Abbott, H.P. (2008) The Cambridge introduction to narrative. 2nd ed. Cambridge: Cambridge University Press.
Acheson, J. (1991) The British and Irish novel since 1960. New York, N.Y.: St. Martin’s Press.
Adams, J.T. (no date) ‘Discrepancies in the Time-Scheme of The Good Soldier’, English Literature in Transition, 1880-1920, 34(2), pp. 153–164. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v034/34.2.adams.html.
Adams, R. (2001) Sideshow U.S.A: freaks and the American cultural imagination. Chicago: University of Chicago Press.
Adrienne Rich (1972) ‘When We Dead Awaken: Writing as Re-Vision’, College English, 34(1), pp. 18–30. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/375215.
Apostolou, P. (2001) Seduction and death in Muriel Spark’s fiction. Westport, Conn: Greenwood Press.
Auerbach, E. and American Council of Learned Societies (2003) Mimesis: the representation of reality in Western literature [electronic resource]. 50th anniversary ed. Princeton, N.J.: Princeton University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.09353.
Badiou, A. (2008) ‘RHAPSODY FOR THE THEATRE: A SHORT PHILOSOPHICAL TREATISE’, Theatre Survey, 49(02). Available at: https://doi.org/10.1017/S0040557408000124.
Bakhtin, M.M. et al. (1981) The dialogic imagination: four essays [electronic resource]. Austin: University of Texas Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.09354.
Bal, M. and Boheemen-Saaf, C. van (2009) Narratology: introduction to the theory of narrative. 3rd ed. Toronto, Ont: University of Toronto Press.
Baldick, C. (1996) Criticism and literary theory 1890 to the present. London: Longman.
Barish, J.A. (1970) Ben Jonson and the language of prose comedy. New York: W.W. Norton.
Barish, Jonas.A. (1972) ‘Feasting and Judging in Jonsonian Comedy’, Renaissance Drama, 5. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308642249/AF3E9D8CF3A24FEAPQ/4?accountid=14540.
Barthes, R. and Heath, S. (1977a) Image Music Text. London: Fontana Press. Available at: https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~3090156&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0.
Barthes, R. and Heath, S. (1977b) Image music text. London: Fontana Press.
Barthes, R., Lavers, A. and Smith, C. (1977) Writing degree zero. New York, N.Y.: Hill and Wang.
Barthes, R., Miller, R. and Balzac, H. de (1975) S-Z. London: Cape.
Barton, A. (1984) Ben Jonson, dramatist. Cambridge: Cambridge University Press.
Bauer, D. (1987) ‘Language, Class, and Sexuality in Henry James’s In the Cage’, New Orleans Review, 14.3, pp. 61–69.
Belsey, C. (2002) Critical practice. 2nd ed. London: Routledge.
Bennett, A. and Royle, N. (2009) An introduction to literature, criticism and theory. 4th ed. Harlow: Longman.
Bennett, T. and Ebooks Corporation Limited (2003) Formalism and Marxism [electronic resource]. [2nd ed.]. London: Routledge. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=182658.
Bernstein, S. (1999) Alasdair Gray. Lewisburg, Pa: Bucknell University Press.
Biles, J.I. (1987) British novelists since 1900. New York, N.Y.: AMS Press.
Böhnke, D. (2004) Shades of Gray: science fiction, history and the problem of postmodernism in the work of Alasdair Gray. Glienicke: Galda + Wilch.
Bonds, D.S. (no date) ‘The Seeing Eye and the Slothful Heart: The Narrator of Ford’s The Good Soldier’, English Literature in Transition, 1880-1920, 25(1), pp. 21–27. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v025/25.1.bonds.html.
Booth, W.C. (1991) The rhetoric of fiction. 2nd ed. London: Penguin Books.
Brecht, B. and Willett, J. (1978) Brecht on theatre: the development of an aesthetic. New York: Hill and Wang.
Brooks, P. (1993) Body work: objects of desire in modern narrative. Cambridge, Mass: Harvard University Press.
Brooks, P. (2007) Henry James goes to Paris. Princeton, N.J.: Princeton University Press.
Buelens, G. (2006) ‘Imagining Telegraphic Joy in the Canny Cage of Metaphor, Metonymy, and Performativity’, The Henry James Review, 27(2), pp. 126–139. Available at: https://doi.org/10.1353/hjr.2006.0010.
