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Angus Easson. 1980. ‘Mr Hale’s Doubts in North and South’. The Review of English Studies 31 (121): 30–40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/514049.
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Ashish Roy. 1993. ‘The Fabulous Imperialist Semiotic of Wilkie Collin’s The Moonstone’. New Literary History 24 (3): 657–81. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/469430.
Bentley, D.M.R. 2011. ‘Dante Gabriel Rossetti’s “Inner Standing-Point” and “Jenny” Reconstrued’. University of Toronto Quarterly 80 (3): 680–717. https://doi.org/10.1353/utq.2011.0151.
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Bristow, Joseph. 2000. The Cambridge Companion to Victorian Poetry. Cambridge Companions to Literature. Cambridge University Press. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521641152.
Bristow, Joseph. 2008. Oscar Wilde and Modern Culture: The Making of a Legend. Ohio University Press.
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Carroll Viera. 1982. ‘“Silas Marner” And George Eliot’s Unrealistic Narratives’. Interpretations 14 (1): 33–40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/23241523.
Chapman, Alison. 1999. Elizabeth Gaskell: Mary Barton, North and South. Palgrave Macmillan.
Chapman, Alison and English Association. 2003. Victorian Women Poets. Essays and Studies. D.S. Brewer.
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Draper, R. P. 1975. Hardy: The Tragic Novels : The Return of the Native, The Mayor of Casterbridge, Tess of the d’Urbervilles, Jude the Obscure : A Casebook. Casebook series. Macmillan.
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Eric Levy. 2002. ‘Wilkie Collins’ The Moonstone and the Problem of Pain in Life’. Victorian Review 28 (1): 66–79. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27793483.
Ferguson, Christine. 2006. Language, Science and Popular Fiction in the Victorian Fin-de-Siècle: The Brutal Tongue. The nineteenth century series. Ashgate.
Flint, Kate. 1995. Elizabeth Gaskell. Writers and Their work. Northcote House.
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George Eliot’s Silas Marner (Bloom’s Modern Critical Interpretations). n.d. Chelsea House Publications. Library binding.
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Grob, Alan. 2002. A Longing like Despair: Arnold’s Poetry of Pessimism. University of Delaware Press.
Haggard, H. Rider, and Gerald Cornelius Monsman. 2002. King Solomon’s Mines. Broadview literary texts. Broadview Press.
Hardy, Thomas, and Norman Page. 1999. Jude the Obscure: An Authoritative Text : Backgrounds and Contexts Criticism. 2nd ed., a Norton critical ed. W.W. Norton.
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Hughes, John. 2001. Ecstatic Sound: Music and Individuality in the Work of Thomas Hardy. The nineteenth century. Ashgate.
‘In Memoriam A. H. H. OBIIT MDCCCXXXIII [All 133 Poems] | Representative Poetry Online’. n.d. http://rpo.library.utoronto.ca/poems/memoriam-h-h-obiit-mdcccxxxiii-all-133-poems.
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John Glendening. 2002. ‘“Green Confusion”: Evolution and Entanglement in H. G. Wells’s “The Island of Doctor Moreau”’. Victorian Literature and Culture 30 (2): 571–97. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/25058605.
‘Jude the Obscure (Broadview Literary Texts): Amazon.Co.Uk: Thomas Hardy, Prof. Cedric Watts: Books’. n.d. http://www.amazon.co.uk/Jude-Obscure-Broadview-Literary-Texts/dp/1551111713/ref=sr_1_1?ie=UTF8&qid=1412609579&sr=8-1&keywords=jude+the+obscure+cedric+watts.
Karlin, Daniel and Oxford University Press. 1993. Browning’s Hatreds. Clarendon. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198112297.001.0001.
Kaufman, Heidi. 2005. ‘KING SOLOMON’S MINES?: AFRICAN JEWRY, BRITISH IMPERIALISM, AND H. RIDER HAGGARD’S DIAMONDS’. Victorian Literature and Culture 33 (02). https://doi.org/10.1017/S1060150305050965.
