1
Adair G. Article. Monthly film bulletin;51.https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540
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Archibald, D. ‘We’re just big bullies...’ Gregory Burke’s Black Watch. Drouth 2008;:8–13.https://eprints.gla.ac.uk/3896/
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Guy Barefoot. Autobiography and the autobiographical in the Bill Douglas Trilogy. Biography 2006;29:14–29.https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
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Rhodes GD, Springer JP. Docufictions: essays on the intersection of documentary and fictional filmmaking. Jefferson, NC: : McFarland & Co 2005. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273
5
Bell E. Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: : Palgrave Macmillan 2004. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
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Bell E. Questioning Scotland: literature, nationalism, postmodernism. Basingstoke, Hampshire: : Palgrave Macmillan 2004. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
7
Bell E, Miller G. Scotland in theory: reflections on culture & literature. Amsterdam: : Rodopi 2004.
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Beveridge C, Turnbull R. The eclipse of Scottish culture: inferiorism and the intellectuals. Edinburgh: : Polygon 1989. https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099
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Billig M. Banal nationalism. London: : SAGE 1995. https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Dick E, British Film Institute, Scottish Film Council. From limelight to satellite: a Scottish film book. London: : BFI Publishing/Scottish Film Council 1990. https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Brennan M. The Forgotten Auteur: The Films of Finlay J. MacDonald. The Drouth 2014;48:77–83.https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099
14
Brown I, Dawson Books. The Edinburgh history of Scottish literature: Volume 3: Modern transformations: new identities (from 1918). Edinburgh: : Edinburgh University Press 2007. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653
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Brown J. Land Beyond Brigadoon. Sight and Sound;53.https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540
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Lockerbie I. Image and identity: theatre and cinema in Scotland and Quebec. Stirling: : John Grierson Archive and Department of French, University of Stirling 1988. https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099
17
Brown J. The Artist as disk Jockey. Cencrastus: Scottish & international literature arts & affairs 1985;20.https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099
18
Simon Brown. Anywhere but Scotland?” Transnationalism and New Scottish Cinema. International Journal of Scottish Theatre and Screen 2011;4.https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf
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Bruce D. Scotland: the movie. Edinburgh: : Polygon 1996.
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Bryce TGK, Humes WM, Boyd B. Scottish education: post-devolution. 2nd ed. Edinburgh: : Edinburgh University Press 2003.
21
Burke A. Concrete universality: Tower blocks, architectural modernism, and realism in contemporary British cinema. New Cinemas: Journal of Contemporary Film 2007;5:177–88.https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099
22
Carruthers G, Goldie D, Renfrew A. Beyond Scotland: new contexts for twentieth-century Scottish literature. Amsterdam: : Rodopi 2004.
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McArthur C. Scotch reels: Scotland in cinema and television. London: : BFI Publishing 1982. https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099
24
Chapman M. The Gaelic vision in Scottish culture. London: : Croom Helm [etc.] 1978.
25
Craig C. The Scots’ crisis of confidence. [Rev. ed.]. Glendaruel: : Argyll Publishing 2011.
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Craig C. The modern Scottish novel: narrative and the national imagination. Edinburgh: : Edinburgh University Press 1999. https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099
27
Craig C. Out of history: narrative paradigms in Scottish and English culture. Edinburgh: : Polygon 1996.
28
Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Cullen SM. The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940. The Scottish Historical Review 2008;87:306–31.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058
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Devine TM. Scotland’s shame?: bigotry and sectarianism in modern Scotland. Edinburgh: : Mainstream 2000.
32
Devine TM, Logue P. Being Scottish: personal reflections on Scottish identity today. Edinburgh: : Polygon at Edinburgh 2002.
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Devine TM, Finlay RJ. Scotland in the twentieth century. Edinburgh: : Edinburgh University Press 1996.
34
Dick E, British Film Institute, Scottish Film Council. From limelight to satellite: a Scottish film book. London: : BFI Publishing/Scottish Film Council 1990.
35
Dunn J. Cine Caledonia – A New Dawn. The Skinny Published Online First: 1AD.https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn
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Fyfe NR, Dawson Books. Images of the street: planning, identity, and control in public space. London: : Routledge 1998. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496
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Gardiner M. Modern Scottish culture. Edinburgh: : Edinburgh University Press 2005.