Chambers, L. and Jordan, E. (2006) The theatre of Martin McDonagh: a world of savage stories. Dublin: Carysfort Press.
Charles H. Hinnant (1977) ‘Wit, Propriety, and Style in The Way of the World’, Studies in English Literature, 1500-1900, 17(3), pp. 373–386. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450072.
Charlton, B. (1988) An Alasdair Gray source book. [S.l.]: [s.n.].
Chatman, S.B. (1978) Story and discourse: narrative structure in fiction and film. Ithaca, N.Y.: Cornell University Press.
Cheney, P. (2004) The Cambridge Companion to Christopher Marlowe [electronic resource]. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521820340.
Clarke, C. (1969) River of dissolution: D. H. Lawrence & English Romanticism. London: Routledge & K. Paul.
Clayton, J. and Rothstein, E. (1991) Influence and intertextuality in literary history. Madison, Wisconsin: University of Wisconsin Press.
Cole, D. (1995) Christopher Marlowe and the renaissance of tragedy. Westport, Conn: Greenwood Pub. Group.
Congreve, W. and Gibbons, B. (1994) The way of the world. 2nd ed. London: A & C Black.
Crawford, R. and Nairn, T. (1991) The arts of Alasdair Gray. Edinburgh: Edinburgh University Press.
Creed, W.G. (no date) ‘The Good Soldier: Knowing and Judging’, English Literature in Transition, 1880-1920, 23(4), pp. 215–230. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v023/23.4.creed.html.
Culler, J.D. (2001) The pursuit of signs: semiotics, literature, deconstruction. London: Routledge.
Daniel Punday (2002) ‘Narrative Performance in the Contemporary Monster Story’, The Modern Language Review, 97(4), pp. 803–820. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3738613.
Debora K. Shuger (1984) ‘Hypocrites and Puppets in “Bartholomew Fair”’, Modern Philology, 82(1), pp. 70–73. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/437675.
DeCoste, D.M. (2007) ‘"A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in “The Good Soldier”’, Journal of Modern Literature, 31(1), pp. 101–123. Available at: https://doi.org/10.2979/JML.2007.31.1.101.
Deleuze, G. et al. (2008) A thousand plateaus: capitalism and schizophrenia [electronic resource]. London: Continuum. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=310185.
Diamond-Nigh, L. (1995) ‘Gray’s Anatomy: When Words and Images Collide’, Review of Contemporary Fiction, 15(2), pp. 178–183. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R01532771:0.
Doggett, R. (2007) ‘“Those Were Troublesome Times in Ireland, I Understand”: Ireland, the Limits of Knowledge, and Ford Madox Ford’s The Good Soldier’, MFS Modern Fiction Studies, 53(4), pp. 697–721. Available at: https://doi.org/10.1353/mfs.2008.0004.
Doherty, G. (1996) ‘The art of appropriation: the rhetoric of sexuality in D.H. Lawrence’, Style, 30(2). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA19175944&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=3c6523bffc596dcafd04e3589613bc3c.
Doherty, G. (2011) ‘Violent Immolations: Species Discourse, Sacrifice, and the Lure of Transcendence in D. H. Lawrence’s The Rainbow’, MFS Modern Fiction Studies, 57(1), pp. 47–74. Available at: https://doi.org/10.1353/mfs.2011.0035.
Donald P. Kaczvinsky (2001) ‘“Making up for Lost Time”: Scotland, Stories, and the Self in Alasdair Gray’s “Poor Things”’, Contemporary Literature, 42(4), pp. 775–799. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1209053.
Donaldson, I. (1970) The world upside down: comedy from Jonson to Fielding. Oxford: Clarendon Press.
Donaldson, I. and Dawson Books (2011) Ben Jonson: a life [electronic resource]. Oxford: Oxford University Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191636783.
Downie, J.A. and Parnell, J.T. (2000) Constructing Christopher Marlowe. Cambridge: Cambridge University Press.
Duane, A.M. (2012) ‘The Angel and the Freak: The Value of Childhood and Disability in Katherine Dunn’s Geek Love’, Studies in American Fiction, 39(1), pp. 103–122. Available at: https://doi.org/10.1353/saf.2012.0003.
Eagleton, T. and Dawson Books (2008) Literary theory: an introduction [electronic resource]. Anniversary ed., 2nd ed. Malden, Mass: Blackwell Publishing. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118306291.
