Adair, G. (n.d.). Article. Monthly Film Bulletin, 51(607). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305839358?accountid=14540
Archibald, D. (2008). ‘We’re just big bullies...’ Gregory Burke’s Black Watch. Drouth, 26, 8–13. https://eprints.gla.ac.uk/3896/
Bell, D., & Haddour, A. (2000). City visions. Pearson Education Ltd. https://contentstore.cla.co.uk//secure/link?id=ed632aa0-cb40-e911-80cd-005056af4099
Bell, E. (2004a). Questioning Scotland: literature, nationalism, postmodernism. Palgrave Macmillan. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
Bell, E. (2004b). Questioning Scotland: literature, nationalism, postmodernism. Palgrave Macmillan. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780230508248
Bell, E., & Miller, G. (2004). Scotland in theory: reflections on culture & literature: Vol. Scottish cultural review of language and literature. Rodopi.
Beveridge, C., & Turnbull, R. (1989). The eclipse of Scottish culture: inferiorism and the intellectuals: Vol. Determinations. Polygon. https://contentstore.cla.co.uk//secure/link?id=f867dcbd-cb40-e911-80cd-005056af4099
BFI Screenonline: Mackendrick, Alexander (1912-1993) Biography. (n.d.). http://www.screenonline.org.uk/people/id/447947/
Billig, M. (1995). Banal nationalism. SAGE. https://ezproxy.lib.gla.ac.uk/login?url=https://sk.sagepub.com/books/banal-nationalism
Blain, N., & Hutchison, D. (2008a). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008b). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008c). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008d). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008e). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008f). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008g). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008h). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008i). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008j). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Blain, N., & Hutchison, D. (2008k). The media in Scotland. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748627998.001.0001
Brennan, M. (2014). The Forgotten Auteur: The Films of Finlay J. MacDonald. The Drouth, 48, 77–83. https://contentstore.cla.co.uk//secure/link?id=c862ac98-cb40-e911-80cd-005056af4099
Brown, I. & Dawson Books. (2007). The Edinburgh history of Scottish literature: Volume 3: Modern transformations: new identities (from 1918). Edinburgh University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630653
Brown, J. (n.d.). Land Beyond Brigadoon. Sight and Sound, 53(1). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305523373/abstract/275117A381874910PQ/21?accountid=14540
Brown, J. (1985). The Artist as disk Jockey. Cencrastus: Scottish & International Literature Arts & Affairs, 20. https://contentstore.cla.co.uk//secure/link?id=c762ac98-cb40-e911-80cd-005056af4099
Bruce, D. (1996). Scotland: the movie. Polygon.
Bryce, T. G. K., Humes, W. M., & Boyd, B. (2003). Scottish education: post-devolution (2nd ed). Edinburgh University Press.
Burke, A. (2007). Concrete universality: Tower blocks, architectural modernism, and realism in contemporary British cinema. New Cinemas: Journal of Contemporary Film, 5(3), 177–188. https://contentstore.cla.co.uk//secure/link?id=ec632aa0-cb40-e911-80cd-005056af4099
Carruthers, G., Goldie, D., & Renfrew, A. (2004). Beyond Scotland: new contexts for twentieth-century Scottish literature: Vol. Scottish cultural review of language and literature. Rodopi.
Chapman, M. (1978). The Gaelic vision in Scottish culture. Croom Helm [etc.].
Clarke, D. B. (1997). The cinematic city. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=240185
Craig, C. (1996). Out of history: narrative paradigms in Scottish and English culture: Vol. Determinations. Polygon.
Craig, C. (1999). The modern Scottish novel: narrative and the national imagination. Edinburgh University Press. https://contentstore.cla.co.uk//secure/link?id=f57cb1a7-cb40-e911-80cd-005056af4099
Craig, C. (2011). The Scots’ crisis of confidence ([Rev. ed.]). Argyll Publishing.
Craven, I. (2009). Movies on home ground: explorations in amateur cinema. Cambridge Scholars. https://contentstore.cla.co.uk//secure/link?id=da3dacaf-cb40-e911-80cd-005056af4099
Cullen, S. M. (2008). The Fasces and the Saltire: The Failure of the British Union of Fascists in Scotland, 1932–1940. The Scottish Historical Review, 87(224), 306–331. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23074058
Devine, T. M. (2000). Scotland’s shame?: bigotry and sectarianism in modern Scotland. Mainstream.
Devine, T. M., & Finlay, R. J. (1996). Scotland in the twentieth century. Edinburgh University Press.
