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Delfina Muschietti. ‘LAS ESTRATEGIAS DE UN DISCURSO TRAVESTI (GENERO PERIODISTICO Y GENERO POETICO EN ALFONSINA STORNI)’. Dispositio 15.39 (1990): n. pag. Web. <https://www.jstor.org/stable/41491376?seq=1#metadata_info_tab_contents>.
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Fernanda Bueno. ‘“Motorcycle Diaries”: The Myth of Che Guevara in the Twenty-First Century’. Confluencia 23.1 (2007): 107–114. Web. <http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/27923257?seq=1#metadata_info_tab_contents>.
Fernando Riva. ‘"Vuestra Vertud Me Vala, Gloriosa, En Mi Exida”: Función Del Culto Mariano e Ideología de Cruzada En El Poema de Mio Cid’. Lexis 35.1 (2011): 119–139. Web. <http://revistas.pucp.edu.pe/index.php/lexis/article/view/1269>.
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Gaskill, Howard and Dawson Books. The Reception of Ossian in Europe. v. 5. London: Thoemmes/Continuum, 2004. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847143013>.
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Harbison, Robert. ‘GAUDI’. C (Archive : 1987-1992) (1992): 1987–1992. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1459655033?pq-origsite=summon>.
Harney, Michael. ‘The Cantar Del Mio Cid as Pre-War Propaganda’. Romance Quarterly 60.2 (2013): 74–88. Web.
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Hughes, Robert. Barcelona. London: Harvill, 1992. Print.
IGNACIO RUIZ PÉREZ. ‘Contra-Escrituras: Delmira Agustini, Alfonsina Storni y La Subversión Del Modernismo’. Revista Hispánica Moderna 2 (2008): n. pag. Web. <https://www.jstor.org/stable/40647488?seq=1#metadata_info_tab_contents>.
James Petras. ‘Che Guevara and Contemporary Revolutionary Movements’. Latin American Perspectives 25.4 (1998): 9–18. Web. <http://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/2633995?pq-origsite=summon&seq=1#metadata_info_tab_contents>.
Janice Geasler Titiev. ‘Alfonsina Storni’s “Poemas de Amor”: Submissive Woman, Liberated Poet’. Journal of Spanish Studies: Twentieth Century 8.3 (1980): n. pag. Web. <https://www.jstor.org/stable/27740950?seq=1#metadata_info_tab_contents>.
Joep Leerssen. ‘Literary Historicism: Romanticism, Philologists, and the Presence of the Past’. Modern Language Quarterly n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=11&docId=GALE%7CA124078751&docType=Article&sort=Relevance&contentSegment=ZEAI-MOD1&prodId=EAIM&contentSet=GALE%7CA124078751&searchId=R1&userGroupName=glasuni&inPS=true>.
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López, Daniel Ares. ‘Imagined Continuities: The Story of El Cid as a Post-9/11 War on Terror Narrative in Filmax/José Pozo’s Animated Feature Film El Cid. La Leyenda’. Studies in Spanish & Latin-American Cinemas 11.1 (2014): 43–59. Web.
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‘Masters of Building: SAGRADA FAMILIA’. The Architects’ Journal (Archive : 1919-2005) 195.13 (2005): 1919–2005. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1427113651?pq-origsite=summon>.
Méndez, Mariela. ‘De Crepusculares y Garotas Modernas: Las Columnas Travestidas de Alfonsina Storni y Clarice Lispector’. Revista Iberoamericana 84.264 (2018): n. pag. Web. <https://scholarship.richmond.edu/cgi/viewcontent.cgi?article=1159&context=lalis-faculty-publications>.
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Navitski, R. ‘The Last Heist Revisited: Reimagining Hollywood Genre in Contemporary Argentine Crime Film’. Screen 53.4 (2012): 359–380. Web.
Payne, Stanley G. The Spanish Civil War. Cambridge: Cambridge University Press, 2012. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CBO9781139026154>.
Pratt, Mary Louise and Dawson Books. Imperial Eyes: Travel Writing and Transculturation. 2nd ed. London : New York, NY: Routledge, 2008. Web. <http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203932933>.
Preston, Paul. The Spanish Holocaust: Inquisition and Extermination in Twentieth-Century Spain. New York, N.Y.: W.W. Norton & Co, 2012. Print.
Quino. 10 Años Con Mafalda. 2a ed. México: Tusquets Editor, 2009. Print.
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Rebecca Earle. ‘Creole Patriotism and the Myth of the “Loyal Indian”’. Past & Present 172 (2001): 125–145. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3600778?pq-origsite=summon&seq=1#page_scan_tab_contents>.
---. ‘'Padres de La Patria" and the Ancestral Past: Commemorations of Independence in Nineteenth-Century Spanish America’. Journal of Latin American Studies 34.4 (2002): 775–805. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3875723?seq=1#page_scan_tab_contents>.
Rêgo, Cacilda, and Carolina Rocha. New Trends in Argentine and Brazilian Cinema. Bristol: Intellect, 2011. Print.
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Ross, Christopher J., and Christopher J. Ross. Spain since 1812. Third edition. London: Routledge, 2014. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9781444117080>.
Rowlandson, William. ‘Hero, Lover, Demon, Fool: Fictional Appropriations of Che Guevara’. Journal of Romance Studies 11.2 (2011): 61–74. Web.
Shaw, Deborah. ‘Playing Hollywood at Its Own Game? Bielenski’s Nueve Reinas’. Contemporary Latin American Cinema: Breaking into the Global Market. Ed. Deborah Shaw. Lanham, MD: Rowman & Littlefield, 2007. 67–85. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780742575097>.
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SOMARRIVA Q., MARCELO. ‘A Matter of Speculation: British Representations of Argentina, Chile and Perú during the Wars of Independence’. Bulletin of Latin American Research 36.2 (2017): 223–236. Web.
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Terradas, Jose. ‘La Acción Como Forma Religiosa En El Poema de Mio Cid’. MLN 128.2 (2013): 207–224. Web.
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Vaquero, Mercedes. ‘The Poema de Mio Cid and the Canon of the Spanish Epic’. La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 33.2 (2005): 209–230. Web.
