1.
Gaskell EC, Shelston A. North and South: An Authoritative Text, Contexts, Criticism. Vol A Norton critical edition. 1st ed. W.W. Norton & Co; 2005.
2.
My Last Duchess by Robert Browning : The Poetry Foundation. http://www.poetryfoundation.org/poem/173024
3.
Porphyria’s Lover by Robert Browning : The Poetry Foundation. http://www.poetryfoundation.org/poem/175584
4.
The Runaway Slave at Pilgrim’s Point - Elizabeth Barrett Browning (1806-1861). http://classiclit.about.com/library/bl-etexts/ebbrowning/bl-ebbrown-runaway.htm
5.
Jenny by Dante Gabriel Rossetti : The Poetry Foundation. http://www.poetryfoundation.org/poem/184527
6.
‘Thou art indeed just, Lord, if I contend’ by Gerard Manley Hopkins : The Poetry Foundation. http://www.poetryfoundation.org/poem/173669
7.
Pied Beauty by Gerard Manley Hopkins : The Poetry Foundation. http://www.poetryfoundation.org/poem/173664
8.
God’s Grandeur by Gerard Manley Hopkins : The Poetry Foundation. http://www.poetryfoundation.org/poem/173660
9.
In Memoriam A. H. H. OBIIT MDCCCXXXIII [all 133 poems] | Representative Poetry Online. http://rpo.library.utoronto.ca/poems/memoriam-h-h-obiit-mdcccxxxiii-all-133-poems
10.
‘Easter Day. Naples, 1849’ - Arthur Hugh Clough, Book, etext. http://www.telelib.com/authors/C/CloughArthurHugh/verse/misc/easterdaynaples.html
11.
Dover Beach by Matthew Arnold : The Poetry Foundation. http://www.poetryfoundation.org/poem/172844
12.
Haggard HR, Monsman GC. King Solomon’s Mines. Vol Broadview literary texts. Broadview Press; 2002.
13.
Wells HG. The Island of Dr. Moreau. Vol The Modern Library classics. Modern Library pbk. ed. Modern Library; 2002.
14.
Eliot G, Cave T. Silas Marner: The Weaver of Raveloe. Vol The world’s classics. Oxford University Press; 1996.
15.
Collins W, Sutherland J. The Moonstone. Vol Oxford world’s classics. Oxford University Press; 2008.
16.
Wilde O, Gillespie MP. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. Vol A Norton critical edition. 2nd ed. W. W. Norton & Co; 2007.
17.
Hardy T, Page N. Jude the Obscure: An Authoritative Text : Backgrounds and Contexts Criticism. 2nd ed., a Norton critical ed. W.W. Norton; 1999.
18.
Le Fanu, Joseph Sheridan 1814-1873. Carmilla. Vol Irish Studies. First edition. Syracuse University Press; 2013.
19.
Adams JE. A History of Victorian Literature. Vol Blackwell histories of literature. Wiley-Blackwell; 2009.
20.
Flint K. Elizabeth Gaskell. Vol Writers and their work. Northcote House; 1995.
21.
Angus Easson. Mr Hale’s Doubts in North and South. The Review of English Studies. 1980;31(121):30-40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/514049
22.
Wright TR. Elizabeth Gaskell, ‘We Are Not Angels’: Realism, Gender, Values. Macmillan Press; 1995.
23.
Spencer J. Elizabeth Gaskell. Vol Women writers. Macmillan Educ; 1993.
24.
Chapman A. Elizabeth Gaskell: Mary Barton, North and South. Palgrave Macmillan; 1999.
25.
Cronin R, Chapman A, Harrison AH. A Companion to Victorian Poetry. Vol Blackwell companions to literature and culture. Blackwell Publishing; 2002.
26.
Stefan Hawlin. Robert Browning. Routledge
27.
Karlin D, Oxford University Press. Browning’s Hatreds. Clarendon; 1993. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780198112297.001.0001
28.
Byron G. Dramatic Monologue. Vol The new critical idiom. Routledge; 2003.
29.
Starzyk LawrenceJ. Rosetti’s ‘Jenny’: Aestheticizing the Whore. Papers on Language and LiteraturePapers on English Language and Literature (1965);Papers on Language and Literature. 2000;36(3). http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1300142766/fulltext/A6A714A88D8A48F6PQ/1?accountid=14540
30.
