[1]
Harbison, Robert, ‘GAUDI’, C (Archive : 1987-1992), pp. 1987–1992, 1992 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon
[2]
‘Masters of Building: SAGRADA FAMILIA’, The Architects’ Journal (Archive : 1919-2005), vol. 195, no. 13, pp. 1919–2005, 2005 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon
[3]
Ashton, Dore, ‘Antonio GAUDI’, Craft Horizons (Archive : 1941-1978), vol. 17, no. 6, pp. 1941–1978, 1978 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1493608034/20073A5A121E45D4PQ/5?accountid=14540
[4]
‘Barcelona: Urban Identity 1992-2002’, Arizona Journal of Hispanic Cultural Studies, vol. 6, no. 1, pp. 245–261, 2002, doi: 10.1353/hcs.2011.0277.
[5]
D. Mower, Gaudí. London: Oresko Books, 1977.
[6]
J. J. Lahuerta and A. Gaudí, Antoni Gaudi, 1852-1926: architecture, ideology, and politics. Milano: Electa Architecture, 2003.
[7]
E. Van Zandt, The life and works of Gaudí. [S.l.]: Siena, 1995.
[8]
W. H. Robinson, J. Falgàs, C. B. Lord, J. Alix Trueba, Cleveland Museum of Art, and Metropolitan Museum of Art (New York, N.Y.), Barcelona and modernity: Picasso, Gaudí, Miró, Dalí. [Cleveland, OH]: Cleveland Museum of Art in association with Yale University Press, New Haven and London, 2006.
[9]
A. Bennett, Barcelona, 2nd ed., vol. Blue guide. London: A & C Black, 2002.
[10]
R. Hughes, Barcelona. London: Harvill, 1992.
[11]
G. Copertari, ‘Nine Queens : A Dark Day Of Simulation And Justice’, Journal of Latin American Cultural Studies, vol. 14, no. 3, pp. 279–293, Dec. 2005, doi: 10.1080/13569320500382534.
[12]
D. Shaw, ‘Playing Hollywood at Its Own Game? Bielenski’s Nueve reinas’, in Contemporary Latin American cinema: breaking into the global market, D. Shaw, Ed. Lanham, MD: Rowman & Littlefield, 2007, pp. 67–85 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097
[13]
R. Navitski, ‘The last heist revisited: reimagining Hollywood genre in contemporary Argentine crime film’, Screen, vol. 53, no. 4, pp. 359–380, Dec. 2012, doi: 10.1093/screen/hjs033.
[14]
C. Rêgo and C. Rocha, New trends in Argentine and Brazilian cinema. Bristol: Intellect, 2011.
[15]
J. Hedges, Argentina: a modern history. London: I.B. Tauris, 2011.
[16]
T. E. Skidmore and P. H. Smith, Modern Latin America, 5th ed. New York, N.Y.: Oxford University Press, 2001.
[17]
M. Carbayo-Abengozar, ‘Shaping Women: National Identity Through the Use of Language in Franco’S Spain’, Nations and Nationalism, vol. 7, no. 1, pp. 75–92, Jan. 2001, doi: 10.1111/1469-8219.00005.
[18]
M. Byrnes, ‘Unfinished business: The united states and Franco’s Spain, 1944–47’, Diplomacy & Statecraft, vol. 11, no. 1, pp. 129–162, Mar. 2000, doi: 10.1080/09592290008406143.
[19]
Juan J. Linz, ‘Church and State in Spain from the Civil War to the Return of Democracy’, Daedalus, vol. 120, no. 3, 1991 [Online]. Available: https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/20025392?pq-origsite=summon&seq=1#metadata_info_tab_contents
[20]
I. S. Campos, ‘Fascism, fascistization and developmentalism in Franco’s dictatorship’, Social History, vol. 29, no. 3, pp. 342–357, Aug. 2004, doi: 10.1080/0307102042000257629.
[21]
R. Carr, The Spanish tragedy: the Civil War in perspective. London: Weidenfeld and Nicolson, 1977.
[22]
C. Leitz and D. J. Dunthorn, Spain in an international context, 1936-1959. New York: Berghahn Books, 1999.
[23]
Romero Salvadó Francisco J., The Spanish Civil War: origins, course, and outcomes. Basingstoke: Palgrave Macmillan, 2005.
[24]
C. J. Ross and C. J. Ross, Spain since 1812, Third edition. London: Routledge, 2014 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781444117080
[25]
S. M. Ellwood, Franco. London: Longman, 1994.
[26]
S. G. Payne, The Spanish Civil War. Cambridge: Cambridge University Press, 2012 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CBO9781139026154
[27]
P. Preston, The Spanish holocaust: inquisition and extermination in twentieth-century Spain. New York, N.Y.: W.W. Norton & Co, 2012.
