Bibliography for English Literature 2B Writing and Text BETA

Abbott, H. P. (2008). The Cambridge introduction to narrative: Vol. Cambridge introductions to literature (2nd ed). Cambridge University Press.

Acheson, J. (1991). The British and Irish novel since 1960. St. Martin’s Press.

Adams, J. T. (n.d.). Discrepancies in the Time-Scheme of The Good Soldier. English Literature in Transition, 1880-1920, 34(2), 153–164. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v034/34.2.adams.html

Adams, R. (2001). Sideshow U.S.A: freaks and the American cultural imagination. University of Chicago Press.

Adrienne Rich. (1972). When We Dead Awaken: Writing as Re-Vision. College English, 34(1), 18–30. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/375215

Apostolou, P. (2001). Seduction and death in Muriel Spark’s fiction: Vol. Contributions to the study of world literature. Greenwood Press.

Auerbach, E. & American Council of Learned Societies. (2003). Mimesis: the representation of reality in Western literature (50th anniversary ed) [Electronic resource]. Princeton University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.09353

Badiou, A. (2008). RHAPSODY FOR THE THEATRE: A SHORT PHILOSOPHICAL TREATISE. Theatre Survey, 49(02). https://doi.org/10.1017/S0040557408000124

Bakhtin, M. M., Emerson, C., Holquist, M., & American Council of Learned Societies. (1981). The dialogic imagination: four essays: Vol. University of Texas Press Slavic series [Electronic resource]. University of Texas Press. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.09354

Bal, M., & Boheemen-Saaf, C. van. (2009). Narratology: introduction to the theory of narrative (3rd ed). University of Toronto Press.

Baldick, C. (1996). Criticism and literary theory 1890 to the present: Vol. Longman literature in English series. Longman.

Barish, J. A. (1970). Ben Jonson and the language of prose comedy: Vol. Norton library. W.W. Norton.

Barish, Jonas. A. (1972). Feasting and Judging in Jonsonian Comedy. Renaissance Drama, 5. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308642249/AF3E9D8CF3A24FEAPQ/4?accountid=14540

Barthes, R., & Heath, S. (1977a). Image Music Text: Vol. Fontana communications series. Fontana Press. https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~3090156&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0

Barthes, R., & Heath, S. (1977b). Image music text: Vol. Fontana communications series. Fontana Press.

Barthes, R., Lavers, A., & Smith, C. (1977). Writing degree zero. Hill and Wang.

Barthes, R., Miller, R., & Balzac, H. de. (1975). S-Z. Cape.

Barton, A. (1984). Ben Jonson, dramatist. Cambridge University Press.

Bauer, D. (1987). Language, Class, and Sexuality in Henry James’s In the Cage. New Orleans Review, 14.3, 61–69.

Belsey, C. (2002). Critical practice: Vol. New accents (Routledge (Firm)) (2nd ed). Routledge.

Bennett, A., & Royle, N. (2009). An introduction to literature, criticism and theory (4th ed). Longman.

Bennett, T. & Ebooks Corporation Limited. (2003). Formalism and Marxism: Vol. New accents (Routledge (Firm)) ([2nd ed.]) [Electronic resource]. Routledge. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=182658

Bernstein, S. (1999). Alasdair Gray. Bucknell University Press.

Biles, J. I. (1987). British novelists since 1900: Vol. Georgia State literary studies. AMS Press.

Böhnke, D. (2004). Shades of Gray: science fiction, history and the problem of postmodernism in the work of Alasdair Gray: Vol. Leipzig explorations in literature and culture. Galda + Wilch.

Bonds, D. S. (n.d.). The Seeing Eye and the Slothful Heart: The Narrator of Ford’s The Good Soldier. English Literature in Transition, 1880-1920, 25(1), 21–27. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v025/25.1.bonds.html

Booth, W. C. (1991). The rhetoric of fiction: Vol. Penguin literary criticism (2nd ed). Penguin Books.

Brecht, B., & Willett, J. (1978). Brecht on theatre: the development of an aesthetic. Hill and Wang.

Brooks, P. (1993). Body work: objects of desire in modern narrative. Harvard University Press.

Brooks, P. (2007). Henry James goes to Paris. Princeton University Press.

Buelens, G. (2006). Imagining Telegraphic Joy in the Canny Cage of Metaphor, Metonymy, and Performativity. The Henry James Review, 27(2), 126–139. https://doi.org/10.1353/hjr.2006.0010

Chambers, L., & Jordan, E. (2006). The theatre of Martin McDonagh: a world of savage stories. Carysfort Press.

