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Barthes, Roland, and Stephen Heath. Image Music Text. Fontana communications series. London: Fontana Press, 1977. Web. <https://eleanor.lib.gla.ac.uk/patroninfo~S6?/0/redirect=https://eleanor.lib.gla.ac.uk:443/search~S6?/rEnglish+Literature+2B%3A+Writing+and+the+Text/renglish+literature+2b+writing+and+the+text/1,1,1,E/l962~3090156&FF=renglish+literature+2b+writing+and+the+text&1,1,,0,0>.
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Daniel Punday. ‘Narrative Performance in the Contemporary Monster Story’. The Modern Language Review 97.4 (2002): 803–820. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3738613>.
Debora K. Shuger. ‘Hypocrites and Puppets in “Bartholomew Fair”’. Modern Philology 82.1 (1984): 70–73. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/437675>.
DeCoste, Damon Marcel. ‘"A Frank Expression of Personality”? Sentimentality, Silence and Early Modernist Aesthetics in “The Good Soldier”’. Journal of Modern Literature 31.1 (2007): 101–123. Web.
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Diamond-Nigh, Lynne. ‘Gray’s Anatomy: When Words and Images Collide’. Review of Contemporary Fiction 15.2 (1995): 178–183. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:pqil:res_ver=0.2&res_id=xri:lion&rft_id=xri:lion:ft:abell:R01532771:0>.
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Doherty, Gerald. ‘The Art of Appropriation: The Rhetoric of Sexuality in D.H. Lawrence’. Style 30.2 (1996): n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA19175944&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=3c6523bffc596dcafd04e3589613bc3c>.
---. ‘Violent Immolations: Species Discourse, Sacrifice, and the Lure of Transcendence in D. H. Lawrence’s The Rainbow’. MFS Modern Fiction Studies 57.1 (2011): 47–74. Web.
Donald P. Kaczvinsky. ‘“Making up for Lost Time”: Scotland, Stories, and the Self in Alasdair Gray’s “Poor Things”’. Contemporary Literature 42.4 (2001): 775–799. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1209053>.
Donaldson, Ian. The World Upside down: Comedy from Jonson to Fielding. Oxford: Clarendon Press, 1970. Print.
Donaldson, Ian and Dawson Books. Ben Jonson: A Life. Oxford: Oxford University Press, 2011. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780191636783>.
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Elliott B. Gose, Jr. ‘The Strange Irregular Rhythm: An Analysis of the Good Soldier’. PMLA 72.3 (1957): 494–509. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/460471>.
Ellmann, Maud. Psychoanalytic Literary Criticism. Longman critical readers. London: Longman, 1994. Print.
Emery-Peck, Jennifer Sorensen. ‘“As She Called It”: Henry James Makes Free with a Female Telegraphist’. The Henry James Review 31.3 288–296. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/henry_james_review/v031/31.3.emery-peck.html>.
Eric Savoy. ‘“In the Cage” and the Queer Effects of Gay History’. NOVEL: A Forum on Fiction 28.3 (1995): 284–307. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1345925>.
Erickson, R. A. ‘Lady Wishfort and the Will of the World’. 45.5 (1984): 338–349. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=tfh&AN=10055730&site=ehost-live>.
Fintan O’Toole and Martin McDonagh. ‘Martin McDonagh’. BOMB 63 (1998): 62–68. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40425561>.
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Freedman, Jonathan. The Cambridge Companion to Henry James. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 1998. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521495849>.
Friedenreich, Kenneth, Roma Gill, and Constance Brown Kuriyama. ‘A Poet and a Filthy Play-Maker’: New Essays on Christopher Marlowe. AMS studies in the Renaissance. New York, N.Y.: AMS Press, 1988. Print.
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Irving Ribner. ‘Marlowe’s Edward II and the Tudor History Play’. ELH 22.4 (1955): 243–253. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/2871887>.
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Jack F. Stewart. ‘Expressionism in “The Rainbow”’. NOVEL: A Forum on Fiction 13.3 (1980): 296–315. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1344862>.
Joan Parks. ‘History, Tragedy, and Truth in Christopher Marlowe’s “Edward II”’. Studies in English Literature, 1500-1900 39.2 (1999): 275–290. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/1556166>.
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McDonagh, Martin. The Pillowman. London, UK ; New York: Faber and Faber, 2003. Print.
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Nicholas Grene. ‘Ireland in Two Minds: Martin McDonagh and Conor McPherson’. The Yearbook of English Studies 35 (2005): 298–311. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/3509340>.
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Orgel, Stephen. ‘Tobacco and Boys: How Queer Was Marlowe?’ GLQ: A Journal of Lesbian and Gay Studies 6.4 (2000): 555–576. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://muse.jhu.edu/journals/journal_of_lesbian_and_gay_studies/v006/6.4orgel.html>.
O’Toole, Fintan. ‘A Mind in Connemara’. The New Yorker 82.2 (2006): n. pag. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://go.galegroup.com/ps/i.do?id=GALE%7CA143302011&v=2.1&u=glasuni&it=r&p=EAIM&sw=w&asid=a8ec5fff9f3a83ca66cc064b075df126>.
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