Devine, T. M., & Logue, P. (2002). Being Scottish: personal reflections on Scottish identity today. Polygon at Edinburgh.
Dick, E., British Film Institute, & Scottish Film Council. (1990a). From limelight to satellite: a Scottish film book. BFI Publishing/Scottish Film Council. https://contentstore.cla.co.uk//secure/link?id=db3dacaf-cb40-e911-80cd-005056af4099
Dick, E., British Film Institute, & Scottish Film Council. (1990b). From limelight to satellite: a Scottish film book. BFI Publishing/Scottish Film Council.
Dick, E., Noble, A., & Petrie, D. J. (1993). Bill Douglas: a lanternist’s account. BFI Publishing in association with the Scottish Film Couuncil.
Dunn, J. (1 C.E.). Cine Caledonia – A New Dawn. The Skinny. https://www.theskinny.co.uk/film/opinion/cine-caledonia-a-new-dawn
Fyfe, N. R. & Dawson Books. (1998). Images of the street: planning, identity, and control in public space. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203026496
Gardiner, M. (2005). Modern Scottish culture. Edinburgh University Press.
Gardiner, M. (2006). From Trocchi to Trainspotting: Scottish critical theory since 1960. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748622320.001.0001
Geraghty, C. (2005). The study of soap opera. In A companion to television (pp. 308–323). Blackwell Pub. https://eprints.gla.ac.uk/3371/
Gillett, P. (2005). Comfort and Joy: the anatomy of melancholy. Off Screen, 9(7), 1–10. https://offscreen.com/view/comfort_and_joy
Goldie, D. (2000). ‘Will ye stop yer tickling, Jock?’: Modern and postmodern Scottish comedy. Critical Quarterly, 42(4), 7–18. https://doi.org/10.1111/1467-8705.00315
Gray, A. (2007). Lanark: a life in four books ([New ed.]). Canongate.
Guy Barefoot. (2006). Autobiography and the autobiographical in the Bill Douglas Trilogy. Biography, 29(1), 14–29. https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?p=AONE&u=glasuni&id=GALE|A146346910&v=2.1&it=r&sid=summon&userGroup=glasuni&authCount=1
Hardy, F. (1990). Scotland in film. Edinburgh University Press.
Harvie, C. (1999). Travelling Scot: Scotus viator : essays on the history, politics and future of the Scots. Argyll Publishing.
Hassan, G., & Warhurst, C. (2002). Anatomy of the new Scotland: power, influence and change. Mainstream.
Hassan, Mamoun. (n.d.). His ain man. Sight and Sound, 1(7). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305503045/abstract/2461F6F79027442FPQ/11?accountid=14540
Hibberd, L. (n.d.). Devolution in Policy and Practice: A Study of River City and BBC Scotland. Westminster Papers in Communication and Culture, 4(3). https://doi.org/10.16997/wpcc.101
Hibberd, L. (2010). River City: Invisible Soap. Critical Studies in Television: The International Journal of Television Studies, 5(1), 46–56. https://doi.org/10.7227/CST.5.1.6
Higson, A. (1989). The Concept of National Cinema. Screen, 30(4), 36–47. https://doi.org/10.1093/screen/30.4.36
Hill, A. & Dawson Books. (2005). Reality TV: audiences and popular factual television. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780203337158
Hjort, M., & Petrie, D. J. (2007). The cinema of small nations. Indiana University Press.
Hjort, M., Petrie, D. J., & MyiLibrary. (2007). The cinema of small nations. Indiana University Press. http://lib.myilibrary.com/browse/open.asp?id=208787&entityid=https://idp.gla.ac.uk/shibboleth
Hunter, A. (n.d.). Bill Forsyth. Films and Filming, 11–13.