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Kramer, Dale. 1999. The Cambridge Companion to Thomas Hardy. Cambridge Companions to Literature. Cambridge University Press. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521562023.
Lawler, Justus George. 1998. Hopkins Re-Constructed: Life, Poetry, and the Tradition. Continuum.
Le Fanu, Joseph Sheridan. 2013. Carmilla. First edition. Edited by Kathleen Costello-Sullivan. Irish studies. Syracuse University Press.
Le Fanu, Joseph Sheridan, 1814-1873. 2013. Carmilla. First edition. Irish Studies. Syracuse University Press.
LEWIS ROBERTS. 1997. ‘THE “SHIVERING SANDS” OF REALITY: NARRATION AND KNOWLEDGE IN WILKIE COLLINS’ THE MOONSTONE’. Victorian Review 23 (2): 168–83. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27794867.
Manavalli, Krishna. 2007. ‘Collins, Colonial Crime, and the Brahmin Sublime: The Orientalist Vision of a Hindu-Brahmin India in The Moonstone’. Comparative Critical Studies 4 (1): 67–86. https://doi.org/10.1353/ccs.2007.0024.
Mazaheri, John. H. 2010. ‘On Superstition and Prejudice in the Beginning of Silas Marner’. Connotations: A Journal for Critical Debate 19 (1–3): 238–58. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/848226691?pq-origsite=summon.
Milward, Peter. 1997. A Commentary on the Sonnets of G.M. Hopkins. Loyola Press.
Monsman, Gerald. 2000. ‘Of Diamonds and Deities: Social Anthropology in H. Rider Haggard’s “King Solomon’s Mines”’. English Literature in Transition, 1880-1920English Fiction in Transition, 1880-1920 (1957-1960);English Literature in Transition, 1880-1920 43 (3): 280–97. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308662099/fulltext/9E70D6A8C784D6DPQ/1?accountid=14540.
Morris, Pam. 2003. Realism. New critical idiom. Routledge.
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Phillips, R. 1997. Mapping Men and Empire: A Geography of Adventure. Routledge.
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‘Porphyria’s Lover by Robert Browning : The Poetry Foundation’. n.d. http://www.poetryfoundation.org/poem/175584.
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Richard F. Patteson. 1978. ‘“King Solomon’s Mines”: Imperialism and Narrative Structure’. The Journal of Narrative Technique 8 (2): 112–23. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30225636.
Riquelme, John Paul. 2000. ‘Oscar Wilde’s Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray’. MFS Modern Fiction Studies 46 (3): 609–31. https://doi.org/10.1353/mfs.2000.0056.
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Sarah Brophy. 1998. ‘Elizabeth Barrett Browning’s “The Runaway Slave at Pilgrim’s Point” and the Politics of Interpretation’. Victorian Poetry 36 (3): 273–88. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002430.
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Stefan Hawlin. n.d. Robert Browning. Routledge.
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Tricia Lootens. 2006. ‘Publishing and Reading “Our EBB”: Editorial Pedagogy, Contemporary Culture, and “The Runaway Slave at Pilgrim’s Point”’. Victorian Poetry 44 (4): 487–506. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002701.
University of California, Los Angeles, William Andrews Clark Memorial Library, and MyiLibrary. 2003. Wilde Writings: Contextual Conditions. UCLA Clark Memorial Library series. Published by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library. Electronic resource. http://lib.myilibrary.com?id=201443&entityid=https://idp.gla.ac.uk/shibboleth.
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Wells, H. G. 2002. The Island of Dr. Moreau. Modern Library pbk. ed. The Modern Library classics. Modern Library.
Wilde, Oscar, and Michael Patrick Gillespie. 2007a. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. 2nd ed. A Norton critical edition. W. W. Norton & Co.
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