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Gardiner M. From Trocchi to Trainspotting: Scottish critical theory since 1960. Edinburgh: : Edinburgh University Press 2006. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001
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Geraghty C. The study of soap opera. In: A companion to television. Malden, MA: : Blackwell Pub. 2005. 308–23.https://eprints.gla.ac.uk/3371/
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Schoene-Harwood B. The Edinburgh companion to contemporary Scottish literature. Edinburgh: : Edinburgh University Press 2007. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288
41
Gillett P. Comfort and Joy: the anatomy of melancholy. Off Screen 2005;9:1–10.https://offscreen.com/view/comfort_and_joy
42
Goldie D. ‘Will ye stop yer tickling, Jock?’: Modern and postmodern Scottish comedy. Critical Quarterly 2000;42:7–18. doi:10.1111/1467-8705.00315
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Gray A. Lanark: a life in four books. [New ed.]. Edinburgh: : Canongate 2007.
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Tange H. Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland. Studies in Scottish Literature 2004;33.https://scholarcommons.sc.edu/ssl/vol33/iss1/20/
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Hardy F. Scotland in film. Edinburgh: : Edinburgh University Press 1990.
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Harvie C. Travelling Scot: Scotus viator : essays on the history, politics and future of the Scots. Glendaruel: : Argyll Publishing 1999.
47
Hassan G, Warhurst C. Anatomy of the new Scotland: power, influence and change. Edinburgh: : Mainstream 2002.
48
Hassan, Mamoun. His ain man. Sight and Sound;1.https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540
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Dick E, Noble A, Petrie DJ. Bill Douglas: a lanternist’s account. London: : BFI Publishing in association with the Scottish Film Couuncil 1993.
50
Hibberd L. River City: Invisible Soap. Critical Studies in Television: The International Journal of Television Studies 2010;5:46–56. doi:10.7227/CST.5.1.6
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Hibberd L. Devolution in Policy and Practice: A Study of River City and BBC Scotland. Westminster Papers in Communication and Culture;4. doi:10.16997/wpcc.101
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Higson A. The Concept of National Cinema. Screen 1989;30:36–47. doi:10.1093/screen/30.4.36
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Hill A, Dawson Books. Reality TV: audiences and popular factual television. London: : Routledge 2005. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158
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Iordanova D, Martin-Jones D, Vidal B. Cinema at the periphery. Detroit, Mich: : Wayne State University Press 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
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Hjort M, Petrie DJ. The cinema of small nations. Bloomington: : Indiana University Press 2007.
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Hunter A. Bill Forsyth. Films and filming;:11–3.
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Iordanova D, Martin-Jones D, Vidal B. Cinema at the periphery. Detroit, Mich: : Wayne State University Press 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Jensen T, Ringrose J. Sluts that Choose Vs Doormat Gypsies. Feminist Media Studies 2014;14:369–87. doi:10.1080/14680777.2012.756820
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Jones C. White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares. International Journal of Scottish Literature 2006;1:1–16.https://www.ijsl.stir.ac.uk/issue1/jones.htm
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Keyser B. The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie. Studies in Scottish Literature 1975;12.https://scholarcommons.sc.edu/ssl/vol12/iss3/3/
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BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography. http://www.screenonline.org.uk/people/id/447947/
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Law A. Near and far: banal national identity and the press in Scotland. Media, Culture & Society 2001;23:299–317. doi:10.1177/016344301023003002
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Logan B. Scottish sitcoms: should national jokes be shared with the entire UK? The Guardian Published Online First: 31AD.https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc
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Bell D, Haddour A. City visions. Harlow: : Pearson Education Ltd 2000. https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099
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Martin-Jones D. Scotland, global cinema: genres, modes and identities. Edinburgh: : Edinburgh University Press 2009. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
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Iordanova D, Martin-Jones D, Vidal B. Cinema at the periphery. Detroit, Mich: : Wayne State University Press 2010. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
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Martin-Jones D. Scotland, global cinema: genres, modes and identities. Edinburgh: : Edinburgh University Press 2009. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
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Mathieson K. The darker side of Bill Forsyth. The Times higher education supplement
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Mathiseon K. Bill Fosyth. Innocent or Eccentric? Cencrastus: Scottish & international literature arts & affairs 1988;Spring:12–4.https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099
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Clarke DB. The cinematic city. London: : Routledge 1997. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185
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McArthur C. Scotch reels: Scotland in cinema and television. London: : BFI Publishing 1982.
73
McArthur C. Brigadoon, Braveheart and the Scots: distortions of Scotland in Hollywood cinema. London: : I.B. Tauris 2003.
74
McCrone D. Understanding Scotland: the sociology of a nation. 2nd ed. London: : Routledge 2001. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0
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McCrone D, Morris A, Kiely R. Scotland - the brand: the making of Scottish heritage. Edinburgh: : Polygon 1999.