Charles H. Hinnant. (1977). Wit, Propriety, and Style in The Way of the World. Studies in English Literature, 1500-1900, 17(3), 373–386. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450072

Charlton, B. (1988). An Alasdair Gray source book. [s.n.].

Chatman, S. B. (1978). Story and discourse: narrative structure in fiction and film. Cornell University Press.

Cheney, P. (2004). The Cambridge Companion to Christopher Marlowe: Vol. Cambridge Companions to Literature [Electronic resource]. Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521820340

Clarke, C. (1969). River of dissolution: D. H. Lawrence & English Romanticism. Routledge & K. Paul.

Clayton, J., & Rothstein, E. (1991). Influence and intertextuality in literary history. University of Wisconsin Press.

Cole, D. (1995). Christopher Marlowe and the renaissance of tragedy: Vol. Contributions in drama and theatre studies. Greenwood Pub. Group.

Congreve, W., & Gibbons, B. (1994). The way of the world: Vol. The new mermaids (2nd ed). A & C Black.

Crawford, R., & Nairn, T. (1991). The arts of Alasdair Gray: Vol. Modern Scottish writers. Edinburgh University Press.

Creed, W. G. (n.d.). The Good Soldier: Knowing and Judging. English Literature in Transition, 1880-1920, 23(4), 215–230. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v023/23.4.creed.html

Culler, J. D. (2001). The pursuit of signs: semiotics, literature, deconstruction: Vol. Routledge classics. Routledge.

Daniel Punday. (2002). Narrative Performance in the Contemporary Monster Story. The Modern Language Review, 97(4), 803–820. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3738613

Debora K. Shuger. (1984). Hypocrites and Puppets in ‘Bartholomew Fair’. Modern Philology, 82(1), 70–73. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/437675

DeCoste, D. M. (2007). "A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in ‘The Good Soldier’. Journal of Modern Literature, 31(1), 101–123. https://doi.org/10.2979/JML.2007.31.1.101

Deleuze, G., Guattari, F., Massumi, B., & Ebooks Corporation Limited. (2008). A thousand plateaus: capitalism and schizophrenia [Electronic resource]. Continuum. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=310185

Diamond-Nigh, L. (1995). Gray’s Anatomy: When Words and Images Collide. Review of Contemporary Fiction, 15(2), 178–183. http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R01532771:0

Doggett, R. (2007). ‘Those Were Troublesome Times in Ireland, I Understand’: Ireland, the Limits of Knowledge, and Ford Madox Ford’s The Good Soldier. MFS Modern Fiction Studies, 53(4), 697–721. https://doi.org/10.1353/mfs.2008.0004

Doherty, G. (1996). The art of appropriation: the rhetoric of sexuality in D.H. Lawrence. Style, 30(2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA19175944&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=3c6523bffc596dcafd04e3589613bc3c

Doherty, G. (2011). Violent Immolations: Species Discourse, Sacrifice, and the Lure of Transcendence in D. H. Lawrence’s The Rainbow. MFS Modern Fiction Studies, 57(1), 47–74. https://doi.org/10.1353/mfs.2011.0035

Donald P. Kaczvinsky. (2001). ‘Making up for Lost Time’: Scotland, Stories, and the Self in Alasdair Gray’s ‘Poor Things’. Contemporary Literature, 42(4), 775–799. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1209053

Donaldson, I. (1970). The world upside down: comedy from Jonson to Fielding. Clarendon Press.

Donaldson, I. & Dawson Books. (2011). Ben Jonson: a life [Electronic resource]. Oxford University Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191636783

Downie, J. A., & Parnell, J. T. (2000). Constructing Christopher Marlowe. Cambridge University Press.

Duane, A. M. (2012). The Angel and the Freak: The Value of Childhood and Disability in Katherine Dunn’s Geek Love. Studies in American Fiction, 39(1), 103–122. https://doi.org/10.1353/saf.2012.0003

Eagleton, T. & Dawson Books. (2008). Literary theory: an introduction (Anniversary ed., 2nd ed) [Electronic resource]. Blackwell Publishing. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781118306291

Elliott B. Gose, Jr. (1957). The Strange Irregular Rhythm: An Analysis of the Good Soldier. PMLA, 72(3), 494–509. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/460471

Ellmann, M. (1994). Psychoanalytic literary criticism: Vol. Longman critical readers. Longman.

