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Angus Easson. ‘Mr Hale’s Doubts in North and South’. The Review of English Studies 31.121 (1980): 30–40. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/514049>.
Arthurs, C. ‘“Silas Marner”: The Uncertain Joys of Fatherhood’. English 37.157 (1988): 41–47. Web.
Ashish Roy. ‘The Fabulous Imperialist Semiotic of Wilkie Collin’s The Moonstone’. New Literary History 24.3 (1993): 657–681. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/469430>.
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Bradley Deane. ‘Imperial Barbarians: Primitive Masculinity in Lost World Fiction’. Victorian Literature and Culture 36.1 (2008): 205–225. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40347601>.
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---. Victorian Literature and Postcolonial Studies. Postcolonial literary studies. Edinburgh: Edinburgh University Press, 2009. Print.
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---. The Cambridge Companion to Victorian Poetry. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 2000. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521641152>.
Byron, Glennis. Dramatic Monologue. The new critical idiom. London: Routledge, 2003. Print.
Campbell, Kate and British Council. Matthew Arnold. Writers and their work. Tavistock: Northcote, 2008. Print.
Carroll Viera. ‘“Silas Marner” And George Eliot’s Unrealistic Narratives’. Interpretations 14.1 (1982): 33–40. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/23241523>.
Chapman, Alison. Elizabeth Gaskell: Mary Barton, North and South. Houndmills: Palgrave Macmillan, 1999. Print.
Chapman, Alison and English Association. Victorian Women Poets. Essays and studies. Cambridge: D.S. Brewer, 2003. Print.
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Dellamora, Richard. Masculine Desire: The Sexual Politics of Victorian Aestheticism. Chapel Hill: University of North Carolina Press, 1990. Print.
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‘“Easter Day. Naples, 1849” - Arthur Hugh Clough, Book, Etext’. N.p., n.d. Web. <http://www.telelib.com/authors/C/CloughArthurHugh/verse/misc/easterdaynaples.html>.
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Eric Levy. ‘Wilkie Collins’ The Moonstone and the Problem of Pain in Life’. Victorian Review 28.1 (2002): 66–79. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27793483>.
Ferguson, Christine. Language, Science and Popular Fiction in the Victorian Fin-de-Siècle: The Brutal Tongue. The nineteenth century series. Aldershot, Hants: Ashgate, 2006. Print.
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Gaskell, Elizabeth Cleghorn, and Alan Shelston. North and South: An Authoritative Text, Contexts, Criticism. 1st ed. A Norton critical edition. New York, N.Y.: W.W. Norton & Co, 2005. Print.
George Eliot’s Silas Marner (Bloom’s Modern Critical Interpretations). Chelsea House Publications. Print.
‘God’s Grandeur by Gerard Manley Hopkins : The Poetry Foundation’. N.p., n.d. Web. <http://www.poetryfoundation.org/poem/173660>.
Gooch, Joshua. ‘Narrative Labor in Wilkie Collins’s’. Lit: Literature Interpretation Theory 21.2 (2010): 119–143. Web.
Green, Martin Burgess. Dreams of Adventure, Deeds of Empire. London: Routledge and Kegan Paul, 1980. Print.
Griffiths, Eric. The Printed Voice of Victorian Poetry. Oxford: Clarendon, 1989. Print.
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Haggard, H. Rider, and Gerald Cornelius Monsman. King Solomon’s Mines. Broadview literary texts. Peterborough, ON: Broadview Press, 2002. Print.
Hardy, Thomas, and Norman Page. Jude the Obscure: An Authoritative Text : Backgrounds and Contexts Criticism. 2nd ed., a Norton critical ed. New York: W.W. Norton, 1999. Print.
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‘In Memoriam A. H. H. OBIIT MDCCCXXXIII [All 133 Poems] | Representative Poetry Online’. N.p., n.d. Web. <http://rpo.library.utoronto.ca/poems/memoriam-h-h-obiit-mdcccxxxiii-all-133-poems>.
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Jenkins, Alice. The Poems of Gerard Manley Hopkins: A Sourcebook. Routledge guides to literature. Abingdon: Routledge, 2006. Print.
‘Jenny by Dante Gabriel Rossetti : The Poetry Foundation’. N.p., n.d. Web. <http://www.poetryfoundation.org/poem/184527>.
John Glendening. ‘“Green Confusion”: Evolution and Entanglement in H. G. Wells’s “The Island of Doctor Moreau”’. Victorian Literature and Culture 30.2 (2002): 571–597. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/25058605>.
‘Jude the Obscure (Broadview Literary Texts): Amazon.Co.Uk: Thomas Hardy, Prof. Cedric Watts: Books’. N.p., n.d. Web. <http://www.amazon.co.uk/Jude-Obscure-Broadview-Literary-Texts/dp/1551111713/ref=sr_1_1?ie=UTF8&qid=1412609579&sr=8-1&keywords=jude+the+obscure+cedric+watts>.
Karlin, Daniel and Oxford University Press. Browning’s Hatreds. Oxford: Clarendon, 1993. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198112297.001.0001>.
Kaufman, Heidi. ‘KING SOLOMON’S MINES?: AFRICAN JEWRY, BRITISH IMPERIALISM, AND H. RIDER HAGGARD’S DIAMONDS’. Victorian Literature and Culture 33.02 (2005): n. pag. Web.
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Kramer, Dale. The Cambridge Companion to Thomas Hardy. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 1999. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521562023>.