[28]
M. L. Pratt and Dawson Books, Imperial eyes: travel writing and transculturation, 2nd ed. London : New York, NY: Routledge, 2008 [Online]. Available: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933
[29]
Rebecca Earle, ‘Creole Patriotism and the Myth of the “Loyal Indian”’, Past & Present, no. 172, pp. 125–145, 2001 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents
[30]
Rebecca Earle, ‘'Padres de la Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America’, Journal of Latin American Studies, vol. 34, no. 4, pp. 775–805, 2002 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents
[31]
R. Bauer, J. A. Mazzotti, Omohundro Institute of Early American History & Culture, and Society of Early Americanists, Creole subjects in the colonial Americas: empires, texts, identities. Chapel Hill, N.C.: Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press, 2009.
[32]
R. C. Heinowitz, Spanish America and British Romanticism, 1777-1826: rewriting conquest, vol. Edinburgh studies in transatlantic literatures. Edinburgh: Edinburgh University Press, 2010 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.3366/edinburgh/9780748638680.001.0001
[33]
P. S. Murray, ‘Of Love and Politics: Reassessing Manuela Sáenz and Simón Bolívar, 1822-1830’, History Compass, vol. 5, no. 1, pp. 227–250, Jan. 2007, doi: 10.1111/j.1478-0542.2006.00374.x.
[34]
M. SOMARRIVA Q., ‘A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence’, Bulletin of Latin American Research, vol. 36, no. 2, pp. 223–236, Apr. 2017, doi: 10.1111/blar.12528.
[35]
‘2. Lacarra, María Eugenia. "La utilización del Cid de Menéndez Pidal en la ideología militar franquista.” Ideologies and Literature 123 (1980): 95-127’. [Online]. Available: http://www.ideologiesandliterature.org/docs/journals/journals_v1_n12_05.pdf
[36]
‘Consecuencias ideológicas de algunas de las teorías en torno a la épica peninsular / María Eugenia Lacarra | Biblioteca Virtual Miguel de Cervantes’. [Online]. Available: http://www.cervantesvirtual.com/obra/consecuencias-ideologicas-de-algunas-de-las-teorias-en-torno-a-la-epica-peninsular/
[37]
E. M. Gerli, ‘Inventing the Spanish Middle Ages: Ramón Menéndez Pidal, Spanish Cultural History, and Ideology in Philology’, La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures, vol. 30, no. 1, pp. 111–126, 2001, doi: 10.1353/cor.2001.0022.
[38]
P. J. Geary, The myth of nations: the Medieval origins of Europe. Princeton, N.J.: Princeton University Press, 2002.
[39]
Joep Leerssen, ‘Literary historicism: Romanticism, philologists, and the presence of the past’, Modern Language Quarterly [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=11&docId=GALE%7CA124078751&docType=Article&sort=Relevance&contentSegment=ZEAI-MOD1&prodId=EAIM&contentSet=GALE%7CA124078751&searchId=R1&userGroupName=glasuni&inPS=true
[40]
H. Gaskill and Dawson Books, The reception of Ossian in Europe, vol. v. 5. London: Thoemmes/Continuum, 2004 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847143013
[41]
M. Magnotta, Historia y bibliografía de la crítica sobre el Poema de mío Cid (1750-1971), vol. no. 145. Chapel Hill: U.N.C., Dept. of Romance Languages, 1976.
[42]
N. Altschul, Geographies of philological knowledge: postcoloniality and the Transatlantic national epic. Chicago: University of Chicago Press, 2012 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226016191.001.0001/upso-9780226016214
[43]
M. Harney, ‘The Cantar del mio Cid as Pre-War Propaganda’, Romance Quarterly, vol. 60, no. 2, pp. 74–88, Mar. 2013, doi: 10.1080/08831157.2013.762257.
[44]
M. Vaquero, ‘The Poema de mio Cid and the Canon of the Spanish Epic’, La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures, vol. 33, no. 2, pp. 209–230, 2005, doi: 10.1353/cor.2005.0010.
