[1]
Adams, J.E. 2009. A history of Victorian literature. Wiley-Blackwell.
[2]
Angus Easson 1980. Mr Hale’s Doubts in North and South. The Review of English Studies. 31, 121 (1980), 30–40.
[3]
Arthurs, C. 1988. ‘Silas Marner’: The Uncertain Joys of Fatherhood. English. 37, 157 (Mar. 1988), 41–47. https://doi.org/10.1093/english/37.157.41.
[4]
Ashish Roy 1993. The Fabulous Imperialist Semiotic of Wilkie Collin’s The Moonstone. New Literary History. 24, 3 (1993), 657–681.
[5]
Bentley, D.M.R. 2011. Dante Gabriel Rossetti’s ‘Inner Standing-Point’ and ‘Jenny’ Reconstrued. University of Toronto Quarterly. 80, 3 (2011), 680–717. https://doi.org/10.1353/utq.2011.0151.
[6]
Botting, F. 2014. Gothic. Routledge.
[7]
Botting, F. and Townshend, D. 2004. Gothic: critical concepts in literary and cultural studies. Routledge.
[8]
Bradley Deane 2008. Imperial Barbarians: Primitive Masculinity in Lost World Fiction. Victorian Literature and Culture. 36, 1 (2008), 205–225.
[9]
Brantlinger, P. 1988. Rule of darkness: British literature and imperialism, 1830-1914. Cornell University Press.
[10]
Brantlinger, P. 2009. Victorian literature and postcolonial studies. Edinburgh University Press.
[11]
Bristow, J. 2008. Oscar Wilde and modern culture: the making of a legend. Ohio University Press.
[12]
Bristow, J. 2000. The Cambridge Companion to Victorian Poetry. Cambridge University Press.
[13]
Byron, G. 2003. Dramatic monologue. Routledge.
[14]
Campbell, K. and British Council 2008. Matthew Arnold. Northcote.
[15]
Carroll Viera 1982. ‘Silas Marner’ And George Eliot’s Unrealistic Narratives. Interpretations. 14, 1 (1982), 33–40.
[16]
Chapman, A. 1999. Elizabeth Gaskell: Mary Barton, North and south. Palgrave Macmillan.
[17]
Chapman, A. and English Association 2003. Victorian women poets. D.S. Brewer.
[18]
Chrisman, L. 2000. Rereading the imperial romance: British imperialism and South African resistance in Haggard, Schreiner, and Plaatje. Clarendon Press.
[19]
Christensen, T. 2005. The ‘Bestial Mark’ of Race in The Island of Dr. Moreau. Criticism. 46, 4 (2005), 575–595. https://doi.org/10.1353/crt.2005.0013.
[20]
Collini, S. 2008. Matthew Arnold: a critical portrait. Oxford University Press.
[21]
Collins, W. and Sutherland, J. 2008. The moonstone. Oxford University Press.
[22]
Cronin, R. et al. 2002. A companion to Victorian poetry. Blackwell Publishing.
[23]
Cronin, R. and Ebooks Corporation Limited 2012. Reading Victorian poetry. John Wiley & Sons.
[24]
Dellamora, R. 1990. Masculine desire: the sexual politics of Victorian aestheticism. University of North Carolina Press.
[25]
Dover Beach by Matthew Arnold : The Poetry Foundation: http://www.poetryfoundation.org/poem/172844.
[26]
Draper, R.P. 1975. Hardy: the tragic novels : The return of the native, The Mayor of Casterbridge, Tess of the d’Urbervilles, Jude the Obscure : a casebook. Macmillan.
[27]
Dutta, S. 2000. Ambivalence in Hardy: a study of his attitude to women. Palgrave.
[28]
Easson, A. and Dawson Books 2011. Gerard Manley Hopkins. Routledge.
[29]
‘Easter Day. Naples, 1849’ - Arthur Hugh Clough, Book, etext: http://www.telelib.com/authors/C/CloughArthurHugh/verse/misc/easterdaynaples.html.
[30]
Eliot, G. and Cave, T. 1996. Silas Marner: the weaver of Raveloe. Oxford University Press.
[31]
Eric Levy 2002. Wilkie Collins’ The Moonstone and the Problem of Pain in Life. Victorian Review. 28, 1 (2002), 66–79.
[32]
Ferguson, C. 2006. Language, science and popular fiction in the Victorian fin-de-siècle: the brutal tongue. Ashgate.
[33]
Flint, K. 1995. Elizabeth Gaskell. Northcote House.
[34]
Gaskell, E.C. and Shelston, A. 2005. North and South: an authoritative text, contexts, criticism. W.W. Norton & Co.
[35]
God’s Grandeur by Gerard Manley Hopkins : The Poetry Foundation: http://www.poetryfoundation.org/poem/173660.
[36]
Gooch, J. 2010. Narrative Labor in Wilkie Collins’s. Lit: Literature Interpretation Theory. 21, 2 (May 2010), 119–143. https://doi.org/10.1080/10436921003773835.