Iordanova, D., Martin-Jones, D., & Vidal, B. (2010a). Cinema at the periphery: Vol. Contemporary approaches to film and television series. Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
Iordanova, D., Martin-Jones, D., & Vidal, B. (2010b). Cinema at the periphery: Vol. Contemporary approaches to film and television series. Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
Iordanova, D., Martin-Jones, D., & Vidal, B. (2010c). Cinema at the periphery: Vol. Contemporary approaches to film and television series. Wayne State University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3416522
J. (24 C.E.). James Naughtie: the lost Scotland of Sunset Song. The Guardian. https://www.theguardian.com/books/2015/nov/24/james-naughtie-the-lost-scotland-of-sunset-song
Jensen, T., & Ringrose, J. (2014). Sluts that Choose Vs Doormat Gypsies. Feminist Media Studies, 14(3), 369–387. https://doi.org/10.1080/14680777.2012.756820
Jones, C. (2006). White Men on Their Backs – From Objection to Abjection: The Representation of the White Male as Victim in William McIlvanney’s Docherty and Irvine Welsh’s Marabou Stork Nightmares. International Journal of Scottish Literature, 1, 1–16. https://www.ijsl.stir.ac.uk/issue1/jones.htm
Joseph Rowntree Foundation, & ESRC Centre on Dynamics of Ethnicity. (n.d.). How has ethnic diversity changed in Scotland? http://www.ethnicity.ac.uk/medialibrary/briefings/dynamicsofdiversity/code-census-briefing-scotland_v2.pdf
Keyser, B. (1975). The Transfiguration of Edinburgh in The Prime of Miss Jean Brodie. Studies in Scottish Literature, 12(3). https://scholarcommons.sc.edu/ssl/vol12/iss3/3/
Law, A. (2001). Near and far: banal national identity and the press in Scotland. Media, Culture & Society, 23(3), 299–317. https://doi.org/10.1177/016344301023003002
Lockerbie, I. (1988). Image and identity: theatre and cinema in Scotland and Quebec. John Grierson Archive and Department of French, University of Stirling. https://contentstore.cla.co.uk//secure/link?id=d93dacaf-cb40-e911-80cd-005056af4099
Logan, B. (31 C.E.). Scottish sitcoms: should national jokes be shared with the entire UK? The Guardian. https://www.theguardian.com/stage/theatreblog/2011/may/31/scottish-sitcoms-comedy-uk-bbc
Mackendrick, A., & Cronin, P. (2005). On film-making: an introduction to the craft of the director Alexander Mackendrick. Faber.
Martin-Jones, D. (2009a). Scotland, global cinema: genres, modes and identities. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
Martin-Jones, D. (2009b). Scotland, global cinema: genres, modes and identities. Edinburgh University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.3366/edinburgh/9780748633913.001.0001
Mathieson, K. (n.d.). The darker side of Bill Forsyth. The Times Higher Education Supplement.
Mathiseon, K. (1988). Bill Fosyth. Innocent or Eccentric? Cencrastus: Scottish & International Literature Arts & Affairs, Spring, 12–14. https://contentstore.cla.co.uk//secure/link?id=fa67dcbd-cb40-e911-80cd-005056af4099
McArthur, C. (1982a). Scotch reels: Scotland in cinema and television. BFI Publishing. https://contentstore.cla.co.uk//secure/link?id=d448e0b7-cb40-e911-80cd-005056af4099
McArthur, C. (1982b). Scotch reels: Scotland in cinema and television. BFI Publishing.
McArthur, C. (2003). Brigadoon, Braveheart and the Scots: distortions of Scotland in Hollywood cinema: Vol. Cinema and society. I.B. Tauris.
McCrone, D. (2001). Understanding Scotland: the sociology of a nation: Vol. International library of sociology (2nd ed). Routledge. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_473754_0
McCrone, D., Morris, A., & Kiely, R. (1999). Scotland - the brand: the making of Scottish heritage. Polygon.
Miller, M., Rodger, J., & Edwards, O. D. (2010). Tartan pimps: Gordon Brown, Margaret Thatcher, and the new Scotland. Argyll Publishing.
Mills, B. (2005). Television sitcom. BFI. https://contentstore.cla.co.uk//secure/link?id=f67cb1a7-cb40-e911-80cd-005056af4099
Murray, J. (2005a). Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen, 46(2), 217–226. https://doi.org/10.1093/screen/46.2.217
Murray, J. (2005b). Kids in America? Narratives of transatlantic influence in 1990s scottish cinema. Screen, 46(2), 217–226. https://doi.org/10.1093/screen/46.2.217
Murray, J. (2011). Discomfort and joy: the cinema of Bill Forsyth: Vol. Studies in the history and culture of Scotland. Peter Lang. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1053969
Murray, J. (2015a). The new Scottish Cinema: Vol. Cinema and society series. I.B.Tauris & Co. Ltd. https://contentstore.cla.co.uk//secure/link?id=f967dcbd-cb40-e911-80cd-005056af4099
Murray, J. (2015b). The new Scottish Cinema: Vol. Cinema and society series. I.B.Tauris & Co. Ltd.
Murray, J., Farley, F., & Stoneman, R. (2009a). Scottish cinema now. Cambridge Scholars. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
Murray, J., Farley, F., & Stoneman, R. (2009b). Scottish cinema now. Cambridge Scholars. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
Murray, J., Farley, F., & Stoneman, R. (2009c). Scottish cinema now. Cambridge Scholars. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1114153
Nash, A. (2007). Kailyard and Scottish literature. Rodopi.
