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Arthurs, C. 1988. ‘“Silas Marner”: The Uncertain Joys of Fatherhood’. English 37(157):41–47. doi:10.1093/english/37.157.41.
Ashish Roy. 1993. ‘The Fabulous Imperialist Semiotic of Wilkie Collin’s The Moonstone’. New Literary History 24(3):657–81. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/469430.
Bentley, D. M. R. 2011. ‘Dante Gabriel Rossetti’s “Inner Standing-Point” and “Jenny” Reconstrued’. University of Toronto Quarterly 80(3):680–717. doi:10.1353/utq.2011.0151.
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Bradley Deane. 2008. ‘Imperial Barbarians: Primitive Masculinity in Lost World Fiction’. Victorian Literature and Culture 36(1):205–25. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40347601.
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Brantlinger, Patrick. 2009. Victorian Literature and Postcolonial Studies. Vol. Postcolonial literary studies. Edinburgh: Edinburgh University Press.
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Campbell, Kate and British Council. 2008. Matthew Arnold. Vol. Writers and their work. Tavistock: Northcote.
Carroll Viera. 1982. ‘“Silas Marner” And George Eliot’s Unrealistic Narratives’. Interpretations 14(1):33–40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/23241523.
Chapman, Alison. 1999. Elizabeth Gaskell: Mary Barton, North and South. Houndmills: Palgrave Macmillan.
Chapman, Alison and English Association. 2003. Victorian Women Poets. Vol. Essays and studies. Cambridge: D.S. Brewer.
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Dellamora, Richard. 1990. Masculine Desire: The Sexual Politics of Victorian Aestheticism. Chapel Hill: University of North Carolina Press.
Dover Beach by Matthew Arnold : The Poetry Foundation. n.d. http://www.poetryfoundation.org/poem/172844.
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Eric Levy. 2002. ‘Wilkie Collins’ The Moonstone and the Problem of Pain in Life’. Victorian Review 28(1):66–79. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27793483.
Ferguson, Christine. 2006. Language, Science and Popular Fiction in the Victorian Fin-de-Siècle: The Brutal Tongue. Vol. The nineteenth century series. Aldershot, Hants: Ashgate.
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God’s Grandeur by Gerard Manley Hopkins : The Poetry Foundation. n.d. http://www.poetryfoundation.org/poem/173660.
Gooch, Joshua. 2010. ‘Narrative Labor in Wilkie Collins’s’. Lit: Literature Interpretation Theory 21(2):119–43. doi:10.1080/10436921003773835.
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Griffiths, Eric. 1989. The Printed Voice of Victorian Poetry. Oxford: Clarendon.
Grob, Alan. 2002. A Longing like Despair: Arnold’s Poetry of Pessimism. Newark: University of Delaware Press.
Haggard, H. Rider, and Gerald Cornelius Monsman. 2002. King Solomon’s Mines. Vol. Broadview literary texts. Peterborough, ON: Broadview Press.
Hardy, Thomas, and Norman Page. 1999. Jude the Obscure: An Authoritative Text : Backgrounds and Contexts Criticism. 2nd ed., a Norton critical ed. New York: W.W. Norton.
Harrison, Kimberly, and Richard Fantina. 2006. Victorian Sensations: Essays on a Scandalous Genre. Columbus: Ohio State University Press.
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In Memoriam A. H. H. OBIIT MDCCCXXXIII [all 133 poems] | Representative Poetry Online. n.d. http://rpo.library.utoronto.ca/poems/memoriam-h-h-obiit-mdcccxxxiii-all-133-poems.
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Jenny by Dante Gabriel Rossetti : The Poetry Foundation. n.d. http://www.poetryfoundation.org/poem/184527.
John Glendening. 2002. ‘“Green Confusion”: Evolution and Entanglement in H. G. Wells’s “The Island of Doctor Moreau”’. Victorian Literature and Culture 30(2):571–97. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/25058605.
Jude the Obscure (Broadview Literary Texts): Amazon.co.uk: Thomas Hardy, Prof. Cedric Watts: Books. n.d. http://www.amazon.co.uk/Jude-Obscure-Broadview-Literary-Texts/dp/1551111713/ref=sr_1_1?ie=UTF8&qid=1412609579&sr=8-1&keywords=jude+the+obscure+cedric+watts.
