Adair, G. n.d. ‘Article’. Monthly Film Bulletin 51 (607). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540.
Archibald, D. 2008. ‘“We’re Just Big Bullies...” Gregory Burke’s Black Watch’. Drouth, no. 26: 8–13. https://eprints.gla.ac.uk/3896/.
Bell, David, and Azzedine Haddour. 2000. City Visions. Harlow: Pearson Education Ltd. https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099.
Bell, Eleanor. 2004a. Questioning Scotland: Literature, Nationalism, Postmodernism. Basingstoke, Hampshire: Palgrave Macmillan. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248.
———. 2004b. Questioning Scotland: Literature, Nationalism, Postmodernism. Basingstoke, Hampshire: Palgrave Macmillan. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248.
Bell, Eleanor, and Gavin Miller. 2004. Scotland in Theory: Reflections on Culture & Literature. Vol. Scottish cultural review of language and literature. Amsterdam: Rodopi.
Beveridge, Craig, and Ronald Turnbull. 1989. The Eclipse of Scottish Culture: Inferiorism and the Intellectuals. Vol. Determinations. Edinburgh: Polygon. https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099.
‘BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography’. n.d. http://www.screenonline.org.uk/people/id/447947/.
Billig, Michael. 1995. Banal Nationalism. London: SAGE. https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism.
Blain, Neil, and David Hutchison. 2008a. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008b. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008c. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008d. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008e. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008f. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008g. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008h. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008i. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008j. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
———. 2008k. The Media in Scotland. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001.
Brennan, M. 2014. ‘The Forgotten Auteur: The Films of Finlay J. MacDonald’. The Drouth 48: 77–83. https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099.
Brown, Ian and Dawson Books. 2007. The Edinburgh History of Scottish Literature: Volume 3: Modern Transformations: New Identities (from 1918). Edinburgh: Edinburgh University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653.
Brown, J. 1985. ‘The Artist as Disk Jockey’. Cencrastus: Scottish & International Literature Arts & Affairs 20. https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099.
Brown, John. n.d. ‘Land Beyond Brigadoon’. Sight and Sound 53 (1). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540.
Bruce, David. 1996. Scotland: The Movie. Edinburgh: Polygon.
Bryce, T. G. K., Walter M. Humes, and Brian Boyd. 2003. Scottish Education: Post-Devolution. 2nd ed. Edinburgh: Edinburgh University Press.
Burke, Andrew. 2007. ‘Concrete Universality: Tower Blocks, Architectural Modernism, and Realism in Contemporary British Cinema’. New Cinemas: Journal of Contemporary Film 5 (3): 177–88. https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099.
Carruthers, Gerard, David Goldie, and Alastair Renfrew. 2004. Beyond Scotland: New Contexts for Twentieth-Century Scottish Literature. Vol. Scottish cultural review of language and literature. Amsterdam: Rodopi.
Chapman, Malcolm. 1978. The Gaelic Vision in Scottish Culture. London: Croom Helm [etc.].
Clarke, David B. 1997. The Cinematic City. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185.
Craig, Cairns. 1996. Out of History: Narrative Paradigms in Scottish and English Culture. Vol. Determinations. Edinburgh: Polygon.
———. 1999. The Modern Scottish Novel: Narrative and the National Imagination. Edinburgh: Edinburgh University Press. https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099.
Craig, Carol. 2011. The Scots’ Crisis of Confidence. [Rev. ed.]. Glendaruel: Argyll Publishing.
Craven, Ian. 2009. Movies on Home Ground: Explorations in Amateur Cinema. Newcastle: Cambridge Scholars. https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099.
Cullen, Stephen M. 2008. ‘The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940’. The Scottish Historical Review 87 (224): 306–31. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058.
Devine, T. M. 2000. Scotland’s Shame?: Bigotry and Sectarianism in Modern Scotland. Edinburgh: Mainstream.
