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Barthes, Roland, and Stephen Heath. 1977a. Image Music Text. Vol. Fontana communications series. London: Fontana Press. https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~3090156&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0.
———. 1977b. Image Music Text. Vol. Fontana communications series. London: Fontana Press.
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Booth, Wayne Clayson. 1991. The Rhetoric of Fiction. 2nd ed. Vol. Penguin literary criticism. London: Penguin Books.
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———. 2007. Henry James Goes to Paris. Princeton, N.J.: Princeton University Press.
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Charles H. Hinnant. 1977. ‘Wit, Propriety, and Style in The Way of the World’. Studies in English Literature, 1500-1900 17 (3): 373–86. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450072.
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Clarke, Colin. 1969. River of Dissolution: D. H. Lawrence & English Romanticism. London: Routledge & K. Paul.
Clayton, Jay, and Eric Rothstein. 1991. Influence and Intertextuality in Literary History. Madison, Wisconsin: University of Wisconsin Press.
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Creed, Walter G. n.d. ‘The Good Soldier: Knowing and Judging’. English Literature in Transition, 1880-1920 23 (4): 215–30. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v023/23.4.creed.html.
Culler, Jonathan D. 2001. The Pursuit of Signs: Semiotics, Literature, Deconstruction. Vol. Routledge classics. London: Routledge.
Daniel Punday. 2002. ‘Narrative Performance in the Contemporary Monster Story’. The Modern Language Review 97 (4): 803–20. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3738613.
Debora K. Shuger. 1984. ‘Hypocrites and Puppets in “Bartholomew Fair”’. Modern Philology 82 (1): 70–73. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/437675.
DeCoste, Damon Marcel. 2007. ‘"A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in “The Good Soldier”’. Journal of Modern Literature 31 (1): 101–23. https://doi.org/10.2979/JML.2007.31.1.101.
Deleuze, Gilles, Félix Guattari, Brian Massumi, and Ebooks Corporation Limited. 2008. A Thousand Plateaus: Capitalism and Schizophrenia. Electronic resource. London: Continuum. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=310185.
Diamond-Nigh, Lynne. 1995. ‘Gray’s Anatomy: When Words and Images Collide’. Review of Contemporary Fiction 15 (2): 178–83. http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R01532771:0.
Doggett, Rob. 2007. ‘“Those Were Troublesome Times in Ireland, I Understand”: Ireland, the Limits of Knowledge, and Ford Madox Ford’s The Good Soldier’. MFS Modern Fiction Studies 53 (4): 697–721. https://doi.org/10.1353/mfs.2008.0004.
Doherty, Gerald. 1996. ‘The Art of Appropriation: The Rhetoric of Sexuality in D.H. Lawrence’. Style 30 (2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA19175944&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=3c6523bffc596dcafd04e3589613bc3c.
———. 2011. ‘Violent Immolations: Species Discourse, Sacrifice, and the Lure of Transcendence in D. H. Lawrence’s The Rainbow’. MFS Modern Fiction Studies 57 (1): 47–74. https://doi.org/10.1353/mfs.2011.0035.
Donald P. Kaczvinsky. 2001. ‘“Making up for Lost Time”: Scotland, Stories, and the Self in Alasdair Gray’s “Poor Things”’. Contemporary Literature 42 (4): 775–99. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1209053.
Donaldson, Ian. 1970. The World Upside down: Comedy from Jonson to Fielding. Oxford: Clarendon Press.
Donaldson, Ian and Dawson Books. 2011. Ben Jonson: A Life. Electronic resource. Oxford: Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191636783.
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Duane, Anna Mae. 2012. ‘The Angel and the Freak: The Value of Childhood and Disability in Katherine Dunn’s Geek Love’. Studies in American Fiction 39 (1): 103–22. https://doi.org/10.1353/saf.2012.0003.
Eagleton, Terry and Dawson Books. 2008. Literary Theory: An Introduction. Electronic resource. Anniversary ed., 2nd ed. Malden, Mass: Blackwell Publishing. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118306291.
