1
Adair G. Article. Monthly film bulletin. ;51.
2
Archibald, D. ‘We’re just big bullies...’ Gregory Burke’s Black Watch. Drouth. 2008;8–13.
3
Guy Barefoot. Autobiography and the autobiographical in the Bill Douglas Trilogy. Biography. 2006;29:14–29.
4
Rhodes GD, Springer JP. Docufictions: essays on the intersection of documentary and fictional filmmaking. Jefferson, NC: McFarland & Co 2005.
5
Bell E. Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: Palgrave Macmillan 2004.
6
Bell E. Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: Palgrave Macmillan 2004.
7
Bell E, Miller G. Scotland in theory: reflections on culture & literature. Amsterdam: Rodopi 2004.
8
Beveridge C, Turnbull R. The eclipse of Scottish culture: inferiorism and the intellectuals. Edinburgh: Polygon 1989.
9
Billig M. Banal nationalism. London: SAGE 1995.
10
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
11
Dick E, British Film Institute, Scottish Film Council. From limelight to satellite: a Scottish film book. London: BFI Publishing/Scottish Film Council 1990.
12
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
13
Brennan M. The Forgotten Auteur: The Films of Finlay J. MacDonald. The Drouth. 2014;48:77–83.
14
Brown I, Dawson Books. The Edinburgh history of Scottish literature: Volume 3: Modern transformations: new identities (from 1918). Edinburgh: Edinburgh University Press 2007.
15
Brown J. Land Beyond Brigadoon. Sight and Sound. ;53.
16
Lockerbie I. Image and identity: theatre and cinema in Scotland and Quebec. Stirling: John Grierson Archive and Department of French, University of Stirling 1988.
17
Brown J. The Artist as disk Jockey. Cencrastus: Scottish & international literature arts & affairs. 1985;20.
18
Simon Brown. Anywhere but Scotland?” Transnationalism and New Scottish Cinema. International Journal of Scottish Theatre and Screen. 2011;4.
19
Bruce D. Scotland: the movie. Edinburgh: Polygon 1996.
20
Bryce TGK, Humes WM, Boyd B. Scottish education: post-devolution. 2nd ed. Edinburgh: Edinburgh University Press 2003.
21
Burke A. Concrete universality: Tower blocks, architectural modernism, and realism in contemporary British cinema. New Cinemas: Journal of Contemporary Film. 2007;5:177–88.
22
Carruthers G, Goldie D, Renfrew A. Beyond Scotland: new contexts for twentieth-century Scottish literature. Amsterdam: Rodopi 2004.
23
McArthur C. Scotch reels: Scotland in cinema and television. London: BFI Publishing 1982.
24
Chapman M. The Gaelic vision in Scottish culture. London: Croom Helm [etc.] 1978.
25
Craig C. The Scots’ crisis of confidence. [Rev. ed.]. Glendaruel: Argyll Publishing 2011.
26
Craig C. The modern Scottish novel: narrative and the national imagination. Edinburgh: Edinburgh University Press 1999.
27
Craig C. Out of history: narrative paradigms in Scottish and English culture. Edinburgh: Polygon 1996.
28
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
29
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
30
Cullen SM. The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940. The Scottish Historical Review. 2008;87:306–31.
31
Devine TM. Scotland’s shame?: bigotry and sectarianism in modern Scotland. Edinburgh: Mainstream 2000.
32
Devine TM, Logue P. Being Scottish: personal reflections on Scottish identity today. Edinburgh: Polygon at Edinburgh 2002.
33
Devine TM, Finlay RJ. Scotland in the twentieth century. Edinburgh: Edinburgh University Press 1996.
34
Dick E, British Film Institute, Scottish Film Council. From limelight to satellite: a Scottish film book. London: BFI Publishing/Scottish Film Council 1990.
35
Dunn J. Cine Caledonia – A New Dawn. The Skinny. Published Online First: 1 AD.
36
Fyfe NR, Dawson Books. Images of the street: planning, identity, and control in public space. London: Routledge 1998.
37
Gardiner M. Modern Scottish culture. Edinburgh: Edinburgh University Press 2005.
38
Gardiner M. From Trocchi to Trainspotting: Scottish critical theory since 1960. Edinburgh: Edinburgh University Press 2006.