Devine, T. M., and Richard J. Finlay. 1996. Scotland in the Twentieth Century. Edinburgh: Edinburgh University Press.
Devine, T. M., and Paddy Logue. 2002. Being Scottish: Personal Reflections on Scottish Identity Today. Edinburgh: Polygon at Edinburgh.
Dick, Eddie, British Film Institute, and Scottish Film Council. 1990a. From Limelight to Satellite: A Scottish Film Book. London: BFI Publishing/Scottish Film Council. https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099.
———. 1990b. From Limelight to Satellite: A Scottish Film Book. London: BFI Publishing/Scottish Film Council.
Dick, Eddie, Andrew Noble, and Duncan J. Petrie. 1993. Bill Douglas: A Lanternist’s Account. London: BFI Publishing in association with the Scottish Film Couuncil.
Dunn, J. 1AD. ‘Cine Caledonia – A New Dawn’. The Skinny. https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn.
Fyfe, Nicholas R. and Dawson Books. 1998. Images of the Street: Planning, Identity, and Control in Public Space. London: Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496.
Gardiner, Michael. 2005. Modern Scottish Culture. Edinburgh: Edinburgh University Press.
———. 2006. From Trocchi to Trainspotting: Scottish Critical Theory since 1960. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001.
Geraghty, C. 2005. ‘The Study of Soap Opera’. In A Companion to Television, 308–23. Malden, MA: Blackwell Pub. https://eprints.gla.ac.uk/3371/.
Gillett, P. 2005. ‘Comfort and Joy: The Anatomy of Melancholy’. Off Screen 9 (7): 1–10. https://offscreen.com/view/comfort_and_joy.
Goldie, David. 2000. ‘“Will Ye Stop Yer Tickling, Jock?”: Modern and Postmodern Scottish Comedy’. Critical Quarterly 42 (4): 7–18. https://doi.org/10.1111/1467-8705.00315.
Gray, Alasdair. 2007. Lanark: A Life in Four Books. [New ed.]. Edinburgh: Canongate.
Guy Barefoot. 2006. ‘Autobiography and the Autobiographical in the Bill Douglas Trilogy’. Biography 29 (1): 14–29. https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1.
Hardy, Forsyth. 1990. Scotland in Film. Edinburgh: Edinburgh University Press.
Harvie, Christopher. 1999. Travelling Scot: Scotus Viator : Essays on the History, Politics and Future of the Scots. Glendaruel: Argyll Publishing.
Hassan, Gerry, and Christopher Warhurst. 2002. Anatomy of the New Scotland: Power, Influence and Change. Edinburgh: Mainstream.
Hassan, Mamoun. n.d. ‘His Ain Man’. Sight and Sound 1 (7). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540.
Hibberd, Lynne. 2010. ‘River City: Invisible Soap’. Critical Studies in Television: The International Journal of Television Studies 5 (1): 46–56. https://doi.org/10.7227/CST.5.1.6.
———. n.d. ‘Devolution in Policy and Practice: A Study of River City and BBC Scotland’. Westminster Papers in Communication and Culture 4 (3). https://doi.org/10.16997/wpcc.101.
Higson, A. 1989. ‘The Concept of National Cinema’. Screen 30 (4): 36–47. https://doi.org/10.1093/screen/30.4.36.
Hill, Annette and Dawson Books. 2005. Reality TV: Audiences and Popular Factual Television. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158.
Hjort, Mette, and Duncan J. Petrie. 2007. The Cinema of Small Nations. Bloomington: Indiana University Press.
Hjort, Mette, Duncan J. Petrie, and MyiLibrary. 2007. The Cinema of Small Nations. Bloomington, IN: Indiana University Press. http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth.
Hunter, A. n.d. ‘Bill Forsyth’. Films and Filming, 11–13.
Iordanova, Dina, David Martin-Jones, and Belén Vidal. 2010a. Cinema at the Periphery. Vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
———. 2010b. Cinema at the Periphery. Vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
———. 2010c. Cinema at the Periphery. Vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522.