Elliott B. Gose, Jr. (1957) ‘The Strange Irregular Rhythm: An Analysis of the Good Soldier’, PMLA, 72(3), pp. 494–509. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/460471.
Ellmann, M. (1994) Psychoanalytic literary criticism. London: Longman.
Emery-Peck, J.S. (no date) ‘“As She Called It”: Henry James Makes Free with a Female Telegraphist’, The Henry James Review, 31(3), pp. 288–296. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/henry_james_review/v031/31.3.emery-peck.html.
Eric Savoy (1995) ‘“In the Cage” and the Queer Effects of Gay History’, NOVEL: A Forum on Fiction, 28(3), pp. 284–307. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1345925.
Erickson, R.A. (1984) ‘Lady Wishfort and the Will of the World’, 45(5), pp. 338–349. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=tfh&AN=10055730&site=ehost-live.
Fintan O’Toole and Martin McDonagh (1998) ‘Martin McDonagh’, BOMB, (63), pp. 62–68. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40425561.
Ford, F.M. and Bradshaw, D. (2002) The good soldier. London: Penguin Books.
Foucault, M. et al. (2003) Abnormal: lectures at the Collège de France 1974-1975. London: Verso.
Freedman, J. (1998) The Cambridge Companion to Henry James [electronic resource]. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521495849.
Friedenreich, K., Gill, R. and Kuriyama, C.B. (1988) ‘A poet and a filthy play-maker’: new essays on Christopher Marlowe. New York, N.Y.: AMS Press.
Gabler-Hover, J. (1992) ‘The Ethics of Determinism in Henry James’s “In The Cage”’, The Henry James Review, 13(3), pp. 253–275. Available at: https://doi.org/10.1353/hjr.2010.0359.
Galvan, J. (2001) ‘Class Ghosting “In the Cage”’, The Henry James Review, 22(3), pp. 297–306. Available at: https://doi.org/10.1353/hjr.2001.0025.
Gardiner, M. and Maley, W. (2010a) The Edinburgh companion to Muriel Spark. Edinburgh: Edinburgh University Press.
Gardiner, M. and Maley, W. (2010b) The Edinburgh companion to Muriel Spark. Edinburgh: Edinburgh University Press.
Gardiner, M. and Maley, W. (2010c) The Edinburgh companion to Muriel Spark. Edinburgh: Edinburgh University Press.
Garrard, G. and Dawson Books (2011) Ecocriticism [electronic resource]. 2nd ed. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203806838.
Genette, G. (1980) Narrative discourse: an essay in method. Ithaca: Cornell University Press.
Gill, C. and Ebooks Corporation Limited (2010) Theatre and culture in early modern England, 1650-1737: from Leviathan to Licensing Act [electronic resource]. Farnham, Surrey: Ashgate. Available at: http://www.GLA.eblib.com/patron/FullRecord.aspx?p=605141.
Glass, R. (2008) Alasdair Gray: a secretary’s biography. London: Bloomsbury.
Greenblatt, S. (2005) Renaissance self-fashioning: from More to Shakespeare. [New ed.]. Chicago, Ill: University of Chicago Press.
Hardin, M. (2004) ‘Fundamentally Freaky: Collapsing the Freak/Norm Binary in Geek Love’, Critique: Studies in Contemporary Fiction, 45(4), pp. 337–346. Available at: https://doi.org/10.3200/CRIT.45.4.337-346.
Harrison, W.M. (1995) The Power of Work in the Novels of Alasdair Gray. Available at: http://literature.proquest.com.ezproxy.lib.gla.ac.uk/searchFulltext.do?id=R01533200&divLevel=0&area=abell&forward=critref_ft.
Hawley, J.C. (1995) ‘Bell, Book and Candle: Poor Things and the Exorcism of Victorian Sentiment’, Review of Contemporary Fiction, 15(2). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://literature.proquest.com/searchFulltext.do?id=R01533212&divLevel=0&area=abell&forward=critref_ft.
Haynes, J. (1992) The social relations of Jonson’s theater. Cambridge: Cambridge University Press.
Heininge, K. (2007) ‘An invigorating romp through McDonagh’, Irish Literary Supplement, 27(1). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA168662955&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=8ff0a16a2dec1d1b00ccc3b1e5cb186e.
Hobsbaum, P. (1981) A reader’s guide to D.H. Lawrence. London: Thames and Hudson.