Williams R, Dawson Books. The Poetry Toolkit: The Essential Guide to Studying Poetry. Continuum; 2009. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781441106896
31.
Bentley DMR. Dante Gabriel Rossetti’s ‘Inner Standing-Point’ and ‘Jenny’ Reconstrued. University of Toronto Quarterly. 2011;80(3):680-717. doi:10.1353/utq.2011.0151
32.
Sarah Brophy. Elizabeth Barrett Browning’s ‘The Runaway Slave at Pilgrim’s Point’ and the Politics of Interpretation. Victorian Poetry. 1998;36(3):273-288. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002430
33.
Tricia Lootens. Publishing and Reading ‘Our EBB’: Editorial Pedagogy, Contemporary Culture, and ‘The Runaway Slave at Pilgrim’s Point’. Victorian Poetry. 2006;44(4):487-506. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40002701
34.
Stone M. Elizabeth Barrett Browning. Vol Women writers. Macmillan; 1995.
35.
Chapman A, English Association. Victorian Women Poets. Vol Essays and studies. D.S. Brewer; 2003.
36.
Cronin R, Ebooks Corporation Limited. Reading Victorian Poetry. John Wiley & Sons; 2012. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=822661
37.
Schad J. Arthur Hugh Clough. Vol Writers and their work. Northcote; 2006.
38.
Kenny A. God and Two Poets: Arthur Hugh Clough and Gerard Manley Hopkins. Sidgwick & Jackson; 1988.
39.
Griffiths E. The Printed Voice of Victorian Poetry. Clarendon; 1989.
40.
Jenkins A. The Poems of Gerard Manley Hopkins: A Sourcebook. Vol Routledge guides to literature. Routledge; 2006.
41.
Lawler JG. Hopkins Re-Constructed: Life, Poetry, and the Tradition. Continuum; 1998.
42.
Milward P. A Commentary on the Sonnets of G.M. Hopkins. Loyola Press; 1997.
43.
Bristow J. The Cambridge Companion to Victorian Poetry. Vol Cambridge Companions to Literature. Cambridge University Press; 2000. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521641152
44.
Easson A, Dawson Books. Gerard Manley Hopkins. Vol Routledge guides to literature. 1st ed. Routledge; 2011. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203835180
45.
Grob A. A Longing like Despair: Arnold’s Poetry of Pessimism. University of Delaware Press; 2002.
46.
Campbell K, British Council. Matthew Arnold. Vol Writers and their work. Northcote; 2008.
47.
Collini S. Matthew Arnold: A Critical Portrait. Oxford University Press; 2008.
48.
Victorian Poetry in Context (Texts and Contexts): Amazon.Co.Uk: Rosie Miles: Books. Bloomsbury Academic (4 July 2013) http://www.amazon.co.uk/Victorian-Poetry-Context-Texts-Contexts/dp/0826437672/ref=sr_1_1?ie=UTF8&qid=1412282777&sr=8-1&keywords=victorian+poetry+in+context
49.
Richard F. Patteson. ‘King Solomon’s Mines’: Imperialism and Narrative Structure. The Journal of Narrative Technique. 1978;8(2):112-123. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/30225636
50.
Monsman, G. Of Diamonds and Deities: Social Anthropology in H. Rider Haggard’s ‘King Solomon’s Mines’. English Literature in Transition, 1880-1920English Fiction in Transition, 1880-1920 (1957-1960);English Literature in Transition, 1880-1920. 2000;43(3):280-297. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/1308662099/fulltext/9E70D6A8C784D6DPQ/1?accountid=14540
51.
Walker C, American Council of Learned Societies. Women and Gender in Southern Africa to 1945. D. Philip; 1990. http://ezproxy.lib.gla.ac.uk/login?url=http://hdl.handle.net/2027/heb.04146
52.
Chrisman L. Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard, Schreiner, and Plaatje. Vol Oxford English monographs. Clarendon Press; 2000.
53.
Bradley Deane. Imperial Barbarians: Primitive Masculinity in Lost World Fiction. Victorian Literature and Culture. 2008;36(1):205-225. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/40347601
54.