Elliott B. Gose, Jr. 1957. ‘The Strange Irregular Rhythm: An Analysis of the Good Soldier’. PMLA 72 (3): 494–509. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/460471.
Ellmann, Maud. 1994. Psychoanalytic Literary Criticism. Vol. Longman critical readers. London: Longman.
Emery-Peck, Jennifer Sorensen. n.d. ‘“As She Called It”: Henry James Makes Free with a Female Telegraphist’. The Henry James Review 31 (3): 288–96. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/henry_james_review/v031/31.3.emery-peck.html.
Eric Savoy. 1995. ‘“In the Cage” and the Queer Effects of Gay History’. NOVEL: A Forum on Fiction 28 (3): 284–307. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1345925.
Erickson, R. A. 1984. ‘Lady Wishfort and the Will of the World’ 45 (5): 338–49. http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=tfh&AN=10055730&site=ehost-live.
Fintan O’Toole and Martin McDonagh. 1998. ‘Martin McDonagh’. BOMB, no. 63: 62–68. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40425561.
Ford, Ford Madox, and David Bradshaw. 2002. The Good Soldier. Vol. Penguin classics. London: Penguin Books.
Foucault, Michel, Valerio Marchetti, Antonella Salomoni, and Arnold I. Davidson. 2003. Abnormal: Lectures at the Collège de France 1974-1975. London: Verso.
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Friedenreich, Kenneth, Roma Gill, and Constance Brown Kuriyama. 1988. ‘A Poet and a Filthy Play-Maker’: New Essays on Christopher Marlowe. Vol. AMS studies in the Renaissance. New York, N.Y.: AMS Press.
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Irving Ribner. 1955. ‘Marlowe’s Edward II and the Tudor History Play’. ELH 22 (4): 243–53. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2871887.
Isaacs, Neil D. n.d. ‘The Narrator of the Good Soldier’. English Literature in Transition, 1880-1920 6 (1): 14–15. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v006/6.1.isaacs.html.
Jack F. Stewart. 1980. ‘Expressionism in “The Rainbow”’. NOVEL: A Forum on Fiction 13 (3): 296–315. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1344862.
Joan Parks. 1999. ‘History, Tragedy, and Truth in Christopher Marlowe’s “Edward II”’. Studies in English Literature, 1500-1900 39 (2): 275–90. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1556166.
John E. Loftis. 1996. ‘Congreve’s Way of the World and Popular Criminal Literature’. Studies in English Literature, 1500-1900 36 (3): 561–78. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450799.
Jones, Lawrence Williams. n.d. ‘The Quality of Sadness in Ford’s The Good Soldier’. English Literature in Transition, 1880-1920 13 (4): 296–302. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v013/13.4.jones.html.
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Katherine A. Sirluck. 1992. ‘Marlowe’s “Edward II” and the Pleasure of Outrage’. Modern Language Studies 22 (2): 15–24. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3195014.
Kendall, Roy. 2003. Christopher Marlowe and Richard Baines: Journeys through the Elizabethan Underground. Madison, N.J.: Fairleigh Dickinson University Press.
Kevin J. Gardner. 2002. ‘Patrician Authority and Instability in “The Way of the World”’. South Central Review 19 (1): 53–75. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3190039.
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McDonagh, Martin. 2003. The Pillowman. London, UK ; New York: Faber and Faber.
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N. Katherine Hayles. 1990. ‘Postmodern Parataxis: Embodied Texts, Weightless Information’. American Literary History 2 (3): 394–421. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/489947.
Nicholas Grene. 2005. ‘Ireland in Two Minds: Martin McDonagh and Conor McPherson’. The Yearbook of English Studies 35: 298–311. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3509340.
Nixon, Nicola. 1999. ‘The Reading Gaol of Henry James’s In The Cage’. ELH 66 (1): 179–201. https://doi.org/10.1353/elh.1999.0009.
Orgel, Stephen. 2000. ‘Tobacco and Boys: How Queer Was Marlowe?’ GLQ: A Journal of Lesbian and Gay Studies 6 (4): 555–76. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/journal_of_lesbian_and_gay_studies/v006/6.4orgel.html.
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