J. 24AD. ‘James Naughtie: The Lost Scotland of Sunset Song’. The Guardian. https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song.
Jensen, Tracey, and Jessica Ringrose. 2014. ‘Sluts That Choose Vs Doormat Gypsies’. Feminist Media Studies 14 (3): 369–87. https://doi.org/10.1080/14680777.2012.756820.
Jones, C. 2006. ‘White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares’. International Journal of Scottish Literature 1: 1–16. https://www.ijsl.stir.ac.uk/issue1/jones.htm.
Joseph Rowntree Foundation, and ESRC Centre on Dynamics of Ethnicity. n.d. ‘How Has Ethnic Diversity Changed in Scotland?’ http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf.
Keyser, Barbara. 1975. ‘The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie’. Studies in Scottish Literature 12 (3). https://scholarcommons.sc.edu/ssl/vol12/iss3/3/.
Law, A. 2001. ‘Near and Far: Banal National Identity and the Press in Scotland’. Media, Culture & Society 23 (3): 299–317. https://doi.org/10.1177/016344301023003002.
Lockerbie, Ian. 1988. Image and Identity: Theatre and Cinema in Scotland and Quebec. Stirling: John Grierson Archive and Department of French, University of Stirling. https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099.
Logan, B. 31AD. ‘Scottish Sitcoms: Should National Jokes Be Shared with the Entire UK?’ The Guardian. https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc.
Mackendrick, Alexander, and Paul Cronin. 2005. On Film-Making: An Introduction to the Craft of the Director Alexander Mackendrick. London: Faber.
Martin-Jones, David. 2009a. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001.
———. 2009b. Scotland, Global Cinema: Genres, Modes and Identities. Edinburgh: Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001.
Mathieson, K. n.d. ‘The Darker Side of Bill Forsyth’. The Times Higher Education Supplement.
Mathiseon, K. 1988. ‘Bill Fosyth. Innocent or Eccentric?’ Cencrastus: Scottish & International Literature Arts & Affairs Spring: 12–14. https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099.
McArthur, Colin. 1982a. Scotch Reels: Scotland in Cinema and Television. London: BFI Publishing. https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099.
———. 1982b. Scotch Reels: Scotland in Cinema and Television. London: BFI Publishing.
———. 2003. Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema. Vol. Cinema and society. London: I.B. Tauris.
McCrone, David. 2001. Understanding Scotland: The Sociology of a Nation. 2nd ed. Vol. International library of sociology. London: Routledge. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0.
McCrone, David, Angela Morris, and Richard Kiely. 1999. Scotland - the Brand: The Making of Scottish Heritage. Edinburgh: Polygon.
Miller, Mitch, John Rodger, and Owen Dudley Edwards. 2010. Tartan Pimps: Gordon Brown, Margaret Thatcher, and the New Scotland. Glendaruel: Argyll Publishing.
Mills, Brett. 2005. Television Sitcom. London: BFI. https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099.
Murray, J. 2005a. ‘Kids in America? Narratives of Transatlantic Influence in 1990s Scottish Cinema’. Screen 46 (2): 217–26. https://doi.org/10.1093/screen/46.2.217.
———. 2005b. ‘Kids in America? Narratives of Transatlantic Influence in 1990s Scottish Cinema’. Screen 46 (2): 217–26. https://doi.org/10.1093/screen/46.2.217.
Murray, Jonathan. 2011. Discomfort and Joy: The Cinema of Bill Forsyth. Vol. Studies in the history and culture of Scotland. Oxford: Peter Lang. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969.
———. 2015a. The New Scottish Cinema. Vol. Cinema and society series. London: I.B.Tauris & Co. Ltd. https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099.
———. 2015b. The New Scottish Cinema. Vol. Cinema and society series. London: I.B.Tauris & Co. Ltd.