39
Geraghty C. The study of soap opera. A companion to television. Malden, MA: Blackwell Pub. 2005:308–23.
40
Schoene-Harwood B. The Edinburgh companion to contemporary Scottish literature. Edinburgh: Edinburgh University Press 2007.
41
Gillett P. Comfort and Joy: the anatomy of melancholy. Off Screen. 2005;9:1–10.
42
Goldie D. ‘Will ye stop yer tickling, Jock?’: Modern and postmodern Scottish comedy. Critical Quarterly. 2000;42:7–18. doi: 10.1111/1467-8705.00315
43
Gray A. Lanark: a life in four books. [New ed.]. Edinburgh: Canongate 2007.
44
Tange H. Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland. Studies in Scottish Literature. 2004;33.
45
Hardy F. Scotland in film. Edinburgh: Edinburgh University Press 1990.
46
Harvie C. Travelling Scot: Scotus viator : essays on the history, politics and future of the Scots. Glendaruel: Argyll Publishing 1999.
47
Hassan G, Warhurst C. Anatomy of the new Scotland: power, influence and change. Edinburgh: Mainstream 2002.
48
Hassan, Mamoun. His ain man. Sight and Sound. ;1.
49
Dick E, Noble A, Petrie DJ. Bill Douglas: a lanternist’s account. London: BFI Publishing in association with the Scottish Film Couuncil 1993.
50
Hibberd L. River City: Invisible Soap. Critical Studies in Television: The International Journal of Television Studies. 2010;5:46–56. doi: 10.7227/CST.5.1.6
51
Hibberd L. Devolution in Policy and Practice: A Study of River City and BBC Scotland. Westminster Papers in Communication and Culture. ;4. doi: 10.16997/wpcc.101
52
Higson A. The Concept of National Cinema. Screen. 1989;30:36–47. doi: 10.1093/screen/30.4.36
53
Hill A, Dawson Books. Reality TV: audiences and popular factual television. London: Routledge 2005.
54
Iordanova D, Martin-Jones D, Vidal B. Cinema at the periphery. Detroit, Mich: Wayne State University Press 2010.
55
Hjort M, Petrie DJ. The cinema of small nations. Bloomington: Indiana University Press 2007.
56
Hunter A. Bill Forsyth. Films and filming. ;11–3.
57
Iordanova D, Martin-Jones D, Vidal B. Cinema at the periphery. Detroit, Mich: Wayne State University Press 2010.
58
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
59
Jensen T, Ringrose J. Sluts that Choose Vs Doormat Gypsies. Feminist Media Studies. 2014;14:369–87. doi: 10.1080/14680777.2012.756820
60
Jones C. White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares. International Journal of Scottish Literature. 2006;1:1–16.
61
Keyser B. The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie. Studies in Scottish Literature. 1975;12.
62
BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography. http://www.screenonline.org.uk/people/id/447947/
63
Law A. Near and far: banal national identity and the press in Scotland. Media, Culture & Society. 2001;23:299–317. doi: 10.1177/016344301023003002
64
Logan B. Scottish sitcoms: should national jokes be shared with the entire UK? The Guardian. Published Online First: 31 AD.
65
Bell D, Haddour A. City visions. Harlow: Pearson Education Ltd 2000.
66
Martin-Jones D. Scotland, global cinema: genres, modes and identities. Edinburgh: Edinburgh University Press 2009.
67
Iordanova D, Martin-Jones D, Vidal B. Cinema at the periphery. Detroit, Mich: Wayne State University Press 2010.
68
Martin-Jones D. Scotland, global cinema: genres, modes and identities. Edinburgh: Edinburgh University Press 2009.
69
Mathieson K. The darker side of Bill Forsyth. The Times higher education supplement.
70
Mathiseon K. Bill Fosyth. Innocent or Eccentric? Cencrastus: Scottish & international literature arts & affairs. 1988;Spring:12–4.
71
Clarke DB. The cinematic city. London: Routledge 1997.
72
McArthur C. Scotch reels: Scotland in cinema and television. London: BFI Publishing 1982.
73
McArthur C. Brigadoon, Braveheart and the Scots: distortions of Scotland in Hollywood cinema. London: I.B. Tauris 2003.
74
McCrone D. Understanding Scotland: the sociology of a nation. 2nd ed. London: Routledge 2001.