Lawler, Justus George. Hopkins Re-Constructed: Life, Poetry, and the Tradition. New York: Continuum, 1998. Print.
Le Fanu, Joseph Sheridan. Carmilla. Ed. Kathleen Costello-Sullivan. First edition. Irish studies. Syracuse, New York: Syracuse University Press, 2013. Print.
Le Fanu, Joseph Sheridan, 1814-1873. Carmilla. First edition. Irish Studies. Syracuse, New York: Syracuse University Press, 2013. Print.
LEWIS ROBERTS. ‘THE “SHIVERING SANDS” OF REALITY: NARRATION AND KNOWLEDGE IN WILKIE COLLINS’ THE MOONSTONE’. Victorian Review 23.2 (1997): 168–183. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27794867>.
Manavalli, Krishna. ‘Collins, Colonial Crime, and the Brahmin Sublime: The Orientalist Vision of a Hindu-Brahmin India in The Moonstone’. Comparative Critical Studies 4.1 (2007): 67–86. Web.
Mazaheri, John. H. ‘On Superstition and Prejudice in the Beginning of Silas Marner’. Connotations: A Journal for Critical Debate 19.1–3 (2010): 238–258. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/848226691?pq-origsite=summon>.
Milward, Peter. A Commentary on the Sonnets of G.M. Hopkins. Chicago, Ill: Loyola Press, 1997. Print.
Monsman, Gerald. ‘Of Diamonds and Deities: Social Anthropology in H. Rider Haggard’s “King Solomon’s Mines”’. English Literature in Transition, 1880-1920English Fiction in Transition, 1880-1920 (1957-1960);English Literature in Transition, 1880-1920 43.3 (2000): 280–297. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308662099/fulltext/9E70D6A8C784D6DPQ/1?accountid=14540>.
Morris, Pam. Realism. New critical idiom. London: Routledge, 2003. Print.
Mossman, Mark. ‘REPRESENTATIONS OF THE ABNORMAL BODY IN THE MOONSTONE’. Victorian Literature and Culture 37.02 (2009): n. pag. Web.
‘My Last Duchess by Robert Browning : The Poetry Foundation’. N.p., n.d. Web. <http://www.poetryfoundation.org/poem/173024>.
O’Malley, Patrick R. Catholicism, Sexual Deviance, and Victorian Gothic Culture. Cambridge: Cambridge University Press, 2006. Web. <http://ebooks.cambridge.org/ref/id/CBO9780511484896>.
Oscar Wilde. The Picture of Dorian Gray. Peterborough, Ont: Broadview Press, 1998. Print.
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Phillips, R. Mapping Men and Empire: A Geography of Adventure. London: Routledge, 1997. Print.
‘Pied Beauty by Gerard Manley Hopkins : The Poetry Foundation’. N.p., n.d. Web. <http://www.poetryfoundation.org/poem/173664>.
‘Porphyria’s Lover by Robert Browning : The Poetry Foundation’. N.p., n.d. Web. <http://www.poetryfoundation.org/poem/175584>.
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Richard F. Patteson. ‘“King Solomon’s Mines”: Imperialism and Narrative Structure’. The Journal of Narrative Technique 8.2 (1978): 112–123. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30225636>.
Riquelme, John Paul. ‘Oscar Wilde’s Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray’. MFS Modern Fiction Studies 46.3 (2000): 609–631. Web.
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Sarah Brophy. ‘Elizabeth Barrett Browning’s “The Runaway Slave at Pilgrim’s Point” and the Politics of Interpretation’. Victorian Poetry 36.3 (1998): 273–288. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002430>.
Schad, John. Arthur Hugh Clough. Writers and their work. Devon: Northcote, 2006. Print.
Sinfield, Alan. The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment. London: Cassell, 1994. Print.
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Stefan Hawlin. Robert Browning. Routledge. Print.
Stone, Marjorie. Elizabeth Barrett Browning. Women writers. Basingstoke: Macmillan, 1995. Print.
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‘“Thou Art Indeed Just, Lord, If I Contend” by Gerard Manley Hopkins : The Poetry Foundation’. N.p., n.d. Web. <http://www.poetryfoundation.org/poem/173669>.
Tricia Lootens. ‘Publishing and Reading “Our EBB”: Editorial Pedagogy, Contemporary Culture, and “The Runaway Slave at Pilgrim’s Point”’. Victorian Poetry 44.4 (2006): 487–506. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002701>.
University of California, Los Angeles, William Andrews Clark Memorial Library, and MyiLibrary. Wilde Writings: Contextual Conditions. UCLA Clark Memorial Library series. Toronto, ON: Published by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library, 2003. Web. <http://lib.myilibrary.com?id=201443&entityid=https://idp.gla.ac.uk/shibboleth>.
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Walker, Cherryl and American Council of Learned Societies. Women and Gender in Southern Africa to 1945. Cape Town: D. Philip, 1990. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.04146>.
Wells, H. G. The Island of Dr. Moreau. Modern Library pbk. ed. The Modern Library classics. New York: Modern Library, 2002. Print.
Wilde, Oscar, and Michael Patrick Gillespie. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. 2nd ed. A Norton critical edition. New York, N.Y.: W. W. Norton & Co, 2007. Print.
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Wilkie Collins. The Moonstone. Peterborough, Ont: Broadview Press, 1999. Print.
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Wright, T. R. Elizabeth Gaskell, ‘We Are Not Angels’: Realism, Gender, Values. Basinstoke, Hampshire: Macmillan Press, 1995. Print.