Murray, Jonathan, Fidelma Farley, and Rod Stoneman. 2009a. Scottish Cinema Now. Newcastle upon Tyne: Cambridge Scholars. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
———. 2009b. Scottish Cinema Now. Newcastle upon Tyne: Cambridge Scholars. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
———. 2009c. Scottish Cinema Now. Newcastle upon Tyne: Cambridge Scholars. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153.
Nash, Andrew. 2007. Kailyard and Scottish Literature. Amsterdam: Rodopi.
O’Hagan, A. 2005. ‘Fight and Argue and Improve’. The Drouth 15. https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099.
Petrie, Duncan J. 2004a. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh: Edinburgh University Press. https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099.
———. 2004b. Contemporary Scottish Fictions: Film, Television and the Novel. Edinburgh: Edinburgh University Press.
Petrie, Duncan J. and British Film Institute. 2000a. Screening Scotland. London: British Film Institute. https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099.
———. 2000b. Screening Scotland. London: British Film Institute.
Ray, Philip E. 1978. ‘Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie’. Studies in Scottish Literature 13 (1). https://scholarcommons.sc.edu/ssl/vol13/iss1/5/.
Rhodes, Gary Don, and John Parris Springer. 2005. Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. Jefferson, NC: McFarland & Co. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273.
Riach, Alan. 2005. Representing Scotland in Literature, Popular Culture and Iconography: The Masks of the Modern Nation. Houndmills: Palgrave Macmillan. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0.
Rosie, Michael. 2004. The Sectarian Myth in Scotland: Of Bitter Memory and Bigotry. Basingstoke: Palgrave Macmillan.
Schoene-Harwood, Berthold. 2007. The Edinburgh Companion to Contemporary Scottish Literature. Edinburgh: Edinburgh University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288.
Semotam, J. 2012. ‘Public Perception of A8 Migrants: The Discourse of the Media and Its Impacts’. http://bemis.org.uk/PDF/Jan%20Semotam%20MSc%20Dissertation.pdf.
Sherington, Jo and Scottish Film Council. 1996. ‘To Speak Its Pride’: The Work of the Films of Scotland Committee 1938-1982 : A Scottish Film Monograph. Vol. A Scottish film monograph. [Glasgow]: Scottish Film Council.
Simon Brown. 2011. ‘Anywhere but Scotland?” Transnationalism and New Scottish Cinema’. International Journal of Scottish Theatre and Screen 4 (1). https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf.
Spiers, Edward M. 2006. The Scottish Soldier and Empire, 1854-1902. Edinburgh: Edinburgh University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210.
Spring, Ian. 1990. Phantom Village: The Myth of the New Glasgow. Vol. Determinations. Edinburgh: Polygon. https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099.
Stein, E. 1983. ‘The Forsyth Saga’. Films and Filming 341: 54–56.
Stewart, Michael. 2012. ‘Falling, Looking, Caring: as Melodrama’. Journal of British Cinema and Television 9 (4): 548–68. https://doi.org/10.3366/jbctv.2012.0105.
Suh, Judy. 2007. ‘The Familiar Attractions of Fascism in Muriel Spark’s The Prime of Miss Jean Brodie’. Journal of Modern Literature 30 (2): 86–102. https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84.
Tange, Hanne. 2004. ‘Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland’. Studies in Scottish Literature 33 (1). https://scholarcommons.sc.edu/ssl/vol33/iss1/20/.
‘The Criterion Collection: Tunes of Glory’. n.d. https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1.
‘The Thrifty Pop Man’. n.d. Sight and Sound 53 (4). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540.
‘To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900)’. n.d. http://scottishlit.com/?page_id=171.
Toyeux, D. 1984. ‘Tidings of Comfort and Joy’. Film Directions 7 (26).
Walsh, D. n.d. ‘History, Politics and Vulnerability: Explaining Excess Mortality’. http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality.