[37]
Green, M.B. 1980. Dreams of adventure, deeds of empire. Routledge and Kegan Paul.
[38]
Griffiths, E. 1989. The printed voice of Victorian poetry. Clarendon.
[39]
Grob, A. 2002. A longing like despair: Arnold’s poetry of pessimism. University of Delaware Press.
[40]
Haggard, H.R. and Monsman, G.C. 2002. King Solomon’s mines. Broadview Press.
[41]
Hardy, T. and Page, N. 1999. Jude the obscure: an authoritative text : backgrounds and contexts criticism. W.W. Norton.
[42]
Harrison, K. and Fantina, R. 2006. Victorian sensations: essays on a scandalous genre. Ohio State University Press.
[43]
Hughes, J. 2001. Ecstatic sound: music and individuality in the work of Thomas Hardy. Ashgate.
[44]
In Memoriam A. H. H. OBIIT MDCCCXXXIII [all 133 poems] | Representative Poetry Online: http://rpo.library.utoronto.ca/poems/memoriam-h-h-obiit-mdcccxxxiii-all-133-poems.
[45]
Irwin, M. 2000. Reading Hardy’s landscapes. Palgrave.
[46]
Jenkins, A. 2006. The poems of Gerard Manley Hopkins: a sourcebook. Routledge.
[47]
Jenny by Dante Gabriel Rossetti : The Poetry Foundation: http://www.poetryfoundation.org/poem/184527.
[48]
John Glendening 2002. ‘Green Confusion’: Evolution and Entanglement in H. G. Wells’s ‘The Island of Doctor Moreau’. Victorian Literature and Culture. 30, 2 (2002), 571–597.
[49]
Jude the Obscure (Broadview Literary Texts): Amazon.co.uk: Thomas Hardy, Prof. Cedric Watts: Books: http://www.amazon.co.uk/Jude-Obscure-Broadview-Literary-Texts/dp/1551111713/ref=sr_1_1?ie=UTF8&qid=1412609579&sr=8-1&keywords=jude+the+obscure+cedric+watts.
[50]
Karlin, D. and Oxford University Press 1993. Browning’s hatreds. Clarendon.
[51]
Kaufman, H. 2005. KING SOLOMON’S MINES?: AFRICAN JEWRY, BRITISH IMPERIALISM, AND H. RIDER HAGGARD’S DIAMONDS. Victorian Literature and Culture. 33, 02 (Sept. 2005). https://doi.org/10.1017/S1060150305050965.
[52]
Kenny, A. 1988. God and two poets: Arthur Hugh Clough and Gerard Manley Hopkins. Sidgwick & Jackson.
[53]
Kramer, D. 1999. The Cambridge Companion to Thomas Hardy. Cambridge University Press.
[54]
Lawler, J.G. 1998. Hopkins re-constructed: life, poetry, and the tradition. Continuum.
[55]
Le Fanu, Joseph Sheridan, 1814-1873 2013. Carmilla. Syracuse University Press.
[56]
Le Fanu, J.S. 2013. Carmilla. Syracuse University Press.
[57]
LEWIS ROBERTS 1997. THE ‘SHIVERING SANDS’ OF REALITY: NARRATION AND KNOWLEDGE IN WILKIE COLLINS’ THE MOONSTONE. Victorian Review. 23, 2 (1997), 168–183.
[58]
Manavalli, Krishna. 2007. Collins, Colonial Crime, and the Brahmin Sublime: The Orientalist Vision of a Hindu-Brahmin India in The Moonstone. Comparative Critical Studies. 4, 1 (2007), 67–86. https://doi.org/10.1353/ccs.2007.0024.
[59]
Mazaheri, John.H. 2010. On Superstition and Prejudice in the Beginning of Silas Marner. Connotations: A Journal for Critical Debate. 19, 1–3 (2010), 238–258.
[60]
Milward, P. 1997. A commentary on the sonnets of G.M. Hopkins. Loyola Press.
[61]
Monsman, G. 2000. Of Diamonds and Deities: Social Anthropology in H. Rider Haggard’s ‘King Solomon’s Mines’. English Literature in Transition, 1880-1920English Fiction in Transition, 1880-1920 (1957-1960);English Literature in Transition, 1880-1920. 43, 3 (2000), 280–297.
[62]
Morris, P. 2003. Realism. Routledge.
[63]
Mossman, M. 2009. REPRESENTATIONS OF THE ABNORMAL BODY IN THE MOONSTONE. Victorian Literature and Culture. 37, 02 (Sept. 2009). https://doi.org/10.1017/S1060150309090305.
[64]
My Last Duchess by Robert Browning : The Poetry Foundation: http://www.poetryfoundation.org/poem/173024.
[65]
O’Malley, P.R. 2006. Catholicism, Sexual Deviance, and Victorian Gothic Culture. Cambridge University Press.
[66]
Oscar Wilde 1998. The picture of Dorian Gray. Broadview Press.