[45]
Clara Pascual-Argente, ‘“A guisa de varón”: Masculinity and Genre in the Poema de mio Cid’, Bulletin of Hispanic Studies, vol. 90, no. 5, 2013 [Online]. Available: https://literature-proquest-com.ezproxy.lib.gla.ac.uk/searchFulltext.do?id=R04816924&divLevel=0&queryId=3093939186485&trailId=1679413ECAA&area=criticism&forward=critref_ft
[46]
J. Terradas, ‘La acción como forma religiosa en el Poema de Mio Cid’, MLN, vol. 128, no. 2, pp. 207–224, 2013, doi: 10.1353/mln.2013.0035.
[47]
Fernando Riva, ‘"Vuestra vertud me vala, Gloriosa, en mi exida”: función del culto mariano e ideología de cruzada en el Poema de Mio Cid’, Lexis, vol. 35, no. 1, pp. 119–139, 2011 [Online]. Available: http://revistas.pucp.edu.pe/index.php/lexis/article/view/1269
[48]
D. A. López, ‘Imagined continuities: The story of El Cid as a post-9/11 War on Terror narrative in Filmax/José Pozo’s animated feature film El Cid. La Leyenda’, Studies in Spanish & Latin-American Cinemas, vol. 11, no. 1, pp. 43–59, Mar. 2014, doi: 10.1386/slac.11.1.43_1.
[49]
Mark Jancovich, ‘“The Purest Knight of All”: Nation, History, and Representation in “El Cid” (1960)’, Cinema Journal, vol. 40, no. 1, 2000 [Online]. Available: https://www-jstor-org.ezproxy.lib.gla.ac.uk/stable/1225818?seq=1#metadata_info_tab_contents
[50]
A. Daparte Jorge, ‘Reescrituras divulgativas del mito cidiano. Descripción y análisis de adaptaciones y versiones contemporáneas representativas del Cantar de Mio Cid.’, Alabe. Revista de Investigación sobre Lectura y Escritura, no. 10, Dec. 2014, doi: 10.15645/Alabe.2014.10.4.
[51]
Catalina Olea, ‘Muchachas de Buenos Aires y figurines de París: moda y modernidad en las crónicas de Alfonsina Storni’, Meridional. Revista Chilena de Estudios Latinoamericanos, no. 7, pp. 83–104, 2016, doi: 10.5354/0719-4862.2016.43538. [Online]. Available: https://meridional.uchile.cl/index.php/MRD/article/view/43538
[52]
M. Méndez, ‘De crepusculares y garotas modernas: las columnas travestidas de Alfonsina Storni y Clarice Lispector’, Revista Iberoamericana, vol. 84.264, 2018 [Online]. Available: https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1159&context=lalis-faculty-publications
[53]
Claudia Cabello-Hutt, ‘Las mal ubicadas: intervenciones en la modernidad en la prosa de Alfonsina Storni y Gabriela Mistral’, Meridional. Revista Chilena de Estudios Latinoamericanos, no. 7, pp. 105–130, 2016 [Online]. Available: https://dialnet.unirioja.es/servlet/articulo?codigo=6066737
[54]
Ana Moraña, ‘Alfonsina Storni: la mujer y la ciudad’, Letras Femeninas, vol. 34, no. 2, 2008 [Online]. Available: https://www.jstor.org/stable/23021926?seq=1#metadata_info_tab_contents
[55]
Delfina Muschietti, ‘LAS ESTRATEGIAS DE UN DISCURSO TRAVESTI (GENERO PERIODISTICO Y GENERO POETICO EN ALFONSINA STORNI)’, Dispositio, vol. 15, no. 39, 1990 [Online]. Available: https://www.jstor.org/stable/41491376?seq=1#metadata_info_tab_contents
[56]
N. Teitler, ‘Redefining the Female Body: Alfonsina Storni and the Modernista Tradition’, Bulletin of Spanish Studies, vol. 79, no. 2–3, pp. 171–192, Mar. 2002, doi: 10.1080/147538202317344970.
[57]
IGNACIO RUIZ PÉREZ, ‘Contra-escrituras: Delmira Agustini, Alfonsina Storni y la subversión del modernismo’, Revista Hispánica Moderna, no. 2, 2008 [Online]. Available: https://www.jstor.org/stable/40647488?seq=1#metadata_info_tab_contents
[58]
C. Darrigrandi, ‘Ciudad, cuerpo y traje:  la flâneuse en Buenos Aires’, Revista Iberoamericana, vol. 74, no. 222, pp. 85–99, Mar. 2008, doi: 10.5195/REVIBEROAMER.2008.5295.