Kaufman H. KING SOLOMON’S MINES?: AFRICAN JEWRY, BRITISH IMPERIALISM, AND H. RIDER HAGGARD’S DIAMONDS. Victorian Literature and Culture. 2005;33(02). doi:10.1017/S1060150305050965
55.
Brantlinger P. Rule of Darkness: British Literature and Imperialism, 1830-1914. Cornell University Press; 1988.
56.
Brantlinger P. Victorian Literature and Postcolonial Studies. Vol Postcolonial literary studies. Edinburgh University Press; 2009.
57.
Phillips R. Mapping Men and Empire: A Geography of Adventure. Routledge; 1997.
58.
Green MB. Dreams of Adventure, Deeds of Empire. Routledge and Kegan Paul; 1980.
59.
Quade P. Taming the Beast in the Name of the Father: The Island of Dr. Moreau and Wells’s Critique of Society’s Religious Molding. Extrapolation. 2007;48(2):292-301. doi:10.3828/extr.2007.48.2.6
60.
The Island of Doctor Moreau: Amazon.Co.Uk: H. G. Wells: Books. Broadview Press Ltd; Reprint edition (1 April 2009) http://www.amazon.co.uk/The-Island-Doctor-Moreau-Wells/dp/1551113279/ref=sr_1_fkmr0_1?ie=UTF8&qid=1412591479&sr=8-1-fkmr0&keywords=island+of+dr+moreau+broadview
61.
John Glendening. ‘Green Confusion’: Evolution and Entanglement in H. G. Wells’s ‘The Island of Doctor Moreau’. Victorian Literature and Culture. 2002;30(2):571-597. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/25058605
62.
Ferguson C. Language, Science and Popular Fiction in the Victorian Fin-de-Siècle: The Brutal Tongue. Vol The nineteenth century series. Ashgate; 2006.
63.
Parrinder P, Rolfe C, International H.G. Wells Symposium. H.G. Wells under Revision: Proceedings of the International H.G. Wells Symposium, London, July 1986. Susquehanna University Press; 1990.
64.
Page MR. The Literary Imagination from Erasmus Darwin to H.G. Wells: Science, Evolution, and Ecology. Ashgate; 2012.
65.
Christensen T. The ‘Bestial Mark’ of Race in The Island of Dr. Moreau. Criticism. 2005;46(4):575-595. doi:10.1353/crt.2005.0013
66.
George Eliot’s Silas Marner (Bloom’s Modern Critical Interpretations). Chelsea House Publications
67.
Carroll Viera. ‘Silas Marner’ And George Eliot’s Unrealistic Narratives. Interpretations. 1982;14(1):33-40. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/23241523
68.
Arthurs C. ‘Silas Marner’: The Uncertain Joys of Fatherhood. English. 1988;37(157):41-47. doi:10.1093/english/37.157.41
69.
The Primitive Mind of Silas Marner. ELH. 2008;75(4):939-962. doi:10.1353/elh.0.0029
70.
Mazaheri JohnH. On Superstition and Prejudice in the Beginning of Silas Marner. Connotations: A Journal for Critical Debate. 2010;19(1-3):238-258. http://ezproxy.lib.gla.ac.uk/login?url=http://search.proquest.com/docview/848226691?pq-origsite=summon
71.
Morris P. Realism. Vol New critical idiom. Routledge; 2003.
72.
Wilkie Collins. The Moonstone. Broadview Press; 1999.
73.
Gooch J. Narrative Labor in Wilkie Collins’s. Lit: Literature Interpretation Theory. 2010;21(2):119-143. doi:10.1080/10436921003773835
74.
Ashish Roy. The Fabulous Imperialist Semiotic of Wilkie Collin’s The Moonstone. New Literary History. 1993;24(3):657-681. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/469430
75.
Eric Levy. Wilkie Collins’ The Moonstone and the Problem of Pain in Life. Victorian Review. 2002;28(1):66-79. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27793483
76.
LEWIS ROBERTS. THE ‘SHIVERING SANDS’ OF REALITY: NARRATION AND KNOWLEDGE IN WILKIE COLLINS’ THE MOONSTONE. Victorian Review. 1997;23(2):168-183. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27794867
77.