O’Hagan, A. (2005). Fight and argue and improve. The Drouth, 15. https://contentstore.cla.co.uk//secure/link?id=c662ac98-cb40-e911-80cd-005056af4099
Petrie, D. J. (2004a). Contemporary Scottish fictions: film, television and the novel. Edinburgh University Press. https://contentstore.cla.co.uk//secure/link?id=f47cb1a7-cb40-e911-80cd-005056af4099
Petrie, D. J. (2004b). Contemporary Scottish fictions: film, television and the novel. Edinburgh University Press.
Petrie, D. J. & British Film Institute. (2000a). Screening Scotland. British Film Institute. https://contentstore.cla.co.uk//secure/link?id=d348e0b7-cb40-e911-80cd-005056af4099
Petrie, D. J. & British Film Institute. (2000b). Screening Scotland. British Film Institute.
Ray, P. E. (1978). Jean Brodie and Edinburgh: Personality and Place in Muriel Spark’s The Prime of Miss Jean Brodie. Studies in Scottish Literature, 13(1). https://scholarcommons.sc.edu/ssl/vol13/iss1/5/
Rhodes, G. D., & Springer, J. P. (2005). Docufictions: essays on the intersection of documentary and fictional filmmaking. McFarland & Co. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1801273
Riach, A. (2005). Representing Scotland in literature, popular culture and iconography: the masks of the modern nation. Palgrave Macmillan. http://www.GLA.eblib.com/EBLWeb/patron/?target=patron&extendedid=E_532711_0
Rosie, M. (2004). The sectarian myth in Scotland: of bitter memory and bigotry. Palgrave Macmillan.
Schoene-Harwood, B. (2007). The Edinburgh companion to contemporary Scottish literature. Edinburgh University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780748630288
Semotam, J. (2012). Public Perception of A8 migrants: The discourse of the media and its impacts. http://bemis.org.uk/PDF/Jan%20Semotam%20MSc%20Dissertation.pdf
Sherington, J. & Scottish Film Council. (1996). ‘To speak its pride’: the work of the Films of Scotland Committee 1938-1982 : a Scottish film monograph: Vol. A Scottish film monograph. Scottish Film Council.
Simon Brown. (2011). Anywhere but Scotland?” Transnationalism and New Scottish Cinema. International Journal of Scottish Theatre and Screen, 4(1). https://eprints.kingston.ac.uk/id/eprint/33694/1/Brown-S-33694-VoR.pdf
Spiers, E. M. (2006). The Scottish soldier and empire, 1854-1902. Edinburgh University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=267210
Spring, I. (1990). Phantom village: the myth of the new Glasgow: Vol. Determinations. Polygon. https://contentstore.cla.co.uk//secure/link?id=ee632aa0-cb40-e911-80cd-005056af4099
Stein, E. (1983). The Forsyth Saga. Films and Filming, 341, 54–56.
Stewart, M. (2012). Falling, Looking, Caring: as Melodrama. Journal of British Cinema and Television, 9(4), 548–568. https://doi.org/10.3366/jbctv.2012.0105
Suh, J. (2007). The familiar attractions of fascism in Muriel Spark’s The Prime of Miss Jean Brodie. Journal of Modern Literature, 30(2), 86–102. https://ezproxy.lib.gla.ac.uk/login?url=https://link.gale.com/apps/doc/A162789303/AONE?u=glasuni&sid=bookmark-AONE&xid=28f2be84
Tange, H. (2004). Grassic Gibbon’s Art of Community: A Scots Quair and the Condition of Scotland. Studies in Scottish Literature, 33(1). https://scholarcommons.sc.edu/ssl/vol33/iss1/20/
The Criterion Collection: Tunes of Glory. (n.d.). https://web.archive.org/web/20070707115944/http:/www.criterion.com/asp/release.asp?id=225&eid=342&section=essay&page=1
The Thrifty Pop Man. (n.d.). Sight and Sound, 53(4). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1305505941/7F57D54EF60543C1PQ/26?accountid=14540
To the Kailyard and Beyond! An Introduction to Scottish Literature (1500-1900). (n.d.). http://scottishlit.com/?page_id=171
Toyeux, D. (1984). Tidings of Comfort and Joy. Film Directions, 7(26).
Walsh, D. (n.d.). History, politics and vulnerability: explaining excess mortality. http://www.gcph.co.uk/publications/635_history_politics_and_vulnerability_explaining_excess_mortality