[59]
Janice Geasler Titiev, ‘Alfonsina Storni’s “Poemas de amor”: Submissive Woman, Liberated Poet’, Journal of Spanish Studies: Twentieth Century, vol. 8, no. 3, 1980 [Online]. Available: https://www.jstor.org/stable/27740950?seq=1#metadata_info_tab_contents
[60]
Ana Skledar, ‘El motivo de la muerte en la poesía de la Alfonsina Storni’, Verba Hispanica, vol. 12, no. 1, pp. 33–42, 2004, doi: https://doi.org/10.4312/vh.12.1.33-42. [Online]. Available: https://revije.ff.uni-lj.si/VerbaHispanica/article/view/3692
[61]
N. Lie, ‘Traveling Across Latin America’, in The Latin American (Counter-) Road Movie and Ambivalent Modernity, Cham: Springer International Publishing, 2017, pp. 31–61 [Online]. Available: http://link.springer.com/10.1007/978-3-319-45138-1_2
[62]
Fernanda Bueno, ‘“Motorcycle Diaries”: the myth of Che Guevara in the twenty-first century’, Confluencia, vol. 23, no. 1, pp. 107–114, 2007 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27923257?seq=1#metadata_info_tab_contents
[63]
Cristina Venegas, ‘The Man, the Corpse, and the Icon in Motorcycle Diaries Utopia, Pleasure, and a New Revolutionary Imagination’, Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, vol. 4, no. 1, 2015 [Online]. Available: https://rebeca.emnuvens.com.br/1/article/view/342/149
[64]
W. Rowlandson, ‘Hero, lover, demon, fool: fictional appropriations of Che Guevara’, Journal of Romance Studies, vol. 11, no. 2, pp. 61–74, Jun. 2011, doi: 10.3828/jrs.11.2.61.
[65]
David Kunzle, ‘Chesucristo: Fusions, Myths, and Realities’, Latin American Perspectives, vol. 35, no. 2, pp. 97–115, 2008 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27648090?pq-origsite=summon&seq=1#metadata_info_tab_contents
[66]
Ariana Hernandez-Reguant, ‘Copyrighting Che: Art and Authorship under Cuban Late Socialism’, Public Culture, vol. 16, no. 1, pp. 1–29, 2004 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/article/54376
[67]
Frans Weiser, ‘Writing “Che” Writing: Apocryphal Diaries and the Deconstruction of Guevara’s Myth’, Hispania, vol. 96, no. 4, pp. 700–711, 2013 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/23608520?seq=1#metadata_info_tab_contents
[68]
R. Diaz, ‘El viaje como desintegración y fundación ideológica en Y tu mamá también y Diarios de motocicleta’, Ciberletras, vol. 13, 2005 [Online]. Available: http://www.lehman.cuny.edu/ciberletras/v13/diaz.htm
[69]
James Petras, ‘Che Guevara and Contemporary Revolutionary Movements’, Latin American Perspectives, vol. 25, no. 4, pp. 9–18, 1998 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/2633995?pq-origsite=summon&seq=1#metadata_info_tab_contents
[70]
C. Guevara, A. Guevara March, C. Vitier, A. Keeble, and J. Wark, The motorcycle diaries: notes on a Latin American journey. London, 2004.
[71]
A. Granado, Travelling with Che Guevara: the making of a revolutionary. London: Pimlico, 2003.
[72]
S. Cohan and I. R. Hark, The road movie book. London: Routledge, 1997.
[73]
Quino, 10 años con Mafalda, 2a ed. México: Tusquets Editor, 2009.
[74]
Quino, 10 años con Mafalda. México: Tusquetes Editores, 2005.
[75]
D. W. Foster, From Mafalda to Los Supermachos: Latin American graphic humor as popular culture. London: Lynn Reinner, 1989 [Online]. Available: https://contentstore.cla.co.uk//secure/link?id=1b941f92-ce40-e911-80cd-005056af4099
[76]
H. Martignone and M. Prunes, Historietas a diario: las tiras cómicas argentinas de Mafalda a nuestros días. Buenos Aires: Libraria, 2008.
[77]
D. W. Foster, ‘MAFALDA: An Argentina Comic Strip’, The Journal of Popular Culture, vol. 14, no. 3, pp. 497–508, Dec. 1980, doi: 10.1111/j.0022-3840.1980.1403_497.x.
[78]
L. R. Feierstein, ‘Graphic and political humour in Argentina: from Quino to Página 12’, European Journal of Humour Research, vol. 3, no. 2/3, pp. 119–128, Aug. 2015, doi: 10.7592/EJHR2015.3.2.3.feierstein.
[79]
S. Klein, ‘Breaking the Mold with Humor: Images of Women in the Visual Media’, Art Education, vol. 46, no. 5, Sep. 1993, doi: 10.2307/3193387.