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Kaufman, Heidi. 2005. ‘KING SOLOMON’S MINES?: AFRICAN JEWRY, BRITISH IMPERIALISM, AND H. RIDER HAGGARD’S DIAMONDS’. Victorian Literature and Culture 33(02). doi:10.1017/S1060150305050965.
Kenny, Anthony. 1988. God and Two Poets: Arthur Hugh Clough and Gerard Manley Hopkins. London: Sidgwick & Jackson.
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Lawler, Justus George. 1998. Hopkins Re-Constructed: Life, Poetry, and the Tradition. New York: Continuum.
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LEWIS ROBERTS. 1997. ‘THE “SHIVERING SANDS” OF REALITY: NARRATION AND KNOWLEDGE IN WILKIE COLLINS’ THE MOONSTONE’. Victorian Review 23(2):168–83. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27794867.
Manavalli, Krishna. 2007. ‘Collins, Colonial Crime, and the Brahmin Sublime: The Orientalist Vision of a Hindu-Brahmin India in The Moonstone’. Comparative Critical Studies 4(1):67–86. doi:10.1353/ccs.2007.0024.
Mazaheri, John. H. 2010. ‘On Superstition and Prejudice in the Beginning of Silas Marner’. Connotations: A Journal for Critical Debate 19(1–3):238–58. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/848226691?pq-origsite=summon.
Milward, Peter. 1997. A Commentary on the Sonnets of G.M. Hopkins. Chicago, Ill: Loyola Press.
Monsman, Gerald. 2000. ‘Of Diamonds and Deities: Social Anthropology in H. Rider Haggard’s “King Solomon’s Mines”’. English Literature in Transition, 1880-1920English Fiction in Transition, 1880-1920 (1957-1960);English Literature in Transition, 1880-1920 43(3):280–97. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308662099/fulltext/9E70D6A8C784D6DPQ/1?accountid=14540.
Morris, Pam. 2003. Realism. Vol. New critical idiom. London: Routledge.
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Oscar Wilde. 1998. The Picture of Dorian Gray. Peterborough, Ont: Broadview Press.
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Pied Beauty by Gerard Manley Hopkins : The Poetry Foundation. n.d. http://www.poetryfoundation.org/poem/173664.
Porphyria’s Lover by Robert Browning : The Poetry Foundation. n.d. http://www.poetryfoundation.org/poem/175584.
Quade, Penelope. 2007. ‘Taming the Beast in the Name of the Father: The Island of Dr. Moreau and Wells’s Critique of Society’s Religious Molding’. Extrapolation 48(2):292–301. doi:10.3828/extr.2007.48.2.6.
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Richard F. Patteson. 1978. ‘“King Solomon’s Mines”: Imperialism and Narrative Structure’. The Journal of Narrative Technique 8(2):112–23. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30225636.
Riquelme, John Paul. 2000. ‘Oscar Wilde’s Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray’. MFS Modern Fiction Studies 46(3):609–31. doi:10.1353/mfs.2000.0056.
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Sarah Brophy. 1998. ‘Elizabeth Barrett Browning’s “The Runaway Slave at Pilgrim’s Point” and the Politics of Interpretation’. Victorian Poetry 36(3):273–88. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002430.
Schad, John. 2006. Arthur Hugh Clough. Vol. Writers and their work. Devon: Northcote.
Sinfield, Alan. 1994. The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment. London: Cassell.
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Stefan Hawlin. n.d. Robert Browning. Routledge.
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‘Thou art indeed just, Lord, if I contend’ by Gerard Manley Hopkins : The Poetry Foundation. n.d. http://www.poetryfoundation.org/poem/173669.
Tricia Lootens. 2006. ‘Publishing and Reading “Our EBB”: Editorial Pedagogy, Contemporary Culture, and “The Runaway Slave at Pilgrim’s Point”’. Victorian Poetry 44(4):487–506. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002701.
University of California, Los Angeles, William Andrews Clark Memorial Library, and MyiLibrary. 2003. Wilde Writings: Contextual Conditions. Vol. UCLA Clark Memorial Library series. Toronto, ON: Published by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library.
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Wilkie Collins. 1999. The Moonstone. Peterborough, Ont: Broadview Press.
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Wright, T. R. 1995. Elizabeth Gaskell, ‘We Are Not Angels’: Realism, Gender, Values. Basinstoke, Hampshire: Macmillan Press.