[67]
Page, M.R. 2012. The literary imagination from Erasmus Darwin to H.G. Wells: science, evolution, and ecology. Ashgate.
[68]
Parrinder, P. et al. 1990. H.G. Wells under revision: proceedings of the International H.G. Wells Symposium, London, July 1986. Susquehanna University Press.
[69]
Phillips, R. 1997. Mapping men and empire: a geography of adventure. Routledge.
[70]
Pied Beauty by Gerard Manley Hopkins : The Poetry Foundation: http://www.poetryfoundation.org/poem/173664.
[71]
Porphyria’s Lover by Robert Browning : The Poetry Foundation: http://www.poetryfoundation.org/poem/175584.
[72]
Quade, P. 2007. Taming the Beast in the Name of the Father: The Island of Dr. Moreau and Wells’s Critique of Society’s Religious Molding. Extrapolation. 48, 2 (Jan. 2007), 292–301. https://doi.org/10.3828/extr.2007.48.2.6.
[73]
Radford, A.D. 2003. Thomas Hardy and the survivals of time. Ashgate.
[74]
Radford, A.D. and Ebooks Corporation Limited 2010. Mapping the Wessex novel: landscape, history and the parochial in British literature, 1870-1940. Continuum.
[75]
Richard F. Patteson 1978. ‘King Solomon’s Mines’: Imperialism and Narrative Structure. The Journal of Narrative Technique. 8, 2 (1978), 112–123.
[76]
Riquelme, J.P. 2000. Oscar Wilde’s Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray. MFS Modern Fiction Studies. 46, 3 (2000), 609–631. https://doi.org/10.1353/mfs.2000.0056.
[77]
Robbins, R. 2011. Oscar Wilde. Continuum.
[78]
Ruston, S. and English Association 2008. Literature and science. D.S. Brewer.
[79]
Sarah Brophy 1998. Elizabeth Barrett Browning’s ‘The Runaway Slave at Pilgrim’s Point’ and the Politics of Interpretation. Victorian Poetry. 36, 3 (1998), 273–288.
[80]
Schad, J. 2006. Arthur Hugh Clough. Northcote.
[81]
Sinfield, A. 1994. The Wilde century: effeminacy, Oscar Wilde and the queer moment. Cassell.
[82]
Spencer, J. 1993. Elizabeth Gaskell. Macmillan Educ.
[83]
Starzyk, Lawrence.J. 2000. Rosetti’s ‘Jenny’: Aestheticizing the Whore. Papers on Language and LiteraturePapers on English Language and Literature (1965);Papers on Language and Literature. 36, 3 (2000).
[84]
Stefan Hawlin Robert Browning. Routledge.
[85]
Stone, M. 1995. Elizabeth Barrett Browning. Macmillan.
[86]
The Runaway Slave at Pilgrim’s Point - Elizabeth Barrett Browning (1806-1861): http://classiclit.about.com/library/bl-etexts/ebbrowning/bl-ebbrown-runaway.htm.
[87]
‘Thou art indeed just, Lord, if I contend’ by Gerard Manley Hopkins : The Poetry Foundation: http://www.poetryfoundation.org/poem/173669.
[88]
Tricia Lootens 2006. Publishing and Reading ‘Our EBB’: Editorial Pedagogy, Contemporary Culture, and ‘The Runaway Slave at Pilgrim’s Point’. Victorian Poetry. 44, 4 (2006), 487–506.
[89]
University of California, Los Angeles et al. 2003. Wilde writings: contextual conditions. Published by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library.
[90]
Walker, C. and American Council of Learned Societies 1990. Women and gender in southern Africa to 1945. D. Philip.
[91]
Wells, H.G. 2002. The island of Dr. Moreau. Modern Library.
[92]
Wilde, O. and Gillespie, M.P. 2007. The picture of Dorian Gray: authoritative texts, backgrounds, reviews and reactions, criticism. W. W. Norton & Co.
[93]
Wilde, O. and Gillespie, M.P. 2007. The picture of Dorian Gray: authoritative texts, backgrounds, reviews and reactions, criticism. W. W. Norton & Co.
[94]
Wilkie Collins 1999. The moonstone. Broadview Press.
[95]
Williams, R. and Dawson Books 2009. The poetry toolkit: the essential guide to studying poetry. Continuum.
[96]
Wright, T.R. 1995. Elizabeth Gaskell, ‘We are not angels’: realism, gender, values. Macmillan Press.
[97]
George Eliot’s Silas Marner (Bloom’s Modern Critical Interpretations). Chelsea House Publications.
[98]
The Island of Doctor Moreau: Amazon.co.uk: H. G. Wells: Books. Broadview Press Ltd; Reprint edition (1 April 2009).
[99]
2008. The Primitive Mind of Silas Marner. ELH. 75, 4 (2008), 939–962. https://doi.org/10.1353/elh.0.0029.
[100]
Victorian Poetry in Context (Texts and Contexts): Amazon.co.uk: Rosie Miles: Books. Bloomsbury Academic (4 July 2013).