Emery-Peck, J. S. (n.d.). ‘As She Called It’: Henry James Makes Free with a Female Telegraphist. The Henry James Review, 31(3), 288–296. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/henry_james_review/v031/31.3.emery-peck.html

Eric Savoy. (1995). ‘In the Cage’ and the Queer Effects of Gay History. NOVEL: A Forum on Fiction, 28(3), 284–307. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1345925

Erickson, R. A. (1984). Lady Wishfort and the Will of the World. 45(5), 338–349. http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=tfh&AN=10055730&site=ehost-live

Fintan O’Toole and Martin McDonagh. (1998). Martin McDonagh. BOMB, 63, 62–68. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40425561

Ford, F. M., & Bradshaw, D. (2002). The good soldier: Vol. Penguin classics. Penguin Books.

Foucault, M., Marchetti, V., Salomoni, A., & Davidson, A. I. (2003). Abnormal: lectures at the Collège de France 1974-1975. Verso.

Freedman, J. (1998). The Cambridge Companion to Henry James: Vol. Cambridge Companions to Literature [Electronic resource]. Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521495849

Friedenreich, K., Gill, R., & Kuriyama, C. B. (1988). ‘A poet and a filthy play-maker’: new essays on Christopher Marlowe: Vol. AMS studies in the Renaissance. AMS Press.

Gabler-Hover, J. (1992). The Ethics of Determinism in Henry James’s ‘In The Cage’. The Henry James Review, 13(3), 253–275. https://doi.org/10.1353/hjr.2010.0359

Galvan, J. (2001). Class Ghosting ‘In the Cage’. The Henry James Review, 22(3), 297–306. https://doi.org/10.1353/hjr.2001.0025

Gardiner, M., & Maley, W. (2010a). The Edinburgh companion to Muriel Spark: Vol. Edinburgh companions to Scottish literature. Edinburgh University Press.

Gardiner, M., & Maley, W. (2010b). The Edinburgh companion to Muriel Spark: Vol. Edinburgh companions to Scottish literature. Edinburgh University Press.

Gardiner, M., & Maley, W. (2010c). The Edinburgh companion to Muriel Spark: Vol. Edinburgh companions to Scottish literature. Edinburgh University Press.

Garrard, G. & Dawson Books. (2011). Ecocriticism: Vol. The new critical idiom (2nd ed) [Electronic resource]. Routledge. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203806838

Genette, G. (1980). Narrative discourse: an essay in method. Cornell University Press.

Gill, C. & Ebooks Corporation Limited. (2010). Theatre and culture in early modern England, 1650-1737: from Leviathan to Licensing Act [Electronic resource]. Ashgate. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=605141

Glass, R. (2008). Alasdair Gray: a secretary’s biography. Bloomsbury.

Greenblatt, S. (2005). Renaissance self-fashioning: from More to Shakespeare ([New ed.]). University of Chicago Press.

Hardin, M. (2004). Fundamentally Freaky: Collapsing the Freak/Norm Binary in Geek Love. Critique: Studies in Contemporary Fiction, 45(4), 337–346. https://doi.org/10.3200/CRIT.45.4.337-346

Harrison, W. M. (1995). The Power of Work in the Novels of Alasdair Gray. http://literature.proquest.com.ezproxy.lib.gla.ac.uk/searchFulltext.do?id=R01533200&divLevel=0&area=abell&forward=critref_ft

Hawley, J. C. (1995). Bell, Book and Candle: Poor Things and the Exorcism of Victorian Sentiment. Review of Contemporary Fiction, 15(2). http://ezproxy.lib.gla.ac.uk/login?url=http://literature.proquest.com/searchFulltext.do?id=R01533212&divLevel=0&area=abell&forward=critref_ft

Haynes, J. (1992). The social relations of Jonson’s theater. Cambridge University Press.

Heininge, K. (2007). An invigorating romp through McDonagh. Irish Literary Supplement, 27(1). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA168662955&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=8ff0a16a2dec1d1b00ccc3b1e5cb186e

Hobsbaum, P. (1981). A reader’s guide to D.H. Lawrence. Thames and Hudson.

Hoffmann, K. A. (2004). ‘Am I no better than a eunuch?’ Narrating Masculinity and Empire in Ford Madox Ford’s The Good Soldier. Journal of Modern Literature, 27(3), 30–46. https://doi.org/10.1353/jml.2004.0075

Holland, N. N. (1959). The first modern comedies: the significance of Etherege, Wycherley and Congreve (Midland Book ed). Indiana University Press.

