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Richards S. The Cambridge Companion to Twentieth-Century Irish Drama. Cambridge: : Cambridge University Press 2004. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521804000
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Joseph O’Connor. Questioning Our Self-Congratulations. Studies: An Irish Quarterly Review 1998;87:245–51.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30091915
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Fintan O’Toole and Martin McDonagh. Martin McDonagh. BOMB 1998;:62–8.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40425561
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O’Toole F. A mind in Connemara. The New Yorker 2006;82.http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA143302011&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=a8ec5fff9f3a83ca66cc064b075df126
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Emery-Peck JS. ‘As She Called It’: Henry James Makes Free with a Female Telegraphist. The Henry James Review;31:288–96.http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/henry_james_review/v031/31.3.emery-peck.html
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Gabler-Hover J. The Ethics of Determinism in Henry James’s ‘In The Cage’. The Henry James Review 1992;13:253–75. doi:10.1353/hjr.2010.0359
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Freedman J. The Cambridge Companion to Henry James. Cambridge: : Cambridge University Press 1998. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521495849
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Bonds DS. The Seeing Eye and the Slothful Heart: The Narrator of Ford’s The Good Soldier. English Literature in Transition, 1880-1920;25:21–7.http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v025/25.1.bonds.html
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Creed WG. The Good Soldier: Knowing and Judging. English Literature in Transition, 1880-1920;23:215–30.http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v023/23.4.creed.html
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DeCoste DM. "A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in ‘The Good Soldier’. Journal of Modern Literature 2007;31:101–23. doi:10.2979/JML.2007.31.1.101
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Jones LW. The Quality of Sadness in Ford’s The Good Soldier. English Literature in Transition, 1880-1920;13:296–302.http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v013/13.4.jones.html
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Viviana Comensoli. Homophobia and the Regulation of Desire: A Psychoanalytic Reading of Marlowe’s ‘Edward II’. Journal of the History of Sexuality 1993;4:175–200.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3704287
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White PW. Marlowe, history, and sexuality: new critical essays on Christopher Marlowe. New York, N.Y.: : AMS Press 1997.
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Kendall R. Christopher Marlowe and Richard Baines: journeys through the Elizabethan underground. Madison, N.J.: : Fairleigh Dickinson University Press 2003.
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Orgel S. Tobacco and Boys: How Queer Was Marlowe? GLQ: A Journal of Lesbian and Gay Studies 2000;6:555–76.http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/journal_of_lesbian_and_gay_studies/v006/6.4orgel.html
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Joan Parks. History, Tragedy, and Truth in Christopher Marlowe’s ‘Edward II’. Studies in English Literature, 1500-1900 1999;39:275–90.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1556166
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Irving Ribner. Marlowe’s Edward II and the Tudor History Play. ELH 1955;22:243–53.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2871887
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Riggs D. The world of Christopher Marlowe. London: : Faber 2004.
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Katherine A. Sirluck. Marlowe’s ‘Edward II’ and the Pleasure of Outrage. Modern Language Studies 1992;22:15–24.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3195014
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Stymeist D. Status, Sodomy, and the Theater in Marlowe’s Edward II. SEL Studies in English Literature 1500-1900 2004;44:233–53. doi:10.1353/sel.2004.0022
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Tromly FB, MyiLibrary. Playing with desire: Christopher Marlowe and the art of tantalization. Toronto, ON: : University of Toronto Press 1998. http://lib.myilibrary.com?id=202860&entityid=https://idp.gla.ac.uk/shibboleth
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Debora K. Shuger. Hypocrites and Puppets in ‘Bartholomew Fair’. Modern Philology 1984;82:70–3.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/437675
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Sweeney JG. Jonson and the psychology of public theater: ‘To coin the spirit, spend the soul’. Princeton, N.J.: : Princeton University Press 1985.
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Erickson RA. Lady Wishfort and the Will of the World. 1984;45:338–49.http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=tfh&AN=10055730&site=ehost-live
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Kevin J. Gardner. Patrician Authority and Instability in ‘The Way of the World’. South Central Review 2002;19:53–75.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3190039
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Charles H. Hinnant. Wit, Propriety, and Style in The Way of the World. Studies in English Literature, 1500-1900 1977;17:373–86.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450072
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