Hoffmann, K.A. (2004) ‘“Am I no better than a eunuch?” Narrating Masculinity and Empire in Ford Madox Ford’s The Good Soldier’, Journal of Modern Literature, 27(3), pp. 30–46. Available at: https://doi.org/10.1353/jml.2004.0075.
Holland, N.N. (1959) The first modern comedies: the significance of Etherege, Wycherley and Congreve. Midland Book ed. Bloomington, Ind: Indiana University Press.
Holland, P. (1979) The ornament of action: text and performance in Restoration comedy. Cambridge: Cambridge University Press.
Homem, R.M.G. de C. and Lambert, M. de F. (2006) Writing and seeing: essays on word and image. Amsterdam: Rodopi.
Hosmer, R.E. (1993) Contemporary British women writers: texts and strategies. Basingstoke: Macmillan.
Hutcheon, L. (1984) Narcissistic narrative: the metafictional paradox. New York, N.Y.: Methuen.
Ian Adam (1973) ‘Lawrence’s Anti-Symbol: The Ending of “The Rainbow”’, The Journal of Narrative Technique, 3(2), pp. 77–84. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30225516.
Irving Ribner (1955) ‘Marlowe’s Edward II and the Tudor History Play’, ELH, 22(4), pp. 243–253. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2871887.
Isaacs, N.D. (no date) ‘The Narrator of the Good Soldier’, English Literature in Transition, 1880-1920, 6(1), pp. 14–15. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v006/6.1.isaacs.html.
Jack F. Stewart (1980) ‘Expressionism in “The Rainbow”’, NOVEL: A Forum on Fiction, 13(3), pp. 296–315. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1344862.
Joan Parks (1999) ‘History, Tragedy, and Truth in Christopher Marlowe’s “Edward II”’, Studies in English Literature, 1500-1900, 39(2), pp. 275–290. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1556166.
John E. Loftis (1996) ‘Congreve’s Way of the World and Popular Criminal Literature’, Studies in English Literature, 1500-1900, 36(3), pp. 561–578. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450799.
Jones, L.W. (no date) ‘The Quality of Sadness in Ford’s The Good Soldier’, English Literature in Transition, 1880-1920, 13(4), pp. 296–302. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v013/13.4.jones.html.
Jonson, B. and Hibbard, G.R. (2007a) Bartholomew Fair. London: A. & C. Black.
Jonson, B. and Hibbard, G.R. (2007b) Bartholomew Fair. 2nd ed. London: A. & C. Black.
Joseph O’Connor (1998) ‘Questioning Our Self-Congratulations’, Studies: An Irish Quarterly Review, 87(347), pp. 245–251. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30091915.
Judd, A. (2009) Ford Madox Ford. London: Faber and Faber.
Kalnins, M. (1986) D.H. Lawrence : centenary essays. Bristol: Bristol Classical Press.
Katherine A. Sirluck (1992) ‘Marlowe’s “Edward II” and the Pleasure of Outrage’, Modern Language Studies, 22(2), pp. 15–24. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3195014.
Kendall, R. (2003) Christopher Marlowe and Richard Baines: journeys through the Elizabethan underground. Madison, N.J.: Fairleigh Dickinson University Press.
Kevin J. Gardner (2002) ‘Patrician Authority and Instability in “The Way of the World”’, South Central Review, 19(1), pp. 53–75. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3190039.
Kowalewski-Wallace, E. (1997) Encyclopedia of feminist literary theory. New York: Garland.
Kristeva, J. (1987) Tales of love. New York, N.Y.: Columbia University Press.
Kristeva, J. and Moi, T. (1986) The Kristeva Reader. Oxford: Basil Blackwell. Available at: https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~2834391&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0.
Kristeva, J. and Roudiez, L.S. (1980) Desire in language: a semiotic approach to literature and art. New York, N.Y.: Columbia University Press.
Kropf, C.R. (1992) Reader entrapment in eighteenth-century literature. New York: AMS Press.
Lawrence, D.H. and Gibson, J. (1992) The rainbow. London: Nelson.
Leader, Z. (2002) On modern British fiction. Oxford: Oxford University Press.
Leavis, F.R. (1994) D.H. Lawrence: novelist. Harmondsworth: Penguin Books in association with Chatto & Windus.
Lemon, L.T. and Reis, M.J. (1965) Russian formalist criticism : four essays. Lincoln, Neb: University of Nebraska Press.