Holland, P. (1979). The ornament of action: text and performance in Restoration comedy. Cambridge University Press.

Homem, R. M. G. de C., & Lambert, M. de F. (2006). Writing and seeing: essays on word and image: Vol. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft. Rodopi.

Hosmer, R. E. (1993). Contemporary British women writers: texts and strategies. Macmillan.

Hutcheon, L. (1984). Narcissistic narrative: the metafictional paradox: Vol. University paperback. Methuen.

Ian Adam. (1973). Lawrence’s Anti-Symbol: The Ending of ‘The Rainbow’. The Journal of Narrative Technique, 3(2), 77–84. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30225516

Irving Ribner. (1955). Marlowe’s Edward II and the Tudor History Play. ELH, 22(4), 243–253. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2871887

Isaacs, N. D. (n.d.). The Narrator of the Good Soldier. English Literature in Transition, 1880-1920, 6(1), 14–15. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v006/6.1.isaacs.html

Jack F. Stewart. (1980). Expressionism in ‘The Rainbow’. NOVEL: A Forum on Fiction, 13(3), 296–315. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1344862

Joan Parks. (1999). History, Tragedy, and Truth in Christopher Marlowe’s ‘Edward II’. Studies in English Literature, 1500-1900, 39(2), 275–290. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1556166

John E. Loftis. (1996). Congreve’s Way of the World and Popular Criminal Literature. Studies in English Literature, 1500-1900, 36(3), 561–578. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/450799

Jones, L. W. (n.d.). The Quality of Sadness in Ford’s The Good Soldier. English Literature in Transition, 1880-1920, 13(4), 296–302. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v013/13.4.jones.html

Jonson, B., & Hibbard, G. R. (2007a). Bartholomew Fair: Vol. New mermaids. A. & C. Black.

Jonson, B., & Hibbard, G. R. (2007b). Bartholomew Fair: Vol. New mermaids (2nd ed). A. & C. Black.

Joseph O’Connor. (1998). Questioning Our Self-Congratulations. Studies: An Irish Quarterly Review, 87(347), 245–251. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30091915

Judd, A. (2009). Ford Madox Ford. Faber and Faber.

Kalnins, M. (1986). D.H. Lawrence : centenary essays. Bristol Classical Press.

Katherine A. Sirluck. (1992). Marlowe’s ‘Edward II’ and the Pleasure of Outrage. Modern Language Studies, 22(2), 15–24. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3195014

Kendall, R. (2003). Christopher Marlowe and Richard Baines: journeys through the Elizabethan underground. Fairleigh Dickinson University Press.

Kevin J. Gardner. (2002). Patrician Authority and Instability in ‘The Way of the World’. South Central Review, 19(1), 53–75. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3190039

Kowalewski-Wallace, E. (1997). Encyclopedia of feminist literary theory: Vol. Garland reference library of the humanities. Garland.

Kristeva, J. (1987). Tales of love. Columbia University Press.

Kristeva, J., & Moi, T. (1986). The Kristeva Reader. Basil Blackwell. https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~2834391&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0

Kristeva, J., & Roudiez, L. S. (1980). Desire in language: a semiotic approach to literature and art. Columbia University Press.

Kropf, C. R. (1992). Reader entrapment in eighteenth-century literature: Vol. Georgia State literary studies. AMS Press.

Lawrence, D. H., & Gibson, J. (1992). The rainbow: Vol. Students’ novels. Nelson.

Leader, Z. (2002). On modern British fiction. Oxford University Press.

Leavis, F. R. (1994). D.H. Lawrence: novelist: Vol. Penguin literary criticism. Penguin Books in association with Chatto & Windus.

Lemon, L. T., & Reis, M. J. (1965). Russian formalist criticism : four essays: Vol. A Bison book. University of Nebraska Press.

Leonard, J. (n.d.). ‘Loitering with intent’: Muriel Spark’s parabolic technique. Studies in the Literary Imagination, 18(1). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1303456166/484FCF0E8DC14D7EPQ/9?accountid=14540

Literature and Psychology. (n.d.).

Lonergan, P. (2012). The theatre and films of Martin McDonagh: Vol. Critical companions. Methuen Drama.

Lyons, P. (1982). Congreve: comedies : The old bachelor, The double-dealer, Love for love, The way of the world : a casebook: Vol. Casebook series. Macmillan.

Lyons, P., O’Malley-Younger, A., & Dawson Books. (2009). No country for old men: fresh perspectives on Irish literature: Vol. Reimagining Ireland [Electronic resource]. Peter Lang. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9783035300796

Macherey, P. (2006). A theory of literary production: Vol. Routledge classics. Routledge.