75
McCrone D, Morris A, Kiely R. Scotland - the brand: the making of Scottish heritage. Edinburgh: Polygon 1999.
76
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
77
Miller M, Rodger J, Edwards OD. Tartan pimps: Gordon Brown, Margaret Thatcher, and the new Scotland. Glendaruel: Argyll Publishing 2010.
78
Mills B. Television sitcom. London: BFI 2005.
79
The Thrifty Pop Man. Sight and Sound. ;53.
80
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
81
The Criterion Collection: Tunes of Glory. https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1
82
Murray J. Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen. 2005;46:217–26. doi: 10.1093/screen/46.2.217
83
Murray J. The new Scottish Cinema. London: I.B.Tauris & Co. Ltd 2015.
84
Hjort M, Petrie DJ, MyiLibrary. The cinema of small nations. Bloomington, IN: Indiana University Press 2007.
85
Murray J. Discomfort and joy: the cinema of Bill Forsyth. Oxford: Peter Lang 2011.
86
Murray J. Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen. 2005;46:217–26. doi: 10.1093/screen/46.2.217
87
Murray J. The new Scottish Cinema. London: I.B.Tauris & Co. Ltd 2015.
88
Nash A. Kailyard and Scottish literature. Amsterdam: Rodopi 2007.
89
To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900). http://scottishlit.com/?page_id=171
90
J. James Naughtie: the lost Scotland of Sunset Song. The Guardian. Published Online First: 24 AD.
91
Mackendrick A, Cronin P. On film-making: an introduction to the craft of the director Alexander Mackendrick. London: Faber 2005.
92
Craven I. Movies on home ground: explorations in amateur cinema. Newcastle: Cambridge Scholars 2009.
93
Murray J, Farley F, Stoneman R. Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars 2009.
94
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
95
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
96
O’Hagan A. Fight and argue and improve. The Drouth. 2005;15.
97
Petrie DJ, British Film Institute. Screening Scotland. London: British Film Institute 2000.
98
Petrie DJ. Contemporary Scottish fictions: film, television and the novel. Edinburgh: Edinburgh University Press 2004.
99
Petrie DJ, British Film Institute. Screening Scotland. London: British Film Institute 2000.
100
Petrie DJ. Contemporary Scottish fictions: film, television and the novel. Edinburgh: Edinburgh University Press 2004.
101
Murray J, Farley F, Stoneman R. Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars 2009.
102
Ray PE. Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie. Studies in Scottish Literature. 1978;13.
103
Riach A. Representing Scotland in literature, popular culture and iconography: the masks of the modern nation. Houndmills: Palgrave Macmillan 2005.
104
Rosie M. The sectarian myth in Scotland: of bitter memory and bigotry. Basingstoke: Palgrave Macmillan 2004.
105
Joseph Rowntree Foundation, ESRC Centre on Dynamics of Ethnicity. How has ethnic diversity changed in Scotland?
106
Semotam J. Public Perception of A8 migrants: The discourse of the media and its impacts. 2012.
107
Sherington J, Scottish Film Council. ‘To speak its pride’: the work of the Films of Scotland Committee 1938-1982 : a Scottish film monograph. [Glasgow]: Scottish Film Council 1996.
108
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
109
Spiers EM. The Scottish soldier and empire, 1854-1902. Edinburgh: Edinburgh University Press 2006.
110
Spring I. Phantom village: the myth of the new Glasgow. Edinburgh: Polygon 1990.
111
Stein E. The Forsyth Saga. Films and filming. 1983;341:54–6.
112
Toyeux D. Tidings of Comfort and Joy. Film Directions. 1984;7.
113
Stewart M. Falling, Looking, Caring: as Melodrama. Journal of British Cinema and Television. 2012;9:548–68. doi: 10.3366/jbctv.2012.0105
114
Murray J, Farley F, Stoneman R. Scottish cinema now. Newcastle upon Tyne: Cambridge Scholars 2009.
115
Suh J. The familiar attractions of fascism in Muriel Spark’s The Prime of Miss Jean Brodie. Journal of Modern Literature. 2007;30:86–102.
116
Blain N, Hutchison D. The media in Scotland. Edinburgh: Edinburgh University Press 2008.
117
Walsh D. History, politics and vulnerability: explaining excess mortality.