Leonard, J. (no date) ‘“Loitering with intent”: Muriel Spark’s parabolic technique’, Studies in the Literary Imagination, 18(1). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1303456166/484FCF0E8DC14D7EPQ/9?accountid=14540.
‘Literature and Psychology’ (no date).
Lonergan, P. (2012) The theatre and films of Martin McDonagh. London: Methuen Drama.
Lyons, P. (1982) Congreve: comedies : The old bachelor, The double-dealer, Love for love, The way of the world : a casebook. London: Macmillan.
Lyons, P., O’Malley-Younger, A., and Dawson Books (2009) No country for old men: fresh perspectives on Irish literature [electronic resource]. Oxford: Peter Lang. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035300796.
Macherey, P. (2006) A theory of literary production. London: Routledge.
MacShane, F. (1965) The life and work of Ford Madox Ford. London: Routledge & Kegan Paul.
Maley, W. (2008) Muriel Spark for starters. Edinburgh: Capercaillie.
March, C. (2002) ‘Bella and the Beast (and a Few Dragons, Too): Alasdair Gray and the Social Resistance of the Grotesque’, Critique: Studies in Contemporary Fiction, 43(4), pp. 323–346. Available at: https://doi.org/10.1080/00111610209602188.
Marcus, L.S. (1986) The politics of mirth: Jonson, Herrick, Milton, Marvell, and the defense of old holiday pastimes. Chicago, Ill: University of Chicago Press.
Marlowe, C. and Gibbons, B. (2011) Four plays. London: Methuen Drama.
‘Matters of Care and Control: Surveillance, Omniscience, and Narrative Power in The Abbess of Crewe and Loitering with Intent’ (2008) MFS Modern Fiction Studies, 54(3), pp. 574–594. Available at: https://doi.org/10.1353/mfs.0.1541.
McCarthy, P.A. (no date) ‘In Search of Lost Time: Chronology and Narration in The Good Soldier’, English Literature in Transition, 1880-1920, 40(2), pp. 133–149. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v040/40.2.mccarthy.html.
McDonagh, M. (2003) The pillowman. London, UK ; New York: Faber and Faber.
Menke, R. (2004) ‘“Framed and Wired”: Teaching “In the Cage” at the Intersection of Literature and Media’, The Henry James Review, 25(1), pp. 33–43. Available at: https://doi.org/10.1353/hjr.2004.0008.
Meyer, E. (1990) ‘“The Nature of a Text”: Ford and Conrad in Plato’s Pharmacy’, MFS Modern Fiction Studies, 36(4), pp. 499–512. Available at: https://doi.org/10.1353/mfs.0.0769.
Meyer, M.J. (1995) Literature and the grotesque. Amsterdam: Rodopi.
Miller, G. (2005) Alasdair Gray: the fiction of communion. Amsterdam: Rodopi.
Millett, K. (2000) Sexual politics. Urbana: University of Illinois Press.
Mizener, A. (1972) The saddest story: a biography of Ford Madox Ford. London: Bodley Head.
Moody, A.J. (1995) ‘“The Harmless Pleasure of Knowing”: Privacy in the Telegraph Office and Henry James’s “In the Cage”’, The Henry James Review, 16(1), pp. 53–65. Available at: https://doi.org/10.1353/hjr.1995.0007.
Moores, P. (2002) Alasdair Gray: critical appreciations and a bibliography. Boston Spa: British Library.
N. Katherine Hayles (1990) ‘Postmodern Parataxis: Embodied Texts, Weightless Information’, American Literary History, 2(3), pp. 394–421. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/489947.
Nicholas Grene (2005) ‘Ireland in Two Minds: Martin McDonagh and Conor McPherson’, The Yearbook of English Studies, 35, pp. 298–311. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3509340.
Nixon, N. (1999) ‘The Reading Gaol of Henry James’s In The Cage’, ELH, 66(1), pp. 179–201. Available at: https://doi.org/10.1353/elh.1999.0009.
Orgel, S. (2000) ‘Tobacco and Boys: How Queer Was Marlowe?’, GLQ: A Journal of Lesbian and Gay Studies, 6(4), pp. 555–576. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/journal_of_lesbian_and_gay_studies/v006/6.4orgel.html.
O’Toole, F. (2006) ‘A mind in Connemara’, The New Yorker, 82(2). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA143302011&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=a8ec5fff9f3a83ca66cc064b075df126.
Paster, G.K. (1993) The body embarrassed: drama and the disciplines of shame in early modern England. Ithaca, N.Y.: Cornell University Press.
Paul de Man (1979) ‘Autobiography as De-facement’, MLN, 94(5), pp. 919–930. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2906560.
Peters, J.S. (1987) ‘“Things govern’d by words”: Late 17th‐century comedy and the reformers’, English Studies, 68(2), pp. 142–153. Available at: https://doi.org/10.1080/00138388708598501.
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Richard Braverman (1985) ‘Capital Relations and The Way of the World’, ELH, 52(1), pp. 133–158. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2872831.
Richard W. F. Kroll (1986) ‘Discourse and Power in the Way of the World’, ELH, 53(4), pp. 727–758. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2873172.
Richards, S. (2004) The Cambridge Companion to Twentieth-Century Irish Drama [electronic resource]. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521804000.
Richards, S. (2007) ‘“To Me, Here Is More Like There”’, Irish Studies Review, 15(1), pp. 1–15. Available at: https://doi.org/10.1080/09670880601117448.
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Russell, R.R. and Dawson Books (2007b) Martin McDonagh: a casebook [electronic resource]. London: Routledge. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=University%20of%20Glasgow&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203935859.
Rutkoski, M. (2006) ‘Breeching the Boy in Marlowe’s Edward II’, SEL Studies in English Literature 1500-1900, 46(2), pp. 281–304. Available at: https://doi.org/10.1353/sel.2006.0020.
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Sillitoe, P. (2004) ‘"Where is the court but here?” Undetermined Elite Space and Marlowe’s’, Literature Compass, 1(1), p. **-**. Available at: https://doi.org/10.1111/j.1741-4113.2004.00065.x.
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Snider, A. (no date) ‘Professing a Libertine in “The Way of the World”’, Papers on Language and Literature, 25(4). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1300108803/28864BC6333C4689PQ/6?accountid=14540.
Spark, M. (1995) Loitering with intent. London: Penguin.
Stannard, M. (2009) Muriel Spark: the biography. London: Weidenfeld & Nicolson.
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Tanskanen, S.-K., Wårvik, B., and Nordic Conference for English Studies (1999) Proceedings from the 7th Nordic Conference on English Studies. Turku: University of Turku.
‘The Double Life in the Cage: The Queering of the Social in Henry James’s Late Short Fiction’ (2010) The Henry James Review, 31(2), pp. 154–168. Available at: https://doi.org/10.1353/hjr.0.0079.
‘The Intercepted Telegram Plot in Henry James’s "In the Cage”’ (no date). Available at: https://doi.org/10.1093/notesj/24.5.425.
Thomson, R.G. (1996) Freakery: cultural spectacles of the extraordinary body. New York, N.Y.: New York University Press.
Thurn, David.H. (1990) ‘Sovereignty, Disorder, and Fetishism in Marlowe’s “Edward II”’, Renaissance Drama, 21. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308647074/8E5C21ADC4F74283PQ/8?accountid=14540.
Traub, V., Kaplan, M.L. and Callaghan, D. (1996) Feminist readings of early modern culture: emerging subjects. Cambridge: Cambridge University Press.
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Viviana Comensoli (1993) ‘Homophobia and the Regulation of Desire: A Psychoanalytic Reading of Marlowe’s “Edward II”’, Journal of the History of Sexuality, 4(2), pp. 175–200. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3704287.
Wallace, G. and Stevenson, R. (1994) The Scottish novel since the seventies: new visions, old dreams. Edinburgh: Edinburgh University Press.
Warren, V. (2004) ‘American Tall Tale/Tail: Katherine Dunn’s Geek Love and the Paradox of American Individualism’, Critique: Studies in Contemporary Fiction, 45(4), pp. 323–336. Available at: https://doi.org/10.3200/CRIT.45.4.323-336.
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White, P.W. (1997a) Marlowe, history, and sexuality: new critical essays on Christopher Marlowe. New York, N.Y.: AMS Press.
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William B. Kelly (1998) ‘Mapping Subjects in Marlowe’s “Edward II”’, South Atlantic Review, 63(1), pp. 1–19. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3201388.
Williams, A.L., Novak, M.E., and Clark Library Seminar (1971) Congreve consider’d: papers read at a Clark Library Seminar, December 5, 1970. Los Angeles, Calif: William Andrews Clark Memorial Library.
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