MacShane, F. (1965). The life and work of Ford Madox Ford. Routledge & Kegan Paul.

Maley, W. (2008). Muriel Spark for starters. Capercaillie.

March, C. (2002). Bella and the Beast (and a Few Dragons, Too): Alasdair Gray and the Social Resistance of the Grotesque. Critique: Studies in Contemporary Fiction, 43(4), 323–346. https://doi.org/10.1080/00111610209602188

Marcus, L. S. (1986). The politics of mirth: Jonson, Herrick, Milton, Marvell, and the defense of old holiday pastimes. University of Chicago Press.

Marlowe, C., & Gibbons, B. (2011). Four plays: Vol. New mermaids. Methuen Drama.

Matters of Care and Control: Surveillance, Omniscience, and Narrative Power in The Abbess of Crewe and Loitering with Intent. (2008). MFS Modern Fiction Studies, 54(3), 574–594. https://doi.org/10.1353/mfs.0.1541

McCarthy, P. A. (n.d.). In Search of Lost Time: Chronology and Narration in The Good Soldier. English Literature in Transition, 1880-1920, 40(2), 133–149. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/english_literature_in_transition/summary/v040/40.2.mccarthy.html

McDonagh, M. (2003). The pillowman. Faber and Faber.

Menke, R. (2004). ‘Framed and Wired’: Teaching ‘In the Cage’ at the Intersection of Literature and Media. The Henry James Review, 25(1), 33–43. https://doi.org/10.1353/hjr.2004.0008

Meyer, E. (1990). ‘The Nature of a Text’: Ford and Conrad in Plato’s Pharmacy. MFS Modern Fiction Studies, 36(4), 499–512. https://doi.org/10.1353/mfs.0.0769

Meyer, M. J. (1995). Literature and the grotesque: Vol. Rodopi perspectives on modern literature. Rodopi.

Miller, G. (2005). Alasdair Gray: the fiction of communion: Vol. Scottish cultural review of language and literature. Rodopi.

Millett, K. (2000). Sexual politics. University of Illinois Press.

Mizener, A. (1972). The saddest story: a biography of Ford Madox Ford. Bodley Head.

Moody, A. J. (1995). ‘The Harmless Pleasure of Knowing’: Privacy in the Telegraph Office and Henry James’s ‘In the Cage’. The Henry James Review, 16(1), 53–65. https://doi.org/10.1353/hjr.1995.0007

Moores, P. (2002). Alasdair Gray: critical appreciations and a bibliography. British Library.

N. Katherine Hayles. (1990). Postmodern Parataxis: Embodied Texts, Weightless Information. American Literary History, 2(3), 394–421. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/489947

Nicholas Grene. (2005). Ireland in Two Minds: Martin McDonagh and Conor McPherson. The Yearbook of English Studies, 35, 298–311. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3509340

Nixon, N. (1999). The Reading Gaol of Henry James’s In The Cage. ELH, 66(1), 179–201. https://doi.org/10.1353/elh.1999.0009

Orgel, S. (2000). Tobacco and Boys: How Queer Was Marlowe? GLQ: A Journal of Lesbian and Gay Studies, 6(4), 555–576. http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/journal_of_lesbian_and_gay_studies/v006/6.4orgel.html

O’Toole, F. (2006). A mind in Connemara. The New Yorker, 82(2). http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA143302011&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=a8ec5fff9f3a83ca66cc064b075df126

Paster, G. K. (1993). The body embarrassed: drama and the disciplines of shame in early modern England. Cornell University Press.

Paul de Man. (1979). Autobiography as De-facement. MLN, 94(5), 919–930. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2906560

Peters, J. S. (1987). ‘Things govern’d by words’: Late 17th‐century comedy and the reformers. English Studies, 68(2), 142–153. https://doi.org/10.1080/00138388708598501

Pilný, O. (2004). Martin McDonagh: Parody? Satire? Complacency? Irish Studies Review, 12(2), 225–232. https://doi.org/10.1080/0967088042000228987

Pollard, T. (2001). Telegraphing the Sentence and the Story: Iconicity in In the Cage by Henry James. European Journal of English Studies, 5(1), 81–96. https://doi.org/10.1076/ejes.5.1.81.4786

Poor things: episodes from the early life of Archibald McCandless M.D. Scottish public health officer. (2002). Bloomsbury.

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