Manavalli Krishna. Collins, Colonial Crime, and the Brahmin Sublime: The Orientalist Vision of a Hindu-Brahmin India in The Moonstone. Comparative Critical Studies. 2007;4(1):67-86. doi:10.1353/ccs.2007.0024
78.
Mossman M. REPRESENTATIONS OF THE ABNORMAL BODY IN THE MOONSTONE. Victorian Literature and Culture. 2009;37(02). doi:10.1017/S1060150309090305
79.
Wilde O, Gillespie MP. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. Vol A Norton critical edition. 2nd ed. W. W. Norton & Co; 2007.
80.
Riquelme JP. Oscar Wilde’s Aesthetic Gothic: Walter Pater, Dark Enlightenment, and The Picture of Dorian Gray. MFS Modern Fiction Studies. 2000;46(3):609-631. doi:10.1353/mfs.2000.0056
81.
Oscar Wilde. The Picture of Dorian Gray. Broadview Press; 1998.
82.
University of California, Los Angeles, William Andrews Clark Memorial Library, MyiLibrary. Wilde Writings: Contextual Conditions. Vol UCLA Clark Memorial Library series. Published by the University of Toronto Press in association with the UCLA Center for Seventeenth- and Eighteenth-Century Studies and the William Andrews Clark Memorial Library; 2003. http://lib.myilibrary.com?id=201443&entityid=https://idp.gla.ac.uk/shibboleth
83.
Sinfield A. The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment. Cassell; 1994.
84.
Robbins R. Oscar Wilde. Vol Writers’ lives series. Continuum; 2011.
85.
Dellamora R. Masculine Desire: The Sexual Politics of Victorian Aestheticism. University of North Carolina Press; 1990.
86.
Bristow J. Oscar Wilde and Modern Culture: The Making of a Legend. Ohio University Press; 2008.
87.
Draper RP. Hardy: The Tragic Novels : The Return of the Native, The Mayor of Casterbridge, Tess of the d’Urbervilles, Jude the Obscure : A Casebook. Vol Casebook series. Macmillan; 1975.
88.
Radford AD, Ebooks Corporation Limited. Mapping the Wessex Novel: Landscape, History and the Parochial in British Literature, 1870-1940. Vol Continuum literary studies. Continuum; 2010. http://www.GLA.eblib.com/patron/FullRecord.aspx?p=583796
89.
Radford AD. Thomas Hardy and the Survivals of Time. Vol The nineteenth century series. Ashgate; 2003.
90.
Kramer D. The Cambridge Companion to Thomas Hardy. Vol Cambridge Companions to Literature. Cambridge University Press; 1999. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521562023
91.
Dutta S. Ambivalence in Hardy: A Study of His Attitude to Women. Palgrave; 2000.
92.
Hughes J. Ecstatic Sound: Music and Individuality in the Work of Thomas Hardy. Vol The nineteenth century. Ashgate; 2001.
93.
Irwin M. Reading Hardy’s Landscapes. Palgrave; 2000.
94.
Jude the Obscure (Broadview Literary Texts): Amazon.co.uk: Thomas Hardy, Prof. Cedric Watts: Books. http://www.amazon.co.uk/Jude-Obscure-Broadview-Literary-Texts/dp/1551111713/ref=sr_1_1?ie=UTF8&qid=1412609579&sr=8-1&keywords=jude+the+obscure+cedric+watts
95.
Ruston S, English Association. Literature and Science. Vol Essays and studies. D.S. Brewer; 2008.
96.
Le Fanu JS. Carmilla. Vol Irish studies. First edition. (Costello-Sullivan K, ed.). Syracuse University Press; 2013.
97.
Harrison K, Fantina R. Victorian Sensations: Essays on a Scandalous Genre. Ohio State University Press; 2006.
98.
Botting F, Townshend D. Gothic: Critical Concepts in Literary and Cultural Studies. Vol Critical concepts in literary and cultural studies. Routledge; 2004.
99.
O’Malley PR. Catholicism, Sexual Deviance, and Victorian Gothic Culture. Cambridge University Press; 2006. doi:10.1017/CBO9780511484896
100.
Botting F. Gothic. Vol The new critical idiom. 2nd ed. Routledge; 2014.