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Miller M, Rodger J, Edwards OD. Tartan pimps: Gordon Brown, Margaret Thatcher, and the new Scotland. Glendaruel: : Argyll Publishing 2010.
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Mills B. Television sitcom. London: : BFI 2005. https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099
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The Thrifty Pop Man. Sight and Sound;53.https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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The Criterion Collection: Tunes of Glory. https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1
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Murray J. Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen 2005;46:217–26. doi:10.1093/screen/46.2.217
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Murray J. The new Scottish Cinema. London: : I.B.Tauris & Co. Ltd 2015. https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099
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Hjort M, Petrie DJ, MyiLibrary. The cinema of small nations. Bloomington, IN: : Indiana University Press 2007. http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth
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Murray J. Discomfort and joy: the cinema of Bill Forsyth. Oxford: : Peter Lang 2011. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969
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Murray J. Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen 2005;46:217–26. doi:10.1093/screen/46.2.217
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Murray J. The new Scottish Cinema. London: : I.B.Tauris & Co. Ltd 2015.
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Nash A. Kailyard and Scottish literature. Amsterdam: : Rodopi 2007.
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To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900). http://scottishlit.com/?page_id=171
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J. James Naughtie: the lost Scotland of Sunset Song. The Guardian Published Online First: 24AD.https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song
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Mackendrick A, Cronin P. On film-making: an introduction to the craft of the director Alexander Mackendrick. London: : Faber 2005.
92
Craven I. Movies on home ground: explorations in amateur cinema. Newcastle: : Cambridge Scholars 2009. https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099
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Murray J, Farley F, Stoneman R. Scottish cinema now. Newcastle upon Tyne: : Cambridge Scholars 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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O’Hagan A. Fight and argue and improve. The Drouth 2005;15.https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099
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Petrie DJ, British Film Institute. Screening Scotland. London: : British Film Institute 2000. https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099
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Petrie DJ. Contemporary Scottish fictions: film, television and the novel. Edinburgh: : Edinburgh University Press 2004. https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099
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Petrie DJ, British Film Institute. Screening Scotland. London: : British Film Institute 2000.
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Petrie DJ. Contemporary Scottish fictions: film, television and the novel. Edinburgh: : Edinburgh University Press 2004.
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Murray J, Farley F, Stoneman R. Scottish cinema now. Newcastle upon Tyne: : Cambridge Scholars 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
102
Ray PE. Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie. Studies in Scottish Literature 1978;13.https://scholarcommons.sc.edu/ssl/vol13/iss1/5/
103
Riach A. Representing Scotland in literature, popular culture and iconography: the masks of the modern nation. Houndmills: : Palgrave Macmillan 2005. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0
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Rosie M. The sectarian myth in Scotland: of bitter memory and bigotry. Basingstoke: : Palgrave Macmillan 2004.
105
Joseph Rowntree Foundation, ESRC Centre on Dynamics of Ethnicity. How has ethnic diversity changed in Scotland? http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf
106
Semotam J. Public Perception of A8 migrants: The discourse of the media and its impacts. 2012.http://bemis.org.uk/PDF/Jan%20Semotam%20MSc%20Dissertation.pdf
107
Sherington J, Scottish Film Council. ‘To speak its pride’: the work of the Films of Scotland Committee 1938-1982 : a Scottish film monograph. [Glasgow]: : Scottish Film Council 1996.
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Spiers EM. The Scottish soldier and empire, 1854-1902. Edinburgh: : Edinburgh University Press 2006. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210
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Spring I. Phantom village: the myth of the new Glasgow. Edinburgh: : Polygon 1990. https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099
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Stein E. The Forsyth Saga. Films and filming 1983;341:54–6.
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Toyeux D. Tidings of Comfort and Joy. Film Directions 1984;7.
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Stewart M. Falling, Looking, Caring: as Melodrama. Journal of British Cinema and Television 2012;9:548–68. doi:10.3366/jbctv.2012.0105
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Murray J, Farley F, Stoneman R. Scottish cinema now. Newcastle upon Tyne: : Cambridge Scholars 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
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Suh J. The familiar attractions of fascism in Muriel Spark’s The Prime of Miss Jean Brodie. Journal of Modern Literature 2007;30:86–102.https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84
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Blain N, Hutchison D. The media in Scotland. Edinburgh: : Edinburgh University Press 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
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Walsh D. History, politics and vulnerability: explaining excess mortality. http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality
