1.
McDonagh M. The Pillowman. Faber and Faber; 2003.
2.
Ford FM, Bradshaw D. The Good Soldier. Vol Penguin classics. Penguin Books; 2002.
3.
Lawrence DH, Gibson J. The Rainbow. Vol Students’ novels. Nelson; 1992.
4.
Spark M. Loitering with Intent. Penguin; 1995.
5.
Marlowe C, Gibbons B. Four Plays. Vol New mermaids. Methuen Drama; 2011.
6.
Jonson B, Hibbard GR. Bartholomew Fair. Vol New mermaids. A. & C. Black; 2007.
7.
Congreve W, Gibbons B. The Way of the World. Vol The new mermaids. 2nd ed. A & C Black; 1994.
8.
Poor Things: Episodes from the Early Life of Archibald McCandless M.D. Scottish Public Health Officer. Bloomsbury; 2002.
9.
Brecht B, Willett J. Brecht on Theatre: The Development of an Aesthetic. Hill and Wang; 1978.
10.
Barthes R, Heath S. Image Music Text. Vol Fontana communications series. Fontana Press; 1977. https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~3090156&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0
11.
Kristeva J, Moi T. The Kristeva Reader. Basil Blackwell; 1986. https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~2834391&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0
12.
Abbott HP. The Cambridge Introduction to Narrative. Vol Cambridge introductions to literature. 2nd ed. Cambridge University Press; 2008.
13.
Auerbach E, American Council of Learned Societies. Mimesis: The Representation of Reality in Western Literature. 50th anniversary ed. Princeton University Press; 2003. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.09353
14.
Badiou A. RHAPSODY FOR THE THEATRE: A SHORT PHILOSOPHICAL TREATISE. Theatre Survey. 2008;49(02). doi:10.1017/S0040557408000124
15.
Bakhtin MM, Emerson C, Holquist M, American Council of Learned Societies. The Dialogic Imagination: Four Essays. Vol University of Texas Press Slavic series. University of Texas Press; 1981. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.09354
16.
Bal M, Boheemen-Saaf C van. Narratology: Introduction to the Theory of Narrative. 3rd ed. University of Toronto Press; 2009.
17.
Baldick C. Criticism and Literary Theory 1890 to the Present. Vol Longman literature in English series. Longman; 1996.
18.
Barthes R, Heath S. Image Music Text. Vol Fontana communications series. Fontana Press; 1977.
19.
Barthes R, Miller R, Balzac H de. S-Z. Cape; 1975.
20.
Barthes R, Lavers A, Smith C. Writing Degree Zero. Hill and Wang; 1977.
21.
Belsey C. Critical Practice. Vol New accents (Routledge (Firm)). 2nd ed. Routledge; 2002.
22.
Bennett A, Royle N. An Introduction to Literature, Criticism and Theory. 4th ed. Longman; 2009.
23.
Bennett T, Ebooks Corporation Limited. Formalism and Marxism. Vol New accents (Routledge (Firm)). [2nd ed.]. Routledge; 2003. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=182658
24.
Booth WC. The Rhetoric of Fiction. Vol Penguin literary criticism. 2nd ed. Penguin Books; 1991.
25.
Brooks P. Body Work: Objects of Desire in Modern Narrative. Harvard University Press; 1993.
26.
Chatman SB. Story and Discourse: Narrative Structure in Fiction and Film. Cornell University Press; 1978.
27.
Clayton J, Rothstein E. Influence and Intertextuality in Literary History. University of Wisconsin Press; 1991.
28.
Culler JD. The Pursuit of Signs: Semiotics, Literature, Deconstruction. Vol Routledge classics. Routledge; 2001.
29.
Rougemont D de. Passion and Society. Rev. and augm. ed. Faber and Faber; 1956.
30.
Eagleton T, Dawson Books. Literary Theory: An Introduction. Anniversary ed., 2nd ed. Blackwell Publishing; 2008. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118306291
31.
Ellmann M. Psychoanalytic Literary Criticism. Vol Longman critical readers. Longman; 1994.
32.
Genette G. Narrative Discourse: An Essay in Method. Cornell University Press; 1980.
33.
Hutcheon L. Narcissistic Narrative: The Metafictional Paradox. Vol University paperback. Methuen; 1984.
34.
Kowalewski-Wallace E. Encyclopedia of Feminist Literary Theory. Vol Garland reference library of the humanities. Garland; 1997.
35.
Kristeva J, Roudiez LS. Desire in Language: A Semiotic Approach to Literature and Art. Columbia University Press; 1980.
36.
Kristeva J. Tales of Love. Columbia University Press; 1987.
37.
Lemon LT, Reis MJ. Russian Formalist Criticism : Four Essays. Vol A Bison book. University of Nebraska Press; 1965.
38.
Macherey P. A Theory of Literary Production. Vol Routledge classics. Routledge; 2006.
39.
Adrienne Rich. When We Dead Awaken: Writing as Re-Vision. College English. 1972;34(1):18-30. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/375215
40.
Richardson B. Narrative Dynamics: Essays on Plot, Time, Closure, and Frames. Vol Theory and interpretation of narrative series. Ohio State University Press; 2002.
41.
Riffaterre M. Text Production. Columbia University Press; 1983.
42.
Showalter E. The New Feminist Criticism: Essays on Women, Literature and Theory. Virago; 1986.
43.
Williams R. The Country and the City. Chatto & Windus; 1973.
44.
Chambers L, Jordan E. The Theatre of Martin McDonagh: A World of Savage Stories. Carysfort Press; 2006.
45.
Nicholas Grene. Ireland in Two Minds: Martin McDonagh and Conor McPherson. The Yearbook of English Studies. 2005;35:298-311. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3509340
46.
Heininge K. An invigorating romp through McDonagh. Irish Literary Supplement. 2007;27(1). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA168662955&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=8ff0a16a2dec1d1b00ccc3b1e5cb186e
47.
Russell RR, Dawson Books. Martin McDonagh: A Casebook. Vol Casebooks on modern dramatists. Routledge; 2007. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203935859
48.
Lonergan P. The Theatre and Films of Martin McDonagh. Vol Critical companions. Methuen Drama; 2012.
49.
Lyons P, O’Malley-Younger A, Dawson Books. No Country for Old Men: Fresh Perspectives on Irish Literature. Vol Reimagining Ireland. Peter Lang; 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035300796
50.
Richards S. The Cambridge Companion to Twentieth-Century Irish Drama. Vol Cambridge Companions to Literature. Cambridge University Press; 2004. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521804000
51.
Joseph O’Connor. Questioning Our Self-Congratulations. Studies: An Irish Quarterly Review. 1998;87(347):245-251. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30091915
52.
Fintan O’Toole and Martin McDonagh. Martin McDonagh. BOMB. 1998;(63):62-68. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40425561
53.
O’Toole F. A mind in Connemara. The New Yorker. 2006;82(2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA143302011&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=a8ec5fff9f3a83ca66cc064b075df126
54.
Pilný O. Martin McDonagh: Parody? Satire? Complacency? Irish Studies Review. 2004;12(2):225-232. doi:10.1080/0967088042000228987
55.
Richards S. ‘To Me, Here Is More Like There’. Irish Studies Review. 2007;15(1):1-15. doi:10.1080/09670880601117448
56.
Russell RR, Dawson Books. Martin McDonagh: A Casebook. Vol Casebooks on modern dramatists. Routledge; 2007. http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203935859
57.
Sierz A. In-Yer-Face Theatre: British Drama Today. Faber & Faber; 2001.
58.
Bauer D. Language, Class, and Sexuality in Henry James’s In the Cage. New Orleans Review. 1987;14.3:61-69.
59.
Brooks P. Henry James Goes to Paris. Princeton University Press; 2007.
60.
Buelens G. Imagining Telegraphic Joy in the Canny Cage of Metaphor, Metonymy, and Performativity. The Henry James Review. 2006;27(2):126-139. doi:10.1353/hjr.2006.0010
61.
Deleuze G, Guattari F, Massumi B, Ebooks Corporation Limited. A Thousand Plateaus: Capitalism and Schizophrenia. Continuum; 2008. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=310185
62.
Emery-Peck JS. ‘As She Called It’: Henry James Makes Free with a Female Telegraphist. The Henry James Review. 31(3):288-296. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/henry_james_review/v031/31.3.emery-peck.html
63.
Gabler-Hover J. The Ethics of Determinism in Henry James’s ‘In The Cage’. The Henry James Review. 1992;13(3):253-275. doi:10.1353/hjr.2010.0359
64.
Galvan J. Class Ghosting ‘In the Cage’. The Henry James Review. 2001;22(3):297-306. doi:10.1353/hjr.2001.0025
65.
The Double Life in the Cage: The Queering of the Social in Henry James’s Late Short Fiction. The Henry James Review. 2010;31(2):154-168. doi:10.1353/hjr.0.0079
66.
Menke R. ‘Framed and Wired’: Teaching ‘In the Cage’ at the Intersection of Literature and Media. The Henry James Review. 2004;25(1):33-43. doi:10.1353/hjr.2004.0008
67.
Moody AJ. ‘The Harmless Pleasure of Knowing’: Privacy in the Telegraph Office and Henry James’s ‘In the Cage’. The Henry James Review. 1995;16(1):53-65. doi:10.1353/hjr.1995.0007
68.
Nixon N. The Reading Gaol of Henry James’s In The Cage. ELH. 1999;66(1):179-201. doi:10.1353/elh.1999.0009
69.
The Intercepted Telegram Plot in Henry James’s "In the Cage”. doi:10.1093/notesj/24.5.425
70.
Pollard T. Telegraphing the Sentence and the Story: Iconicity in In the Cage by Henry James. European Journal of English Studies. 2001;5(1):81-96. doi:10.1076/ejes.5.1.81.4786
71.
Rowe JC. The Other Henry James. Vol New Americanists. Duke University Press; 1998.
72.
Eric Savoy. ‘In the Cage’ and the Queer Effects of Gay History. NOVEL: A Forum on Fiction. 1995;28(3):284-307. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1345925
73.
Freedman J. The Cambridge Companion to Henry James. Vol Cambridge Companions to Literature. Cambridge University Press; 1998. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521495849
74.
Tallack D, University of Nottingham. Literary Theory at Work: Three Texts. Barnes & Noble; 1987.
75.
Apostolou P. Seduction and Death in Muriel Spark’s Fiction. Vol Contributions to the study of world literature. Greenwood Press; 2001.
76.
Paul de Man. Autobiography as De-facement. MLN. 1979;94(5):919-930. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2906560
77.
Gardiner M, Maley W. The Edinburgh Companion to Muriel Spark. Vol Edinburgh companions to Scottish literature. Edinburgh University Press; 2010.
78.
Biles JI. British Novelists since 1900. Vol Georgia State literary studies. AMS Press; 1987.
79.
Hosmer RE. Contemporary British Women Writers: Texts and Strategies. Macmillan; 1993.
80.
Gardiner M, Maley W. The Edinburgh Companion to Muriel Spark. Vol Edinburgh companions to Scottish literature. Edinburgh University Press; 2010.
81.
Leonard J. ‘Loitering with intent’: Muriel Spark’s parabolic technique. Studies in the Literary Imagination. 18(1). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1303456166/484FCF0E8DC14D7EPQ/9?accountid=14540
82.
Acheson J. The British and Irish Novel since 1960. St. Martin’s Press; 1991.
83.
Gardiner M, Maley W. The Edinburgh Companion to Muriel Spark. Vol Edinburgh companions to Scottish literature. Edinburgh University Press; 2010.
84.
Maley W. Muriel Spark for Starters. Capercaillie; 2008.
85.
Matters of Care and Control: Surveillance, Omniscience, and Narrative Power in The Abbess of Crewe and Loitering with Intent. MFS Modern Fiction Studies. 2008;54(3):574-594. doi:10.1353/mfs.0.1541
86.
Stannard M. Muriel Spark: The Biography. Weidenfeld & Nicolson; 2009.
87.
Adams JT. Discrepancies in the Time-Scheme of The Good Soldier. English Literature in Transition, 1880-1920. 34(2):153-164. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v034/34.2.adams.html
88.
Bonds DS. The Seeing Eye and the Slothful Heart: The Narrator of Ford’s The Good Soldier. English Literature in Transition, 1880-1920. 25(1):21-27. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v025/25.1.bonds.html
89.
Creed WG. The Good Soldier: Knowing and Judging. English Literature in Transition, 1880-1920. 23(4):215-230. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v023/23.4.creed.html
90.
DeCoste DM. "A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in ‘The Good Soldier’. Journal of Modern Literature. 2007;31(1):101-123. doi:10.2979/JML.2007.31.1.101
91.
Doggett R. ‘Those Were Troublesome Times in Ireland, I Understand’: Ireland, the Limits of Knowledge, and Ford Madox Ford’s The Good Soldier. MFS Modern Fiction Studies. 2007;53(4):697-721. doi:10.1353/mfs.2008.0004
92.
Elliott B. Gose, Jr. The Strange Irregular Rhythm: An Analysis of the Good Soldier. PMLA. 1957;72(3):494-509. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/460471
93.
Hoffmann KA. ‘Am I no better than a eunuch?’ Narrating Masculinity and Empire in Ford Madox Ford’s The Good Soldier. Journal of Modern Literature. 2004;27(3):30-46. doi:10.1353/jml.2004.0075
94.
Isaacs ND. The Narrator of the Good Soldier. English Literature in Transition, 1880-1920. 6(1):14-15. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v006/6.1.isaacs.html
95.
Jones LW. The Quality of Sadness in Ford’s The Good Soldier. English Literature in Transition, 1880-1920. 13(4):296-302. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v013/13.4.jones.html
96.
Judd A. Ford Madox Ford. Faber and Faber; 2009.
97.
McCarthy PA. In Search of Lost Time: Chronology and Narration in The Good Soldier. English Literature in Transition, 1880-1920. 40(2):133-149. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v040/40.2.mccarthy.html
98.
MacShane F. The Life and Work of Ford Madox Ford. Routledge & Kegan Paul; 1965.
99.
Meyer E. ‘The Nature of a Text’: Ford and Conrad in Plato’s Pharmacy. MFS Modern Fiction Studies. 1990;36(4):499-512. doi:10.1353/mfs.0.0769
100.
Mizener A. The Saddest Story: A Biography of Ford Madox Ford. Bodley Head; 1972.
101.
Saunders M. Ford Madox Ford: A Dual Life. Oxford University Press; 1996.
102.
Ian Adam. Lawrence’s Anti-Symbol: The Ending of ‘The Rainbow’. The Journal of Narrative Technique. 1973;3(2):77-84. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30225516
103.
Clarke C. River of Dissolution: D. H. Lawrence & English Romanticism. Routledge & K. Paul; 1969.
104.
Doherty G. Violent Immolations: Species Discourse, Sacrifice, and the Lure of Transcendence in D. H. Lawrence’s The Rainbow. MFS Modern Fiction Studies. 2011;57(1):47-74. doi:10.1353/mfs.2011.0035
105.
Doherty G. The art of appropriation: the rhetoric of sexuality in D.H. Lawrence. Style. 1996;30(2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA19175944&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=3c6523bffc596dcafd04e3589613bc3c
106.
Garrard G, Dawson Books. Ecocriticism. Vol The new critical idiom. 2nd ed. Routledge; 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203806838
107.
Hobsbaum P. A Reader’s Guide to D.H. Lawrence. Thames and Hudson; 1981.
108.
Kalnins M. D.H. Lawrence : Centenary Essays. Bristol Classical Press; 1986.
109.
Leavis FR. D.H. Lawrence: Novelist. Vol Penguin literary criticism. Penguin Books in association with Chatto & Windus; 1994.
110.
Millett K. Sexual Politics. University of Illinois Press; 2000.
111.
Jack F. Stewart. Expressionism in ‘The Rainbow’. NOVEL: A Forum on Fiction. 1980;13(3):296-315. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1344862
112.
White PW. Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe. Vol AMS studies in the Renaissance. AMS Press; 1997.
113.
Traub V, Kaplan ML, Callaghan D. Feminist Readings of Early Modern Culture: Emerging Subjects. Cambridge University Press; 1996.
114.
Cheney P. The Cambridge Companion to Christopher Marlowe. Vol Cambridge Companions to Literature. Cambridge University Press; 2004. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521820340
115.
Cole D. Christopher Marlowe and the Renaissance of Tragedy. Vol Contributions in drama and theatre studies. Greenwood Pub. Group; 1995.
116.
Viviana Comensoli. Homophobia and the Regulation of Desire: A Psychoanalytic Reading of Marlowe’s ‘Edward II’. Journal of the History of Sexuality. 1993;4(2):175-200. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3704287
117.
White PW. Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe. Vol AMS studies in the Renaissance. AMS Press; 1997.
118.
Downie JA, Parnell JT. Constructing Christopher Marlowe. Cambridge University Press; 2000.
119.
Greenblatt S. Renaissance Self-Fashioning: From More to Shakespeare. [New ed.]. University of Chicago Press; 2005.
120.
William B. Kelly. Mapping Subjects in Marlowe’s ‘Edward II’. South Atlantic Review. 1998;63(1):1-19. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3201388
121.
Kendall R. Christopher Marlowe and Richard Baines: Journeys through the Elizabethan Underground. Fairleigh Dickinson University Press; 2003.
122.
Friedenreich K, Gill R, Kuriyama CB. ‘A Poet and a Filthy Play-Maker’: New Essays on Christopher Marlowe. Vol AMS studies in the Renaissance. AMS Press; 1988.
123.
Orgel S. Tobacco and Boys: How Queer Was Marlowe? GLQ: A Journal of Lesbian and Gay Studies. 2000;6(4):555-576. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/journal_of_lesbian_and_gay_studies/v006/6.4orgel.html
124.
Joan Parks. History, Tragedy, and Truth in Christopher Marlowe’s ‘Edward II’. Studies in English Literature, 1500-1900. 1999;39(2):275-290. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1556166
125.
Irving Ribner. Marlowe’s Edward II and the Tudor History Play. ELH. 1955;22(4):243-253. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2871887
126.
Riggs D. The World of Christopher Marlowe. Faber; 2004.
127.
Rutkoski M. Breeching the Boy in Marlowe’s Edward II. SEL Studies in English Literature 1500-1900. 2006;46(2):281-304. doi:10.1353/sel.2006.0020
128.
Sillitoe P. "Where is the court but here?” Undetermined Elite Space and Marlowe’s. Literature Compass. 2004;1(1):**-**. doi:10.1111/j.1741-4113.2004.00065.x
129.
Katherine A. Sirluck. Marlowe’s ‘Edward II’ and the Pleasure of Outrage. Modern Language Studies. 1992;22(2):15-24. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3195014
130.
Stymeist D. Status, Sodomy, and the Theater in Marlowe’s Edward II. SEL Studies in English Literature 1500-1900. 2004;44(2):233-253. doi:10.1353/sel.2004.0022
131.
Thurn DavidH. Sovereignty, Disorder, and Fetishism in Marlowe’s ‘Edward II’. Renaissance Drama. 1990;21. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308647074/8E5C21ADC4F74283PQ/8?accountid=14540
132.
Tromly FB, MyiLibrary. Playing with Desire: Christopher Marlowe and the Art of Tantalization. University of Toronto Press; 1998. http://lib.myilibrary.com?id=202860&entityid=https://idp.gla.ac.uk/shibboleth
133.
White PW. Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe. Vol AMS studies in the Renaissance. AMS Press; 1997.
134.
Wilson R. Christopher Marlowe. Vol Longman critical readers. Longman; 1999.
135.
Barish JA. Ben Jonson and the Language of Prose Comedy. Vol Norton library. W.W. Norton; 1970.
136.
Barish JonasA. Feasting and Judging in Jonsonian Comedy. Renaissance Drama. 1972;5. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308642249/AF3E9D8CF3A24FEAPQ/4?accountid=14540
137.
Barton A. Ben Jonson, Dramatist. Cambridge University Press; 1984.
138.
Donaldson I, Dawson Books. Ben Jonson: A Life. Oxford University Press; 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191636783
139.
Donaldson I. The World Upside down: Comedy from Jonson to Fielding. Clarendon Press; 1970.
140.
Literature and Psychology.
141.
Haynes J. The Social Relations of Jonson’s Theater. Cambridge University Press; 1992.
142.
Smith DL, Strier R, Bevington DM. The Theatrical City: Culture, Theatre, and Politics in London, 1576-1649. Cambridge University Press; 1995.
143.
Marcus LS. The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes. University of Chicago Press; 1986.
144.
Jonson B, Hibbard GR. Bartholomew Fair. Vol New mermaids. 2nd ed. A. & C. Black; 2007.
145.
Paster GK. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Cornell University Press; 1993.
146.
Rhodes N. Elizabethan Grotesque. Routledge & Kegan Paul; 1980.
147.
Debora K. Shuger. Hypocrites and Puppets in ‘Bartholomew Fair’. Modern Philology. 1984;82(1):70-73. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/437675
148.
Sweeney JG. Jonson and the Psychology of Public Theater: ‘To Coin the Spirit, Spend the Soul’. Princeton University Press; 1985.
149.
Womack P. Ben Jonson. Vol Rereading literature. B. Blackwell; 1986.
150.
Richard Braverman. Capital Relations and The Way of the World. ELH. 1985;52(1):133-158. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2872831
151.
Kropf CR. Reader Entrapment in Eighteenth-Century Literature. Vol Georgia State literary studies. AMS Press; 1992.
152.
Erickson RA. Lady Wishfort and the Will of the World. 1984;45(5):338-349. http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=tfh&AN=10055730&site=ehost-live
153.
Quinsey KM. Broken Boundaries: Women & Feminism in Restoration Drama. University Press of Kentucky; 1996.
154.
Kevin J. Gardner. Patrician Authority and Instability in ‘The Way of the World’. South Central Review. 2002;19(1):53-75. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3190039
155.
Charles H. Hinnant. Wit, Propriety, and Style in The Way of the World. Studies in English Literature, 1500-1900. 1977;17(3):373-386. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450072
156.
Holland NN. The First Modern Comedies: The Significance of Etherege, Wycherley and Congreve. Midland Book ed. Indiana University Press; 1959.
157.
Holland P. The Ornament of Action: Text and Performance in Restoration Comedy. Cambridge University Press; 1979.
158.
Restoration: studies in English literary culture, 1660-1700. Published online 1977.
159.
Richard W. F. Kroll. Discourse and Power in the Way of the World. ELH. 1986;53(4):727-758. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2873172
160.
John E. Loftis. Congreve’s Way of the World and Popular Criminal Literature. Studies in English Literature, 1500-1900. 1996;36(3):561-578. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450799
161.
Gill C, Ebooks Corporation Limited. Theatre and Culture in Early Modern England, 1650-1737: From Leviathan to Licensing Act. Ashgate; 2010. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=605141
162.
Lyons P. Congreve: Comedies : The Old Bachelor, The Double-Dealer, Love for Love, The Way of the World : A Casebook. Vol Casebook series. Macmillan; 1982.
163.
Williams AL, Novak ME, Clark Library Seminar. Congreve Consider’d: Papers Read at a Clark Library Seminar, December 5, 1970. William Andrews Clark Memorial Library; 1971.
164.
Peters JS. ‘Things govern’d by words’: Late 17th‐century comedy and the reformers. English Studies. 1987;68(2):142-153. doi:10.1080/00138388708598501
165.
Snider A. Professing a Libertine in ‘The Way of the World’. Papers on Language and Literature. 25(4). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1300108803/28864BC6333C4689PQ/6?accountid=14540
166.
Thomson RG. Freakery: Cultural Spectacles of the Extraordinary Body. New York University Press; 1996.
167.
Adams R. Sideshow U.S.A: Freaks and the American Cultural Imagination. University of Chicago Press; 2001.
168.
Duane AM. The Angel and the Freak: The Value of Childhood and Disability in Katherine Dunn’s Geek Love. Studies in American Fiction. 2012;39(1):103-122. doi:10.1353/saf.2012.0003
169.
Foucault M, Marchetti V, Salomoni A, Davidson AI. Abnormal: Lectures at the Collège de France 1974-1975. Verso; 2003.
170.
Hardin M. Fundamentally Freaky: Collapsing the Freak/Norm Binary in Geek Love. Critique: Studies in Contemporary Fiction. 2004;45(4):337-346. doi:10.3200/CRIT.45.4.337-346
171.
N. Katherine Hayles. Postmodern Parataxis: Embodied Texts, Weightless Information. American Literary History. 1990;2(3):394-421. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/489947
172.
Daniel Punday. Narrative Performance in the Contemporary Monster Story. The Modern Language Review. 2002;97(4):803-820. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3738613
173.
Meyer MJ. Literature and the Grotesque. Vol Rodopi perspectives on modern literature. Rodopi; 1995.
174.
Sullivan N. Katherine Dunn’s Geek Love and the Vicissitudes of Class. Critique: Studies in Contemporary Fiction. 2013;54(4):410-421. doi:10.1080/00111619.2011.609193
175.
Warren V. American Tall Tale/Tail: Katherine Dunn’s Geek Love and the Paradox of American Individualism. Critique: Studies in Contemporary Fiction. 2004;45(4):323-336. doi:10.3200/CRIT.45.4.323-336
176.
Weese K. Normalizing Freakery: Katherine Dunn’s Geek Love and the Female Grotesque. Critique: Studies in Contemporary Fiction. 2000;41(4):349-364. doi:10.1080/00111610009601597
177.
Bernstein S. Alasdair Gray. Bucknell University Press; 1999.
178.
Stierstorfer K. Beyond Postmodernism: Reassessments in Literature, Theory, and Culture. W. de Gruyter; 2003.
179.
Böhnke D. Shades of Gray: Science Fiction, History and the Problem of Postmodernism in the Work of Alasdair Gray. Vol Leipzig explorations in literature and culture. Galda + Wilch; 2004.
180.
Homem RMG de C, Lambert M de F. Writing and Seeing: Essays on Word and Image. Vol Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Rodopi; 2006.
181.
Charlton B. An Alasdair Gray Source Book. [s.n.]; 1988.
182.
Crawford R, Nairn T. The Arts of Alasdair Gray. Vol Modern Scottish writers. Edinburgh University Press; 1991.
183.
Diamond-Nigh L. Gray’s Anatomy: When Words and Images Collide. Review of Contemporary Fiction. 1995;15(2):178-183. http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R01532771:0
184.
Glass R. Alasdair Gray: A Secretary’s Biography. Bloomsbury; 2008.
185.
Hawley JC. Bell, Book and Candle: Poor Things and the Exorcism of Victorian Sentiment. Review of Contemporary Fiction. 1995;15(2). http://ezproxy.lib.gla.ac.uk/login?url=http://literature.proquest.com/searchFulltext.do?id=R01533212&divLevel=0&area=abell&forward=critref_ft
186.
Harrison WM. The Power of Work in the Novels of Alasdair Gray. Published 1995. http://literature.proquest.com.ezproxy.lib.gla.ac.uk/searchFulltext.do?id=R01533200&divLevel=0&area=abell&forward=critref_ft
187.
University of Glasgow. The Glasgow review. Published online 1993.
188.
Donald P. Kaczvinsky. ‘Making up for Lost Time’: Scotland, Stories, and the Self in Alasdair Gray’s ‘Poor Things’. Contemporary Literature. 2001;42(4):775-799. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1209053
189.
Université Stendhal-Grenoble 3. Études écossaises. Published online 1992.
190.
Wallace G, Stevenson R. The Scottish Novel since the Seventies: New Visions, Old Dreams. Edinburgh University Press; 1994.
191.
March C. Bella and the Beast (and a Few Dragons, Too): Alasdair Gray and the Social Resistance of the Grotesque. Critique: Studies in Contemporary Fiction. 2002;43(4):323-346. doi:10.1080/00111610209602188
192.
Revista Canaria de Estudios Ingleses. http://publica.webs.ull.es/upload/REV%20RECEI/41%20-%202000/09%20(Mario%20D%C3%ADaz%20Mart%C3%ADnez).pdf
193.
Leader Z. On Modern British Fiction. Oxford University Press; 2002.
194.
Studies in Scottish literature. Published online 1963.
195.
Miller G. Alasdair Gray: The Fiction of Communion. Vol Scottish cultural review of language and literature. Rodopi; 2005.
196.
Moores P. Alasdair Gray: Critical Appreciations and a Bibliography. British Library; 2002.
197.
Rennison N. Contemporary British Novelists. Routledge; 2005.
198.
Stirling K. Bella Caledonia: Woman, Nation, Text. Vol Scottish cultural review of language and literature. Rodopi; 2008.
199.
Tanskanen SK, Wårvik B, Nordic Conference for English Studies. Proceedings from the 7th Nordic Conference on English Studies. Vol Anglicana Turkuensia. University of Turku; 1999.
