https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099.
McCrone, David, et al. Scotland - the Brand: The Making of Scottish Heritage. Polygon, 1999.
———. Understanding Scotland: The Sociology of a Nation. 2nd ed, International library of sociology, Routledge, 2001, http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0. Electronic resource.
Miller, Mitch, et al. Tartan Pimps: Gordon Brown, Margaret Thatcher, and the New Scotland. Argyll Publishing, 2010.
Mills, Brett. Television Sitcom. BFI, 2005, https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099.
Murray, J. ‘Kids in America? Narratives of Transatlantic Influence in 1990s Scottish Cinema’. Screen, vol. 46, no. 2, June 2005, pp. 217–26, https://doi.org/10.1093/screen/46.2.217.
———. ‘Kids in America? Narratives of Transatlantic Influence in 1990s Scottish Cinema’. Screen, vol. 46, no. 2, June 2005, pp. 217–26, https://doi.org/10.1093/screen/46.2.217.
Murray, Jonathan. Discomfort and Joy: The Cinema of Bill Forsyth. Peter Lang, 2011, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969. Electronic resource.
———. Scottish Cinema Now. Cambridge Scholars, 2009, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
———. Scottish Cinema Now. Cambridge Scholars, 2009, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
———. Scottish Cinema Now. Cambridge Scholars, 2009, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
———. The New Scottish Cinema. I.B.Tauris & Co. Ltd, 2015.
———. The New Scottish Cinema. I.B.Tauris & Co. Ltd, 2015, https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099.
Nash, Andrew. Kailyard and Scottish Literature. Rodopi, 2007.
O’Hagan, A. ‘Fight and Argue and Improve’. The Drouth [Glasgow], vol. 15, 2005, https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099.
Petrie, Duncan J. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh University Press, 2004.
———. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh University Press, 2004, https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099.
Petrie, Duncan J. and British Film Institute. Screening Scotland. British Film Institute, 2000.
———. Screening Scotland. British Film Institute, 2000, https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099.
Ray, Philip E. ‘Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie’. Studies in Scottish Literature, vol. 13, no. 1, 1978, https://scholarcommons.sc.edu/ssl/vol13/iss1/5/.
Rhodes, Gary Don, and John Parris Springer. Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. McFarland & Co, 2005, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273.
Riach, Alan. Representing Scotland in Literature, Popular Culture and Iconography: The Masks of the Modern Nation. Palgrave Macmillan, 2005, http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0. Electronic resource.
Rosie, Michael. The Sectarian Myth in Scotland: Of Bitter Memory and Bigotry. Palgrave Macmillan, 2004.
Schoene-Harwood, Berthold. The Edinburgh Companion to Contemporary Scottish Literature. Edinburgh University Press, 2007, https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288. Electronic resource.
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Sherington, Jo and Scottish Film Council. ‘To Speak Its Pride’: The Work of the Films of Scotland Committee 1938-1982 : A Scottish Film Monograph. Scottish Film Council, 1996.
Simon Brown. ‘Anywhere but Scotland?” Transnationalism and New Scottish Cinema’. International Journal of Scottish Theatre and Screen, vol. 4, no. 1, 2011, https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf.
Spiers, Edward M. The Scottish Soldier and Empire, 1854-1902. Edinburgh University Press, 2006, https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210.
Spring, Ian. Phantom Village: The Myth of the New Glasgow. Polygon, 1990, https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099.
Stein, E. ‘The Forsyth Saga’. Films and Filming [London], vol. 341, 1983, pp. 54–56.
Stewart, Michael. ‘Falling, Looking, Caring: as Melodrama’. Journal of British Cinema and Television, vol. 9, no. 4, Oct. 2012, pp. 548–68, https://doi.org/10.3366/jbctv.2012.0105.
Suh, Judy. ‘The Familiar Attractions of Fascism in Muriel Spark’s The Prime of Miss Jean Brodie’. Journal of Modern Literature, vol. 30, no. 2, 2007, pp. 86–102, https://login.uofglasgow.idm.oclc.org/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84.
Tange, Hanne. ‘Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland’. Studies in Scottish Literature, vol. 33, no. 1, 2004, https://scholarcommons.sc.edu/ssl/vol33/iss1/20/.
The Criterion Collection: Tunes of Glory. https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1.
‘The Thrifty Pop Man’. Sight and Sound, vol. 53, no. 4, https://login.uofglasgow.idm.oclc.org/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540.
To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900). http://scottishlit.com/?page_id=171.
Toyeux, D. ‘Tidings of Comfort and Joy’. Film Directions [Belfast], vol. 7, no. 26, 1984.
Walsh, D. History, Politics and Vulnerability: Explaining Excess Mortality. http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality.
